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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB2CE9 it is the complementary color #24D316. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB2CE9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB2CE9 shade: #E02CE4, #F13EF7, #FF50FF, #FF62FF and #FF74FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB2CE9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB2CE9 shade: #DB2CE9, #CA1AD6, #B908C3, #A800B0 and #97009D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB2CE9 shade: #DB2BE9, #E92BC4, #E92B90, #E92B5D and #E92B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB2CE9 shade: #DB2BE9, #A72BE9, #742BE9, #412BE9 and #2B2BE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB2CE9 shade matches the following richer shades: #DB2BE9 and #EB18FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB2CE9 shade: #DB2BE9, #CA3ED6, #BA51C3, #AA64B0 and #9A779D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB2CE9 shade: #742BE9, #A62BE9, #D92BE9, #E92BC6 and #E92B93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB2CE9 shade: #A312AF, #C616D4, #DB2BE9, #E150ED and #E775F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB2CE9 shade: #DB2CE9, #E9412B and #2BE98D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB2CE9 shade: #DB2CE9, #E9D92B and #2BE9D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB2CE9 shade: #DB2CE9, #E9412B, #3BE92B and #2BD3E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB2CE9 shade: #DB2CE9, #E97A2B, #3BE92B and #2B9AE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 81 / 0 / 9

HEX #DB2CE9

RGB 219 44 233

HSL 295.56, 0.81%, 0.54%

LAB 54.81, 83.98, -57.72

 

Complementary color

CMYK 83 / 0 / 90 / 17

HEX #24D316

RGB 36 211 22

HSL 115.56, 0.81%, 0.46%

LAB 74.2, -72.05, 69.84

 

CMYK 2 / 81 / 0 / 11

HEX #E02CE4

RGB 224 44 228

HSL 298.7, 0.77%, 0.53%

LAB 55.33, 84.1, -54.03

 

CMYK 2 / 75 / 0 / 3

HEX #F13EF7

RGB 241 62 247

HSL 298.05, 0.92%, 0.61%

LAB 60.66, 85.69, -56

 

CMYK 0 / 69 / 0 / 0

HEX #FF50FF

RGB 255 80 255

HSL 300, 1%, 0.66%

LAB 65.13, 84.28, -53.17

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 6 / 81 / 0 / 9

HEX #DB2CE9

RGB 219 44 233

HSL 295.56, 0.81%, 0.54%

LAB 54.81, 83.98, -57.72

 

CMYK 6 / 88 / 0 / 16

HEX #CA1AD6

RGB 202 26 214

HSL 296.17, 0.78%, 0.47%

LAB 49.68, 81.54, -55.32

 

CMYK 5 / 96 / 0 / 24

HEX #B908C3

RGB 185 8 195

HSL 296.79, 0.92%, 0.4%

LAB 44.84, 77.98, -52.27

 

CMYK 5 / 100 / 0 / 31

HEX #A800B0

RGB 168 0 176

HSL 297.27, 1%, 0.35%

LAB 40.34, 73.1, -48.47

 

CMYK 4 / 100 / 0 / 38

HEX #97009D

RGB 151 0 157

HSL 297.71, 1%, 0.31%

LAB 36.01, 67.39, -44.19

 

CMYK 6 / 82 / 0 / 9

HEX #DB2BE9

RGB 219 43 233

HSL 295.58, 0.81%, 0.54%

LAB 54.73, 84.2, -57.84

 

CMYK 0 / 82 / 16 / 9

HEX #E92BC4

RGB 233 43 196

HSL 311.68, 0.81%, 0.54%

LAB 55.11, 81.54, -36.03

 

CMYK 0 / 82 / 38 / 9

HEX #E92B90

RGB 233 43 144

HSL 328.11, 0.81%, 0.54%

LAB 53.02, 75.63, -8.74

 

CMYK 0 / 82 / 60 / 9

HEX #E92B5D

RGB 233 43 93

HSL 344.21, 0.81%, 0.54%

LAB 51.66, 71.62, 20.06

 

CMYK 0 / 82 / 82 / 9

HEX #E92B2B

RGB 233 43 43

HSL 0, 0.81%, 0.54%

LAB 50.95, 69.48, 48.09

 

CMYK 6 / 82 / 0 / 9

HEX #DB2BE9

RGB 219 43 233

HSL 295.58, 0.81%, 0.54%

LAB 54.73, 84.2, -57.84

 

CMYK 28 / 82 / 0 / 9

HEX #A72BE9

RGB 167 43 233

HSL 279.16, 0.81%, 0.54%

LAB 46.75, 75.59, -71.14

 

CMYK 50 / 82 / 0 / 9

HEX #742BE9

RGB 116 43 233

HSL 263.05, 0.81%, 0.54%

LAB 40.12, 68.66, -82.25

 

CMYK 72 / 82 / 0 / 9

HEX #412BE9

RGB 65 43 233

HSL 246.95, 0.81%, 0.54%

LAB 35.47, 63.96, -90.09

 

CMYK 82 / 82 / 0 / 9

HEX #2B2BE9

RGB 43 43 233

HSL 240, 0.81%, 0.54%

LAB 34.24, 62.75, -92.17

 

CMYK 6 / 82 / 0 / 9

HEX #DB2BE9

RGB 219 43 233

HSL 295.58, 0.81%, 0.54%

LAB 54.73, 84.2, -57.84

 

CMYK 7 / 90 / 0 / 1

HEX #EB18FC

RGB 235 24 252

HSL 295.53, 0.97%, 0.54%

LAB 57.41, 92.94, -64.03

 

CMYK 6 / 82 / 0 / 9

HEX #DB2BE9

RGB 219 43 233

HSL 295.58, 0.81%, 0.54%

LAB 54.73, 84.2, -57.84

 

CMYK 6 / 71 / 0 / 16

HEX #CA3ED6

RGB 202 62 214

HSL 295.26, 0.65%, 0.54%

LAB 52.79, 72.52, -50.34

 

CMYK 5 / 58 / 0 / 24

HEX #BA51C3

RGB 186 81 195

HSL 295.26, 0.49%, 0.54%

LAB 52.13, 57.89, -40.64

 

CMYK 3 / 43 / 0 / 31

HEX #AA64B0

RGB 170 100 176

HSL 295.26, 0.32%, 0.54%

LAB 52.72, 40.27, -28.88

 

CMYK 2 / 24 / 0 / 38

HEX #9A779D

RGB 154 119 157

HSL 295.26, 0.16%, 0.54%

LAB 54.55, 20.51, -15.19

 

CMYK 50 / 82 / 0 / 9

HEX #742BE9

RGB 116 43 233

HSL 263.05, 0.81%, 0.54%

LAB 40.12, 68.66, -82.25

 

CMYK 29 / 82 / 0 / 9

HEX #A62BE9

RGB 166 43 233

HSL 278.84, 0.81%, 0.54%

LAB 46.6, 75.43, -71.38

 

CMYK 7 / 82 / 0 / 9

HEX #D92BE9

RGB 217 43 233

HSL 294.95, 0.81%, 0.54%

LAB 54.41, 83.85, -58.38

 

CMYK 0 / 82 / 15 / 9

HEX #E92BC6

RGB 233 43 198

HSL 311.05, 0.81%, 0.54%

LAB 55.2, 81.8, -37.03

 

CMYK 0 / 82 / 37 / 9

HEX #E92B93

RGB 233 43 147

HSL 327.16, 0.81%, 0.54%

LAB 53.12, 75.92, -10.38

 

CMYK 7 / 90 / 0 / 31

HEX #A312AF

RGB 163 18 175

HSL 295.41, 0.81%, 0.38%

LAB 40.1, 70.01, -48.31

 

CMYK 7 / 90 / 0 / 17

HEX #C616D4

RGB 198 22 212

HSL 295.58, 0.81%, 0.46%

LAB 48.68, 81.16, -55.82

 

CMYK 6 / 82 / 0 / 9

HEX #DB2BE9

RGB 219 43 233

HSL 295.58, 0.81%, 0.54%

LAB 54.73, 84.2, -57.84

 

CMYK 5 / 66 / 0 / 7

HEX #E150ED

RGB 225 80 237

HSL 295.41, 0.81%, 0.62%

LAB 59.76, 74.92, -52.01

 

CMYK 4 / 51 / 0 / 5

HEX #E775F1

RGB 231 117 241

HSL 295.16, 0.82%, 0.7%

LAB 66.57, 61.25, -43.42

 

CMYK 6 / 81 / 0 / 9

HEX #DB2CE9

RGB 219 44 233

HSL 295.56, 0.81%, 0.54%

LAB 54.81, 83.98, -57.72

 

CMYK 0 / 72 / 82 / 9

HEX #E9412B

RGB 233 65 43

HSL 6.95, 0.81%, 0.54%

LAB 53.25, 63.03, 50.26

 

CMYK 82 / 0 / 39 / 9

HEX #2BE98D

RGB 43 233 141

HSL 150.95, 0.81%, 0.54%

LAB 82.23, -65.2, 32.25

 

CMYK 6 / 81 / 0 / 9

HEX #DB2CE9

RGB 219 44 233

HSL 295.56, 0.81%, 0.54%

LAB 54.81, 83.98, -57.72

 

CMYK 0 / 7 / 82 / 9

HEX #E9D92B

RGB 233 217 43

HSL 54.95, 0.81%, 0.54%

LAB 85.57, -11.62, 78.85

 

CMYK 82 / 0 / 7 / 9

HEX #2BE9D9

RGB 43 233 217

HSL 174.95, 0.81%, 0.54%

LAB 83.86, -47.62, -5.01

 

CMYK 6 / 81 / 0 / 9

HEX #DB2CE9

RGB 219 44 233

HSL 295.56, 0.81%, 0.54%

LAB 54.81, 83.98, -57.72

 

CMYK 0 / 72 / 82 / 9

HEX #E9412B

RGB 233 65 43

HSL 6.95, 0.81%, 0.54%

LAB 53.25, 63.03, 50.26

 

CMYK 75 / 0 / 82 / 9

HEX #3BE92B

RGB 59 233 43

HSL 114.95, 0.81%, 0.54%

LAB 81.5, -74.69, 71.97

 

CMYK 82 / 9 / 0 / 9

HEX #2BD3E9

RGB 43 211 233

HSL 186.95, 0.81%, 0.54%

LAB 77.87, -33.06, -22.51

 

CMYK 6 / 81 / 0 / 9

HEX #DB2CE9

RGB 219 44 233

HSL 295.56, 0.81%, 0.54%

LAB 54.81, 83.98, -57.72

 

CMYK 0 / 48 / 82 / 9

HEX #E97A2B

RGB 233 122 43

HSL 24.95, 0.81%, 0.54%

LAB 62.86, 37.88, 59.07

 

CMYK 75 / 0 / 82 / 9

HEX #3BE92B

RGB 59 233 43

HSL 114.95, 0.81%, 0.54%

LAB 81.5, -74.69, 71.97

 

CMYK 82 / 34 / 0 / 9

HEX #2B9AE9

RGB 43 154 233

HSL 204.95, 0.81%, 0.54%

LAB 61.23, -3.14, -48.33

 

Description

Color code: HEX #DB2CE9 | qconv.com Color code: HEX #DB2CE9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 44 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 44 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 81 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 81% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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