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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB2DDA it is the complementary color #24D225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB2DDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB2DDA shade: #E02DD5, #F13FE8, #FF51FB, #FF63FF and #FF75FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB2DDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB2DDA shade: #DB2DDA, #CA1BC7, #B909B4, #A800A1 and #97008E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB2DDA shade: #DB2DDA, #DB2DAB, #DB2D7C, #DB2D4D and #DB2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB2DDA shade: #DB2DDA, #AD2DDB, #7E2DDB, #4F2DDB and #2D2DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB2DDA shade matches the following richer shades: #DB2DDA and #EF19EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB2DDA shade: #DB2DDA, #C741C6, #B355B3, #A0699F and #8C7C8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB2DDA shade: #7E2DDB, #AD2DDB, #DB2DDB, #DB2DAD and #DB2D7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB2DDA shade: #9C1A9B, #BF20BE, #DB2DDA, #E150E0 and #E774E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB2DDA shade: #DB2DDA, #DB502D and #2DDB95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB2DDA shade: #DB2DDA, #DBDB2D and #2DDBDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB2DDA shade: #DB2DDA, #DB502D, #2DDB2D and #2DB8DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB2DDA shade: #DB2DDA, #DB842D, #2DDB2D and #2D84DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 0 / 14

HEX #DB2DDA

RGB 219 45 218

HSL 300.34, 0.71%, 0.52%

LAB 54.03, 81.43, -50.49

 

Complementary color

CMYK 83 / 0 / 82 / 18

HEX #24D225

RGB 36 210 37

HSL 120.34, 0.71%, 0.48%

LAB 73.93, -71.14, 66.43

 

CMYK 0 / 80 / 5 / 12

HEX #E02DD5

RGB 224 45 213

HSL 303.69, 0.74%, 0.53%

LAB 54.58, 81.64, -46.7

 

CMYK 0 / 74 / 4 / 5

HEX #F13FE8

RGB 241 63 232

HSL 303.03, 0.86%, 0.6%

LAB 59.96, 83.13, -48.74

 

CMYK 0 / 68 / 2 / 0

HEX #FF51FB

RGB 255 81 251

HSL 301.38, 1%, 0.66%

LAB 65.05, 83.33, -51.1

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 79 / 0 / 14

HEX #DB2DDA

RGB 219 45 218

HSL 300.34, 0.71%, 0.52%

LAB 54.03, 81.43, -50.49

 

CMYK 0 / 87 / 1 / 21

HEX #CA1BC7

RGB 202 27 199

HSL 301.03, 0.76%, 0.45%

LAB 48.84, 79.1, -48.02

 

CMYK 0 / 95 / 3 / 27

HEX #B909B4

RGB 185 9 180

HSL 301.7, 0.91%, 0.38%

LAB 43.95, 75.63, -44.89

 

CMYK 0 / 100 / 4 / 34

HEX #A800A1

RGB 168 0 161

HSL 302.5, 1%, 0.33%

LAB 39.41, 70.85, -40.99

 

CMYK 0 / 100 / 6 / 41

HEX #97008E

RGB 151 0 142

HSL 303.58, 1%, 0.3%

LAB 35.07, 65.11, -36.52

 

CMYK 0 / 79 / 0 / 14

HEX #DB2DDA

RGB 219 45 218

HSL 300.34, 0.71%, 0.52%

LAB 54.03, 81.43, -50.49

 

CMYK 0 / 79 / 22 / 14

HEX #DB2DAB

RGB 219 45 171

HSL 316.55, 0.71%, 0.52%

LAB 51.7, 74.93, -26.98

 

CMYK 0 / 79 / 43 / 14

HEX #DB2D7C

RGB 219 45 124

HSL 332.76, 0.71%, 0.52%

LAB 49.97, 69.86, -1.52

 

CMYK 0 / 79 / 65 / 14

HEX #DB2D4D

RGB 219 45 77

HSL 348.97, 0.71%, 0.52%

LAB 48.85, 66.46, 25.56

 

CMYK 0 / 79 / 79 / 14

HEX #DB2D2D

RGB 219 45 45

HSL 0, 0.71%, 0.52%

LAB 48.42, 65.11, 43.63

 

CMYK 0 / 79 / 0 / 14

HEX #DB2DDA

RGB 219 45 218

HSL 300.34, 0.71%, 0.52%

LAB 54.03, 81.43, -50.49

 

CMYK 21 / 79 / 0 / 14

HEX #AD2DDB

RGB 173 45 219

HSL 284.14, 0.71%, 0.52%

LAB 46.81, 73.28, -63.04

 

CMYK 42 / 79 / 0 / 14

HEX #7E2DDB

RGB 126 45 219

HSL 267.93, 0.71%, 0.52%

LAB 40.29, 65.89, -73.94

 

CMYK 64 / 79 / 0 / 14

HEX #4F2DDB

RGB 79 45 219

HSL 251.72, 0.71%, 0.52%

LAB 35.31, 60.27, -82.32

 

CMYK 79 / 79 / 0 / 14

HEX #2D2DDB

RGB 45 45 219

HSL 240, 0.71%, 0.52%

LAB 33.03, 57.72, -86.17

 

CMYK 0 / 79 / 0 / 14

HEX #DB2DDA

RGB 219 45 218

HSL 300.34, 0.71%, 0.52%

LAB 54.03, 81.43, -50.49

 

CMYK 0 / 90 / 0 / 6

HEX #EF19EE

RGB 239 25 238

HSL 300.28, 0.87%, 0.52%

LAB 57.29, 91.4, -56.38

 

CMYK 0 / 79 / 0 / 14

HEX #DB2DDA

RGB 219 45 218

HSL 300.34, 0.71%, 0.52%

LAB 54.03, 81.43, -50.49

 

CMYK 0 / 67 / 1 / 22

HEX #C741C6

RGB 199 65 198

HSL 300.45, 0.54%, 0.52%

LAB 51.84, 68.14, -42.71

 

CMYK 0 / 53 / 0 / 30

HEX #B355B3

RGB 179 85 179

HSL 300, 0.38%, 0.52%

LAB 51.08, 51.21, -33.1

 

CMYK 0 / 34 / 1 / 37

HEX #A0699F

RGB 160 105 159

HSL 301.09, 0.22%, 0.52%

LAB 51.93, 30.98, -20.3

 

CMYK 0 / 11 / 0 / 45

HEX #8C7C8C

RGB 140 124 140

HSL 300, 0.07%, 0.52%

LAB 53.9, 9.16, -6.41

 

CMYK 42 / 79 / 0 / 14

HEX #7E2DDB

RGB 126 45 219

HSL 267.93, 0.71%, 0.52%

LAB 40.29, 65.89, -73.94

 

CMYK 21 / 79 / 0 / 14

HEX #AD2DDB

RGB 173 45 219

HSL 284.14, 0.71%, 0.52%

LAB 46.81, 73.28, -63.04

 

CMYK 0 / 79 / 0 / 14

HEX #DB2DDB

RGB 219 45 219

HSL 300, 0.71%, 0.52%

LAB 54.08, 81.58, -50.97

 

CMYK 0 / 79 / 21 / 14

HEX #DB2DAD

RGB 219 45 173

HSL 315.86, 0.71%, 0.52%

LAB 51.79, 75.18, -28.02

 

CMYK 0 / 79 / 42 / 14

HEX #DB2D7E

RGB 219 45 126

HSL 332.07, 0.71%, 0.52%

LAB 50.03, 70.04, -2.64

 

CMYK 0 / 83 / 1 / 39

HEX #9C1A9B

RGB 156 26 155

HSL 300.46, 0.71%, 0.36%

LAB 38.15, 63.96, -39.5

 

CMYK 0 / 83 / 1 / 25

HEX #BF20BE

RGB 191 32 190

HSL 300.38, 0.71%, 0.44%

LAB 46.75, 74.81, -46.24

 

CMYK 0 / 79 / 0 / 14

HEX #DB2DDA

RGB 219 45 218

HSL 300.34, 0.71%, 0.52%

LAB 54.03, 81.43, -50.49

 

CMYK 0 / 64 / 0 / 12

HEX #E150E0

RGB 225 80 224

HSL 300.41, 0.71%, 0.6%

LAB 59.09, 72.77, -45.79

 

CMYK 0 / 50 / 0 / 9

HEX #E774E6

RGB 231 116 230

HSL 300.52, 0.71%, 0.68%

LAB 65.9, 59.78, -38.39

 

CMYK 0 / 79 / 0 / 14

HEX #DB2DDA

RGB 219 45 218

HSL 300.34, 0.71%, 0.52%

LAB 54.03, 81.43, -50.49

 

CMYK 0 / 63 / 79 / 14

HEX #DB502D

RGB 219 80 45

HSL 12.07, 0.71%, 0.52%

LAB 52.94, 52.7, 48.12

 

CMYK 79 / 0 / 32 / 14

HEX #2DDB95

RGB 45 219 149

HSL 155.86, 0.71%, 0.52%

LAB 78.11, -58.38, 22.61

 

CMYK 0 / 79 / 0 / 14

HEX #DB2DDA

RGB 219 45 218

HSL 300.34, 0.71%, 0.52%

LAB 54.03, 81.43, -50.49

 

CMYK 0 / 0 / 79 / 14

HEX #DBDB2D

RGB 219 219 45

HSL 60, 0.71%, 0.52%

LAB 84.95, -18.43, 77.36

 

CMYK 79 / 0 / 0 / 14

HEX #2DDBDB

RGB 45 219 219

HSL 180, 0.71%, 0.52%

LAB 79.8, -40.77, -12.1

 

CMYK 0 / 79 / 0 / 14

HEX #DB2DDA

RGB 219 45 218

HSL 300.34, 0.71%, 0.52%

LAB 54.03, 81.43, -50.49

 

CMYK 0 / 63 / 79 / 14

HEX #DB502D

RGB 219 80 45

HSL 12.07, 0.71%, 0.52%

LAB 52.94, 52.7, 48.12

 

CMYK 79 / 0 / 79 / 14

HEX #2DDB2D

RGB 45 219 45

HSL 120, 0.71%, 0.52%

LAB 76.93, -72.32, 67.1

 

CMYK 79 / 16 / 0 / 14

HEX #2DB8DB

RGB 45 184 219

HSL 192.07, 0.71%, 0.52%

LAB 69.44, -24.05, -27.82

 

CMYK 0 / 79 / 0 / 14

HEX #DB2DDA

RGB 219 45 218

HSL 300.34, 0.71%, 0.52%

LAB 54.03, 81.43, -50.49

 

CMYK 0 / 40 / 79 / 14

HEX #DB842D

RGB 219 132 45

HSL 30, 0.71%, 0.52%

LAB 63.14, 27.03, 57.83

 

CMYK 79 / 0 / 79 / 14

HEX #2DDB2D

RGB 45 219 45

HSL 120, 0.71%, 0.52%

LAB 76.93, -72.32, 67.1

 

CMYK 79 / 40 / 0 / 14

HEX #2D84DB

RGB 45 132 219

HSL 210, 0.71%, 0.52%

LAB 54.21, 4.91, -51.67

 

Description

Color code: HEX #DB2DDA | qconv.com Color code: HEX #DB2DDA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 45 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 45 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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