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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB0EE0 it is the complementary color #24F11F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB0EE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB0EE0 shade: #E00EDB, #F120EE, #FF32FF, #FF44FF and #FF56FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB0EE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB0EE0 shade: #DB0EE0, #CA00CD, #B900BA, #A800A7 and #970094

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB0EE0 shade: #DC0EE1, #E10EAD, #E10E75, #E10E3C and #E10E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB0EE0 shade: #DC0EE1, #A30EE1, #6B0EE1, #320EE1 and #0E0EE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB0EE0 shade matches the following richer shades: #DC0EE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB0EE0 shade: #DC0EE1, #CA22CE, #B735BB, #A549A7 and #925C94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB0EE0 shade: #6A0EE1, #A20EE1, #DA0EE1, #E10EB0 and #E10E78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB0EE0 shade: #900994, #B60CBB, #DC0EE1, #EC28F1 and #F04EF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB0EE0 shade: #DB0EE0, #E1320E and #0EE186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB0EE0 shade: #DB0EE0, #E1DA0E and #0EE1DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB0EE0 shade: #DB0EE0, #E1320E, #15E10E and #0EBEE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB0EE0 shade: #DB0EE0, #E1710E, #15E10E and #0E7FE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 94 / 0 / 12

HEX #DB0EE0

RGB 219 14 224

HSL 298.57, 0.88%, 0.47%

LAB 52.68, 87.28, -56.04

 

Complementary color

CMYK 85 / 0 / 87 / 5

HEX #24F11F

RGB 36 241 31

HSL 118.57, 0.88%, 0.53%

LAB 83.64, -80.11, 76.39

 

CMYK 0 / 94 / 2 / 12

HEX #E00EDB

RGB 224 14 219

HSL 301.43, 0.88%, 0.47%

LAB 53.25, 87.37, -52.24

 

CMYK 0 / 87 / 1 / 5

HEX #F120EE

RGB 241 32 238

HSL 300.86, 0.88%, 0.54%

LAB 57.95, 90.78, -55.3

 

CMYK 0 / 80 / 0 / 0

HEX #FF32FF

RGB 255 50 255

HSL 300, 1%, 0.6%

LAB 62.31, 92.42, -57.67

 

CMYK 0 / 73 / 0 / 0

HEX #FF44FF

RGB 255 68 255

HSL 300, 1%, 0.63%

LAB 63.85, 87.96, -55.22

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FF

RGB 255 86 255

HSL 300, 1%, 0.67%

LAB 65.85, 82.25, -52.03

 

CMYK 2 / 94 / 0 / 12

HEX #DB0EE0

RGB 219 14 224

HSL 298.57, 0.88%, 0.47%

LAB 52.68, 87.28, -56.04

 

CMYK 1 / 100 / 0 / 20

HEX #CA00CD

RGB 202 0 205

HSL 299.12, 1%, 0.4%

LAB 48.22, 82.87, -52.49

 

CMYK 1 / 100 / 0 / 27

HEX #B900BA

RGB 185 0 186

HSL 299.68, 1%, 0.36%

LAB 44.03, 77.35, -48.3

 

CMYK 0 / 100 / 1 / 34

HEX #A800A7

RGB 168 0 167

HSL 300.36, 1%, 0.33%

LAB 39.77, 71.73, -44.01

 

CMYK 0 / 100 / 2 / 41

HEX #970094

RGB 151 0 148

HSL 301.19, 1%, 0.3%

LAB 35.43, 66, -39.62

 

CMYK 2 / 94 / 0 / 12

HEX #DC0EE1

RGB 220 14 225

HSL 298.58, 0.88%, 0.47%

LAB 52.91, 87.58, -56.23

 

CMYK 0 / 94 / 23 / 12

HEX #E10EAD

RGB 225 14 173

HSL 314.79, 0.88%, 0.47%

LAB 51.08, 81.61, -29.03

 

CMYK 0 / 94 / 48 / 12

HEX #E10E75

RGB 225 14 117

HSL 330.71, 0.88%, 0.47%

LAB 49.01, 76.15, 1.49

 

CMYK 0 / 94 / 73 / 12

HEX #E10E3C

RGB 225 14 60

HSL 346.92, 0.88%, 0.47%

LAB 47.81, 72.87, 34.77

 

CMYK 0 / 94 / 94 / 12

HEX #E10E0E

RGB 225 14 14

HSL 0, 0.88%, 0.47%

LAB 47.43, 71.81, 57.29

 

CMYK 2 / 94 / 0 / 12

HEX #DC0EE1

RGB 220 14 225

HSL 298.58, 0.88%, 0.47%

LAB 52.91, 87.58, -56.23

 

CMYK 28 / 94 / 0 / 12

HEX #A30EE1

RGB 163 14 225

HSL 282.37, 0.88%, 0.47%

LAB 43.56, 79.3, -71.81

 

CMYK 52 / 94 / 0 / 12

HEX #6B0EE1

RGB 107 14 225

HSL 266.45, 0.88%, 0.47%

LAB 35.74, 73.42, -84.95

 

CMYK 78 / 94 / 0 / 12

HEX #320EE1

RGB 50 14 225

HSL 250.24, 0.88%, 0.47%

LAB 30.47, 70.28, -93.87

 

CMYK 94 / 94 / 0 / 12

HEX #0E0EE1

RGB 14 14 225

HSL 240, 0.88%, 0.47%

LAB 29.01, 69.58, -96.33

 

CMYK 2 / 94 / 0 / 12

HEX #DC0EE1

RGB 220 14 225

HSL 298.58, 0.88%, 0.47%

LAB 52.91, 87.58, -56.23

 

CMYK 2 / 94 / 0 / 12

HEX #DC0EE1

RGB 220 14 225

HSL 298.58, 0.88%, 0.47%

LAB 52.91, 87.58, -56.23

 

CMYK 2 / 83 / 0 / 19

HEX #CA22CE

RGB 202 34 206

HSL 298.6, 0.72%, 0.47%

LAB 49.69, 78.87, -50.71

 

CMYK 2 / 72 / 0 / 27

HEX #B735BB

RGB 183 53 187

HSL 298.21, 0.56%, 0.47%

LAB 47.24, 66.99, -43.79

 

CMYK 1 / 56 / 0 / 35

HEX #A549A7

RGB 165 73 167

HSL 298.72, 0.39%, 0.47%

LAB 46.38, 50.92, -33.56

 

CMYK 1 / 38 / 0 / 42

HEX #925C94

RGB 146 92 148

HSL 297.86, 0.23%, 0.47%

LAB 46.85, 31.5, -21.75

 

CMYK 53 / 94 / 0 / 12

HEX #6A0EE1

RGB 106 14 225

HSL 266.16, 0.88%, 0.47%

LAB 35.62, 73.34, -85.15

 

CMYK 28 / 94 / 0 / 12

HEX #A20EE1

RGB 162 14 225

HSL 282.09, 0.88%, 0.47%

LAB 43.41, 79.18, -72.07

 

CMYK 3 / 94 / 0 / 12

HEX #DA0EE1

RGB 218 14 225

HSL 298.01, 0.88%, 0.47%

LAB 52.57, 87.26, -56.8

 

CMYK 0 / 94 / 22 / 12

HEX #E10EB0

RGB 225 14 176

HSL 313.93, 0.88%, 0.47%

LAB 51.22, 81.96, -30.58

 

CMYK 0 / 94 / 47 / 12

HEX #E10E78

RGB 225 14 120

HSL 329.86, 0.88%, 0.47%

LAB 49.1, 76.39, -0.21

 

CMYK 3 / 94 / 0 / 42

HEX #900994

RGB 144 9 148

HSL 298.27, 0.89%, 0.31%

LAB 34.52, 63.63, -41.15

 

CMYK 3 / 94 / 0 / 27

HEX #B60CBB

RGB 182 12 187

HSL 298.29, 0.88%, 0.39%

LAB 43.94, 75.88, -49.06

 

CMYK 2 / 94 / 0 / 12

HEX #DC0EE1

RGB 220 14 225

HSL 298.58, 0.88%, 0.47%

LAB 52.91, 87.58, -56.23

 

CMYK 2 / 83 / 0 / 5

HEX #EC28F1

RGB 236 40 241

HSL 298.51, 0.88%, 0.55%

LAB 57.75, 89.01, -57.34

 

CMYK 2 / 68 / 0 / 4

HEX #F04EF4

RGB 240 78 244

HSL 298.55, 0.88%, 0.63%

LAB 62.09, 80.04, -52.07

 

CMYK 2 / 94 / 0 / 12

HEX #DB0EE0

RGB 219 14 224

HSL 298.57, 0.88%, 0.47%

LAB 52.68, 87.28, -56.04

 

CMYK 0 / 78 / 94 / 12

HEX #E1320E

RGB 225 50 14

HSL 10.24, 0.88%, 0.47%

LAB 49.88, 64.84, 58.7

 

CMYK 94 / 0 / 40 / 12

HEX #0EE186

RGB 14 225 134

HSL 154.12, 0.88%, 0.47%

LAB 79.42, -65.62, 32.05

 

CMYK 2 / 94 / 0 / 12

HEX #DB0EE0

RGB 219 14 224

HSL 298.57, 0.88%, 0.47%

LAB 52.68, 87.28, -56.04

 

CMYK 0 / 3 / 94 / 12

HEX #E1DA0E

RGB 225 218 14

HSL 58.01, 0.88%, 0.47%

LAB 85.09, -16.06, 83.38

 

CMYK 94 / 0 / 3 / 12

HEX #0EE1DA

RGB 14 225 218

HSL 178.01, 0.88%, 0.47%

LAB 81.29, -45.43, -9.37

 

CMYK 2 / 94 / 0 / 12

HEX #DB0EE0

RGB 219 14 224

HSL 298.57, 0.88%, 0.47%

LAB 52.68, 87.28, -56.04

 

CMYK 0 / 78 / 94 / 12

HEX #E1320E

RGB 225 50 14

HSL 10.24, 0.88%, 0.47%

LAB 49.88, 64.84, 58.7

 

CMYK 91 / 0 / 94 / 12

HEX #15E10E

RGB 21 225 14

HSL 118.01, 0.88%, 0.47%

LAB 78.49, -77.31, 74.49

 

CMYK 94 / 16 / 0 / 12

HEX #0EBEE1

RGB 14 190 225

HSL 189.95, 0.88%, 0.47%

LAB 71.12, -27, -28.53

 

CMYK 2 / 94 / 0 / 12

HEX #DB0EE0

RGB 219 14 224

HSL 298.57, 0.88%, 0.47%

LAB 52.68, 87.28, -56.04

 

CMYK 0 / 50 / 94 / 12

HEX #E1710E

RGB 225 113 14

HSL 28.15, 0.88%, 0.47%

LAB 59.75, 38.68, 65.03

 

CMYK 91 / 0 / 94 / 12

HEX #15E10E

RGB 21 225 14

HSL 118.01, 0.88%, 0.47%

LAB 78.49, -77.31, 74.49

 

CMYK 94 / 44 / 0 / 12

HEX #0E7FE1

RGB 14 127 225

HSL 207.87, 0.88%, 0.47%

LAB 52.63, 8.18, -57.6

 

Description

Color code: HEX #DB0EE0 | qconv.com Color code: HEX #DB0EE0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 14 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 14 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 94 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 94% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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