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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB0FEB it is the complementary color #24F014. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB0FEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB0FEB shade: #E00FE6, #F121F9, #FF33FF, #FF45FF and #FF57FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB0FEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB0FEB shade: #DB0FEB, #CA00D8, #B900C5, #A800B2 and #97009F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB0FEB shade: #DB0FEB, #EB0FC0, #EB0F84, #EB0F49 and #EB0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB0FEB shade: #DB0FEB, #A00FEB, #640FEB, #290FEB and #0F0FEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB0FEB shade matches the following richer shades: #DB0FEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB0FEB shade: #DB0FEB, #CA23D7, #B837C2, #A74CAE and #96609A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB0FEB shade: #630FEB, #9E0FEB, #D90FEB, #EB0FC3 and #EB0F88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB0FEB shade: #930A9D, #B70DC4, #DB0FEB, #E431F2 and #E958F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB0FEB shade: #DB0FEB, #EB290F and #0FEB81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB0FEB shade: #DB0FEB, #EBD90F and #0FEBD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB0FEB shade: #DB0FEB, #EB290F, #21EB0F and #0FD1EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB0FEB shade: #DB0FEB, #EB6B0F, #21EB0F and #0F8FEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 94 / 0 / 8

HEX #DB0FEB

RGB 219 15 235

HSL 295.64, 0.88%, 0.49%

LAB 53.38, 88.83, -61.13

 

Complementary color

CMYK 85 / 0 / 92 / 6

HEX #24F014

RGB 36 240 20

HSL 115.64, 0.88%, 0.51%

LAB 83.31, -80.17, 77.83

 

CMYK 3 / 93 / 0 / 10

HEX #E00FE6

RGB 224 15 230

HSL 298.33, 0.88%, 0.48%

LAB 53.92, 88.87, -57.4

 

CMYK 3 / 87 / 0 / 2

HEX #F121F9

RGB 241 33 249

HSL 297.78, 0.95%, 0.55%

LAB 58.63, 92.23, -60.35

 

CMYK 0 / 80 / 0 / 0

HEX #FF33FF

RGB 255 51 255

HSL 300, 1%, 0.6%

LAB 62.38, 92.2, -57.55

 

CMYK 0 / 73 / 0 / 0

HEX #FF45FF

RGB 255 69 255

HSL 300, 1%, 0.64%

LAB 63.95, 87.67, -55.06

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 7 / 94 / 0 / 8

HEX #DB0FEB

RGB 219 15 235

HSL 295.64, 0.88%, 0.49%

LAB 53.38, 88.83, -61.13

 

CMYK 6 / 100 / 0 / 15

HEX #CA00D8

RGB 202 0 216

HSL 296.11, 1%, 0.42%

LAB 48.9, 84.52, -57.71

 

CMYK 6 / 100 / 0 / 23

HEX #B900C5

RGB 185 0 197

HSL 296.35, 1%, 0.39%

LAB 44.72, 79.01, -53.62

 

CMYK 6 / 100 / 0 / 30

HEX #A800B2

RGB 168 0 178

HSL 296.63, 1%, 0.35%

LAB 40.47, 73.41, -49.45

 

CMYK 5 / 100 / 0 / 38

HEX #97009F

RGB 151 0 159

HSL 296.98, 1%, 0.31%

LAB 36.14, 67.71, -45.19

 

CMYK 7 / 94 / 0 / 8

HEX #DB0FEB

RGB 219 15 235

HSL 295.64, 0.88%, 0.49%

LAB 53.38, 88.83, -61.13

 

CMYK 0 / 94 / 18 / 8

HEX #EB0FC0

RGB 235 15 192

HSL 311.73, 0.88%, 0.49%

LAB 53.82, 85.66, -35.71

 

CMYK 0 / 94 / 44 / 8

HEX #EB0F84

RGB 235 15 132

HSL 328.09, 0.88%, 0.49%

LAB 51.46, 79.48, -3.81

 

CMYK 0 / 94 / 69 / 8

HEX #EB0F49

RGB 235 15 73

HSL 344.18, 0.88%, 0.49%

LAB 50.08, 75.71, 30.19

 

CMYK 0 / 94 / 94 / 8

HEX #EB0F0F

RGB 235 15 15

HSL 0, 0.88%, 0.49%

LAB 49.54, 74.22, 59.25

 

CMYK 7 / 94 / 0 / 8

HEX #DB0FEB

RGB 219 15 235

HSL 295.64, 0.88%, 0.49%

LAB 53.38, 88.83, -61.13

 

CMYK 32 / 94 / 0 / 8

HEX #A00FEB

RGB 160 15 235

HSL 279.55, 0.88%, 0.49%

LAB 43.96, 80.69, -76.86

 

CMYK 57 / 94 / 0 / 8

HEX #640FEB

RGB 100 15 235

HSL 263.18, 0.88%, 0.49%

LAB 36.08, 74.99, -90.13

 

CMYK 83 / 94 / 0 / 8

HEX #290FEB

RGB 41 15 235

HSL 247.09, 0.88%, 0.49%

LAB 31.37, 72.35, -98.09

 

CMYK 94 / 94 / 0 / 8

HEX #0F0FEB

RGB 15 15 235

HSL 240, 0.88%, 0.49%

LAB 30.5, 71.94, -99.57

 

CMYK 7 / 94 / 0 / 8

HEX #DB0FEB

RGB 219 15 235

HSL 295.64, 0.88%, 0.49%

LAB 53.38, 88.83, -61.13

 

CMYK 7 / 94 / 0 / 8

HEX #DB0FEB

RGB 219 15 235

HSL 295.64, 0.88%, 0.49%

LAB 53.38, 88.83, -61.13

 

CMYK 6 / 84 / 0 / 16

HEX #CA23D7

RGB 202 35 215

HSL 295.67, 0.72%, 0.49%

LAB 50.29, 80.07, -54.9

 

CMYK 5 / 72 / 0 / 24

HEX #B837C2

RGB 184 55 194

HSL 295.68, 0.56%, 0.49%

LAB 48.03, 67.71, -46.59

 

CMYK 4 / 56 / 0 / 32

HEX #A74CAE

RGB 167 76 174

HSL 295.71, 0.39%, 0.49%

LAB 47.55, 51.33, -35.84

 

CMYK 3 / 38 / 0 / 40

HEX #96609A

RGB 150 96 154

HSL 295.86, 0.23%, 0.49%

LAB 48.49, 31.76, -22.74

 

CMYK 58 / 94 / 0 / 8

HEX #630FEB

RGB 99 15 235

HSL 262.91, 0.88%, 0.49%

LAB 35.97, 74.93, -90.31

 

CMYK 33 / 94 / 0 / 8

HEX #9E0FEB

RGB 158 15 235

HSL 279, 0.88%, 0.49%

LAB 43.67, 80.45, -77.36

 

CMYK 8 / 94 / 0 / 8

HEX #D90FEB

RGB 217 15 235

HSL 295.09, 0.88%, 0.49%

LAB 53.05, 88.52, -61.69

 

CMYK 0 / 94 / 17 / 8

HEX #EB0FC3

RGB 235 15 195

HSL 310.91, 0.88%, 0.49%

LAB 53.97, 86.03, -37.22

 

CMYK 0 / 94 / 42 / 8

HEX #EB0F88

RGB 235 15 136

HSL 327, 0.88%, 0.49%

LAB 51.59, 79.82, -6.04

 

CMYK 6 / 94 / 0 / 38

HEX #930A9D

RGB 147 10 157

HSL 295.92, 0.88%, 0.33%

LAB 35.7, 65.48, -44.72

 

CMYK 7 / 93 / 0 / 23

HEX #B70DC4

RGB 183 13 196

HSL 295.74, 0.88%, 0.41%

LAB 44.72, 77.34, -53.07

 

CMYK 7 / 94 / 0 / 8

HEX #DB0FEB

RGB 219 15 235

HSL 295.64, 0.88%, 0.49%

LAB 53.38, 88.83, -61.13

 

CMYK 6 / 80 / 0 / 5

HEX #E431F2

RGB 228 49 242

HSL 295.65, 0.88%, 0.57%

LAB 57.17, 85.84, -58.9

 

CMYK 5 / 64 / 0 / 4

HEX #E958F4

RGB 233 88 244

HSL 295.77, 0.88%, 0.65%

LAB 62.37, 74.84, -51.69

 

CMYK 7 / 94 / 0 / 8

HEX #DB0FEB

RGB 219 15 235

HSL 295.64, 0.88%, 0.49%

LAB 53.38, 88.83, -61.13

 

CMYK 0 / 83 / 94 / 8

HEX #EB290F

RGB 235 41 15

HSL 7.09, 0.88%, 0.49%

LAB 51.02, 70, 60.08

 

CMYK 94 / 0 / 45 / 8

HEX #0FEB81

RGB 15 235 129

HSL 151.09, 0.88%, 0.49%

LAB 82.43, -69.81, 38.46

 

CMYK 7 / 94 / 0 / 8

HEX #DB0FEB

RGB 219 15 235

HSL 295.64, 0.88%, 0.49%

LAB 53.38, 88.83, -61.13

 

CMYK 0 / 8 / 94 / 8

HEX #EBD90F

RGB 235 217 15

HSL 55.09, 0.88%, 0.49%

LAB 85.67, -11.31, 84.07

 

CMYK 94 / 0 / 8 / 8

HEX #0FEBD9

RGB 15 235 217

HSL 175.09, 0.88%, 0.49%

LAB 84.24, -49.94, -4.48

 

CMYK 7 / 94 / 0 / 8

HEX #DB0FEB

RGB 219 15 235

HSL 295.64, 0.88%, 0.49%

LAB 53.38, 88.83, -61.13

 

CMYK 0 / 83 / 94 / 8

HEX #EB290F

RGB 235 41 15

HSL 7.09, 0.88%, 0.49%

LAB 51.02, 70, 60.08

 

CMYK 86 / 0 / 94 / 8

HEX #21EB0F

RGB 33 235 15

HSL 115.09, 0.88%, 0.49%

LAB 81.72, -79.17, 77.09

 

CMYK 94 / 11 / 0 / 8

HEX #0FD1EB

RGB 15 209 235

HSL 187.09, 0.88%, 0.49%

LAB 77.1, -32.98, -24.76

 

CMYK 7 / 94 / 0 / 8

HEX #DB0FEB

RGB 219 15 235

HSL 295.64, 0.88%, 0.49%

LAB 53.38, 88.83, -61.13

 

CMYK 0 / 54 / 94 / 8

HEX #EB6B0F

RGB 235 107 15

HSL 25.09, 0.88%, 0.49%

LAB 60.08, 45.53, 65.76

 

CMYK 86 / 0 / 94 / 8

HEX #21EB0F

RGB 33 235 15

HSL 115.09, 0.88%, 0.49%

LAB 81.72, -79.17, 77.09

 

CMYK 94 / 39 / 0 / 8

HEX #0F8FEB

RGB 15 143 235

HSL 205.09, 0.88%, 0.49%

LAB 57.79, 2.35, -54.91

 

Description

Color code: HEX #DB0FEB | qconv.com Color code: HEX #DB0FEB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 15 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 15 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 94 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 94% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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