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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB3C0C it is the complementary color #24C3F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB3C0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB3C0C shade: #E03C07, #F14E1A, #FF602D, #FF7240 and #FF8453

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB3C0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB3C0C shade: #DB3C0C, #CA2A00, #B91800, #A80600 and #970000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB3C0C shade: #DA3B0B and #DA0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB3C0C shade: #DA3B0B, #DA730B, #DAAB0B, #D2DA0B and #9ADA0B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB3C0C shade matches the following richer shades: #DA3B0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB3C0C shade: #DA3B0B, #C7451E, #B54F31, #A25943 and #906356

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB3C0C shade: #DA0B4D, #DA0B16, #DA380B, #DA6F0B and #DAA60B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB3C0C shade: #8C2607, #B33109, #DA3B0B, #F34E1C and #F56C43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB3C0C shade: #DB3C0C, #84DA0B and #0B31DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB3C0C shade: #DB3C0C, #0BDA38 and #380BDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB3C0C shade: #DB3C0C, #84DA0B, #0BADDA and #620BDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB3C0C shade: #DB3C0C, #46DA0B, #0BADDA and #A00BDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 95 / 14

HEX #DB3C0C

RGB 219 60 12

HSL 13.91, 0.9%, 0.45%

LAB 49.88, 59.82, 58.66

 

Complementary color

CMYK 85 / 20 / 0 / 5

HEX #24C3F3

RGB 36 195 243

HSL 193.91, 0.9%, 0.55%

LAB 73.47, -22.46, -34.64

 

CMYK 0 / 73 / 97 / 12

HEX #E03C07

RGB 224 60 7

HSL 14.65, 0.94%, 0.45%

LAB 50.8, 61.34, 60.87

 

CMYK 0 / 68 / 89 / 5

HEX #F14E1A

RGB 241 78 26

HSL 14.51, 0.88%, 0.52%

LAB 56.31, 60.45, 60.56

 

CMYK 0 / 62 / 82 / 0

HEX #FF602D

RGB 255 96 45

HSL 14.57, 1%, 0.59%

LAB 61.49, 58.24, 58.28

 

CMYK 0 / 55 / 75 / 0

HEX #FF7240

RGB 255 114 64

HSL 15.71, 1%, 0.63%

LAB 64.7, 50.85, 52.63

 

CMYK 0 / 48 / 67 / 0

HEX #FF8453

RGB 255 132 83

HSL 17.09, 1%, 0.66%

LAB 68.3, 43.06, 47.12

 

CMYK 0 / 73 / 95 / 14

HEX #DB3C0C

RGB 219 60 12

HSL 13.91, 0.9%, 0.45%

LAB 49.88, 59.82, 58.66

 

CMYK 0 / 79 / 100 / 21

HEX #CA2A00

RGB 202 42 0

HSL 12.48, 1%, 0.4%

LAB 44.54, 60.22, 57.34

 

CMYK 0 / 87 / 100 / 27

HEX #B91800

RGB 185 24 0

HSL 7.78, 1%, 0.36%

LAB 39.53, 59.71, 53.23

 

CMYK 0 / 96 / 100 / 34

HEX #A80600

RGB 168 6 0

HSL 2.14, 1%, 0.33%

LAB 34.91, 57.85, 49.08

 

CMYK 0 / 100 / 100 / 41

HEX #970000

RGB 151 0 0

HSL 0, 1%, 0.3%

LAB 30.83, 54.19, 44.61

 

CMYK 0 / 73 / 95 / 15

HEX #DA3B0B

RGB 218 59 11

HSL 13.91, 0.9%, 0.45%

LAB 49.57, 59.84, 58.63

 

CMYK 0 / 95 / 95 / 15

HEX #DA0B0B

RGB 218 11 11

HSL 0, 0.9%, 0.45%

LAB 45.86, 70.31, 56.57

 

CMYK 0 / 73 / 95 / 15

HEX #DA3B0B

RGB 218 59 11

HSL 13.91, 0.9%, 0.45%

LAB 49.57, 59.84, 58.63

 

CMYK 0 / 47 / 95 / 15

HEX #DA730B

RGB 218 115 11

HSL 30.14, 0.9%, 0.45%

LAB 59.15, 34.81, 64.7

 

CMYK 0 / 22 / 95 / 15

HEX #DAAB0B

RGB 218 171 11

HSL 46.38, 0.9%, 0.45%

LAB 72.27, 4.97, 73.91

 

CMYK 4 / 0 / 95 / 15

HEX #D2DA0B

RGB 210 218 11

HSL 62.32, 0.9%, 0.45%

LAB 83.9, -22.41, 82.25

 

CMYK 29 / 0 / 95 / 15

HEX #9ADA0B

RGB 154 218 11

HSL 78.55, 0.9%, 0.45%

LAB 80.2, -44.84, 77.79

 

CMYK 0 / 73 / 95 / 15

HEX #DA3B0B

RGB 218 59 11

HSL 13.91, 0.9%, 0.45%

LAB 49.57, 59.84, 58.63

 

CMYK 0 / 73 / 95 / 15

HEX #DA3B0B

RGB 218 59 11

HSL 13.91, 0.9%, 0.45%

LAB 49.57, 59.84, 58.63

 

CMYK 0 / 65 / 85 / 22

HEX #C7451E

RGB 199 69 30

HSL 13.85, 0.74%, 0.45%

LAB 47.61, 50.03, 48.97

 

CMYK 0 / 56 / 73 / 29

HEX #B54F31

RGB 181 79 49

HSL 13.64, 0.57%, 0.45%

LAB 46.5, 39.5, 37.38

 

CMYK 0 / 45 / 59 / 36

HEX #A25943

RGB 162 89 67

HSL 13.89, 0.41%, 0.45%

LAB 45.95, 27.8, 25.85

 

CMYK 0 / 31 / 40 / 44

HEX #906356

RGB 144 99 86

HSL 13.45, 0.25%, 0.45%

LAB 46.34, 16.49, 14.71

 

CMYK 0 / 95 / 65 / 15

HEX #DA0B4D

RGB 218 11 77

HSL 340.87, 0.9%, 0.45%

LAB 46.55, 72.21, 22.55

 

CMYK 0 / 95 / 90 / 15

HEX #DA0B16

RGB 218 11 22

HSL 356.81, 0.9%, 0.45%

LAB 45.91, 70.44, 52.64

 

CMYK 0 / 74 / 95 / 15

HEX #DA380B

RGB 218 56 11

HSL 13.04, 0.9%, 0.45%

LAB 49.2, 60.85, 58.42

 

CMYK 0 / 49 / 95 / 15

HEX #DA6F0B

RGB 218 111 11

HSL 28.99, 0.9%, 0.45%

LAB 58.32, 36.87, 64.15

 

CMYK 0 / 24 / 95 / 15

HEX #DAA60B

RGB 218 166 11

HSL 44.93, 0.9%, 0.45%

LAB 71.01, 7.63, 73

 

CMYK 0 / 73 / 95 / 45

HEX #8C2607

RGB 140 38 7

HSL 13.98, 0.9%, 0.29%

LAB 31.75, 41.8, 41.32

 

CMYK 0 / 73 / 95 / 30

HEX #B33109

RGB 179 49 9

HSL 14.12, 0.9%, 0.37%

LAB 40.9, 50.85, 50.2

 

CMYK 0 / 73 / 95 / 15

HEX #DA3B0B

RGB 218 59 11

HSL 13.91, 0.9%, 0.45%

LAB 49.57, 59.84, 58.63

 

CMYK 0 / 68 / 88 / 5

HEX #F34E1C

RGB 243 78 28

HSL 13.95, 0.9%, 0.53%

LAB 56.67, 61.13, 60.27

 

CMYK 0 / 56 / 73 / 4

HEX #F56C43

RGB 245 108 67

HSL 13.82, 0.9%, 0.61%

LAB 62.12, 50.16, 47.94

 

CMYK 0 / 73 / 95 / 14

HEX #DB3C0C

RGB 219 60 12

HSL 13.91, 0.9%, 0.45%

LAB 49.88, 59.82, 58.66

 

CMYK 39 / 0 / 95 / 15

HEX #84DA0B

RGB 132 218 11

HSL 84.93, 0.9%, 0.45%

LAB 79.08, -52.67, 76.43

 

CMYK 95 / 78 / 0 / 15

HEX #0B31DA

RGB 11 49 218

HSL 228.99, 0.9%, 0.45%

LAB 32.55, 54.12, -86.42

 

CMYK 0 / 73 / 95 / 14

HEX #DB3C0C

RGB 219 60 12

HSL 13.91, 0.9%, 0.45%

LAB 49.88, 59.82, 58.66

 

CMYK 95 / 0 / 74 / 15

HEX #0BDA38

RGB 11 218 56

HSL 133.04, 0.9%, 0.45%

LAB 76.37, -73.91, 63.05

 

CMYK 74 / 95 / 0 / 15

HEX #380BDA

RGB 56 11 218

HSL 253.04, 0.9%, 0.45%

LAB 29.77, 69.31, -90.99

 

CMYK 0 / 73 / 95 / 14

HEX #DB3C0C

RGB 219 60 12

HSL 13.91, 0.9%, 0.45%

LAB 49.88, 59.82, 58.66

 

CMYK 39 / 0 / 95 / 15

HEX #84DA0B

RGB 132 218 11

HSL 84.93, 0.9%, 0.45%

LAB 79.08, -52.67, 76.43

 

CMYK 95 / 21 / 0 / 15

HEX #0BADDA

RGB 11 173 218

HSL 193.04, 0.9%, 0.45%

LAB 65.76, -20.79, -32.97

 

CMYK 55 / 95 / 0 / 15

HEX #620BDA

RGB 98 11 218

HSL 265.22, 0.9%, 0.45%

LAB 33.77, 71.6, -84.23

 

CMYK 0 / 73 / 95 / 14

HEX #DB3C0C

RGB 219 60 12

HSL 13.91, 0.9%, 0.45%

LAB 49.88, 59.82, 58.66

 

CMYK 68 / 0 / 95 / 15

HEX #46DA0B

RGB 70 218 11

HSL 102.9, 0.9%, 0.45%

LAB 76.96, -69.37, 73.83

 

CMYK 95 / 21 / 0 / 15

HEX #0BADDA

RGB 11 173 218

HSL 193.04, 0.9%, 0.45%

LAB 65.76, -20.79, -32.97

 

CMYK 27 / 95 / 0 / 15

HEX #A00BDA

RGB 160 11 218

HSL 283.19, 0.9%, 0.45%

LAB 42.42, 77.96, -69.69

 

Description

Color code: HEX #DB3C0C | qconv.com Color code: HEX #DB3C0C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 60 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 60 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 95 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 95% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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