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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB3E257F it is the complementary color #24C1DA7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB3E257F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB3E257F shade: #E03E207F, #F150337F, #FF62467F, #FF74597F and #FF866C7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB3E257F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB3E257F shade: #DB3E257F, #CA2C127F, #B91A007F, #A808007F and #9700007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB3E257F shade: #DB3D24 and #DB2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB3E257F shade: #DB3D24, #DB6E24, #DBA024, #DBD124 and #B4DB24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB3E257F shade matches the following richer shades: #DB3D24 and #F02E0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB3E257F shade: #DB3D24, #C74C38, #B25B4D, #9D6A62 and #897976

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB3E257F shade: #DB246D, #DB243C, #DB3C24, #DB6D24 and #DB9E24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB3E257F shade: #942918, #B8331E, #DB3D24, #E15C47 and #E77C6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB3E257F shade: #DB3E25, #9EDB24 and #2455DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB3E257F shade: #DB3E25, #24DB3C and #3C24DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB3E257F shade: #DB3E25, #9EDB24, #24C3DB and #6124DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB3E257F shade: #DB3E25, #67DB24, #24C3DB and #9824DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 42 / 7

HEX #DB3E257F

RGBA 219 62 37 0.5

HSLA 8.24, 0.72%, 0.5%, 0.5

LABA 50.26, 59.56, 49.47, 0.5

 

Complementary color

CMYK 42 / 6 / 0 / 7

HEX #24C1DA7F

RGBA 36 193 218 0.5

HSLA 188.24, 0.72%, 0.5%, 0.5

LABA 71.94, -29.61, -23.44, 0.5

 

CMYK 0 / 36 / 43 / 6

HEX #E03E207F

RGBA 224 62 32 0.5

HSLA 9.38, 0.76%, 0.5%, 0.5

LABA 51.15, 61.01, 52.88, 0.5

 

CMYK 0 / 33 / 39 / 3

HEX #F150337F

RGBA 241 80 51 0.5

HSLA 9.16, 0.87%, 0.57%, 0.5

LABA 56.76, 60.27, 50.19, 0.5

 

CMYK 0 / 31 / 36 / 0

HEX #FF62467F

RGBA 255 98 70 0.5

HSLA 9.08, 1%, 0.64%, 0.5

LABA 62.03, 58.25, 46.75, 0.5

 

CMYK 0 / 27 / 33 / 0

HEX #FF74597F

RGBA 255 116 89 0.5

HSLA 9.76, 1%, 0.67%, 0.5

LABA 65.34, 51.12, 40.49, 0.5

 

CMYK 0 / 24 / 29 / 0

HEX #FF866C7F

RGBA 255 134 108 0.5

HSLA 10.61, 1%, 0.71%, 0.5

LABA 69.03, 43.64, 34.8, 0.5

 

CMYK 0 / 36 / 42 / 7

HEX #DB3E257F

RGBA 219 62 37 0.5

HSLA 8.24, 0.72%, 0.5%, 0.5

LABA 50.26, 59.56, 49.47, 0.5

 

CMYK 0 / 39 / 46 / 10

HEX #CA2C127F

RGBA 202 44 18 0.5

HSLA 8.48, 0.84%, 0.43%, 0.5

LABA 44.8, 59.84, 51.93, 0.5

 

CMYK 0 / 43 / 50 / 14

HEX #B91A007F

RGBA 185 26 0 0.5

HSLA 8.43, 1%, 0.36%, 0.5

LABA 39.67, 59.3, 53.28, 0.5

 

CMYK 0 / 48 / 50 / 17

HEX #A808007F

RGBA 168 8 0 0.5

HSLA 2.86, 1%, 0.33%, 0.5

LABA 35, 57.6, 49.12, 0.5

 

CMYK 0 / 50 / 50 / 20

HEX #9700007F

RGBA 151 0 0 0.5

HSLA 0, 1%, 0.3%, 0.5

LABA 30.83, 54.19, 44.61, 0.5

 

CMYK 0 / 72 / 84 / 14

HEX #DB3D24

RGB 219 61 36

HSL 8.2, 0.72%, 0.5%

LAB 50.13, 59.89, 49.82

 

CMYK 0 / 84 / 84 / 14

HEX #DB2424

RGB 219 36 36

HSL 0, 0.72%, 0.5%

LAB 47.56, 67.09, 47.52

 

CMYK 0 / 72 / 84 / 14

HEX #DB3D24

RGB 219 61 36

HSL 8.2, 0.72%, 0.5%

LAB 50.13, 59.89, 49.82

 

CMYK 0 / 50 / 84 / 14

HEX #DB6E24

RGB 219 110 36

HSL 24.26, 0.72%, 0.5%

LAB 58.36, 38.24, 57.05

 

CMYK 0 / 27 / 84 / 14

HEX #DBA024

RGB 219 160 36

HSL 40.66, 0.72%, 0.5%

LAB 69.7, 11.74, 66.76

 

CMYK 0 / 5 / 84 / 14

HEX #DBD124

RGB 219 209 36

HSL 56.72, 0.72%, 0.5%

LAB 82.26, -13.75, 77.29

 

CMYK 18 / 0 / 84 / 14

HEX #B4DB24

RGB 180 219 36

HSL 72.79, 0.72%, 0.5%

LAB 82.11, -34.7, 76

 

CMYK 0 / 72 / 84 / 14

HEX #DB3D24

RGB 219 61 36

HSL 8.2, 0.72%, 0.5%

LAB 50.13, 59.89, 49.82

 

CMYK 0 / 81 / 94 / 6

HEX #F02E0F

RGB 240 46 15

HSL 8.27, 0.88%, 0.5%

LAB 52.41, 70.19, 61.4

 

CMYK 0 / 72 / 84 / 14

HEX #DB3D24

RGB 219 61 36

HSL 8.2, 0.72%, 0.5%

LAB 50.13, 59.89, 49.82

 

CMYK 0 / 62 / 72 / 22

HEX #C74C38

RGB 199 76 56

HSL 8.39, 0.56%, 0.5%

LAB 49, 47.89, 37.16

 

CMYK 0 / 49 / 57 / 30

HEX #B25B4D

RGB 178 91 77

HSL 8.32, 0.4%, 0.5%

LAB 48.86, 33.97, 24.2

 

CMYK 0 / 32 / 38 / 38

HEX #9D6A62

RGB 157 106 98

HSL 8.14, 0.23%, 0.5%

LAB 49.93, 19.36, 12.78

 

CMYK 0 / 12 / 14 / 46

HEX #897976

RGB 137 121 118

HSL 9.47, 0.07%, 0.5%

LAB 52.18, 5.62, 3.89

 

CMYK 0 / 84 / 50 / 14

HEX #DB246D

RGB 219 36 109

HSL 336.07, 0.72%, 0.5%

LAB 48.79, 70.74, 5.92

 

CMYK 0 / 84 / 73 / 14

HEX #DB243C

RGB 219 36 60

HSL 352.13, 0.72%, 0.5%

LAB 47.81, 67.85, 34.46

 

CMYK 0 / 73 / 84 / 14

HEX #DB3C24

RGB 219 60 36

HSL 7.87, 0.72%, 0.5%

LAB 50, 60.23, 49.71

 

CMYK 0 / 50 / 84 / 14

HEX #DB6D24

RGB 219 109 36

HSL 23.93, 0.72%, 0.5%

LAB 58.16, 38.75, 56.88

 

CMYK 0 / 28 / 84 / 14

HEX #DB9E24

RGB 219 158 36

HSL 40, 0.72%, 0.5%

LAB 69.21, 12.81, 66.35

 

CMYK 0 / 72 / 84 / 42

HEX #942918

RGB 148 41 24

HSL 8.23, 0.72%, 0.34%

LAB 33.87, 43.76, 35.96

 

CMYK 0 / 72 / 84 / 28

HEX #B8331E

RGB 184 51 30

HSL 8.18, 0.72%, 0.42%

LAB 42.23, 52.15, 43.15

 

CMYK 0 / 72 / 84 / 14

HEX #DB3D24

RGB 219 61 36

HSL 8.2, 0.72%, 0.5%

LAB 50.13, 59.89, 49.82

 

CMYK 0 / 59 / 68 / 12

HEX #E15C47

RGB 225 92 71

HSL 8.18, 0.72%, 0.58%

LAB 56.2, 50.59, 38.29

 

CMYK 0 / 46 / 54 / 9

HEX #E77C6B

RGB 231 124 107

HSL 8.23, 0.72%, 0.66%

LAB 63.73, 39.64, 27.86

 

CMYK 0 / 72 / 83 / 14

HEX #DB3E25

RGB 219 62 37

HSL 8.24, 0.72%, 0.5%

LAB 50.26, 59.56, 49.47

 

CMYK 28 / 0 / 84 / 14

HEX #9EDB24

RGB 158 219 36

HSL 80, 0.72%, 0.5%

LAB 80.77, -43.21, 74.32

 

CMYK 84 / 61 / 0 / 14

HEX #2455DB

RGB 36 85 219

HSL 223.93, 0.72%, 0.5%

LAB 41.19, 33.86, -72.72

 

CMYK 0 / 72 / 83 / 14

HEX #DB3E25

RGB 219 62 37

HSL 8.24, 0.72%, 0.5%

LAB 50.26, 59.56, 49.47

 

CMYK 84 / 0 / 73 / 14

HEX #24DB3C

RGB 36 219 60

HSL 127.87, 0.72%, 0.5%

LAB 76.9, -72.25, 62.27

 

CMYK 73 / 84 / 0 / 14

HEX #3C24DB

RGB 60 36 219

HSL 247.87, 0.72%, 0.5%

LAB 32.56, 62.56, -86.92

 

CMYK 0 / 72 / 83 / 14

HEX #DB3E25

RGB 219 62 37

HSL 8.24, 0.72%, 0.5%

LAB 50.26, 59.56, 49.47

 

CMYK 28 / 0 / 84 / 14

HEX #9EDB24

RGB 158 219 36

HSL 80, 0.72%, 0.5%

LAB 80.77, -43.21, 74.32

 

CMYK 84 / 11 / 0 / 14

HEX #24C3DB

RGB 36 195 219

HSL 187.87, 0.72%, 0.5%

LAB 72.57, -30.26, -23.02

 

CMYK 56 / 84 / 0 / 14

HEX #6124DB

RGB 97 36 219

HSL 260, 0.72%, 0.5%

LAB 35.83, 65.58, -81.41

 

CMYK 0 / 72 / 83 / 14

HEX #DB3E25

RGB 219 62 37

HSL 8.24, 0.72%, 0.5%

LAB 50.26, 59.56, 49.47

 

CMYK 53 / 0 / 84 / 14

HEX #67DB24

RGB 103 219 36

HSL 98.03, 0.72%, 0.5%

LAB 78.27, -61.27, 71.17

 

CMYK 84 / 11 / 0 / 14

HEX #24C3DB

RGB 36 195 219

HSL 187.87, 0.72%, 0.5%

LAB 72.57, -30.26, -23.02

 

CMYK 31 / 84 / 0 / 14

HEX #9824DB

RGB 152 36 219

HSL 278.03, 0.72%, 0.5%

LAB 42.84, 72.47, -69.63

 

Description

Color code: HEX #DB3E257F | qconv.com Color code: HEX #DB3E257F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 62 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 62 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 42 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 42% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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