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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB2015 it is the complementary color #24DFEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB2015. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB2015 shade: #E02010, #F13223, #FF4436, #FF5649 and #FF685C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB2015. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB2015 shade: #DB2015, #CA0E02, #B90000, #A80000 and #970000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB2015 shade: #DB1F14 and #DB1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB2015 shade: #DB1F14, #DB5514, #DB8B14, #DBC014 and #C1DB14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB2015 shade matches the following richer shades: #DB1F14 and #EF0E01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB2015 shade: #DB1F14, #C83128, #B5423B, #A1534F and #8E6462

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB2015 shade: #DB1475, #DB143F, #DB1E14, #DB5314 and #DB8814

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB2015 shade: #90150D, #B61A11, #DB1F14, #EC382D and #EF5C53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB2015 shade: #DB2015, #AADB14 and #145ADB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB2015 shade: #DB2015, #14DB1E and #1E14DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB2015 shade: #DB2015, #AADB14, #14D1DB and #4614DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB2015 shade: #DB2015, #6EDB14, #14D1DB and #8214DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 90 / 14

HEX #DB2015

RGB 219 32 21

HSL 3.33, 0.83%, 0.47%

LAB 47.17, 67.65, 54.01

 

Complementary color

CMYK 85 / 5 / 0 / 8

HEX #24DFEA

RGB 36 223 234

HSL 183.33, 0.83%, 0.53%

LAB 81.34, -38.84, -17.78

 

CMYK 0 / 86 / 93 / 12

HEX #E02010

RGB 224 32 16

HSL 4.62, 0.87%, 0.47%

LAB 48.16, 68.93, 56.95

 

CMYK 0 / 79 / 85 / 5

HEX #F13223

RGB 241 50 35

HSL 4.37, 0.88%, 0.54%

LAB 53.06, 69.75, 54.44

 

CMYK 0 / 73 / 79 / 0

HEX #FF4436

RGB 255 68 54

HSL 4.18, 1%, 0.61%

LAB 57.71, 68.98, 50.46

 

CMYK 0 / 66 / 71 / 0

HEX #FF5649

RGB 255 86 73

HSL 4.29, 1%, 0.64%

LAB 60.25, 63.27, 43.15

 

CMYK 0 / 59 / 64 / 0

HEX #FF685C

RGB 255 104 92

HSL 4.42, 1%, 0.68%

LAB 63.29, 56.75, 36.36

 

CMYK 0 / 85 / 90 / 14

HEX #DB2015

RGB 219 32 21

HSL 3.33, 0.83%, 0.47%

LAB 47.17, 67.65, 54.01

 

CMYK 0 / 93 / 99 / 21

HEX #CA0E02

RGB 202 14 2

HSL 3.6, 0.98%, 0.4%

LAB 42.57, 65.84, 55.87

 

CMYK 0 / 100 / 100 / 27

HEX #B90000

RGB 185 0 0

HSL 0, 1%, 0.36%

LAB 38.4, 62.95, 52.82

 

CMYK 0 / 100 / 100 / 34

HEX #A80000

RGB 168 0 0

HSL 0, 1%, 0.33%

LAB 34.65, 58.61, 48.93

 

CMYK 0 / 100 / 100 / 41

HEX #970000

RGB 151 0 0

HSL 0, 1%, 0.3%

LAB 30.83, 54.19, 44.61

 

CMYK 0 / 86 / 91 / 14

HEX #DB1F14

RGB 219 31 20

HSL 3.32, 0.83%, 0.47%

LAB 47.09, 67.83, 54.35

 

CMYK 0 / 91 / 91 / 14

HEX #DB1414

RGB 219 20 20

HSL 0, 0.83%, 0.47%

LAB 46.46, 69.65, 53.92

 

CMYK 0 / 86 / 91 / 14

HEX #DB1F14

RGB 219 31 20

HSL 3.32, 0.83%, 0.47%

LAB 47.09, 67.83, 54.35

 

CMYK 0 / 61 / 91 / 14

HEX #DB5514

RGB 219 85 20

HSL 19.6, 0.83%, 0.47%

LAB 53.61, 49.92, 58.85

 

CMYK 0 / 37 / 91 / 14

HEX #DB8B14

RGB 219 139 20

HSL 35.88, 0.83%, 0.47%

LAB 64.62, 22.66, 66.87

 

CMYK 0 / 12 / 91 / 14

HEX #DBC014

RGB 219 192 20

HSL 51.86, 0.83%, 0.47%

LAB 77.76, -5.45, 76.81

 

CMYK 12 / 0 / 91 / 14

HEX #C1DB14

RGB 193 219 20

HSL 67.84, 0.83%, 0.47%

LAB 82.94, -29.82, 79.94

 

CMYK 0 / 86 / 91 / 14

HEX #DB1F14

RGB 219 31 20

HSL 3.32, 0.83%, 0.47%

LAB 47.09, 67.83, 54.35

 

CMYK 0 / 94 / 100 / 6

HEX #EF0E01

RGB 239 14 1

HSL 3.28, 0.99%, 0.47%

LAB 50.3, 75.2, 63.86

 

CMYK 0 / 86 / 91 / 14

HEX #DB1F14

RGB 219 31 20

HSL 3.32, 0.83%, 0.47%

LAB 47.09, 67.83, 54.35

 

CMYK 0 / 76 / 80 / 22

HEX #C83128

RGB 200 49 40

HSL 3.38, 0.67%, 0.47%

LAB 45.12, 58.18, 41.81

 

CMYK 0 / 64 / 67 / 29

HEX #B5423B

RGB 181 66 59

HSL 3.44, 0.51%, 0.47%

LAB 44.28, 46.19, 29.13

 

CMYK 0 / 48 / 51 / 37

HEX #A1534F

RGB 161 83 79

HSL 2.93, 0.34%, 0.47%

LAB 44.7, 31.75, 17.05

 

CMYK 0 / 30 / 31 / 44

HEX #8E6462

RGB 142 100 98

HSL 2.73, 0.18%, 0.47%

LAB 46.64, 16.69, 7.9

 

CMYK 0 / 91 / 47 / 14

HEX #DB1475

RGB 219 20 117

HSL 330.75, 0.83%, 0.47%

LAB 48.06, 74.13, -0.04

 

CMYK 0 / 91 / 71 / 14

HEX #DB143F

RGB 219 20 63

HSL 347.04, 0.83%, 0.47%

LAB 46.87, 70.81, 31.55

 

CMYK 0 / 86 / 91 / 14

HEX #DB1E14

RGB 219 30 20

HSL 3.02, 0.83%, 0.47%

LAB 47.03, 68.03, 54.3

 

CMYK 0 / 62 / 91 / 14

HEX #DB5314

RGB 219 83 20

HSL 18.99, 0.83%, 0.47%

LAB 53.27, 50.81, 58.61

 

CMYK 0 / 38 / 91 / 14

HEX #DB8814

RGB 219 136 20

HSL 34.97, 0.83%, 0.47%

LAB 63.93, 24.27, 66.35

 

CMYK 0 / 85 / 91 / 44

HEX #90150D

RGB 144 21 13

HSL 3.66, 0.83%, 0.31%

LAB 30.63, 48.75, 38.37

 

CMYK 0 / 86 / 91 / 29

HEX #B61A11

RGB 182 26 17

HSL 3.27, 0.83%, 0.39%

LAB 39.11, 58.66, 46.46

 

CMYK 0 / 86 / 91 / 14

HEX #DB1F14

RGB 219 31 20

HSL 3.32, 0.83%, 0.47%

LAB 47.09, 67.83, 54.35

 

CMYK 0 / 76 / 81 / 7

HEX #EC382D

RGB 236 56 45

HSL 3.46, 0.83%, 0.55%

LAB 52.79, 66.87, 49.02

 

CMYK 0 / 62 / 65 / 6

HEX #EF5C53

RGB 239 92 83

HSL 3.46, 0.83%, 0.63%

LAB 58.63, 56.06, 35.06

 

CMYK 0 / 85 / 90 / 14

HEX #DB2015

RGB 219 32 21

HSL 3.33, 0.83%, 0.47%

LAB 47.17, 67.65, 54.01

 

CMYK 22 / 0 / 91 / 14

HEX #AADB14

RGB 170 219 20

HSL 74.77, 0.83%, 0.47%

LAB 81.43, -39.03, 78.1

 

CMYK 91 / 59 / 0 / 14

HEX #145ADB

RGB 20 90 219

HSL 218.89, 0.83%, 0.47%

LAB 42.12, 29.72, -71.22

 

CMYK 0 / 85 / 90 / 14

HEX #DB2015

RGB 219 32 21

HSL 3.33, 0.83%, 0.47%

LAB 47.17, 67.65, 54.01

 

CMYK 91 / 0 / 86 / 14

HEX #14DB1E

RGB 20 219 30

HSL 123.02, 0.83%, 0.47%

LAB 76.62, -75.26, 70.4

 

CMYK 86 / 91 / 0 / 14

HEX #1E14DB

RGB 30 20 219

HSL 243.02, 0.83%, 0.47%

LAB 29.14, 66.79, -92.66

 

CMYK 0 / 85 / 90 / 14

HEX #DB2015

RGB 219 32 21

HSL 3.33, 0.83%, 0.47%

LAB 47.17, 67.65, 54.01

 

CMYK 22 / 0 / 91 / 14

HEX #AADB14

RGB 170 219 20

HSL 74.77, 0.83%, 0.47%

LAB 81.43, -39.03, 78.1

 

CMYK 91 / 5 / 0 / 14

HEX #14D1DB

RGB 20 209 219

HSL 183.02, 0.83%, 0.47%

LAB 76.6, -37.78, -16.94

 

CMYK 68 / 91 / 0 / 14

HEX #4614DB

RGB 70 20 219

HSL 255.08, 0.83%, 0.47%

LAB 31.62, 68.29, -88.46

 

CMYK 0 / 85 / 90 / 14

HEX #DB2015

RGB 219 32 21

HSL 3.33, 0.83%, 0.47%

LAB 47.17, 67.65, 54.01

 

CMYK 50 / 0 / 91 / 14

HEX #6EDB14

RGB 110 219 20

HSL 92.86, 0.83%, 0.47%

LAB 78.48, -59.8, 74.47

 

CMYK 91 / 5 / 0 / 14

HEX #14D1DB

RGB 20 209 219

HSL 183.02, 0.83%, 0.47%

LAB 76.6, -37.78, -16.94

 

CMYK 41 / 91 / 0 / 14

HEX #8214DB

RGB 130 20 219

HSL 273.17, 0.83%, 0.47%

LAB 38.48, 73.28, -76.89

 

Description

Color code: HEX #DB2015 | qconv.com Color code: HEX #DB2015 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 32 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 32 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 90 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 90% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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