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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB40DD it is the complementary color #24BF22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB40DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB40DD shade: #E040D8, #F152EB, #FF64FE, #FF76FF and #FF88FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB40DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB40DD shade: #DB40DD, #CA2ECA, #B91CB7, #A80AA4 and #970091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB40DD shade: #DB40DD, #DD40B5, #DD408B, #DD4060 and #DD4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB40DD shade: #DB40DD, #B140DD, #8740DD, #5C40DD and #4040DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB40DD shade matches the following richer shades: #DB40DD and #ED2EEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB40DD shade: #DB40DD, #CA52CB, #B865B9, #A677A7 and #958995

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB40DD shade: #8740DD, #B140DD, #DB40DD, #DD40B6 and #DD408C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB40DD shade: #AB1EAD, #CE25D0, #DB40DD, #E263E4 and #E886EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB40DD shade: #DB40DD, #DD5D40 and #40DD9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB40DD shade: #DB40DD, #DDDB40 and #40DDDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB40DD shade: #DB40DD, #DD5D40, #43DD40 and #40C1DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB40DD shade: #DB40DD, #DD8C40, #43DD40 and #4091DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 71 / 0 / 13

HEX #DB40DD

RGB 219 64 221

HSL 299.24, 0.7%, 0.56%

LAB 56.04, 76.58, -48.99

 

Complementary color

CMYK 81 / 0 / 82 / 25

HEX #24BF22

RGB 36 191 34

HSL 119.24, 0.7%, 0.44%

LAB 67.84, -65.73, 61.61

 

CMYK 0 / 71 / 4 / 12

HEX #E040D8

RGB 224 64 216

HSL 303, 0.72%, 0.56%

LAB 56.56, 76.86, -45.28

 

CMYK 0 / 66 / 2 / 5

HEX #F152EB

RGB 241 82 235

HSL 302.26, 0.85%, 0.63%

LAB 62.28, 77.43, -46.75

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FE

RGB 255 100 254

HSL 300.39, 1%, 0.7%

LAB 67.67, 76.87, -48.61

 

CMYK 0 / 54 / 0 / 0

HEX #FF76FF

RGB 255 118 255

HSL 300, 1%, 0.73%

LAB 70.48, 69.48, -44.74

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 1 / 71 / 0 / 13

HEX #DB40DD

RGB 219 64 221

HSL 299.24, 0.7%, 0.56%

LAB 56.04, 76.58, -48.99

 

CMYK 0 / 77 / 0 / 21

HEX #CA2ECA

RGB 202 46 202

HSL 300, 0.63%, 0.49%

LAB 50.42, 75.44, -47.23

 

CMYK 0 / 85 / 1 / 27

HEX #B91CB7

RGB 185 28 183

HSL 300.76, 0.74%, 0.42%

LAB 45.03, 73.43, -44.94

 

CMYK 0 / 94 / 2 / 34

HEX #A80AA4

RGB 168 10 164

HSL 301.52, 0.89%, 0.35%

LAB 39.95, 70.21, -41.93

 

CMYK 0 / 100 / 4 / 41

HEX #970091

RGB 151 0 145

HSL 302.38, 1%, 0.3%

LAB 35.25, 65.55, -38.08

 

CMYK 1 / 71 / 0 / 13

HEX #DB40DD

RGB 219 64 221

HSL 299.24, 0.7%, 0.56%

LAB 56.04, 76.58, -48.99

 

CMYK 0 / 71 / 18 / 13

HEX #DD40B5

RGB 221 64 181

HSL 315.29, 0.7%, 0.56%

LAB 54.42, 71.13, -28.57

 

CMYK 0 / 71 / 37 / 13

HEX #DD408B

RGB 221 64 139

HSL 331.34, 0.7%, 0.56%

LAB 52.84, 66.07, -6.25

 

CMYK 0 / 71 / 57 / 13

HEX #DD4060

RGB 221 64 96

HSL 347.77, 0.7%, 0.56%

LAB 51.71, 62.28, 17.94

 

CMYK 0 / 71 / 71 / 13

HEX #DD4040

RGB 221 64 64

HSL 0, 0.7%, 0.56%

LAB 51.16, 60.42, 36.14

 

CMYK 1 / 71 / 0 / 13

HEX #DB40DD

RGB 219 64 221

HSL 299.24, 0.7%, 0.56%

LAB 56.04, 76.58, -48.99

 

CMYK 20 / 71 / 0 / 13

HEX #B140DD

RGB 177 64 221

HSL 283.18, 0.7%, 0.56%

LAB 49.78, 67.95, -59.35

 

CMYK 39 / 71 / 0 / 13

HEX #8740DD

RGB 135 64 221

HSL 267.13, 0.7%, 0.56%

LAB 44.29, 59.97, -68.51

 

CMYK 58 / 71 / 0 / 13

HEX #5C40DD

RGB 92 64 221

HSL 250.7, 0.7%, 0.56%

LAB 39.85, 53.13, -75.94

 

CMYK 71 / 71 / 0 / 13

HEX #4040DD

RGB 64 64 221

HSL 240, 0.7%, 0.56%

LAB 37.8, 49.8, -79.39

 

CMYK 1 / 71 / 0 / 13

HEX #DB40DD

RGB 219 64 221

HSL 299.24, 0.7%, 0.56%

LAB 56.04, 76.58, -48.99

 

CMYK 1 / 81 / 0 / 6

HEX #ED2EEF

RGB 237 46 239

HSL 299.38, 0.86%, 0.56%

LAB 58.22, 87.67, -55.47

 

CMYK 1 / 71 / 0 / 13

HEX #DB40DD

RGB 219 64 221

HSL 299.24, 0.7%, 0.56%

LAB 56.04, 76.58, -48.99

 

CMYK 0 / 60 / 0 / 20

HEX #CA52CB

RGB 202 82 203

HSL 299.5, 0.54%, 0.56%

LAB 54.97, 62.92, -40.6

 

CMYK 1 / 45 / 0 / 27

HEX #B865B9

RGB 184 101 185

HSL 299.29, 0.38%, 0.56%

LAB 55.07, 45.7, -30.3

 

CMYK 1 / 29 / 0 / 35

HEX #A677A7

RGB 166 119 167

HSL 298.75, 0.21%, 0.56%

LAB 56.18, 26.64, -18.39

 

CMYK 0 / 8 / 0 / 42

HEX #958995

RGB 149 137 149

HSL 300, 0.05%, 0.56%

LAB 58.46, 6.77, -4.77

 

CMYK 39 / 71 / 0 / 13

HEX #8740DD

RGB 135 64 221

HSL 267.13, 0.7%, 0.56%

LAB 44.29, 59.97, -68.51

 

CMYK 20 / 71 / 0 / 13

HEX #B140DD

RGB 177 64 221

HSL 283.18, 0.7%, 0.56%

LAB 49.78, 67.95, -59.35

 

CMYK 1 / 71 / 0 / 13

HEX #DB40DD

RGB 219 64 221

HSL 299.24, 0.7%, 0.56%

LAB 56.04, 76.58, -48.99

 

CMYK 0 / 71 / 18 / 13

HEX #DD40B6

RGB 221 64 182

HSL 314.9, 0.7%, 0.56%

LAB 54.47, 71.26, -29.09

 

CMYK 0 / 71 / 37 / 13

HEX #DD408C

RGB 221 64 140

HSL 330.96, 0.7%, 0.56%

LAB 52.88, 66.17, -6.8

 

CMYK 1 / 83 / 0 / 32

HEX #AB1EAD

RGB 171 30 173

HSL 299.16, 0.7%, 0.4%

LAB 42.16, 68.82, -43.75

 

CMYK 1 / 82 / 0 / 18

HEX #CE25D0

RGB 206 37 208

HSL 299.3, 0.7%, 0.48%

LAB 50.69, 79.28, -50.23

 

CMYK 1 / 71 / 0 / 13

HEX #DB40DD

RGB 219 64 221

HSL 299.24, 0.7%, 0.56%

LAB 56.04, 76.58, -48.99

 

CMYK 1 / 57 / 0 / 11

HEX #E263E4

RGB 226 99 228

HSL 299.07, 0.7%, 0.64%

LAB 62.25, 65.89, -43.04

 

CMYK 1 / 43 / 0 / 8

HEX #E886EA

RGB 232 134 234

HSL 298.8, 0.7%, 0.72%

LAB 69.57, 51.94, -34.87

 

CMYK 1 / 71 / 0 / 13

HEX #DB40DD

RGB 219 64 221

HSL 299.24, 0.7%, 0.56%

LAB 56.04, 76.58, -48.99

 

CMYK 0 / 58 / 71 / 13

HEX #DD5D40

RGB 221 93 64

HSL 11.08, 0.7%, 0.56%

LAB 55.66, 48.35, 41.29

 

CMYK 71 / 0 / 29 / 13

HEX #40DD9C

RGB 64 221 156

HSL 155.16, 0.7%, 0.56%

LAB 79.16, -55.33, 20.45

 

CMYK 1 / 71 / 0 / 13

HEX #DB40DD

RGB 219 64 221

HSL 299.24, 0.7%, 0.56%

LAB 56.04, 76.58, -48.99

 

CMYK 0 / 1 / 71 / 13

HEX #DDDB40

RGB 221 219 64

HSL 59.24, 0.7%, 0.56%

LAB 85.2, -16.86, 71.86

 

CMYK 71 / 0 / 1 / 13

HEX #40DDDB

RGB 64 221 219

HSL 179.24, 0.7%, 0.56%

LAB 80.69, -39.74, -10.74

 

CMYK 1 / 71 / 0 / 13

HEX #DB40DD

RGB 219 64 221

HSL 299.24, 0.7%, 0.56%

LAB 56.04, 76.58, -48.99

 

CMYK 0 / 58 / 71 / 13

HEX #DD5D40

RGB 221 93 64

HSL 11.08, 0.7%, 0.56%

LAB 55.66, 48.35, 41.29

 

CMYK 70 / 0 / 71 / 13

HEX #43DD40

RGB 67 221 64

HSL 118.85, 0.7%, 0.56%

LAB 78.04, -68.36, 62.16

 

CMYK 71 / 13 / 0 / 13

HEX #40C1DD

RGB 64 193 221

HSL 190.7, 0.7%, 0.56%

LAB 72.53, -25.83, -24.14

 

CMYK 1 / 71 / 0 / 13

HEX #DB40DD

RGB 219 64 221

HSL 299.24, 0.7%, 0.56%

LAB 56.04, 76.58, -48.99

 

CMYK 0 / 37 / 71 / 13

HEX #DD8C40

RGB 221 140 64

HSL 29.04, 0.7%, 0.56%

LAB 65.36, 24.4, 51.89

 

CMYK 70 / 0 / 71 / 13

HEX #43DD40

RGB 67 221 64

HSL 118.85, 0.7%, 0.56%

LAB 78.04, -68.36, 62.16

 

CMYK 71 / 34 / 0 / 13

HEX #4091DD

RGB 64 145 221

HSL 209.04, 0.7%, 0.56%

LAB 58.57, 0.19, -45.84

 

Description

Color code: HEX #DB40DD | qconv.com Color code: HEX #DB40DD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 64 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 64 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 71 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 71% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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