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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB271C it is the complementary color #24D8E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB271C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB271C shade: #E02717, #F1392A, #FF4B3D, #FF5D50 and #FF6F63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB271C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB271C shade: #DB271C, #CA1509, #B90300, #A80000 and #970000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB271C shade: #D9271C and #D91C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB271C shade: #D9271C, #D95A1C, #D98D1C, #D9C01C and #BFD91C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB271C shade matches the following richer shades: #D9271C and #EC1608

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB271C shade: #D9271C, #C53930, #B14A44, #9D5C58 and #896D6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB271C shade: #D91C77, #D91C45, #D9261C, #D9581C and #D98A1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB271C shade: #901A13, #B42017, #D9271C, #E54339 and #EA655D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB271C shade: #DB271C, #AAD91C and #1C5ED9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB271C shade: #DB271C, #1CD926 and #261CD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB271C shade: #DB271C, #AAD91C, #1CCFD9 and #4B1CD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB271C shade: #DB271C, #71D91C, #1CCFD9 and #841CD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 87 / 14

HEX #DB271C

RGB 219 39 28

HSL 3.46, 0.77%, 0.48%

LAB 47.75, 66.23, 51.49

 

Complementary color

CMYK 84 / 5 / 0 / 11

HEX #24D8E3

RGB 36 216 227

HSL 183.46, 0.77%, 0.52%

LAB 79.06, -37.73, -17.5

 

CMYK 0 / 83 / 90 / 12

HEX #E02717

RGB 224 39 23

HSL 4.78, 0.81%, 0.48%

LAB 48.71, 67.53, 54.76

 

CMYK 0 / 76 / 83 / 5

HEX #F1392A

RGB 241 57 42

HSL 4.52, 0.88%, 0.55%

LAB 53.81, 67.95, 51.8

 

CMYK 0 / 71 / 76 / 0

HEX #FF4B3D

RGB 255 75 61

HSL 4.33, 1%, 0.62%

LAB 58.63, 66.86, 47.78

 

CMYK 0 / 64 / 69 / 0

HEX #FF5D50

RGB 255 93 80

HSL 4.46, 1%, 0.66%

LAB 61.37, 60.79, 40.64

 

CMYK 0 / 56 / 61 / 0

HEX #FF6F63

RGB 255 111 99

HSL 4.62, 1%, 0.69%

LAB 64.59, 54.04, 34.1

 

CMYK 0 / 82 / 87 / 14

HEX #DB271C

RGB 219 39 28

HSL 3.46, 0.77%, 0.48%

LAB 47.75, 66.23, 51.49

 

CMYK 0 / 90 / 96 / 21

HEX #CA1509

RGB 202 21 9

HSL 3.73, 0.91%, 0.41%

LAB 42.93, 64.94, 53.78

 

CMYK 0 / 98 / 100 / 27

HEX #B90300

RGB 185 3 0

HSL 0.97, 1%, 0.36%

LAB 38.51, 62.62, 52.86

 

CMYK 0 / 100 / 100 / 34

HEX #A80000

RGB 168 0 0

HSL 0, 1%, 0.33%

LAB 34.65, 58.61, 48.93

 

CMYK 0 / 100 / 100 / 41

HEX #970000

RGB 151 0 0

HSL 0, 1%, 0.3%

LAB 30.83, 54.19, 44.61

 

CMYK 0 / 82 / 87 / 15

HEX #D9271C

RGB 217 39 28

HSL 3.49, 0.77%, 0.48%

LAB 47.35, 65.67, 51.01

 

CMYK 0 / 87 / 87 / 15

HEX #D91C1C

RGB 217 28 28

HSL 0, 0.77%, 0.48%

LAB 46.53, 67.99, 50.36

 

CMYK 0 / 82 / 87 / 15

HEX #D9271C

RGB 217 39 28

HSL 3.49, 0.77%, 0.48%

LAB 47.35, 65.67, 51.01

 

CMYK 0 / 59 / 87 / 15

HEX #D95A1C

RGB 217 90 28

HSL 19.68, 0.77%, 0.48%

LAB 54.18, 47.05, 56.45

 

CMYK 0 / 35 / 87 / 15

HEX #D98D1C

RGB 217 141 28

HSL 35.87, 0.77%, 0.48%

LAB 64.87, 20.89, 64.98

 

CMYK 0 / 12 / 87 / 15

HEX #D9C01C

RGB 217 192 28

HSL 52.06, 0.77%, 0.48%

LAB 77.6, -6.18, 75.15

 

CMYK 12 / 0 / 87 / 15

HEX #BFD91C

RGB 191 217 28

HSL 68.25, 0.77%, 0.48%

LAB 82.26, -29.55, 78.06

 

CMYK 0 / 82 / 87 / 15

HEX #D9271C

RGB 217 39 28

HSL 3.49, 0.77%, 0.48%

LAB 47.35, 65.67, 51.01

 

CMYK 0 / 91 / 97 / 7

HEX #EC1608

RGB 236 22 8

HSL 3.68, 0.93%, 0.48%

LAB 50.01, 73.61, 61.52

 

CMYK 0 / 82 / 87 / 15

HEX #D9271C

RGB 217 39 28

HSL 3.49, 0.77%, 0.48%

LAB 47.35, 65.67, 51.01

 

CMYK 0 / 71 / 76 / 23

HEX #C53930

RGB 197 57 48

HSL 3.62, 0.61%, 0.48%

LAB 45.65, 54.73, 37.79

 

CMYK 0 / 58 / 62 / 31

HEX #B14A44

RGB 177 74 68

HSL 3.3, 0.44%, 0.48%

LAB 45.17, 41.58, 24.74

 

CMYK 0 / 41 / 44 / 38

HEX #9D5C58

RGB 157 92 88

HSL 3.48, 0.28%, 0.48%

LAB 46.35, 26.12, 13.78

 

CMYK 0 / 20 / 22 / 46

HEX #896D6B

RGB 137 109 107

HSL 4, 0.12%, 0.48%

LAB 48.66, 10.75, 5.32

 

CMYK 0 / 87 / 45 / 15

HEX #D91C77

RGB 217 28 119

HSL 331.11, 0.77%, 0.48%

LAB 48.15, 72.62, -1.18

 

CMYK 0 / 87 / 68 / 15

HEX #D91C45

RGB 217 28 69

HSL 346.98, 0.77%, 0.48%

LAB 46.99, 69.32, 27.97

 

CMYK 0 / 82 / 87 / 15

HEX #D9261C

RGB 217 38 28

HSL 3.17, 0.77%, 0.48%

LAB 47.26, 65.91, 50.94

 

CMYK 0 / 59 / 87 / 15

HEX #D9581C

RGB 217 88 28

HSL 19.05, 0.77%, 0.48%

LAB 53.83, 47.98, 56.17

 

CMYK 0 / 36 / 87 / 15

HEX #D98A1C

RGB 217 138 28

HSL 34.92, 0.77%, 0.48%

LAB 64.17, 22.5, 64.42

 

CMYK 0 / 82 / 87 / 44

HEX #901A13

RGB 144 26 19

HSL 3.36, 0.77%, 0.32%

LAB 31.15, 47.52, 35.81

 

CMYK 0 / 82 / 87 / 29

HEX #B42017

RGB 180 32 23

HSL 3.44, 0.77%, 0.4%

LAB 39.24, 56.77, 43.66

 

CMYK 0 / 82 / 87 / 15

HEX #D9271C

RGB 217 39 28

HSL 3.49, 0.77%, 0.48%

LAB 47.35, 65.67, 51.01

 

CMYK 0 / 71 / 75 / 10

HEX #E54339

RGB 229 67 57

HSL 3.49, 0.77%, 0.56%

LAB 52.91, 61.54, 42.41

 

CMYK 0 / 57 / 60 / 8

HEX #EA655D

RGB 234 101 93

HSL 3.4, 0.77%, 0.64%

LAB 59.52, 50.94, 30.36

 

CMYK 0 / 82 / 87 / 14

HEX #DB271C

RGB 219 39 28

HSL 3.46, 0.77%, 0.48%

LAB 47.75, 66.23, 51.49

 

CMYK 22 / 0 / 87 / 15

HEX #AAD91C

RGB 170 217 28

HSL 74.92, 0.77%, 0.48%

LAB 80.88, -37.96, 76.35

 

CMYK 87 / 57 / 0 / 15

HEX #1C5ED9

RGB 28 94 217

HSL 219.05, 0.77%, 0.48%

LAB 43.16, 26.77, -68.38

 

CMYK 0 / 82 / 87 / 14

HEX #DB271C

RGB 219 39 28

HSL 3.46, 0.77%, 0.48%

LAB 47.75, 66.23, 51.49

 

CMYK 87 / 0 / 82 / 15

HEX #1CD926

RGB 28 217 38

HSL 123.17, 0.77%, 0.48%

LAB 76.08, -73.81, 68.11

 

CMYK 82 / 87 / 0 / 15

HEX #261CD9

RGB 38 28 217

HSL 243.17, 0.77%, 0.48%

LAB 30.04, 63.96, -89.99

 

CMYK 0 / 82 / 87 / 14

HEX #DB271C

RGB 219 39 28

HSL 3.46, 0.77%, 0.48%

LAB 47.75, 66.23, 51.49

 

CMYK 22 / 0 / 87 / 15

HEX #AAD91C

RGB 170 217 28

HSL 74.92, 0.77%, 0.48%

LAB 80.88, -37.96, 76.35

 

CMYK 87 / 5 / 0 / 15

HEX #1CCFD9

RGB 28 207 217

HSL 183.17, 0.77%, 0.48%

LAB 76, -37.08, -16.76

 

CMYK 65 / 87 / 0 / 15

HEX #4B1CD9

RGB 75 28 217

HSL 254.92, 0.77%, 0.48%

LAB 32.56, 65.85, -85.73

 

CMYK 0 / 82 / 87 / 14

HEX #DB271C

RGB 219 39 28

HSL 3.46, 0.77%, 0.48%

LAB 47.75, 66.23, 51.49

 

CMYK 48 / 0 / 87 / 15

HEX #71D91C

RGB 113 217 28

HSL 93.02, 0.77%, 0.48%

LAB 78, -57.97, 72.77

 

CMYK 87 / 5 / 0 / 15

HEX #1CCFD9

RGB 28 207 217

HSL 183.17, 0.77%, 0.48%

LAB 76, -37.08, -16.76

 

CMYK 39 / 87 / 0 / 15

HEX #841CD9

RGB 132 28 217

HSL 273.02, 0.77%, 0.48%

LAB 39.15, 71.39, -74.63

 

Description

Color code: HEX #DB271C | qconv.com Color code: HEX #DB271C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 39 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 39 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 87 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 87% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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