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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAFEB9 it is the complementary color #250146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAFEB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAFEB9 shade: #DFFEB4, #F0FFC7, #FFFFDA, #FFFFED and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAFEB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAFEB9 shade: #DAFEB9, #C9ECA6, #B8DA93, #A7C880 and #96B66D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAFEB9 shade: #DAFEB9, #ECFEB9, #FEFDB9, #FEEAB9 and #FED7B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAFEB9 shade: #DAFEB9, #C7FEB9, #B9FEBD, #B9FED0 and #B9FEE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAFEB9 shade matches the following richer shades: #DAFEB9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAFEB9 shade: #DAFEB9, #DAF8BE, #DAF2C4, #DBEDCA and #DBE7D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAFEB9 shade: #FEFDB9, #EDFEB9, #DAFEB9, #C8FEB9 and #B9FEBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAFEB9 shade: #AFFD67, #C4FD90, #DAFEB9, #EFFFE1 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAFEB9 shade: #DAFEB9, #B9FEEA and #FEB9F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAFEB9 shade: #DAFEB9, #B9DAFE and #FEB9DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAFEB9 shade: #DAFEB9, #B9FEEA, #DCB9FE and #FEB9CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAFEB9 shade: #DAFEB9, #B9FDFE, #DCB9FE and #FEBAB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 27 / 0

HEX #DAFEB9

RGB 218 254 185

HSL 91.3, 0.97%, 0.86%

LAB 95.7, -23.35, 29.28

 

Complementary color

CMYK 47 / 99 / 0 / 73

HEX #250146

RGB 37 1 70

HSL 271.3, 0.97%, 0.14%

LAB 7.74, 32.86, -34.58

 

CMYK 12 / 0 / 29 / 0

HEX #DFFEB4

RGB 223 254 180

HSL 85.14, 0.97%, 0.85%

LAB 95.94, -22.3, 32.17

 

CMYK 6 / 0 / 22 / 0

HEX #F0FFC7

RGB 240 255 199

HSL 76.07, 1%, 0.89%

LAB 97.7, -14.09, 25.17

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 14 / 0 / 27 / 0

HEX #DAFEB9

RGB 218 254 185

HSL 91.3, 0.97%, 0.86%

LAB 95.7, -23.35, 29.28

 

CMYK 15 / 0 / 30 / 7

HEX #C9ECA6

RGB 201 236 166

HSL 90, 0.65%, 0.79%

LAB 89.47, -23.4, 30.3

 

CMYK 16 / 0 / 33 / 15

HEX #B8DA93

RGB 184 218 147

HSL 88.73, 0.49%, 0.72%

LAB 83.15, -23.45, 31.36

 

CMYK 17 / 0 / 36 / 22

HEX #A7C880

RGB 167 200 128

HSL 87.5, 0.4%, 0.64%

LAB 76.73, -23.49, 32.47

 

CMYK 18 / 0 / 40 / 29

HEX #96B66D

RGB 150 182 109

HSL 86.3, 0.33%, 0.57%

LAB 70.21, -23.51, 33.63

 

CMYK 14 / 0 / 27 / 0

HEX #DAFEB9

RGB 218 254 185

HSL 91.3, 0.97%, 0.86%

LAB 95.7, -23.35, 29.28

 

CMYK 7 / 0 / 27 / 0

HEX #ECFEB9

RGB 236 254 185

HSL 75.65, 0.97%, 0.86%

LAB 96.91, -16.99, 31.12

 

CMYK 0 / 0 / 27 / 0

HEX #FEFDB9

RGB 254 253 185

HSL 59.13, 0.97%, 0.86%

LAB 97.96, -9.96, 32.76

 

CMYK 0 / 8 / 27 / 0

HEX #FEEAB9

RGB 254 234 185

HSL 42.61, 0.97%, 0.86%

LAB 93.2, -0.46, 26.3

 

CMYK 0 / 15 / 27 / 0

HEX #FED7B9

RGB 254 215 185

HSL 26.09, 0.97%, 0.86%

LAB 88.53, 9.27, 19.86

 

CMYK 14 / 0 / 27 / 0

HEX #DAFEB9

RGB 218 254 185

HSL 91.3, 0.97%, 0.86%

LAB 95.7, -23.35, 29.28

 

CMYK 22 / 0 / 27 / 0

HEX #C7FEB9

RGB 199 254 185

HSL 107.83, 0.97%, 0.86%

LAB 94.54, -29.81, 27.5

 

CMYK 27 / 0 / 26 / 0

HEX #B9FEBD

RGB 185 254 189

HSL 123.48, 0.97%, 0.86%

LAB 93.83, -33.71, 24.38

 

CMYK 27 / 0 / 18 / 0

HEX #B9FED0

RGB 185 254 208

HSL 140, 0.97%, 0.86%

LAB 94.21, -30.4, 15.2

 

CMYK 27 / 0 / 11 / 0

HEX #B9FEE2

RGB 185 254 226

HSL 155.65, 0.97%, 0.86%

LAB 94.61, -26.99, 6.52

 

CMYK 14 / 0 / 27 / 0

HEX #DAFEB9

RGB 218 254 185

HSL 91.3, 0.97%, 0.86%

LAB 95.7, -23.35, 29.28

 

CMYK 14 / 0 / 27 / 0

HEX #DAFEB9

RGB 218 254 185

HSL 91.3, 0.97%, 0.86%

LAB 95.7, -23.35, 29.28

 

CMYK 12 / 0 / 23 / 3

HEX #DAF8BE

RGB 218 248 190

HSL 91.03, 0.81%, 0.86%

LAB 94.21, -19.72, 24.7

 

CMYK 10 / 0 / 19 / 5

HEX #DAF2C4

RGB 218 242 196

HSL 91.3, 0.64%, 0.86%

LAB 92.75, -15.86, 19.61

 

CMYK 8 / 0 / 15 / 7

HEX #DBEDCA

RGB 219 237 202

HSL 90.86, 0.49%, 0.86%

LAB 91.64, -12.08, 14.96

 

CMYK 5 / 0 / 10 / 9

HEX #DBE7D0

RGB 219 231 208

HSL 91.3, 0.32%, 0.86%

LAB 90.21, -8.07, 9.82

 

CMYK 0 / 0 / 27 / 0

HEX #FEFDB9

RGB 254 253 185

HSL 59.13, 0.97%, 0.86%

LAB 97.96, -9.96, 32.76

 

CMYK 7 / 0 / 27 / 0

HEX #EDFEB9

RGB 237 254 185

HSL 74.78, 0.97%, 0.86%

LAB 96.98, -16.63, 31.22

 

CMYK 14 / 0 / 27 / 0

HEX #DAFEB9

RGB 218 254 185

HSL 91.3, 0.97%, 0.86%

LAB 95.7, -23.35, 29.28

 

CMYK 21 / 0 / 27 / 0

HEX #C8FEB9

RGB 200 254 185

HSL 106.96, 0.97%, 0.86%

LAB 94.6, -29.48, 27.59

 

CMYK 27 / 0 / 26 / 0

HEX #B9FEBC

RGB 185 254 188

HSL 122.61, 0.97%, 0.86%

LAB 93.81, -33.87, 24.86

 

CMYK 31 / 0 / 59 / 1

HEX #AFFD67

RGB 175 253 103

HSL 91.2, 0.97%, 0.7%

LAB 91.84, -47.53, 62.77

 

CMYK 23 / 0 / 43 / 1

HEX #C4FD90

RGB 196 253 144

HSL 91.38, 0.96%, 0.78%

LAB 93.45, -35.99, 46.33

 

CMYK 14 / 0 / 27 / 0

HEX #DAFEB9

RGB 218 254 185

HSL 91.3, 0.97%, 0.86%

LAB 95.7, -23.35, 29.28

 

CMYK 6 / 0 / 12 / 0

HEX #EFFFE1

RGB 239 255 225

HSL 92, 1%, 0.94%

LAB 98.16, -10.43, 12.56

 

CMYK 14 / 0 / 27 / 0

HEX #DAFEB9

RGB 218 254 185

HSL 91.3, 0.97%, 0.86%

LAB 95.7, -23.35, 29.28

 

CMYK 27 / 0 / 8 / 0

HEX #B9FEEA

RGB 185 254 234

HSL 162.61, 0.97%, 0.86%

LAB 94.8, -25.39, 2.67

 

CMYK 0 / 27 / 3 / 0

HEX #FEB9F6

RGB 254 185 246

HSL 306.96, 0.97%, 0.86%

LAB 83.14, 34.43, -20.38

 

CMYK 14 / 0 / 27 / 0

HEX #DAFEB9

RGB 218 254 185

HSL 91.3, 0.97%, 0.86%

LAB 95.7, -23.35, 29.28

 

CMYK 27 / 14 / 0 / 0

HEX #B9DAFE

RGB 185 218 254

HSL 211.3, 0.97%, 0.86%

LAB 85.81, -2.97, -21.11

 

CMYK 0 / 27 / 14 / 0

HEX #FEB9DA

RGB 254 185 218

HSL 331.3, 0.97%, 0.86%

LAB 82.29, 29.76, -6.65

 

CMYK 14 / 0 / 27 / 0

HEX #DAFEB9

RGB 218 254 185

HSL 91.3, 0.97%, 0.86%

LAB 95.7, -23.35, 29.28

 

CMYK 27 / 0 / 8 / 0

HEX #B9FEEA

RGB 185 254 234

HSL 162.61, 0.97%, 0.86%

LAB 94.8, -25.39, 2.67

 

CMYK 13 / 27 / 0 / 0

HEX #DCB9FE

RGB 220 185 254

HSL 270.43, 0.97%, 0.86%

LAB 80.22, 25.22, -29.39

 

CMYK 0 / 27 / 20 / 0

HEX #FEB9CC

RGB 254 185 204

HSL 343.48, 0.97%, 0.86%

LAB 81.91, 27.62, 0.33

 

CMYK 14 / 0 / 27 / 0

HEX #DAFEB9

RGB 218 254 185

HSL 91.3, 0.97%, 0.86%

LAB 95.7, -23.35, 29.28

 

CMYK 27 / 0 / 0 / 0

HEX #B9FDFE

RGB 185 253 254

HSL 180.87, 0.97%, 0.86%

LAB 95.04, -20.69, -7.29

 

CMYK 13 / 27 / 0 / 0

HEX #DCB9FE

RGB 220 185 254

HSL 270.43, 0.97%, 0.86%

LAB 80.22, 25.22, -29.39

 

CMYK 0 / 27 / 27 / 0

HEX #FEBAB9

RGB 254 186 185

HSL 0.87, 0.97%, 0.86%

LAB 81.67, 24.41, 10.21

 

Description

Color code: HEX #DAFEB9 | qconv.com Color code: HEX #DAFEB9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 254 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 254 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 27 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 27% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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