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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB28E3 it is the complementary color #24D71C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB28E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB28E3 shade: #E028DE, #F13AF1, #FF4CFF, #FF5EFF and #FF70FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB28E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB28E3 shade: #DB28E3, #CA16D0, #B904BD, #A800AA and #970097

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB28E3 shade: #DB26E3, #E326B8, #E32685, #E32652 and #E32626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB28E3 shade: #DB26E3, #A826E3, #7526E3, #4226E3 and #2626E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB28E3 shade matches the following richer shades: #DB26E3 and #ED13F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB28E3 shade: #DB26E3, #C93ACF, #B74EBB, #A462A7 and #927694

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB28E3 shade: #7526E3, #A726E3, #D926E3, #E326BA and #E32688

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB28E3 shade: #9C15A2, #BF1AC6, #DB26E3, #E14BE8 and #E76FEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB28E3 shade: #DB28E3, #E34326 and #26E38E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB28E3 shade: #DB28E3, #E3D926 and #26E3D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB28E3 shade: #DB28E3, #E34326, #30E326 and #26C7E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB28E3 shade: #DB28E3, #E37B26, #30E326 and #268EE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 82 / 0 / 11

HEX #DB28E3

RGB 219 40 227

HSL 297.43, 0.77%, 0.52%

LAB 54.16, 83.91, -55.38

 

Complementary color

CMYK 83 / 0 / 87 / 16

HEX #24D71C

RGB 36 215 28

HSL 117.43, 0.77%, 0.48%

LAB 75.49, -72.98, 69.86

 

CMYK 0 / 82 / 1 / 12

HEX #E028DE

RGB 224 40 222

HSL 300.65, 0.75%, 0.52%

LAB 54.7, 84.05, -51.64

 

CMYK 0 / 76 / 0 / 5

HEX #F13AF1

RGB 241 58 241

HSL 300, 0.87%, 0.59%

LAB 59.96, 85.85, -53.77

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFF

RGB 255 76 255

HSL 300, 1%, 0.65%

LAB 64.68, 85.57, -53.89

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 4 / 82 / 0 / 11

HEX #DB28E3

RGB 219 40 227

HSL 297.43, 0.77%, 0.52%

LAB 54.16, 83.91, -55.38

 

CMYK 3 / 89 / 0 / 18

HEX #CA16D0

RGB 202 22 208

HSL 298.06, 0.81%, 0.45%

LAB 49.11, 81.21, -52.78

 

CMYK 2 / 98 / 0 / 26

HEX #B904BD

RGB 185 4 189

HSL 298.7, 0.96%, 0.38%

LAB 44.34, 77.43, -49.56

 

CMYK 1 / 100 / 0 / 33

HEX #A800AA

RGB 168 0 170

HSL 299.29, 1%, 0.33%

LAB 39.96, 72.18, -45.51

 

CMYK 0 / 100 / 0 / 41

HEX #970097

RGB 151 0 151

HSL 300, 1%, 0.3%

LAB 35.62, 66.46, -41.15

 

CMYK 4 / 83 / 0 / 11

HEX #DB26E3

RGB 219 38 227

HSL 297.46, 0.77%, 0.52%

LAB 54.02, 84.31, -55.6

 

CMYK 0 / 83 / 19 / 11

HEX #E326B8

RGB 227 38 184

HSL 313.65, 0.77%, 0.52%

LAB 53.14, 79.83, -32.23

 

CMYK 0 / 83 / 41 / 11

HEX #E32685

RGB 227 38 133

HSL 329.84, 0.77%, 0.52%

LAB 51.16, 74.28, -5.03

 

CMYK 0 / 83 / 64 / 11

HEX #E32652

RGB 227 38 82

HSL 346.03, 0.77%, 0.52%

LAB 49.89, 70.56, 24.18

 

CMYK 0 / 83 / 83 / 11

HEX #E32626

RGB 227 38 38

HSL 0, 0.77%, 0.52%

LAB 49.32, 68.87, 48.7

 

CMYK 4 / 83 / 0 / 11

HEX #DB26E3

RGB 219 38 227

HSL 297.46, 0.77%, 0.52%

LAB 54.02, 84.31, -55.6

 

CMYK 26 / 83 / 0 / 11

HEX #A826E3

RGB 168 38 227

HSL 281.27, 0.77%, 0.52%

LAB 45.98, 75.91, -68.97

 

CMYK 48 / 83 / 0 / 11

HEX #7526E3

RGB 117 38 227

HSL 265.08, 0.77%, 0.52%

LAB 39.09, 69.03, -80.52

 

CMYK 71 / 83 / 0 / 11

HEX #4226E3

RGB 66 38 227

HSL 248.89, 0.77%, 0.52%

LAB 34.17, 64.38, -88.82

 

CMYK 83 / 83 / 0 / 11

HEX #2626E3

RGB 38 38 227

HSL 240, 0.77%, 0.52%

LAB 32.58, 62.94, -91.51

 

CMYK 4 / 83 / 0 / 11

HEX #DB26E3

RGB 219 38 227

HSL 297.46, 0.77%, 0.52%

LAB 54.02, 84.31, -55.6

 

CMYK 4 / 92 / 0 / 3

HEX #ED13F7

RGB 237 19 247

HSL 297.37, 0.93%, 0.52%

LAB 57.26, 93.04, -61.48

 

CMYK 4 / 83 / 0 / 11

HEX #DB26E3

RGB 219 38 227

HSL 297.46, 0.77%, 0.52%

LAB 54.02, 84.31, -55.6

 

CMYK 3 / 72 / 0 / 19

HEX #C93ACF

RGB 201 58 207

HSL 297.58, 0.61%, 0.52%

LAB 51.78, 72.48, -47.96

 

CMYK 2 / 58 / 0 / 27

HEX #B74EBB

RGB 183 78 187

HSL 297.8, 0.44%, 0.52%

LAB 50.81, 57.03, -38.14

 

CMYK 2 / 41 / 0 / 35

HEX #A462A7

RGB 164 98 167

HSL 297.39, 0.28%, 0.52%

LAB 51.17, 37.73, -26.1

 

CMYK 1 / 20 / 0 / 42

HEX #927694

RGB 146 118 148

HSL 296, 0.12%, 0.52%

LAB 53.17, 16.44, -12.11

 

CMYK 48 / 83 / 0 / 11

HEX #7526E3

RGB 117 38 227

HSL 265.08, 0.77%, 0.52%

LAB 39.09, 69.03, -80.52

 

CMYK 26 / 83 / 0 / 11

HEX #A726E3

RGB 167 38 227

HSL 280.95, 0.77%, 0.52%

LAB 45.84, 75.76, -69.22

 

CMYK 4 / 83 / 0 / 11

HEX #D926E3

RGB 217 38 227

HSL 296.83, 0.77%, 0.52%

LAB 53.69, 83.96, -56.15

 

CMYK 0 / 83 / 18 / 11

HEX #E326BA

RGB 227 38 186

HSL 313.02, 0.77%, 0.52%

LAB 53.24, 80.08, -33.25

 

CMYK 0 / 83 / 40 / 11

HEX #E32688

RGB 227 38 136

HSL 328.89, 0.77%, 0.52%

LAB 51.26, 74.56, -6.69

 

CMYK 4 / 87 / 0 / 36

HEX #9C15A2

RGB 156 21 162

HSL 297.45, 0.77%, 0.36%

LAB 38.22, 66.14, -43.61

 

CMYK 4 / 87 / 0 / 22

HEX #BF1AC6

RGB 191 26 198

HSL 297.56, 0.77%, 0.44%

LAB 46.83, 77.18, -50.76

 

CMYK 4 / 83 / 0 / 11

HEX #DB26E3

RGB 219 38 227

HSL 297.46, 0.77%, 0.52%

LAB 54.02, 84.31, -55.6

 

CMYK 3 / 68 / 0 / 9

HEX #E14BE8

RGB 225 75 232

HSL 297.32, 0.77%, 0.6%

LAB 58.85, 75.91, -50.66

 

CMYK 2 / 53 / 0 / 7

HEX #E76FEC

RGB 231 111 236

HSL 297.6, 0.77%, 0.68%

LAB 65.29, 63.16, -42.67

 

CMYK 4 / 82 / 0 / 11

HEX #DB28E3

RGB 219 40 227

HSL 297.43, 0.77%, 0.52%

LAB 54.16, 83.91, -55.38

 

CMYK 0 / 70 / 83 / 11

HEX #E34326

RGB 227 67 38

HSL 9.21, 0.77%, 0.52%

LAB 52.38, 60.31, 51.45

 

CMYK 83 / 0 / 37 / 11

HEX #26E38E

RGB 38 227 142

HSL 153.02, 0.77%, 0.52%

LAB 80.35, -63.34, 29.24

 

CMYK 4 / 82 / 0 / 11

HEX #DB28E3

RGB 219 40 227

HSL 297.43, 0.77%, 0.52%

LAB 54.16, 83.91, -55.38

 

CMYK 0 / 4 / 83 / 11

HEX #E3D926

RGB 227 217 38

HSL 56.83, 0.77%, 0.52%

LAB 85.05, -14.29, 79.42

 

CMYK 83 / 0 / 4 / 11

HEX #26E3D9

RGB 38 227 217

HSL 176.83, 0.77%, 0.52%

LAB 82.03, -45.4, -7.72

 

CMYK 4 / 82 / 0 / 11

HEX #DB28E3

RGB 219 40 227

HSL 297.43, 0.77%, 0.52%

LAB 54.16, 83.91, -55.38

 

CMYK 0 / 70 / 83 / 11

HEX #E34326

RGB 227 67 38

HSL 9.21, 0.77%, 0.52%

LAB 52.38, 60.31, 51.45

 

CMYK 79 / 0 / 83 / 11

HEX #30E326

RGB 48 227 38

HSL 116.83, 0.77%, 0.52%

LAB 79.45, -74.65, 71.26

 

CMYK 83 / 12 / 0 / 11

HEX #26C7E3

RGB 38 199 227

HSL 188.89, 0.77%, 0.52%

LAB 74.06, -29.53, -25.08

 

CMYK 4 / 82 / 0 / 11

HEX #DB28E3

RGB 219 40 227

HSL 297.43, 0.77%, 0.52%

LAB 54.16, 83.91, -55.38

 

CMYK 0 / 46 / 83 / 11

HEX #E37B26

RGB 227 123 38

HSL 26.98, 0.77%, 0.52%

LAB 62.2, 34.83, 60.07

 

CMYK 79 / 0 / 83 / 11

HEX #30E326

RGB 48 227 38

HSL 116.83, 0.77%, 0.52%

LAB 79.45, -74.65, 71.26

 

CMYK 83 / 37 / 0 / 11

HEX #268EE3

RGB 38 142 227

HSL 206.98, 0.77%, 0.52%

LAB 57.37, 1.25, -51.12

 

Description

Color code: HEX #DB28E3 | qconv.com Color code: HEX #DB28E3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 40 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 40 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 82 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 82% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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