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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB17D5 it is the complementary color #24E82A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB17D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB17D5 shade: #E017D0, #F129E3, #FF3BF6, #FF4DFF and #FF5FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB17D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB17D5 shade: #DB17D5, #CA05C2, #B900AF, #A8009C and #970089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB17D5 shade: #D917D3, #D9179F, #D9176A, #D91736 and #D91717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB17D5 shade: #D917D3, #AB17D9, #7617D9, #4217D9 and #1717D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB17D5 shade matches the following richer shades: #D917D3 and #EC03E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB17D5 shade: #D917D3, #C62AC1, #B23EAF, #9F519C and #8B648A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB17D5 shade: #7517D9, #A817D9, #D917D6, #D917A2 and #D9176E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB17D5 shade: #8E0F8A, #B413AF, #D917D3, #E930E4 and #ED55E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB17D5 shade: #DB17D5, #D94117 and #17D98F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB17D5 shade: #DB17D5, #D6D917 and #17D6D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB17D5 shade: #DB17D5, #D94117, #17D91A and #17AFD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB17D5 shade: #DB17D5, #D97B17, #17D91A and #1775D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 3 / 14

HEX #DB17D5

RGB 219 23 213

HSL 301.84, 0.81%, 0.47%

LAB 52.37, 84.7, -50.27

 

Complementary color

CMYK 84 / 0 / 82 / 9

HEX #24E82A

RGB 36 232 42

HSL 121.84, 0.81%, 0.53%

LAB 80.88, -77.15, 71.54

 

CMYK 0 / 90 / 7 / 12

HEX #E017D0

RGB 224 23 208

HSL 304.78, 0.81%, 0.48%

LAB 52.96, 84.88, -46.41

 

CMYK 0 / 83 / 6 / 5

HEX #F129E3

RGB 241 41 227

HSL 304.2, 0.88%, 0.55%

LAB 57.88, 87.68, -49.23

 

CMYK 0 / 77 / 4 / 0

HEX #FF3BF6

RGB 255 59 246

HSL 302.76, 1%, 0.62%

LAB 62.54, 89.03, -52.31

 

CMYK 0 / 70 / 0 / 0

HEX #FF4DFF

RGB 255 77 255

HSL 300, 1%, 0.65%

LAB 64.79, 85.25, -53.71

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 89 / 3 / 14

HEX #DB17D5

RGB 219 23 213

HSL 301.84, 0.81%, 0.47%

LAB 52.37, 84.7, -50.27

 

CMYK 0 / 98 / 4 / 21

HEX #CA05C2

RGB 202 5 194

HSL 302.44, 0.95%, 0.41%

LAB 47.7, 80.88, -46.94

 

CMYK 0 / 100 / 5 / 27

HEX #B900AF

RGB 185 0 175

HSL 303.24, 1%, 0.36%

LAB 43.37, 75.76, -42.85

 

CMYK 0 / 100 / 7 / 34

HEX #A8009C

RGB 168 0 156

HSL 304.29, 1%, 0.33%

LAB 39.11, 70.13, -38.44

 

CMYK 0 / 100 / 9 / 41

HEX #970089

RGB 151 0 137

HSL 305.56, 1%, 0.3%

LAB 34.77, 64.39, -33.9

 

CMYK 0 / 89 / 3 / 15

HEX #D917D3

RGB 217 23 211

HSL 301.86, 0.81%, 0.47%

LAB 51.91, 84.07, -49.88

 

CMYK 0 / 89 / 27 / 15

HEX #D9179F

RGB 217 23 159

HSL 317.94, 0.81%, 0.47%

LAB 49.34, 77.38, -23.56

 

CMYK 0 / 89 / 51 / 15

HEX #D9176A

RGB 217 23 106

HSL 334.33, 0.81%, 0.47%

LAB 47.5, 72.39, 5.87

 

CMYK 0 / 89 / 75 / 15

HEX #D91736

RGB 217 23 54

HSL 350.41, 0.81%, 0.47%

LAB 46.49, 69.53, 36.37

 

CMYK 0 / 89 / 89 / 15

HEX #D91717

RGB 217 23 23

HSL 0, 0.81%, 0.47%

LAB 46.21, 68.74, 52.33

 

CMYK 0 / 89 / 3 / 15

HEX #D917D3

RGB 217 23 211

HSL 301.86, 0.81%, 0.47%

LAB 51.91, 84.07, -49.88

 

CMYK 21 / 89 / 0 / 15

HEX #AB17D9

RGB 171 23 217

HSL 285.77, 0.81%, 0.47%

LAB 44.63, 77.66, -65.44

 

CMYK 46 / 89 / 0 / 15

HEX #7617D9

RGB 118 23 217

HSL 269.38, 0.81%, 0.47%

LAB 36.88, 70.95, -78.43

 

CMYK 70 / 89 / 0 / 15

HEX #4217D9

RGB 66 23 217

HSL 253.3, 0.81%, 0.47%

LAB 31.3, 66.78, -87.84

 

CMYK 89 / 89 / 0 / 15

HEX #1717D9

RGB 23 23 217

HSL 240, 0.81%, 0.47%

LAB 28.91, 65.23, -91.88

 

CMYK 0 / 89 / 3 / 15

HEX #D917D3

RGB 217 23 211

HSL 301.86, 0.81%, 0.47%

LAB 51.91, 84.07, -49.88

 

CMYK 0 / 99 / 3 / 7

HEX #EC03E5

RGB 236 3 229

HSL 301.8, 0.97%, 0.47%

LAB 55.64, 91.49, -53.98

 

CMYK 0 / 89 / 3 / 15

HEX #D917D3

RGB 217 23 211

HSL 301.86, 0.81%, 0.47%

LAB 51.91, 84.07, -49.88

 

CMYK 0 / 79 / 3 / 22

HEX #C62AC1

RGB 198 42 193

HSL 301.92, 0.65%, 0.47%

LAB 48.9, 74.3, -44.49

 

CMYK 0 / 65 / 2 / 30

HEX #B23EAF

RGB 178 62 175

HSL 301.55, 0.48%, 0.47%

LAB 46.98, 60.51, -37.21

 

CMYK 0 / 49 / 2 / 38

HEX #9F519C

RGB 159 81 156

HSL 302.31, 0.33%, 0.47%

LAB 46.52, 43.18, -26.89

 

CMYK 0 / 28 / 1 / 45

HEX #8B648A

RGB 139 100 138

HSL 301.54, 0.16%, 0.47%

LAB 47.54, 22.46, -14.8

 

CMYK 46 / 89 / 0 / 15

HEX #7517D9

RGB 117 23 217

HSL 269.07, 0.81%, 0.47%

LAB 36.75, 70.84, -78.65

 

CMYK 23 / 89 / 0 / 15

HEX #A817D9

RGB 168 23 217

HSL 284.85, 0.81%, 0.47%

LAB 44.16, 77.23, -66.23

 

CMYK 0 / 89 / 1 / 15

HEX #D917D6

RGB 217 23 214

HSL 300.93, 0.81%, 0.47%

LAB 52.08, 84.51, -51.32

 

CMYK 0 / 89 / 25 / 15

HEX #D917A2

RGB 217 23 162

HSL 317.01, 0.81%, 0.47%

LAB 49.46, 77.72, -25.15

 

CMYK 0 / 89 / 49 / 15

HEX #D9176E

RGB 217 23 110

HSL 333.09, 0.81%, 0.47%

LAB 47.61, 72.69, 3.56

 

CMYK 0 / 89 / 3 / 44

HEX #8E0F8A

RGB 142 15 138

HSL 301.89, 0.81%, 0.31%

LAB 33.83, 60.79, -36.12

 

CMYK 0 / 89 / 3 / 29

HEX #B413AF

RGB 180 19 175

HSL 301.86, 0.81%, 0.39%

LAB 43.16, 72.85, -43.25

 

CMYK 0 / 89 / 3 / 15

HEX #D917D3

RGB 217 23 211

HSL 301.86, 0.81%, 0.47%

LAB 51.91, 84.07, -49.88

 

CMYK 0 / 79 / 2 / 9

HEX #E930E4

RGB 233 48 228

HSL 301.62, 0.81%, 0.55%

LAB 57.11, 84.86, -51.09

 

CMYK 0 / 64 / 2 / 7

HEX #ED55E8

RGB 237 85 232

HSL 301.97, 0.81%, 0.63%

LAB 61.94, 74.94, -45.66

 

CMYK 0 / 89 / 3 / 14

HEX #DB17D5

RGB 219 23 213

HSL 301.84, 0.81%, 0.47%

LAB 52.37, 84.7, -50.27

 

CMYK 0 / 70 / 89 / 15

HEX #D94117

RGB 217 65 23

HSL 12.99, 0.81%, 0.47%

LAB 50.21, 57.53, 55.24

 

CMYK 89 / 0 / 34 / 15

HEX #17D98F

RGB 23 217 143

HSL 157.11, 0.81%, 0.47%

LAB 77.16, -60.63, 24.4

 

CMYK 0 / 89 / 3 / 14

HEX #DB17D5

RGB 219 23 213

HSL 301.84, 0.81%, 0.47%

LAB 52.37, 84.7, -50.27

 

CMYK 1 / 0 / 89 / 15

HEX #D6D917

RGB 214 217 23

HSL 60.93, 0.81%, 0.47%

LAB 83.96, -20.09, 80.97

 

CMYK 89 / 1 / 0 / 15

HEX #17D6D9

RGB 23 214 217

HSL 180.93, 0.81%, 0.47%

LAB 78.04, -40.52, -13.69

 

CMYK 0 / 89 / 3 / 14

HEX #DB17D5

RGB 219 23 213

HSL 301.84, 0.81%, 0.47%

LAB 52.37, 84.7, -50.27

 

CMYK 0 / 70 / 89 / 15

HEX #D94117

RGB 217 65 23

HSL 12.99, 0.81%, 0.47%

LAB 50.21, 57.53, 55.24

 

CMYK 89 / 0 / 88 / 15

HEX #17D91A

RGB 23 217 26

HSL 120.93, 0.81%, 0.47%

LAB 76, -74.68, 70.63

 

CMYK 89 / 19 / 0 / 15

HEX #17AFD9

RGB 23 175 217

HSL 192.99, 0.81%, 0.47%

LAB 66.41, -21.69, -31.42

 

CMYK 0 / 89 / 3 / 14

HEX #DB17D5

RGB 219 23 213

HSL 301.84, 0.81%, 0.47%

LAB 52.37, 84.7, -50.27

 

CMYK 0 / 43 / 89 / 15

HEX #D97B17

RGB 217 123 23

HSL 30.93, 0.81%, 0.47%

LAB 60.76, 30.39, 63.13

 

CMYK 89 / 0 / 88 / 15

HEX #17D91A

RGB 23 217 26

HSL 120.93, 0.81%, 0.47%

LAB 76, -74.68, 70.63

 

CMYK 89 / 46 / 0 / 15

HEX #1775D9

RGB 23 117 217

HSL 210.93, 0.81%, 0.47%

LAB 49.39, 11.71, -58.28

 

Description

Color code: HEX #DB17D5 | qconv.com Color code: HEX #DB17D5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 23 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 23 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 3 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 3% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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