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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB1FE8 it is the complementary color #24E017. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB1FE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB1FE8 shade: #E01FE3, #F131F6, #FF43FF, #FF55FF and #FF67FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB1FE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB1FE8 shade: #DB1FE8, #CA0DD5, #B900C2, #A800AF and #97009C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB1FE8 shade: #DA21E7, #E721BF, #E72189, #E72154 and #E72121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB1FE8 shade: #DA21E7, #A521E7, #6F21E7, #3A21E7 and #2121E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB1FE8 shade matches the following richer shades: #DA21E7 and #EC0DFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB1FE8 shade: #DA21E7, #C935D3, #B849C0, #A75CAC and #957098

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB1FE8 shade: #7021E7, #A521E7, #DA21E7, #E721C0 and #E7218B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB1FE8 shade: #9B11A5, #BE15CA, #DA21E7, #E146EB and #E76CEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB1FE8 shade: #DB1FE8, #E73B21 and #21E78B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB1FE8 shade: #DB1FE8, #E7DA21 and #21E7DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB1FE8 shade: #DB1FE8, #E73B21, #2EE721 and #21CDE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB1FE8 shade: #DB1FE8, #E77721, #2EE721 and #2191E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 87 / 0 / 9

HEX #DB1FE8

RGB 219 31 232

HSL 296.12, 0.81%, 0.52%

LAB 53.88, 86.35, -58.64

 

Complementary color

CMYK 84 / 0 / 90 / 12

HEX #24E017

RGB 36 224 23

HSL 116.12, 0.81%, 0.48%

LAB 78.31, -75.68, 73.18

 

CMYK 1 / 86 / 0 / 11

HEX #E01FE3

RGB 224 31 227

HSL 299.08, 0.78%, 0.51%

LAB 54.42, 86.44, -54.91

 

CMYK 2 / 80 / 0 / 4

HEX #F131F6

RGB 241 49 246

HSL 298.48, 0.92%, 0.58%

LAB 59.48, 88.79, -57.32

 

CMYK 0 / 74 / 0 / 0

HEX #FF43FF

RGB 255 67 255

HSL 300, 1%, 0.63%

LAB 63.75, 88.24, -55.37

 

CMYK 0 / 67 / 0 / 0

HEX #FF55FF

RGB 255 85 255

HSL 300, 1%, 0.67%

LAB 65.73, 82.6, -52.23

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 6 / 87 / 0 / 9

HEX #DB1FE8

RGB 219 31 232

HSL 296.12, 0.81%, 0.52%

LAB 53.88, 86.35, -58.64

 

CMYK 5 / 94 / 0 / 16

HEX #CA0DD5

RGB 202 13 213

HSL 296.7, 0.88%, 0.44%

LAB 49.07, 83.01, -55.73

 

CMYK 5 / 100 / 0 / 24

HEX #B900C2

RGB 185 0 194

HSL 297.22, 1%, 0.38%

LAB 44.53, 78.55, -52.18

 

CMYK 4 / 100 / 0 / 31

HEX #A800AF

RGB 168 0 175

HSL 297.6, 1%, 0.34%

LAB 40.28, 72.95, -47.98

 

CMYK 3 / 100 / 0 / 39

HEX #97009C

RGB 151 0 156

HSL 298.08, 1%, 0.31%

LAB 35.95, 67.23, -43.68

 

CMYK 6 / 86 / 0 / 9

HEX #DA21E7

RGB 218 33 231

HSL 296.06, 0.8%, 0.52%

LAB 53.77, 85.69, -58.26

 

CMYK 0 / 86 / 17 / 9

HEX #E721BF

RGB 231 33 191

HSL 312.12, 0.8%, 0.52%

LAB 53.85, 82.45, -35.13

 

CMYK 0 / 86 / 41 / 9

HEX #E72189

RGB 231 33 137

HSL 328.48, 0.8%, 0.52%

LAB 51.7, 76.56, -6.55

 

CMYK 0 / 86 / 64 / 9

HEX #E72154

RGB 231 33 84

HSL 344.55, 0.8%, 0.52%

LAB 50.35, 72.71, 23.72

 

CMYK 0 / 86 / 86 / 9

HEX #E72121

RGB 231 33 33

HSL 0, 0.8%, 0.52%

LAB 49.72, 70.86, 51.79

 

CMYK 6 / 86 / 0 / 9

HEX #DA21E7

RGB 218 33 231

HSL 296.06, 0.8%, 0.52%

LAB 53.77, 85.69, -58.26

 

CMYK 29 / 86 / 0 / 9

HEX #A521E7

RGB 165 33 231

HSL 280, 0.8%, 0.52%

LAB 45.44, 77.44, -72.15

 

CMYK 52 / 86 / 0 / 9

HEX #6F21E7

RGB 111 33 231

HSL 263.64, 0.8%, 0.52%

LAB 38.26, 70.86, -84.2

 

CMYK 75 / 86 / 0 / 9

HEX #3A21E7

RGB 58 33 231

HSL 247.58, 0.8%, 0.52%

LAB 33.47, 66.88, -92.29

 

CMYK 86 / 86 / 0 / 9

HEX #2121E7

RGB 33 33 231

HSL 240, 0.8%, 0.52%

LAB 32.21, 65.91, -94.41

 

CMYK 6 / 86 / 0 / 9

HEX #DA21E7

RGB 218 33 231

HSL 296.06, 0.8%, 0.52%

LAB 53.77, 85.69, -58.26

 

CMYK 6 / 95 / 0 / 2

HEX #EC0DFB

RGB 236 13 251

HSL 296.22, 0.97%, 0.52%

LAB 57.16, 93.99, -63.87

 

CMYK 6 / 86 / 0 / 9

HEX #DA21E7

RGB 218 33 231

HSL 296.06, 0.8%, 0.52%

LAB 53.77, 85.69, -58.26

 

CMYK 5 / 75 / 0 / 17

HEX #C935D3

RGB 201 53 211

HSL 296.2, 0.64%, 0.52%

LAB 51.46, 74.7, -50.76

 

CMYK 4 / 62 / 0 / 25

HEX #B849C0

RGB 184 73 192

HSL 295.97, 0.49%, 0.52%

LAB 50.41, 60.38, -41.66

 

CMYK 3 / 47 / 0 / 33

HEX #A75CAC

RGB 167 92 172

HSL 296.25, 0.33%, 0.52%

LAB 50.51, 42.86, -30.03

 

CMYK 2 / 26 / 0 / 40

HEX #957098

RGB 149 112 152

HSL 295.5, 0.16%, 0.52%

LAB 52.11, 21.81, -16.03

 

CMYK 52 / 86 / 0 / 9

HEX #7021E7

RGB 112 33 231

HSL 263.94, 0.8%, 0.52%

LAB 38.38, 70.96, -84

 

CMYK 29 / 86 / 0 / 9

HEX #A521E7

RGB 165 33 231

HSL 280, 0.8%, 0.52%

LAB 45.44, 77.44, -72.15

 

CMYK 6 / 86 / 0 / 9

HEX #DA21E7

RGB 218 33 231

HSL 296.06, 0.8%, 0.52%

LAB 53.77, 85.69, -58.26

 

CMYK 0 / 86 / 17 / 9

HEX #E721C0

RGB 231 33 192

HSL 311.82, 0.8%, 0.52%

LAB 53.9, 82.57, -35.64

 

CMYK 0 / 86 / 40 / 9

HEX #E7218B

RGB 231 33 139

HSL 327.88, 0.8%, 0.52%

LAB 51.77, 76.74, -7.65

 

CMYK 6 / 90 / 0 / 35

HEX #9B11A5

RGB 155 17 165

HSL 295.95, 0.81%, 0.36%

LAB 38, 67.16, -45.79

 

CMYK 6 / 90 / 0 / 21

HEX #BE15CA

RGB 190 21 202

HSL 296.02, 0.81%, 0.44%

LAB 46.64, 78.42, -53.39

 

CMYK 6 / 86 / 0 / 9

HEX #DA21E7

RGB 218 33 231

HSL 296.06, 0.8%, 0.52%

LAB 53.77, 85.69, -58.26

 

CMYK 4 / 70 / 0 / 8

HEX #E146EB

RGB 225 70 235

HSL 296.36, 0.8%, 0.6%

LAB 58.4, 78.13, -53.05

 

CMYK 3 / 55 / 0 / 6

HEX #E76CEF

RGB 231 108 239

HSL 296.34, 0.8%, 0.68%

LAB 64.92, 65.06, -44.91

 

CMYK 6 / 87 / 0 / 9

HEX #DB1FE8

RGB 219 31 232

HSL 296.12, 0.81%, 0.52%

LAB 53.88, 86.35, -58.64

 

CMYK 0 / 74 / 86 / 9

HEX #E73B21

RGB 231 59 33

HSL 7.88, 0.8%, 0.52%

LAB 52.09, 64.17, 53.75

 

CMYK 86 / 0 / 40 / 9

HEX #21E78B

RGB 33 231 139

HSL 152.12, 0.8%, 0.52%

LAB 81.48, -65.7, 32.25

 

CMYK 6 / 87 / 0 / 9

HEX #DB1FE8

RGB 219 31 232

HSL 296.12, 0.81%, 0.52%

LAB 53.88, 86.35, -58.64

 

CMYK 0 / 6 / 86 / 9

HEX #E7DA21

RGB 231 218 33

HSL 56.06, 0.8%, 0.52%

LAB 85.63, -13.21, 81.1

 

CMYK 86 / 0 / 6 / 9

HEX #21E7DA

RGB 33 231 218

HSL 176.06, 0.8%, 0.52%

LAB 83.2, -47.17, -6.53

 

CMYK 6 / 87 / 0 / 9

HEX #DB1FE8

RGB 219 31 232

HSL 296.12, 0.81%, 0.52%

LAB 53.88, 86.35, -58.64

 

CMYK 0 / 74 / 86 / 9

HEX #E73B21

RGB 231 59 33

HSL 7.88, 0.8%, 0.52%

LAB 52.09, 64.17, 53.75

 

CMYK 80 / 0 / 86 / 9

HEX #2EE721

RGB 46 231 33

HSL 116.06, 0.8%, 0.52%

LAB 80.65, -76.25, 73.43

 

CMYK 86 / 11 / 0 / 9

HEX #21CDE7

RGB 33 205 231

HSL 187.88, 0.8%, 0.52%

LAB 75.92, -31.51, -24.41

 

CMYK 6 / 87 / 0 / 9

HEX #DB1FE8

RGB 219 31 232

HSL 296.12, 0.81%, 0.52%

LAB 53.88, 86.35, -58.64

 

CMYK 0 / 48 / 86 / 9

HEX #E77721

RGB 231 119 33

HSL 26.06, 0.8%, 0.52%

LAB 61.91, 38.35, 61.82

 

CMYK 80 / 0 / 86 / 9

HEX #2EE721

RGB 46 231 33

HSL 116.06, 0.8%, 0.52%

LAB 80.65, -76.25, 73.43

 

CMYK 86 / 37 / 0 / 9

HEX #2191E7

RGB 33 145 231

HSL 206.06, 0.8%, 0.52%

LAB 58.36, 0.59, -51.78

 

Description

Color code: HEX #DB1FE8 | qconv.com Color code: HEX #DB1FE8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 31 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 31 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 87 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 87% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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