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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB09EB it is the complementary color #24F614. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB09EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB09EB shade: #E009E6, #F11BF9, #FF2DFF, #FF3FFF and #FF51FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB09EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB09EB shade: #DB09EB, #CA00D8, #B900C5, #A800B2 and #97009F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB09EB shade: #DC08EC, #EC08BE, #EC0881, #EC0844 and #EC0808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB09EB shade: #DC08EC, #9E08EC, #6108EC, #2308EC and #0808EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB09EB shade matches the following richer shades: #DC08EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB09EB shade: #DC08EC, #CB1CD8, #BA30C4, #A943B0 and #98579D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB09EB shade: #5F08EC, #9C08EC, #D908EC, #EC08C2 and #EC0885

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB09EB shade: #91059C, #B707C4, #DC08EC, #E826F7 and #EC4EF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB09EB shade: #DB09EB, #EC2308 and #08EC7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB09EB shade: #DB09EB, #ECD908 and #08ECD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB09EB shade: #DB09EB, #EC2308, #1BEC08 and #08D1EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB09EB shade: #DB09EB, #EC6708, #1BEC08 and #088DEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 96 / 0 / 8

HEX #DB09EB

RGB 219 9 235

HSL 295.75, 0.93%, 0.48%

LAB 53.23, 89.3, -61.39

 

Complementary color

CMYK 85 / 0 / 92 / 4

HEX #24F614

RGB 36 246 20

HSL 115.75, 0.93%, 0.52%

LAB 85.17, -81.8, 79.39

 

CMYK 3 / 96 / 0 / 10

HEX #E009E6

RGB 224 9 230

HSL 298.37, 0.92%, 0.47%

LAB 53.77, 89.33, -57.65

 

CMYK 3 / 89 / 0 / 2

HEX #F11BF9

RGB 241 27 249

HSL 297.84, 0.95%, 0.54%

LAB 58.34, 93.07, -60.81

 

CMYK 0 / 82 / 0 / 0

HEX #FF2DFF

RGB 255 45 255

HSL 300, 1%, 0.59%

LAB 61.96, 93.42, -58.22

 

CMYK 0 / 75 / 0 / 0

HEX #FF3FFF

RGB 255 63 255

HSL 300, 1%, 0.62%

LAB 63.37, 89.33, -55.97

 

CMYK 0 / 68 / 0 / 0

HEX #FF51FF

RGB 255 81 255

HSL 300, 1%, 0.66%

LAB 65.25, 83.95, -52.99

 

CMYK 7 / 96 / 0 / 8

HEX #DB09EB

RGB 219 9 235

HSL 295.75, 0.93%, 0.48%

LAB 53.23, 89.3, -61.39

 

CMYK 6 / 100 / 0 / 15

HEX #CA00D8

RGB 202 0 216

HSL 296.11, 1%, 0.42%

LAB 48.9, 84.52, -57.71

 

CMYK 6 / 100 / 0 / 23

HEX #B900C5

RGB 185 0 197

HSL 296.35, 1%, 0.39%

LAB 44.72, 79.01, -53.62

 

CMYK 6 / 100 / 0 / 30

HEX #A800B2

RGB 168 0 178

HSL 296.63, 1%, 0.35%

LAB 40.47, 73.41, -49.45

 

CMYK 5 / 100 / 0 / 38

HEX #97009F

RGB 151 0 159

HSL 296.98, 1%, 0.31%

LAB 36.14, 67.71, -45.19

 

CMYK 7 / 97 / 0 / 7

HEX #DC08EC

RGB 220 8 236

HSL 295.79, 0.93%, 0.48%

LAB 53.43, 89.67, -61.61

 

CMYK 0 / 97 / 19 / 7

HEX #EC08BE

RGB 236 8 190

HSL 312.11, 0.93%, 0.48%

LAB 53.73, 86.14, -34.68

 

CMYK 0 / 97 / 45 / 7

HEX #EC0881

RGB 236 8 129

HSL 328.16, 0.93%, 0.48%

LAB 51.37, 80.01, -2.11

 

CMYK 0 / 97 / 71 / 7

HEX #EC0844

RGB 236 8 68

HSL 344.21, 0.93%, 0.48%

LAB 50.01, 76.32, 33.14

 

CMYK 0 / 97 / 97 / 7

HEX #EC0808

RGB 236 8 8

HSL 0, 0.93%, 0.48%

LAB 49.53, 75, 61.29

 

CMYK 7 / 97 / 0 / 7

HEX #DC08EC

RGB 220 8 236

HSL 295.79, 0.93%, 0.48%

LAB 53.43, 89.67, -61.61

 

CMYK 33 / 97 / 0 / 7

HEX #9E08EC

RGB 158 8 236

HSL 279.47, 0.93%, 0.48%

LAB 43.51, 81.38, -78.19

 

CMYK 59 / 97 / 0 / 7

HEX #6108EC

RGB 97 8 236

HSL 263.42, 0.93%, 0.48%

LAB 35.54, 76.02, -91.6

 

CMYK 85 / 97 / 0 / 7

HEX #2308EC

RGB 35 8 236

HSL 247.11, 0.93%, 0.48%

LAB 30.85, 73.69, -99.54

 

CMYK 97 / 97 / 0 / 7

HEX #0808EC

RGB 8 8 236

HSL 240, 0.93%, 0.48%

LAB 30.11, 73.4, -100.79

 

CMYK 7 / 97 / 0 / 7

HEX #DC08EC

RGB 220 8 236

HSL 295.79, 0.93%, 0.48%

LAB 53.43, 89.67, -61.61

 

CMYK 7 / 97 / 0 / 7

HEX #DC08EC

RGB 220 8 236

HSL 295.79, 0.93%, 0.48%

LAB 53.43, 89.67, -61.61

 

CMYK 6 / 87 / 0 / 15

HEX #CB1CD8

RGB 203 28 216

HSL 295.85, 0.77%, 0.48%

LAB 50.08, 81.7, -55.81

 

CMYK 5 / 76 / 0 / 23

HEX #BA30C4

RGB 186 48 196

HSL 295.95, 0.61%, 0.48%

LAB 47.67, 70.72, -48.3

 

CMYK 4 / 62 / 0 / 31

HEX #A943B0

RGB 169 67 176

HSL 296.15, 0.45%, 0.48%

LAB 46.42, 56.36, -38.77

 

CMYK 3 / 45 / 0 / 38

HEX #98579D

RGB 152 87 157

HSL 295.71, 0.29%, 0.48%

LAB 46.88, 38.02, -27

 

CMYK 60 / 97 / 0 / 7

HEX #5F08EC

RGB 95 8 236

HSL 262.89, 0.93%, 0.48%

LAB 35.33, 75.89, -91.96

 

CMYK 34 / 97 / 0 / 7

HEX #9C08EC

RGB 156 8 236

HSL 278.95, 0.93%, 0.48%

LAB 43.21, 81.16, -78.69

 

CMYK 8 / 97 / 0 / 7

HEX #D908EC

RGB 217 8 236

HSL 295, 0.93%, 0.48%

LAB 52.93, 89.22, -62.45

 

CMYK 0 / 97 / 18 / 7

HEX #EC08C2

RGB 236 8 194

HSL 311.05, 0.93%, 0.48%

LAB 53.92, 86.62, -36.7

 

CMYK 0 / 97 / 44 / 7

HEX #EC0885

RGB 236 8 133

HSL 327.11, 0.93%, 0.48%

LAB 51.5, 80.34, -4.34

 

CMYK 7 / 97 / 0 / 39

HEX #91059C

RGB 145 5 156

HSL 295.63, 0.94%, 0.32%

LAB 35.06, 65.61, -45.16

 

CMYK 7 / 96 / 0 / 23

HEX #B707C4

RGB 183 7 196

HSL 295.87, 0.93%, 0.4%

LAB 44.53, 77.91, -53.38

 

CMYK 7 / 97 / 0 / 7

HEX #DC08EC

RGB 220 8 236

HSL 295.79, 0.93%, 0.48%

LAB 53.43, 89.67, -61.61

 

CMYK 6 / 85 / 0 / 3

HEX #E826F7

RGB 232 38 247

HSL 295.69, 0.93%, 0.56%

LAB 57.33, 89.61, -61.41

 

CMYK 5 / 69 / 0 / 3

HEX #EC4EF8

RGB 236 78 248

HSL 295.76, 0.92%, 0.64%

LAB 61.71, 79.84, -54.93

 

CMYK 7 / 96 / 0 / 8

HEX #DB09EB

RGB 219 9 235

HSL 295.75, 0.93%, 0.48%

LAB 53.23, 89.3, -61.39

 

CMYK 0 / 85 / 97 / 7

HEX #EC2308

RGB 236 35 8

HSL 7.11, 0.93%, 0.48%

LAB 50.75, 71.48, 61.88

 

CMYK 97 / 0 / 47 / 7

HEX #08EC7E

RGB 8 236 126

HSL 151.05, 0.93%, 0.48%

LAB 82.67, -70.86, 40.22

 

CMYK 7 / 96 / 0 / 8

HEX #DB09EB

RGB 219 9 235

HSL 295.75, 0.93%, 0.48%

LAB 53.23, 89.3, -61.39

 

CMYK 0 / 8 / 97 / 7

HEX #ECD908

RGB 236 217 8

HSL 55, 0.93%, 0.48%

LAB 85.74, -10.95, 84.82

 

CMYK 97 / 0 / 8 / 7

HEX #08ECD9

RGB 8 236 217

HSL 175, 0.93%, 0.48%

LAB 84.51, -50.53, -4.08

 

CMYK 7 / 96 / 0 / 8

HEX #DB09EB

RGB 219 9 235

HSL 295.75, 0.93%, 0.48%

LAB 53.23, 89.3, -61.39

 

CMYK 0 / 85 / 97 / 7

HEX #EC2308

RGB 236 35 8

HSL 7.11, 0.93%, 0.48%

LAB 50.75, 71.48, 61.88

 

CMYK 89 / 0 / 97 / 7

HEX #1BEC08

RGB 27 236 8

HSL 115, 0.93%, 0.48%

LAB 81.97, -80, 77.93

 

CMYK 97 / 11 / 0 / 7

HEX #08D1EC

RGB 8 209 236

HSL 187.11, 0.93%, 0.48%

LAB 77.11, -32.85, -25.3

 

CMYK 7 / 96 / 0 / 8

HEX #DB09EB

RGB 219 9 235

HSL 295.75, 0.93%, 0.48%

LAB 53.23, 89.3, -61.39

 

CMYK 0 / 56 / 97 / 7

HEX #EC6708

RGB 236 103 8

HSL 25, 0.93%, 0.48%

LAB 59.48, 47.73, 66.75

 

CMYK 89 / 0 / 97 / 7

HEX #1BEC08

RGB 27 236 8

HSL 115, 0.93%, 0.48%

LAB 81.97, -80, 77.93

 

CMYK 97 / 40 / 0 / 7

HEX #088DEC

RGB 8 141 236

HSL 205, 0.93%, 0.48%

LAB 57.23, 3.71, -56.37

 

Description

Color code: HEX #DB09EB | qconv.com Color code: HEX #DB09EB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 9 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 9 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 96 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 96% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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