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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB1766 it is the complementary color #24E899. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB1766. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB1766 shade: #E01761, #F12974, #FF3B87, #FF4D9A and #FF5FAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB1766. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB1766 shade: #DB1766, #CA0553, #B90040, #A8002D and #97001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB1766 shade: #D91765, #D91731 and #D91717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB1766 shade: #D91765, #D91799, #D917CE, #B017D9 and #7B17D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB1766 shade matches the following richer shades: #D91765 and #EC0361

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB1766 shade: #D91765, #C62A69, #B23E6D, #9F5170 and #8B6474

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB1766 shade: #D917CF, #D9179B, #D91768, #D91734 and #D92D17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB1766 shade: #8E0F42, #B41354, #D91765, #E9307A and #ED5592

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB1766 shade: #DB1766, #D9AF17 and #17B5D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB1766 shade: #DB1766, #68D917 and #1768D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB1766 shade: #DB1766, #D9AF17, #17D988 and #1741D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB1766 shade: #DB1766, #C9D917, #17D988 and #2717D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 53 / 14

HEX #DB1766

RGB 219 23 102

HSL 335.82, 0.81%, 0.47%

LAB 47.79, 72.57, 8.81

 

Complementary color

CMYK 84 / 0 / 34 / 9

HEX #24E899

RGB 36 232 153

HSL 155.82, 0.81%, 0.53%

LAB 82.05, -63.11, 25.89

 

CMYK 0 / 90 / 57 / 12

HEX #E01761

RGB 224 23 97

HSL 337.91, 0.81%, 0.48%

LAB 48.66, 73.42, 13.25

 

CMYK 0 / 83 / 52 / 5

HEX #F12974

RGB 241 41 116

HSL 337.5, 0.88%, 0.55%

LAB 53.54, 75.63, 9.01

 

CMYK 0 / 77 / 47 / 0

HEX #FF3B87

RGB 255 59 135

HSL 336.73, 1%, 0.62%

LAB 58.17, 76.2, 4.63

 

CMYK 0 / 70 / 40 / 0

HEX #FF4D9A

RGB 255 77 154

HSL 334.04, 1%, 0.65%

LAB 60.69, 72.31, -2.83

 

CMYK 0 / 63 / 32 / 0

HEX #FF5FAD

RGB 255 95 173

HSL 330.75, 1%, 0.69%

LAB 63.72, 67.59, -9.3

 

CMYK 0 / 89 / 53 / 14

HEX #DB1766

RGB 219 23 102

HSL 335.82, 0.81%, 0.47%

LAB 47.79, 72.57, 8.81

 

CMYK 0 / 98 / 59 / 21

HEX #CA0553

RGB 202 5 83

HSL 336.24, 0.95%, 0.41%

LAB 43.2, 69.3, 13.73

 

CMYK 0 / 100 / 65 / 27

HEX #B90040

RGB 185 0 64

HSL 339.24, 1%, 0.36%

LAB 39.04, 64.69, 19.61

 

CMYK 0 / 100 / 73 / 34

HEX #A8002D

RGB 168 0 45

HSL 343.93, 1%, 0.33%

LAB 35.03, 59.65, 25.95

 

CMYK 0 / 100 / 83 / 41

HEX #97001A

RGB 151 0 26

HSL 349.67, 1%, 0.3%

LAB 31.01, 54.67, 32.27

 

CMYK 0 / 89 / 53 / 15

HEX #D91765

RGB 217 23 101

HSL 335.88, 0.81%, 0.47%

LAB 47.37, 72.02, 8.77

 

CMYK 0 / 89 / 77 / 15

HEX #D91731

RGB 217 23 49

HSL 351.96, 0.81%, 0.47%

LAB 46.43, 69.36, 39.21

 

CMYK 0 / 89 / 89 / 15

HEX #D91717

RGB 217 23 23

HSL 0, 0.81%, 0.47%

LAB 46.21, 68.74, 52.33

 

CMYK 0 / 89 / 53 / 15

HEX #D91765

RGB 217 23 101

HSL 335.88, 0.81%, 0.47%

LAB 47.37, 72.02, 8.77

 

CMYK 0 / 89 / 29 / 15

HEX #D91799

RGB 217 23 153

HSL 319.79, 0.81%, 0.47%

LAB 49.09, 76.71, -20.36

 

CMYK 0 / 89 / 5 / 15

HEX #D917CE

RGB 217 23 206

HSL 303.4, 0.81%, 0.47%

LAB 51.63, 83.36, -47.46

 

CMYK 19 / 89 / 0 / 15

HEX #B017D9

RGB 176 23 217

HSL 287.32, 0.81%, 0.47%

LAB 45.43, 78.4, -64.1

 

CMYK 43 / 89 / 0 / 15

HEX #7B17D9

RGB 123 23 217

HSL 270.93, 0.81%, 0.47%

LAB 37.54, 71.48, -77.32

 

CMYK 0 / 89 / 53 / 15

HEX #D91765

RGB 217 23 101

HSL 335.88, 0.81%, 0.47%

LAB 47.37, 72.02, 8.77

 

CMYK 0 / 99 / 59 / 7

HEX #EC0361

RGB 236 3 97

HSL 335.79, 0.97%, 0.47%

LAB 50.41, 78.13, 16.03

 

CMYK 0 / 89 / 53 / 15

HEX #D91765

RGB 217 23 101

HSL 335.88, 0.81%, 0.47%

LAB 47.37, 72.02, 8.77

 

CMYK 0 / 79 / 47 / 22

HEX #C62A69

RGB 198 42 105

HSL 335.77, 0.65%, 0.47%

LAB 45.2, 63.55, 2.69

 

CMYK 0 / 65 / 39 / 30

HEX #B23E6D

RGB 178 62 109

HSL 335.69, 0.48%, 0.47%

LAB 44.25, 51.15, -1.59

 

CMYK 0 / 49 / 30 / 38

HEX #9F5170

RGB 159 81 112

HSL 336.15, 0.33%, 0.47%

LAB 44.84, 35.98, -2.91

 

CMYK 0 / 28 / 17 / 45

HEX #8B6474

RGB 139 100 116

HSL 335.38, 0.16%, 0.47%

LAB 46.8, 18.35, -2.74

 

CMYK 0 / 89 / 5 / 15

HEX #D917CF

RGB 217 23 207

HSL 303.09, 0.81%, 0.47%

LAB 51.69, 83.5, -47.94

 

CMYK 0 / 89 / 29 / 15

HEX #D9179B

RGB 217 23 155

HSL 319.18, 0.81%, 0.47%

LAB 49.17, 76.93, -21.43

 

CMYK 0 / 89 / 52 / 15

HEX #D91768

RGB 217 23 104

HSL 334.95, 0.81%, 0.47%

LAB 47.45, 72.24, 7.03

 

CMYK 0 / 89 / 76 / 15

HEX #D91734

RGB 217 23 52

HSL 351.03, 0.81%, 0.47%

LAB 46.46, 69.46, 37.51

 

CMYK 0 / 79 / 89 / 15

HEX #D92D17

RGB 217 45 23

HSL 6.8, 0.81%, 0.47%

LAB 47.87, 64.03, 53.53

 

CMYK 0 / 89 / 54 / 44

HEX #8E0F42

RGB 142 15 66

HSL 335.91, 0.81%, 0.31%

LAB 30.61, 52.08, 5.29

 

CMYK 0 / 89 / 53 / 29

HEX #B41354

RGB 180 19 84

HSL 335.78, 0.81%, 0.39%

LAB 39.26, 62.43, 6.92

 

CMYK 0 / 89 / 53 / 15

HEX #D91765

RGB 217 23 101

HSL 335.88, 0.81%, 0.47%

LAB 47.37, 72.02, 8.77

 

CMYK 0 / 79 / 48 / 9

HEX #E9307A

RGB 233 48 122

HSL 336, 0.81%, 0.55%

LAB 52.78, 72.45, 4.09

 

CMYK 0 / 64 / 38 / 7

HEX #ED5592

RGB 237 85 146

HSL 335.92, 0.81%, 0.63%

LAB 58.58, 63.44, -1.61

 

CMYK 0 / 89 / 53 / 14

HEX #DB1766

RGB 219 23 102

HSL 335.82, 0.81%, 0.47%

LAB 47.79, 72.57, 8.81

 

CMYK 0 / 19 / 89 / 15

HEX #D9AF17

RGB 217 175 23

HSL 47.01, 0.81%, 0.47%

LAB 73.2, 2.59, 72.68

 

CMYK 89 / 17 / 0 / 15

HEX #17B5D9

RGB 23 181 217

HSL 191.13, 0.81%, 0.47%

LAB 68.2, -24.76, -28.65

 

CMYK 0 / 89 / 53 / 14

HEX #DB1766

RGB 219 23 102

HSL 335.82, 0.81%, 0.47%

LAB 47.79, 72.57, 8.81

 

CMYK 52 / 0 / 89 / 15

HEX #68D917

RGB 104 217 23

HSL 94.95, 0.81%, 0.47%

LAB 77.66, -60.72, 73.23

 

CMYK 89 / 52 / 0 / 15

HEX #1768D9

RGB 23 104 217

HSL 214.95, 0.81%, 0.47%

LAB 45.76, 20, -64.15

 

CMYK 0 / 89 / 53 / 14

HEX #DB1766

RGB 219 23 102

HSL 335.82, 0.81%, 0.47%

LAB 47.79, 72.57, 8.81

 

CMYK 0 / 19 / 89 / 15

HEX #D9AF17

RGB 217 175 23

HSL 47.01, 0.81%, 0.47%

LAB 73.2, 2.59, 72.68

 

CMYK 89 / 0 / 37 / 15

HEX #17D988

RGB 23 217 136

HSL 154.95, 0.81%, 0.47%

LAB 77.03, -62.05, 27.86

 

CMYK 89 / 70 / 0 / 15

HEX #1741D9

RGB 23 65 217

HSL 227.01, 0.81%, 0.47%

LAB 35.93, 44.96, -80.24

 

CMYK 0 / 89 / 53 / 14

HEX #DB1766

RGB 219 23 102

HSL 335.82, 0.81%, 0.47%

LAB 47.79, 72.57, 8.81

 

CMYK 7 / 0 / 89 / 15

HEX #C9D917

RGB 201 217 23

HSL 64.95, 0.81%, 0.47%

LAB 82.97, -25.52, 79.77

 

CMYK 89 / 0 / 37 / 15

HEX #17D988

RGB 23 217 136

HSL 154.95, 0.81%, 0.47%

LAB 77.03, -62.05, 27.86

 

CMYK 82 / 89 / 0 / 15

HEX #2717D9

RGB 39 23 217

HSL 244.95, 0.81%, 0.47%

LAB 29.55, 65.62, -90.81

 

Description

Color code: HEX #DB1766 | qconv.com Color code: HEX #DB1766 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 23 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 23 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 53 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 53% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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