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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB0FCB it is the complementary color #24F034. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB0FCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB0FCB shade: #E00FC6, #F121D9, #FF33EC, #FF45FF and #FF57FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB0FCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB0FCB shade: #DB0FCB, #CA00B8, #B900A5, #A80092 and #97007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB0FCB shade: #DB0FCB, #DB0F94, #DB0F5D, #DB0F26 and #DB0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB0FCB shade: #DB0FCB, #B40FDB, #7D0FDB, #460FDB and #0F0FDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB0FCB shade matches the following richer shades: #DB0FCB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB0FCB shade: #DB0FCB, #C822BB, #B535AB, #A2489B and #8F5B8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB0FCB shade: #7C0FDB, #B30FDB, #DB0FCE, #DB0F97 and #DB0F61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB0FCB shade: #8E0A84, #B50DA8, #DB0FCB, #F024E0 and #F24BE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB0FCB shade: #DB0FCB, #DB460F and #0FDB97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB0FCB shade: #DB0FCB, #CEDB0F and #0FCEDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB0FCB shade: #DB0FCB, #DB460F, #0FDB1D and #0FA5DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB0FCB shade: #DB0FCB, #DB830F, #0FDB1D and #0F68DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 7 / 14

HEX #DB0FCB

RGB 219 15 203

HSL 304.71, 0.87%, 0.46%

LAB 51.51, 84.21, -45.9

 

Complementary color

CMYK 85 / 0 / 78 / 6

HEX #24F034

RGB 36 240 52

HSL 124.71, 0.87%, 0.54%

LAB 83.41, -78.84, 71.22

 

CMYK 0 / 93 / 12 / 12

HEX #E00FC6

RGB 224 15 198

HSL 307.46, 0.87%, 0.47%

LAB 52.14, 84.42, -41.97

 

CMYK 0 / 86 / 10 / 5

HEX #F121D9

RGB 241 33 217

HSL 306.92, 0.88%, 0.54%

LAB 56.88, 87.72, -45.16

 

CMYK 0 / 80 / 7 / 0

HEX #FF33EC

RGB 255 51 236

HSL 305.59, 1%, 0.6%

LAB 61.38, 89.5, -48.59

 

CMYK 0 / 73 / 0 / 0

HEX #FF45FF

RGB 255 69 255

HSL 300, 1%, 0.64%

LAB 63.95, 87.67, -55.06

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 0 / 93 / 7 / 14

HEX #DB0FCB

RGB 219 15 203

HSL 304.71, 0.87%, 0.46%

LAB 51.51, 84.21, -45.9

 

CMYK 0 / 100 / 9 / 21

HEX #CA00B8

RGB 202 0 184

HSL 305.35, 1%, 0.4%

LAB 47, 79.91, -42.21

 

CMYK 0 / 100 / 11 / 27

HEX #B900A5

RGB 185 0 165

HSL 306.49, 1%, 0.36%

LAB 42.81, 74.38, -37.79

 

CMYK 0 / 100 / 13 / 34

HEX #A80092

RGB 168 0 146

HSL 307.86, 1%, 0.33%

LAB 38.55, 68.74, -33.25

 

CMYK 0 / 100 / 16 / 41

HEX #97007F

RGB 151 0 127

HSL 309.54, 1%, 0.3%

LAB 34.21, 63.01, -28.55

 

CMYK 0 / 93 / 7 / 14

HEX #DB0FCB

RGB 219 15 203

HSL 304.71, 0.87%, 0.46%

LAB 51.51, 84.21, -45.9

 

CMYK 0 / 93 / 32 / 14

HEX #DB0F94

RGB 219 15 148

HSL 320.88, 0.87%, 0.46%

LAB 48.93, 77.57, -17.57

 

CMYK 0 / 93 / 58 / 14

HEX #DB0F5D

RGB 219 15 93

HSL 337.06, 0.87%, 0.46%

LAB 47.23, 72.98, 13.58

 

CMYK 0 / 93 / 83 / 14

HEX #DB0F26

RGB 219 15 38

HSL 353.24, 0.87%, 0.46%

LAB 46.37, 70.6, 45.39

 

CMYK 0 / 93 / 93 / 14

HEX #DB0F0F

RGB 219 15 15

HSL 0, 0.87%, 0.46%

LAB 46.23, 70.2, 55.61

 

CMYK 0 / 93 / 7 / 14

HEX #DB0FCB

RGB 219 15 203

HSL 304.71, 0.87%, 0.46%

LAB 51.51, 84.21, -45.9

 

CMYK 18 / 93 / 0 / 14

HEX #B40FDB

RGB 180 15 219

HSL 288.53, 0.87%, 0.46%

LAB 45.85, 80.43, -64.54

 

CMYK 43 / 93 / 0 / 14

HEX #7D0FDB

RGB 125 15 219

HSL 272.35, 0.87%, 0.46%

LAB 37.51, 73.6, -78.51

 

CMYK 68 / 93 / 0 / 14

HEX #460FDB

RGB 70 15 219

HSL 256.18, 0.87%, 0.46%

LAB 31.25, 69.41, -89.07

 

CMYK 93 / 93 / 0 / 14

HEX #0F0FDB

RGB 15 15 219

HSL 240, 0.87%, 0.46%

LAB 28.27, 67.82, -94.12

 

CMYK 0 / 93 / 7 / 14

HEX #DB0FCB

RGB 219 15 203

HSL 304.71, 0.87%, 0.46%

LAB 51.51, 84.21, -45.9

 

CMYK 0 / 93 / 7 / 14

HEX #DB0FCB

RGB 219 15 203

HSL 304.71, 0.87%, 0.46%

LAB 51.51, 84.21, -45.9

 

CMYK 0 / 83 / 7 / 22

HEX #C822BB

RGB 200 34 187

HSL 304.7, 0.71%, 0.46%

LAB 48.27, 75.65, -41.96

 

CMYK 0 / 71 / 6 / 29

HEX #B535AB

RGB 181 53 171

HSL 304.69, 0.55%, 0.46%

LAB 46.06, 63.94, -36.28

 

CMYK 0 / 56 / 4 / 36

HEX #A2489B

RGB 162 72 155

HSL 304.67, 0.38%, 0.46%

LAB 45.2, 48.4, -28.32

 

CMYK 0 / 36 / 3 / 44

HEX #8F5B8B

RGB 143 91 139

HSL 304.62, 0.22%, 0.46%

LAB 45.89, 29.29, -17.88

 

CMYK 43 / 93 / 0 / 14

HEX #7C0FDB

RGB 124 15 219

HSL 272.06, 0.87%, 0.46%

LAB 37.37, 73.5, -78.74

 

CMYK 18 / 93 / 0 / 14

HEX #B30FDB

RGB 179 15 219

HSL 288.24, 0.87%, 0.46%

LAB 45.69, 80.29, -64.81

 

CMYK 0 / 93 / 6 / 14

HEX #DB0FCE

RGB 219 15 206

HSL 303.82, 0.87%, 0.46%

LAB 51.68, 84.62, -47.37

 

CMYK 0 / 93 / 31 / 14

HEX #DB0F97

RGB 219 15 151

HSL 320, 0.87%, 0.46%

LAB 49.05, 77.89, -19.19

 

CMYK 0 / 93 / 56 / 14

HEX #DB0F61

RGB 219 15 97

HSL 335.88, 0.87%, 0.46%

LAB 47.32, 73.24, 11.23

 

CMYK 0 / 93 / 7 / 44

HEX #8E0A84

RGB 142 10 132

HSL 304.55, 0.87%, 0.3%

LAB 33.21, 60.65, -33.38

 

CMYK 0 / 93 / 7 / 29

HEX #B50DA8

RGB 181 13 168

HSL 304.64, 0.87%, 0.38%

LAB 42.67, 72.79, -39.85

 

CMYK 0 / 93 / 7 / 14

HEX #DB0FCB

RGB 219 15 203

HSL 304.71, 0.87%, 0.46%

LAB 51.51, 84.21, -45.9

 

CMYK 0 / 85 / 7 / 6

HEX #F024E0

RGB 240 36 224

HSL 304.71, 0.87%, 0.54%

LAB 57.24, 87.99, -48.56

 

CMYK 0 / 69 / 5 / 5

HEX #F24BE5

RGB 242 75 229

HSL 304.67, 0.87%, 0.62%

LAB 61.28, 79.16, -44.97

 

CMYK 0 / 93 / 7 / 14

HEX #DB0FCB

RGB 219 15 203

HSL 304.71, 0.87%, 0.46%

LAB 51.51, 84.21, -45.9

 

CMYK 0 / 68 / 93 / 14

HEX #DB460F

RGB 219 70 15

HSL 16.18, 0.87%, 0.46%

LAB 51.24, 56.16, 58.7

 

CMYK 93 / 0 / 31 / 14

HEX #0FDB97

RGB 15 219 151

HSL 160, 0.87%, 0.46%

LAB 77.87, -60.03, 21.2

 

CMYK 0 / 93 / 7 / 14

HEX #DB0FCB

RGB 219 15 203

HSL 304.71, 0.87%, 0.46%

LAB 51.51, 84.21, -45.9

 

CMYK 6 / 0 / 93 / 14

HEX #CEDB0F

RGB 206 219 15

HSL 63.82, 0.87%, 0.46%

LAB 83.87, -24.52, 81.69

 

CMYK 93 / 6 / 0 / 14

HEX #0FCEDB

RGB 15 206 219

HSL 183.82, 0.87%, 0.46%

LAB 75.67, -36.58, -18.33

 

CMYK 0 / 93 / 7 / 14

HEX #DB0FCB

RGB 219 15 203

HSL 304.71, 0.87%, 0.46%

LAB 51.51, 84.21, -45.9

 

CMYK 0 / 68 / 93 / 14

HEX #DB460F

RGB 219 70 15

HSL 16.18, 0.87%, 0.46%

LAB 51.24, 56.16, 58.7

 

CMYK 93 / 0 / 87 / 14

HEX #0FDB1D

RGB 15 219 29

HSL 124.12, 0.87%, 0.46%

LAB 76.59, -75.56, 70.56

 

CMYK 93 / 25 / 0 / 14

HEX #0FA5DB

RGB 15 165 219

HSL 195.88, 0.87%, 0.46%

LAB 63.45, -16.06, -37.12

 

CMYK 0 / 93 / 7 / 14

HEX #DB0FCB

RGB 219 15 203

HSL 304.71, 0.87%, 0.46%

LAB 51.51, 84.21, -45.9

 

CMYK 0 / 40 / 93 / 14

HEX #DB830F

RGB 219 131 15

HSL 34.12, 0.87%, 0.46%

LAB 62.78, 26.86, 66.55

 

CMYK 93 / 0 / 87 / 14

HEX #0FDB1D

RGB 15 219 29

HSL 124.12, 0.87%, 0.46%

LAB 76.59, -75.56, 70.56

 

CMYK 93 / 53 / 0 / 14

HEX #0F68DB

RGB 15 104 219

HSL 213.82, 0.87%, 0.46%

LAB 45.79, 20.43, -65.24

 

Description

Color code: HEX #DB0FCB | qconv.com Color code: HEX #DB0FCB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 15 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 15 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 7 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 7% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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