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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB3202 it is the complementary color #24CDFD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB3202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB3202 shade: #E03200, #F14410, #FF5623, #FF6836 and #FF7A49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB3202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB3202 shade: #DB3202, #CA2000, #B90E00, #A80000 and #970000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB3202 shade: #D93202 and #D90202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB3202 shade: #D93202, #D96C02, #D9A602, #D3D902 and #99D902

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB3202 shade matches the following richer shades: #D93202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB3202 shade: #D93202, #C73C14, #B64626, #A44F37 and #925949

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB3202 shade: #D90246, #D9020D, #D93102, #D96A02 and #D9A302

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB3202 shade: #871F01, #B02802, #D93202, #FD3E08 and #FD5E31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB3202 shade: #DB3202, #80D902 and #022AD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB3202 shade: #DB3202, #02D931 and #3102D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB3202 shade: #DB3202, #80D902, #02ABD9 and #5C02D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB3202 shade: #DB3202, #3FD902, #02ABD9 and #9C02D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 99 / 14

HEX #DB3202

RGB 219 50 2

HSL 13.27, 0.98%, 0.43%

LAB 48.69, 62.96, 60.54

 

Complementary color

CMYK 86 / 19 / 0 / 1

HEX #24CDFD

RGB 36 205 253

HSL 193.27, 0.98%, 0.57%

LAB 76.76, -24.22, -34.92

 

CMYK 0 / 78 / 100 / 12

HEX #E03200

RGB 224 50 0

HSL 13.39, 1%, 0.44%

LAB 49.65, 64.42, 62.07

 

CMYK 0 / 72 / 93 / 5

HEX #F14410

RGB 241 68 16

HSL 13.87, 0.89%, 0.5%

LAB 54.94, 63.97, 62.73

 

CMYK 0 / 66 / 86 / 0

HEX #FF5623

RGB 255 86 35

HSL 13.91, 1%, 0.57%

LAB 59.92, 62.08, 61.06

 

CMYK 0 / 59 / 79 / 0

HEX #FF6836

RGB 255 104 54

HSL 14.93, 1%, 0.61%

LAB 62.87, 55.04, 55.53

 

CMYK 0 / 52 / 71 / 0

HEX #FF7A49

RGB 255 122 73

HSL 16.15, 1%, 0.64%

LAB 66.26, 47.45, 49.87

 

CMYK 0 / 77 / 99 / 14

HEX #DB3202

RGB 219 50 2

HSL 13.27, 0.98%, 0.43%

LAB 48.69, 62.96, 60.54

 

CMYK 0 / 84 / 100 / 21

HEX #CA2000

RGB 202 32 0

HSL 9.5, 1%, 0.4%

LAB 43.64, 62.76, 56.97

 

CMYK 0 / 92 / 100 / 27

HEX #B90E00

RGB 185 14 0

HSL 4.54, 1%, 0.36%

LAB 38.95, 61.37, 53.01

 

CMYK 0 / 100 / 100 / 34

HEX #A80000

RGB 168 0 0

HSL 0, 1%, 0.33%

LAB 34.65, 58.61, 48.93

 

CMYK 0 / 100 / 100 / 41

HEX #970000

RGB 151 0 0

HSL 0, 1%, 0.3%

LAB 30.83, 54.19, 44.61

 

CMYK 0 / 77 / 99 / 15

HEX #D93202

RGB 217 50 2

HSL 13.4, 0.98%, 0.43%

LAB 48.31, 62.36, 60.14

 

CMYK 0 / 99 / 99 / 15

HEX #D90202

RGB 217 2 2

HSL 0, 0.98%, 0.43%

LAB 45.36, 70.76, 58.89

 

CMYK 0 / 77 / 99 / 15

HEX #D93202

RGB 217 50 2

HSL 13.4, 0.98%, 0.43%

LAB 48.31, 62.36, 60.14

 

CMYK 0 / 50 / 99 / 15

HEX #D96C02

RGB 217 108 2

HSL 29.58, 0.98%, 0.43%

LAB 57.54, 37.91, 65.18

 

CMYK 0 / 24 / 99 / 15

HEX #D9A602

RGB 217 166 2

HSL 45.77, 0.98%, 0.43%

LAB 70.89, 7.1, 73.95

 

CMYK 3 / 0 / 99 / 15

HEX #D3D902

RGB 211 217 2

HSL 61.67, 0.98%, 0.43%

LAB 83.69, -21.6, 82.91

 

CMYK 29 / 0 / 99 / 15

HEX #99D902

RGB 153 217 2

HSL 77.86, 0.98%, 0.43%

LAB 79.84, -44.9, 78.31

 

CMYK 0 / 77 / 99 / 15

HEX #D93202

RGB 217 50 2

HSL 13.4, 0.98%, 0.43%

LAB 48.31, 62.36, 60.14

 

CMYK 0 / 77 / 99 / 15

HEX #D93202

RGB 217 50 2

HSL 13.4, 0.98%, 0.43%

LAB 48.31, 62.36, 60.14

 

CMYK 0 / 70 / 90 / 22

HEX #C73C14

RGB 199 60 20

HSL 13.41, 0.82%, 0.43%

LAB 46.21, 53.47, 51.93

 

CMYK 0 / 62 / 79 / 29

HEX #B64626

RGB 182 70 38

HSL 13.33, 0.65%, 0.43%

LAB 44.89, 43.74, 41.55

 

CMYK 0 / 52 / 66 / 36

HEX #A44F37

RGB 164 79 55

HSL 13.21, 0.5%, 0.43%

LAB 43.89, 33.17, 30.32

 

CMYK 0 / 39 / 50 / 43

HEX #925949

RGB 146 89 73

HSL 13.15, 0.33%, 0.43%

LAB 43.85, 21.66, 19.16

 

CMYK 0 / 99 / 68 / 15

HEX #D90246

RGB 217 2 70

HSL 341.02, 0.98%, 0.43%

LAB 45.96, 72.4, 26.07

 

CMYK 0 / 99 / 94 / 15

HEX #D9020D

RGB 217 2 13

HSL 356.93, 0.98%, 0.43%

LAB 45.39, 70.86, 55.58

 

CMYK 0 / 77 / 99 / 15

HEX #D93102

RGB 217 49 2

HSL 13.12, 0.98%, 0.43%

LAB 48.2, 62.66, 60.09

 

CMYK 0 / 51 / 99 / 15

HEX #D96A02

RGB 217 106 2

HSL 29.02, 0.98%, 0.43%

LAB 57.14, 38.92, 64.93

 

CMYK 0 / 25 / 99 / 15

HEX #D9A302

RGB 217 163 2

HSL 44.93, 0.98%, 0.43%

LAB 70.14, 8.7, 73.43

 

CMYK 0 / 77 / 99 / 47

HEX #871F01

RGB 135 31 1

HSL 13.43, 0.99%, 0.27%

LAB 29.75, 42.64, 41.85

 

CMYK 0 / 77 / 99 / 31

HEX #B02802

RGB 176 40 2

HSL 13.1, 0.98%, 0.35%

LAB 39.16, 52.92, 51.24

 

CMYK 0 / 77 / 99 / 15

HEX #D93202

RGB 217 50 2

HSL 13.4, 0.98%, 0.43%

LAB 48.31, 62.36, 60.14

 

CMYK 0 / 75 / 97 / 1

HEX #FD3E08

RGB 253 62 8

HSL 13.22, 0.98%, 0.51%

LAB 56.43, 69.46, 66.56

 

CMYK 0 / 63 / 81 / 1

HEX #FD5E31

RGB 253 94 49

HSL 13.24, 0.98%, 0.59%

LAB 60.88, 58.51, 55.82

 

CMYK 0 / 77 / 99 / 14

HEX #DB3202

RGB 219 50 2

HSL 13.27, 0.98%, 0.43%

LAB 48.69, 62.96, 60.54

 

CMYK 41 / 0 / 99 / 15

HEX #80D902

RGB 128 217 2

HSL 84.84, 0.98%, 0.43%

LAB 78.59, -53.73, 76.79

 

CMYK 99 / 81 / 0 / 15

HEX #022AD9

RGB 2 42 217

HSL 228.84, 0.98%, 0.43%

LAB 31.06, 57.22, -88.31

 

CMYK 0 / 77 / 99 / 14

HEX #DB3202

RGB 219 50 2

HSL 13.27, 0.98%, 0.43%

LAB 48.69, 62.96, 60.54

 

CMYK 99 / 0 / 77 / 15

HEX #02D931

RGB 2 217 49

HSL 133.12, 0.98%, 0.43%

LAB 75.98, -74.45, 64.91

 

CMYK 77 / 99 / 0 / 15

HEX #3102D9

RGB 49 2 217

HSL 253.12, 0.98%, 0.43%

LAB 28.66, 70.38, -92.28

 

CMYK 0 / 77 / 99 / 14

HEX #DB3202

RGB 219 50 2

HSL 13.27, 0.98%, 0.43%

LAB 48.69, 62.96, 60.54

 

CMYK 41 / 0 / 99 / 15

HEX #80D902

RGB 128 217 2

HSL 84.84, 0.98%, 0.43%

LAB 78.59, -53.73, 76.79

 

CMYK 99 / 21 / 0 / 15

HEX #02ABD9

RGB 2 171 217

HSL 192.84, 0.98%, 0.43%

LAB 65.08, -20.34, -33.48

 

CMYK 58 / 99 / 0 / 15

HEX #5C02D9

RGB 92 2 217

HSL 265.12, 0.98%, 0.43%

LAB 32.54, 72.25, -85.71

 

CMYK 0 / 77 / 99 / 14

HEX #DB3202

RGB 219 50 2

HSL 13.27, 0.98%, 0.43%

LAB 48.69, 62.96, 60.54

 

CMYK 71 / 0 / 99 / 15

HEX #3FD902

RGB 63 217 2

HSL 102.98, 0.98%, 0.43%

LAB 76.49, -70.49, 74.24

 

CMYK 99 / 21 / 0 / 15

HEX #02ABD9

RGB 2 171 217

HSL 192.84, 0.98%, 0.43%

LAB 65.08, -20.34, -33.48

 

CMYK 28 / 99 / 0 / 15

HEX #9C02D9

RGB 156 2 217

HSL 282.98, 0.98%, 0.43%

LAB 41.41, 78.19, -70.79

 

Description

Color code: HEX #DB3202 | qconv.com Color code: HEX #DB3202 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 50 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 50 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 99 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 99% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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