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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB3D4D it is the complementary color #24C2B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB3D4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB3D4D shade: #E03D48, #F14F5B, #FF616E, #FF7381 and #FF8594

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB3D4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB3D4D shade: #DB3D4D, #CA2B3A, #B91927, #A80714 and #970001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB3D4D shade: #DB3D4D and #DB3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB3D4D shade: #DB3D4D, #DB3D78, #DB3DA3, #DB3DCD and #BF3DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB3D4D shade matches the following richer shades: #DB3D4D and #EE2B3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB3D4D shade: #DB3D4D, #C9505C, #B6626B, #A4757A and #918788

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB3D4D shade: #DB3DA4, #DB3D7A, #DB3D50, #DB553D and #DB7F3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB3D4D shade: #A71F2D, #CA2536, #DB3D4D, #E2606D and #E8838D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB3D4D shade: #DB3D4D, #CEDB3D and #3D8FDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB3D4D shade: #DB3D4D, #50DB3D and #3D50DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB3D4D shade: #DB3D4D, #CEDB3D, #3DDBC9 and #4A3DDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB3D4D shade: #DB3D4D, #9FDB3D, #3DDBC9 and #7A3DDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 65 / 14

HEX #DB3D4D

RGB 219 61 77

HSL 353.92, 0.69%, 0.55%

LAB 50.61, 61.53, 27.8

 

Complementary color

CMYK 81 / 0 / 8 / 24

HEX #24C2B2

RGB 36 194 178

HSL 173.92, 0.69%, 0.45%

LAB 70.99, -42.05, -3.05

 

CMYK 0 / 73 / 68 / 12

HEX #E03D48

RGB 224 61 72

HSL 355.95, 0.72%, 0.56%

LAB 51.44, 62.77, 31.98

 

CMYK 0 / 67 / 62 / 5

HEX #F14F5B

RGB 241 79 91

HSL 355.56, 0.85%, 0.63%

LAB 57.12, 62.49, 28.68

 

CMYK 0 / 62 / 57 / 0

HEX #FF616E

RGB 255 97 110

HSL 355.06, 1%, 0.69%

LAB 62.45, 60.92, 25.14

 

CMYK 0 / 55 / 49 / 0

HEX #FF7381

RGB 255 115 129

HSL 354, 1%, 0.73%

LAB 65.83, 54.46, 18.88

 

CMYK 0 / 48 / 42 / 0

HEX #FF8594

RGB 255 133 148

HSL 352.62, 1%, 0.76%

LAB 69.59, 47.65, 13.4

 

CMYK 0 / 72 / 65 / 14

HEX #DB3D4D

RGB 219 61 77

HSL 353.92, 0.69%, 0.55%

LAB 50.61, 61.53, 27.8

 

CMYK 0 / 79 / 71 / 21

HEX #CA2B3A

RGB 202 43 58

HSL 354.34, 0.65%, 0.48%

LAB 45.07, 61.29, 31.58

 

CMYK 0 / 86 / 79 / 27

HEX #B91927

RGB 185 25 39

HSL 354.75, 0.76%, 0.41%

LAB 39.84, 60.23, 36

 

CMYK 0 / 96 / 88 / 34

HEX #A80714

RGB 168 7 20

HSL 355.16, 0.92%, 0.34%

LAB 35.06, 58, 40.67

 

CMYK 0 / 100 / 99 / 41

HEX #970001

RGB 151 0 1

HSL 359.6, 1%, 0.3%

LAB 30.83, 54.2, 44.21

 

CMYK 0 / 72 / 65 / 14

HEX #DB3D4D

RGB 219 61 77

HSL 353.92, 0.69%, 0.55%

LAB 50.61, 61.53, 27.8

 

CMYK 0 / 72 / 72 / 14

HEX #DB3D3D

RGB 219 61 61

HSL 0, 0.69%, 0.55%

LAB 50.38, 60.73, 36.84

 

CMYK 0 / 72 / 65 / 14

HEX #DB3D4D

RGB 219 61 77

HSL 353.92, 0.69%, 0.55%

LAB 50.61, 61.53, 27.8

 

CMYK 0 / 72 / 45 / 14

HEX #DB3D78

RGB 219 61 120

HSL 337.59, 0.69%, 0.55%

LAB 51.56, 64.69, 3.22

 

CMYK 0 / 72 / 26 / 14

HEX #DB3DA3

RGB 219 61 163

HSL 321.27, 0.69%, 0.55%

LAB 53, 69.3, -20.27

 

CMYK 0 / 72 / 6 / 14

HEX #DB3DCD

RGB 219 61 205

HSL 305.32, 0.69%, 0.55%

LAB 54.87, 75.06, -41.73

 

CMYK 13 / 72 / 0 / 14

HEX #BF3DDB

RGB 191 61 219

HSL 289.37, 0.69%, 0.55%

LAB 51.3, 71.48, -55.67

 

CMYK 0 / 72 / 65 / 14

HEX #DB3D4D

RGB 219 61 77

HSL 353.92, 0.69%, 0.55%

LAB 50.61, 61.53, 27.8

 

CMYK 0 / 82 / 74 / 7

HEX #EE2B3E

RGB 238 43 62

HSL 354.15, 0.85%, 0.55%

LAB 52.12, 71.43, 39.22

 

CMYK 0 / 72 / 65 / 14

HEX #DB3D4D

RGB 219 61 77

HSL 353.92, 0.69%, 0.55%

LAB 50.61, 61.53, 27.8

 

CMYK 0 / 60 / 54 / 21

HEX #C9505C

RGB 201 80 92

HSL 354.05, 0.53%, 0.55%

LAB 50.6, 49.09, 18.27

 

CMYK 0 / 46 / 41 / 29

HEX #B6626B

RGB 182 98 107

HSL 353.57, 0.37%, 0.55%

LAB 51.54, 34.73, 10.19

 

CMYK 0 / 29 / 26 / 36

HEX #A4757A

RGB 164 117 122

HSL 353.62, 0.21%, 0.55%

LAB 54.05, 19.21, 4.61

 

CMYK 0 / 7 / 6 / 43

HEX #918788

RGB 145 135 136

HSL 354, 0.04%, 0.55%

LAB 57.2, 3.93, 0.81

 

CMYK 0 / 72 / 25 / 14

HEX #DB3DA4

RGB 219 61 164

HSL 320.89, 0.69%, 0.55%

LAB 53.03, 69.43, -20.8

 

CMYK 0 / 72 / 44 / 14

HEX #DB3D7A

RGB 219 61 122

HSL 336.84, 0.69%, 0.55%

LAB 51.61, 64.87, 2.09

 

CMYK 0 / 72 / 63 / 14

HEX #DB3D50

RGB 219 61 80

HSL 352.78, 0.69%, 0.55%

LAB 50.66, 61.7, 26.08

 

CMYK 0 / 61 / 72 / 14

HEX #DB553D

RGB 219 85 61

HSL 9.11, 0.69%, 0.55%

LAB 53.91, 51.14, 40.86

 

CMYK 0 / 42 / 72 / 14

HEX #DB7F3D

RGB 219 127 61

HSL 25.06, 0.69%, 0.55%

LAB 62.15, 30.35, 49.83

 

CMYK 0 / 81 / 73 / 35

HEX #A71F2D

RGB 167 31 45

HSL 353.82, 0.69%, 0.39%

LAB 36.72, 53.94, 27.89

 

CMYK 0 / 82 / 73 / 21

HEX #CA2536

RGB 202 37 54

HSL 353.82, 0.69%, 0.47%

LAB 44.44, 62.73, 33.23

 

CMYK 0 / 72 / 65 / 14

HEX #DB3D4D

RGB 219 61 77

HSL 353.92, 0.69%, 0.55%

LAB 50.61, 61.53, 27.8

 

CMYK 0 / 58 / 52 / 11

HEX #E2606D

RGB 226 96 109

HSL 354, 0.69%, 0.63%

LAB 57.69, 51.69, 18.53

 

CMYK 0 / 44 / 39 / 9

HEX #E8838D

RGB 232 131 141

HSL 354.06, 0.69%, 0.71%

LAB 65.99, 39.73, 11.83

 

CMYK 0 / 72 / 65 / 14

HEX #DB3D4D

RGB 219 61 77

HSL 353.92, 0.69%, 0.55%

LAB 50.61, 61.53, 27.8

 

CMYK 6 / 0 / 72 / 14

HEX #CEDB3D

RGB 206 219 61

HSL 64.94, 0.69%, 0.55%

LAB 84.03, -23.2, 71.35

 

CMYK 72 / 35 / 0 / 14

HEX #3D8FDB

RGB 61 143 219

HSL 208.86, 0.69%, 0.55%

LAB 57.8, 0.25, -45.94

 

CMYK 0 / 72 / 65 / 14

HEX #DB3D4D

RGB 219 61 77

HSL 353.92, 0.69%, 0.55%

LAB 50.61, 61.53, 27.8

 

CMYK 63 / 0 / 72 / 14

HEX #50DB3D

RGB 80 219 61

HSL 112.78, 0.69%, 0.55%

LAB 77.7, -65.42, 62.98

 

CMYK 72 / 63 / 0 / 14

HEX #3D50DB

RGB 61 80 219

HSL 232.78, 0.69%, 0.55%

LAB 40.97, 39.33, -73.05

 

CMYK 0 / 72 / 65 / 14

HEX #DB3D4D

RGB 219 61 77

HSL 353.92, 0.69%, 0.55%

LAB 50.61, 61.53, 27.8

 

CMYK 6 / 0 / 72 / 14

HEX #CEDB3D

RGB 206 219 61

HSL 64.94, 0.69%, 0.55%

LAB 84.03, -23.2, 71.35

 

CMYK 72 / 0 / 8 / 14

HEX #3DDBC9

RGB 61 219 201

HSL 173.16, 0.69%, 0.55%

LAB 79.54, -44.12, -2.85

 

CMYK 66 / 72 / 0 / 14

HEX #4A3DDB

RGB 74 61 219

HSL 244.94, 0.69%, 0.55%

LAB 37.68, 51.88, -78.42

 

CMYK 0 / 72 / 65 / 14

HEX #DB3D4D

RGB 219 61 77

HSL 353.92, 0.69%, 0.55%

LAB 50.61, 61.53, 27.8

 

CMYK 27 / 0 / 72 / 14

HEX #9FDB3D

RGB 159 219 61

HSL 82.78, 0.69%, 0.55%

LAB 80.94, -41.7, 67.3

 

CMYK 72 / 0 / 8 / 14

HEX #3DDBC9

RGB 61 219 201

HSL 173.16, 0.69%, 0.55%

LAB 79.54, -44.12, -2.85

 

CMYK 44 / 72 / 0 / 14

HEX #7A3DDB

RGB 122 61 219

HSL 263.16, 0.69%, 0.55%

LAB 42.14, 58.62, -70.94

 

Description

Color code: HEX #DB3D4D | qconv.com Color code: HEX #DB3D4D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 61 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 61 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 65 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 65% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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