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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB1EB3 it is the complementary color #24E14C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB1EB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB1EB3 shade: #E01EAE, #F130C1, #FF42D4, #FF54E7 and #FF66FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB1EB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB1EB3 shade: #DB1EB3, #CA0CA0, #B9008D, #A8007A and #970067

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB1EB3 shade: #DC1EB4, #DC1E80, #DC1E4D and #DC1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB1EB3 shade: #DC1EB4, #D11EDC, #9E1EDC, #6A1EDC and #371EDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB1EB3 shade matches the following richer shades: #DC1EB4 and #F00ABF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB1EB3 shade: #DC1EB4, #C832A8, #B3469C, #9F5B91 and #8B6F85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB1EB3 shade: #9D1EDC, #CF1EDC, #DC1EB6, #DC1E83 and #DC1E51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB1EB3 shade: #931478, #B81996, #DC1EB4, #E53EC2 and #EA63CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB1EB3 shade: #DB1EB3, #DC6A1E and #1EDCB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB1EB3 shade: #DB1EB3, #B6DC1E and #1EB6DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB1EB3 shade: #DB1EB3, #DC6A1E, #1EDC44 and #1E90DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB1EB3 shade: #DB1EB3, #DCA31E, #1EDC44 and #1E57DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 18 / 14

HEX #DB1EB3

RGB 219 30 179

HSL 312.7, 0.76%, 0.49%

LAB 50.97, 79.08, -32.81

 

Complementary color

CMYK 84 / 0 / 66 / 12

HEX #24E14C

RGB 36 225 76

HSL 132.7, 0.76%, 0.51%

LAB 78.9, -72.59, 58.34

 

CMYK 0 / 87 / 22 / 12

HEX #E01EAE

RGB 224 30 174

HSL 315.46, 0.76%, 0.5%

LAB 51.65, 79.47, -28.75

 

CMYK 0 / 80 / 20 / 5

HEX #F130C1

RGB 241 48 193

HSL 314.92, 0.87%, 0.57%

LAB 56.75, 81.7, -31.64

 

CMYK 0 / 74 / 17 / 0

HEX #FF42D4

RGB 255 66 212

HSL 313.65, 1%, 0.63%

LAB 61.58, 82.46, -34.79

 

CMYK 0 / 67 / 9 / 0

HEX #FF54E7

RGB 255 84 231

HSL 308.42, 1%, 0.66%

LAB 64.46, 79.31, -40.95

 

CMYK 0 / 60 / 2 / 0

HEX #FF66FA

RGB 255 102 250

HSL 301.96, 1%, 0.7%

LAB 67.77, 75.43, -46.26

 

CMYK 0 / 86 / 18 / 14

HEX #DB1EB3

RGB 219 30 179

HSL 312.7, 0.76%, 0.49%

LAB 50.97, 79.08, -32.81

 

CMYK 0 / 94 / 21 / 21

HEX #CA0CA0

RGB 202 12 160

HSL 313.26, 0.89%, 0.42%

LAB 46.12, 75.8, -29.37

 

CMYK 0 / 100 / 24 / 27

HEX #B9008D

RGB 185 0 141

HSL 314.27, 1%, 0.36%

LAB 41.59, 71.33, -25.19

 

CMYK 0 / 100 / 27 / 34

HEX #A8007A

RGB 168 0 122

HSL 316.43, 1%, 0.33%

LAB 37.35, 65.74, -20.27

 

CMYK 0 / 100 / 32 / 41

HEX #970067

RGB 151 0 103

HSL 319.07, 1%, 0.3%

LAB 33.05, 60.05, -15.14

 

CMYK 0 / 86 / 18 / 14

HEX #DC1EB4

RGB 220 30 180

HSL 312.63, 0.76%, 0.49%

LAB 51.2, 79.4, -33.03

 

CMYK 0 / 86 / 42 / 14

HEX #DC1E80

RGB 220 30 128

HSL 329.05, 0.76%, 0.49%

LAB 49.13, 73.76, -5.16

 

CMYK 0 / 86 / 65 / 14

HEX #DC1E4D

RGB 220 30 77

HSL 345.16, 0.76%, 0.49%

LAB 47.85, 70.12, 24.32

 

CMYK 0 / 86 / 86 / 14

HEX #DC1E1E

RGB 220 30 30

HSL 0, 0.76%, 0.49%

LAB 47.29, 68.46, 50.29

 

CMYK 0 / 86 / 18 / 14

HEX #DC1EB4

RGB 220 30 180

HSL 312.63, 0.76%, 0.49%

LAB 51.2, 79.4, -33.03

 

CMYK 5 / 86 / 0 / 14

HEX #D11EDC

RGB 209 30 220

HSL 296.53, 0.76%, 0.49%

LAB 51.44, 82.99, -55.85

 

CMYK 28 / 86 / 0 / 14

HEX #9E1EDC

RGB 158 30 220

HSL 280.42, 0.76%, 0.49%

LAB 43.31, 74.99, -69.4

 

CMYK 52 / 86 / 0 / 14

HEX #6A1EDC

RGB 106 30 220

HSL 264, 0.76%, 0.49%

LAB 36.29, 68.63, -81.18

 

CMYK 75 / 86 / 0 / 14

HEX #371EDC

RGB 55 30 220

HSL 247.89, 0.76%, 0.49%

LAB 31.6, 64.79, -89.1

 

CMYK 0 / 86 / 18 / 14

HEX #DC1EB4

RGB 220 30 180

HSL 312.63, 0.76%, 0.49%

LAB 51.2, 79.4, -33.03

 

CMYK 0 / 96 / 20 / 6

HEX #F00ABF

RGB 240 10 191

HSL 312.78, 0.92%, 0.49%

LAB 54.56, 86.86, -33.91

 

CMYK 0 / 86 / 18 / 14

HEX #DC1EB4

RGB 220 30 180

HSL 312.63, 0.76%, 0.49%

LAB 51.2, 79.4, -33.03

 

CMYK 0 / 75 / 16 / 22

HEX #C832A8

RGB 200 50 168

HSL 312.8, 0.6%, 0.49%

LAB 48.74, 68.86, -30.06

 

CMYK 0 / 61 / 13 / 30

HEX #B3469C

RGB 179 70 156

HSL 312.66, 0.44%, 0.49%

LAB 47.45, 54.31, -25.22

 

CMYK 0 / 43 / 9 / 38

HEX #9F5B91

RGB 159 91 145

HSL 312.35, 0.27%, 0.49%

LAB 48.13, 35.83, -17.86

 

CMYK 0 / 20 / 4 / 45

HEX #8B6F85

RGB 139 111 133

HSL 312.86, 0.11%, 0.49%

LAB 50.16, 15.01, -7.89

 

CMYK 29 / 86 / 0 / 14

HEX #9D1EDC

RGB 157 30 220

HSL 280.11, 0.76%, 0.49%

LAB 43.16, 74.85, -69.65

 

CMYK 6 / 86 / 0 / 14

HEX #CF1EDC

RGB 207 30 220

HSL 295.89, 0.76%, 0.49%

LAB 51.11, 82.65, -56.41

 

CMYK 0 / 86 / 17 / 14

HEX #DC1EB6

RGB 220 30 182

HSL 312, 0.76%, 0.49%

LAB 51.29, 79.65, -34.05

 

CMYK 0 / 86 / 40 / 14

HEX #DC1E83

RGB 220 30 131

HSL 328.11, 0.76%, 0.49%

LAB 49.23, 74.03, -6.83

 

CMYK 0 / 86 / 63 / 14

HEX #DC1E51

RGB 220 30 81

HSL 343.89, 0.76%, 0.49%

LAB 47.93, 70.33, 21.96

 

CMYK 0 / 86 / 18 / 42

HEX #931478

RGB 147 20 120

HSL 312.76, 0.76%, 0.33%

LAB 34.11, 58.21, -24.38

 

CMYK 0 / 86 / 18 / 28

HEX #B81996

RGB 184 25 150

HSL 312.83, 0.76%, 0.41%

LAB 42.89, 69.13, -28.64

 

CMYK 0 / 86 / 18 / 14

HEX #DC1EB4

RGB 220 30 180

HSL 312.63, 0.76%, 0.49%

LAB 51.2, 79.4, -33.03

 

CMYK 0 / 73 / 15 / 10

HEX #E53EC2

RGB 229 62 194

HSL 312.57, 0.76%, 0.57%

LAB 56.09, 75.41, -33.4

 

CMYK 0 / 58 / 12 / 8

HEX #EA63CD

RGB 234 99 205

HSL 312.89, 0.76%, 0.65%

LAB 62.36, 64.29, -29.87

 

CMYK 0 / 86 / 18 / 14

HEX #DB1EB3

RGB 219 30 179

HSL 312.7, 0.76%, 0.49%

LAB 50.97, 79.08, -32.81

 

CMYK 0 / 52 / 86 / 14

HEX #DC6A1E

RGB 220 106 30

HSL 24, 0.76%, 0.49%

LAB 57.67, 40.5, 58.74

 

CMYK 86 / 0 / 17 / 14

HEX #1EDCB6

RGB 30 220 182

HSL 168, 0.76%, 0.49%

LAB 78.95, -52.35, 6.36

 

CMYK 0 / 86 / 18 / 14

HEX #DB1EB3

RGB 219 30 179

HSL 312.7, 0.76%, 0.49%

LAB 50.97, 79.08, -32.81

 

CMYK 17 / 0 / 86 / 14

HEX #B6DC1E

RGB 182 220 30

HSL 72, 0.76%, 0.49%

LAB 82.5, -34.53, 77.63

 

CMYK 86 / 17 / 0 / 14

HEX #1EB6DC

RGB 30 182 220

HSL 192, 0.76%, 0.49%

LAB 68.68, -23.87, -29.55

 

CMYK 0 / 86 / 18 / 14

HEX #DB1EB3

RGB 219 30 179

HSL 312.7, 0.76%, 0.49%

LAB 50.97, 79.08, -32.81

 

CMYK 0 / 52 / 86 / 14

HEX #DC6A1E

RGB 220 106 30

HSL 24, 0.76%, 0.49%

LAB 57.67, 40.5, 58.74

 

CMYK 86 / 0 / 69 / 14

HEX #1EDC44

RGB 30 220 68

HSL 132, 0.76%, 0.49%

LAB 77.21, -72.38, 59.64

 

CMYK 86 / 35 / 0 / 14

HEX #1E90DC

RGB 30 144 220

HSL 204, 0.76%, 0.49%

LAB 57.45, -3.12, -47.09

 

CMYK 0 / 86 / 18 / 14

HEX #DB1EB3

RGB 219 30 179

HSL 312.7, 0.76%, 0.49%

LAB 50.97, 79.08, -32.81

 

CMYK 0 / 26 / 86 / 14

HEX #DCA31E

RGB 220 163 30

HSL 42, 0.76%, 0.49%

LAB 70.53, 10.42, 69.14

 

CMYK 86 / 0 / 69 / 14

HEX #1EDC44

RGB 30 220 68

HSL 132, 0.76%, 0.49%

LAB 77.21, -72.38, 59.64

 

CMYK 86 / 60 / 0 / 14

HEX #1E57DC

RGB 30 87 220

HSL 222, 0.76%, 0.49%

LAB 41.63, 32.56, -72.59

 

Description

Color code: HEX #DB1EB3 | qconv.com Color code: HEX #DB1EB3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 30 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 30 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 18 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 18% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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