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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB0AE5 it is the complementary color #24F51A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB0AE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB0AE5 shade: #E00AE0, #F11CF3, #FF2EFF, #FF40FF and #FF52FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB0AE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB0AE5 shade: #DB0AE5, #CA00D2, #B900BF, #A800AC and #970099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB0AE5 shade: #DC0AE6, #E60AB5, #E60A79, #E60A3E and #E60A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB0AE5 shade: #DC0AE6, #A10AE6, #650AE6, #2A0AE6 and #0A0AE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB0AE5 shade matches the following richer shades: #DC0AE6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB0AE5 shade: #DC0AE6, #CA1DD3, #B930BF, #A744AC and #965799

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB0AE5 shade: #650AE6, #A00AE6, #DB0AE6, #E60AB6 and #E60A7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB0AE5 shade: #900697, #B608BF, #DC0AE6, #EC23F6 and #F04BF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB0AE5 shade: #DB0AE5, #E62B0A and #0AE683

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB0AE5 shade: #DB0AE5, #E6DB0A and #0AE6DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB0AE5 shade: #DB0AE5, #E62B0A, #15E60A and #0AC5E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB0AE5 shade: #DB0AE5, #E66D0A, #15E60A and #0A83E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 96 / 0 / 10

HEX #DB0AE5

RGB 219 10 229

HSL 297.26, 0.92%, 0.47%

LAB 52.88, 88.33, -58.56

 

Complementary color

CMYK 85 / 0 / 89 / 4

HEX #24F51A

RGB 36 245 26

HSL 117.26, 0.92%, 0.53%

LAB 84.87, -81.37, 78.29

 

CMYK 0 / 96 / 0 / 12

HEX #E00AE0

RGB 224 10 224

HSL 300, 0.91%, 0.46%

LAB 53.43, 88.39, -54.79

 

CMYK 1 / 88 / 0 / 5

HEX #F11CF3

RGB 241 28 243

HSL 299.44, 0.9%, 0.53%

LAB 58.04, 92.07, -57.95

 

CMYK 0 / 82 / 0 / 0

HEX #FF2EFF

RGB 255 46 255

HSL 300, 1%, 0.59%

LAB 62.03, 93.23, -58.12

 

CMYK 0 / 75 / 0 / 0

HEX #FF40FF

RGB 255 64 255

HSL 300, 1%, 0.63%

LAB 63.46, 89.06, -55.83

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 4 / 96 / 0 / 10

HEX #DB0AE5

RGB 219 10 229

HSL 297.26, 0.92%, 0.47%

LAB 52.88, 88.33, -58.56

 

CMYK 4 / 100 / 0 / 18

HEX #CA00D2

RGB 202 0 210

HSL 297.71, 1%, 0.41%

LAB 48.52, 83.61, -54.88

 

CMYK 3 / 100 / 0 / 25

HEX #B900BF

RGB 185 0 191

HSL 298.12, 1%, 0.37%

LAB 44.34, 78.1, -50.73

 

CMYK 2 / 100 / 0 / 33

HEX #A800AC

RGB 168 0 172

HSL 298.6, 1%, 0.34%

LAB 40.09, 72.49, -46.5

 

CMYK 1 / 100 / 0 / 40

HEX #970099

RGB 151 0 153

HSL 299.22, 1%, 0.3%

LAB 35.75, 66.77, -42.17

 

CMYK 4 / 96 / 0 / 10

HEX #DC0AE6

RGB 220 10 230

HSL 297.27, 0.92%, 0.47%

LAB 53.11, 88.63, -58.75

 

CMYK 0 / 96 / 21 / 10

HEX #E60AB5

RGB 230 10 181

HSL 313.36, 0.92%, 0.47%

LAB 52.26, 83.82, -31.82

 

CMYK 0 / 96 / 47 / 10

HEX #E60A79

RGB 230 10 121

HSL 329.73, 0.92%, 0.47%

LAB 50, 77.92, 0.61

 

CMYK 0 / 96 / 73 / 10

HEX #E60A3E

RGB 230 10 62

HSL 345.82, 0.92%, 0.47%

LAB 48.75, 74.5, 34.93

 

CMYK 0 / 96 / 96 / 10

HEX #E60A0A

RGB 230 10 10

HSL 0, 0.92%, 0.47%

LAB 48.34, 73.38, 59.49

 

CMYK 4 / 96 / 0 / 10

HEX #DC0AE6

RGB 220 10 230

HSL 297.27, 0.92%, 0.47%

LAB 53.11, 88.63, -58.75

 

CMYK 30 / 96 / 0 / 10

HEX #A10AE6

RGB 161 10 230

HSL 281.18, 0.92%, 0.47%

LAB 43.52, 80.41, -74.75

 

CMYK 56 / 96 / 0 / 10

HEX #650AE6

RGB 101 10 230

HSL 264.82, 0.92%, 0.47%

LAB 35.39, 74.67, -88.41

 

CMYK 82 / 96 / 0 / 10

HEX #2A0AE6

RGB 42 10 230

HSL 248.73, 0.92%, 0.47%

LAB 30.45, 72.03, -96.77

 

CMYK 96 / 96 / 0 / 10

HEX #0A0AE6

RGB 10 10 230

HSL 240, 0.92%, 0.47%

LAB 29.4, 71.58, -98.55

 

CMYK 4 / 96 / 0 / 10

HEX #DC0AE6

RGB 220 10 230

HSL 297.27, 0.92%, 0.47%

LAB 53.11, 88.63, -58.75

 

CMYK 4 / 96 / 0 / 10

HEX #DC0AE6

RGB 220 10 230

HSL 297.27, 0.92%, 0.47%

LAB 53.11, 88.63, -58.75

 

CMYK 4 / 86 / 0 / 17

HEX #CA1DD3

RGB 202 29 211

HSL 297.03, 0.76%, 0.47%

LAB 49.66, 80.58, -53.62

 

CMYK 3 / 75 / 0 / 25

HEX #B930BF

RGB 185 48 191

HSL 297.48, 0.6%, 0.47%

LAB 47.22, 69.68, -46.12

 

CMYK 3 / 60 / 0 / 33

HEX #A744AC

RGB 167 68 172

HSL 297.12, 0.43%, 0.47%

LAB 46.08, 54.68, -36.97

 

CMYK 2 / 43 / 0 / 40

HEX #965799

RGB 150 87 153

HSL 297.27, 0.28%, 0.47%

LAB 46.45, 36.6, -25.31

 

CMYK 56 / 96 / 0 / 10

HEX #650AE6

RGB 101 10 230

HSL 264.82, 0.92%, 0.47%

LAB 35.39, 74.67, -88.41

 

CMYK 30 / 96 / 0 / 10

HEX #A00AE6

RGB 160 10 230

HSL 280.91, 0.92%, 0.47%

LAB 43.37, 80.29, -75

 

CMYK 5 / 96 / 0 / 10

HEX #DB0AE6

RGB 219 10 230

HSL 297, 0.92%, 0.47%

LAB 52.94, 88.48, -59.03

 

CMYK 0 / 96 / 21 / 10

HEX #E60AB6

RGB 230 10 182

HSL 313.09, 0.92%, 0.47%

LAB 52.31, 83.94, -32.33

 

CMYK 0 / 96 / 46 / 10

HEX #E60A7C

RGB 230 10 124

HSL 328.91, 0.92%, 0.47%

LAB 50.09, 78.15, -1.09

 

CMYK 5 / 96 / 0 / 41

HEX #900697

RGB 144 6 151

HSL 297.1, 0.92%, 0.31%

LAB 34.59, 64.5, -42.89

 

CMYK 5 / 96 / 0 / 25

HEX #B608BF

RGB 182 8 191

HSL 297.05, 0.92%, 0.39%

LAB 44.06, 76.88, -51.21

 

CMYK 4 / 96 / 0 / 10

HEX #DC0AE6

RGB 220 10 230

HSL 297.27, 0.92%, 0.47%

LAB 53.11, 88.63, -58.75

 

CMYK 4 / 86 / 0 / 4

HEX #EC23F6

RGB 236 35 246

HSL 297.16, 0.92%, 0.55%

LAB 57.74, 90.64, -60.15

 

CMYK 3 / 70 / 0 / 3

HEX #F04BF7

RGB 240 75 247

HSL 297.56, 0.91%, 0.63%

LAB 61.89, 81.53, -54.05

 

CMYK 4 / 96 / 0 / 10

HEX #DB0AE5

RGB 219 10 229

HSL 297.26, 0.92%, 0.47%

LAB 52.88, 88.33, -58.56

 

CMYK 0 / 81 / 96 / 10

HEX #E62B0A

RGB 230 43 10

HSL 9, 0.92%, 0.47%

LAB 50.18, 68.1, 60.44

 

CMYK 96 / 0 / 43 / 10

HEX #0AE683

RGB 10 230 131

HSL 153, 0.92%, 0.47%

LAB 80.9, -67.98, 35.49

 

CMYK 4 / 96 / 0 / 10

HEX #DB0AE5

RGB 219 10 229

HSL 297.26, 0.92%, 0.47%

LAB 52.88, 88.33, -58.56

 

CMYK 0 / 5 / 96 / 10

HEX #E6DB0A

RGB 230 219 10

HSL 57, 0.92%, 0.47%

LAB 85.76, -14.47, 84.44

 

CMYK 96 / 0 / 5 / 10

HEX #0AE6DB

RGB 10 230 219

HSL 177, 0.92%, 0.47%

LAB 82.79, -47.4, -7.68

 

CMYK 4 / 96 / 0 / 10

HEX #DB0AE5

RGB 219 10 229

HSL 297.26, 0.92%, 0.47%

LAB 52.88, 88.33, -58.56

 

CMYK 0 / 81 / 96 / 10

HEX #E62B0A

RGB 230 43 10

HSL 9, 0.92%, 0.47%

LAB 50.18, 68.1, 60.44

 

CMYK 91 / 0 / 96 / 10

HEX #15E60A

RGB 21 230 10

HSL 117, 0.92%, 0.47%

LAB 80.05, -78.73, 76.18

 

CMYK 96 / 14 / 0 / 10

HEX #0AC5E6

RGB 10 197 230

HSL 189, 0.92%, 0.47%

LAB 73.36, -28.93, -27.81

 

CMYK 4 / 96 / 0 / 10

HEX #DB0AE5

RGB 219 10 229

HSL 297.26, 0.92%, 0.47%

LAB 52.88, 88.33, -58.56

 

CMYK 0 / 53 / 96 / 10

HEX #E66D0A

RGB 230 109 10

HSL 27, 0.92%, 0.47%

LAB 59.69, 42.59, 66.08

 

CMYK 91 / 0 / 96 / 10

HEX #15E60A

RGB 21 230 10

HSL 117, 0.92%, 0.47%

LAB 80.05, -78.73, 76.18

 

CMYK 96 / 43 / 0 / 10

HEX #0A83E6

RGB 10 131 230

HSL 207, 0.92%, 0.47%

LAB 54.04, 7.53, -58.14

 

Description

Color code: HEX #DB0AE5 | qconv.com Color code: HEX #DB0AE5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 10 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 10 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 96 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 96% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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