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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAFE02 it is the complementary color #2501FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAFE02. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAFE02 shade: #DFFE00, #F0FF10, #FFFF23, #FFFF36 and #FFFF49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAFE02. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAFE02 shade: #DAFE02, #C9EC00, #B8DA00, #A7C800 and #96B600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAFE02 shade: #DAFE01, #FEDE01, #FE9A01, #FE5601 and #FE1101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAFE02 shade: #DAFE01, #96FE01, #52FE01, #0DFE01 and #01FE39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAFE02 shade matches the following richer shades: #DAFE01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAFE02 shade: #DAFE01, #CBE916, #BCD42B, #ADC03F and #9FAB54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAFE02 shade: #FE9901, #FEDC01, #DCFE01, #99FE01 and #55FE01

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAFE02 shade: #93AC01, #B6D501, #DAFE01, #E0FE2A and #E6FE53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAFE02 shade: #DAFE02, #01FE55 and #BA01FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAFE02 shade: #DAFE02, #01DCFE and #FE01DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAFE02 shade: #DAFE02, #01FE55, #2301FE and #FE01AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAFE02 shade: #DAFE02, #01FEA1, #2301FE and #FE015E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 99 / 0

HEX #DAFE02

RGB 218 254 2

HSL 68.57, 0.99%, 0.5%

LAB 94.22, -36.02, 90.99

 

Complementary color

CMYK 85 / 100 / 0 / 1

HEX #2501FD

RGB 37 1 253

HSL 248.57, 0.99%, 0.5%

LAB 32.93, 78.86, -105.66

 

CMYK 12 / 0 / 100 / 0

HEX #DFFE00

RGB 223 254 0

HSL 67.32, 1%, 0.5%

LAB 94.56, -34.06, 91.53

 

CMYK 6 / 0 / 94 / 0

HEX #F0FF10

RGB 240 255 16

HSL 63.77, 1%, 0.53%

LAB 96.03, -27.55, 91.99

 

CMYK 0 / 0 / 86 / 0

HEX #FFFF23

RGB 255 255 35

HSL 60, 1%, 0.57%

LAB 97.19, -21.16, 90.84

 

CMYK 0 / 0 / 79 / 0

HEX #FFFF36

RGB 255 255 54

HSL 60, 1%, 0.61%

LAB 97.25, -20.68, 86.81

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF49

RGB 255 255 73

HSL 60, 1%, 0.64%

LAB 97.33, -19.98, 81.37

 

CMYK 14 / 0 / 99 / 0

HEX #DAFE02

RGB 218 254 2

HSL 68.57, 0.99%, 0.5%

LAB 94.22, -36.02, 90.99

 

CMYK 15 / 0 / 100 / 7

HEX #C9EC00

RGB 201 236 0

HSL 68.9, 1%, 0.46%

LAB 88.16, -34.66, 86.09

 

CMYK 16 / 0 / 100 / 15

HEX #B8DA00

RGB 184 218 0

HSL 69.36, 1%, 0.43%

LAB 82.02, -33.26, 80.98

 

CMYK 17 / 0 / 100 / 22

HEX #A7C800

RGB 167 200 0

HSL 69.9, 1%, 0.39%

LAB 75.78, -31.86, 75.78

 

CMYK 18 / 0 / 100 / 29

HEX #96B600

RGB 150 182 0

HSL 70.55, 1%, 0.36%

LAB 69.43, -30.43, 70.49

 

CMYK 14 / 0 / 100 / 0

HEX #DAFE01

RGB 218 254 1

HSL 68.54, 0.99%, 0.5%

LAB 94.22, -36.03, 91.07

 

CMYK 0 / 13 / 100 / 0

HEX #FEDE01

RGB 254 222 1

HSL 52.41, 0.99%, 0.5%

LAB 88.6, -5.87, 88.2

 

CMYK 0 / 39 / 100 / 0

HEX #FE9A01

RGB 254 154 1

HSL 36.28, 0.99%, 0.5%

LAB 72.35, 29.25, 77.11

 

CMYK 0 / 66 / 100 / 0

HEX #FE5601

RGB 254 86 1

HSL 20.16, 0.99%, 0.5%

LAB 59.64, 61.35, 69.67

 

CMYK 0 / 93 / 100 / 0

HEX #FE1101

RGB 254 17 1

HSL 3.79, 0.99%, 0.5%

LAB 53.46, 78.62, 66.92

 

CMYK 14 / 0 / 100 / 0

HEX #DAFE01

RGB 218 254 1

HSL 68.54, 0.99%, 0.5%

LAB 94.22, -36.03, 91.07

 

CMYK 41 / 0 / 100 / 0

HEX #96FE01

RGB 150 254 1

HSL 84.66, 0.99%, 0.5%

LAB 90.49, -60.77, 86.58

 

CMYK 68 / 0 / 100 / 0

HEX #52FE01

RGB 82 254 1

HSL 100.79, 0.99%, 0.5%

LAB 88.29, -78.23, 83.91

 

CMYK 95 / 0 / 100 / 0

HEX #0DFE01

RGB 13 254 1

HSL 117.15, 0.99%, 0.5%

LAB 87.47, -85.53, 82.91

 

CMYK 100 / 0 / 78 / 0

HEX #01FE39

RGB 1 254 57

HSL 133.28, 0.99%, 0.5%

LAB 87.58, -84.04, 73.69

 

CMYK 14 / 0 / 100 / 0

HEX #DAFE01

RGB 218 254 1

HSL 68.54, 0.99%, 0.5%

LAB 94.22, -36.03, 91.07

 

CMYK 14 / 0 / 100 / 0

HEX #DAFE01

RGB 218 254 1

HSL 68.54, 0.99%, 0.5%

LAB 94.22, -36.03, 91.07

 

CMYK 13 / 0 / 91 / 9

HEX #CBE916

RGB 203 233 22

HSL 68.53, 0.83%, 0.5%

LAB 87.5, -32.23, 83.56

 

CMYK 11 / 0 / 80 / 17

HEX #BCD42B

RGB 188 212 43

HSL 68.52, 0.66%, 0.5%

LAB 80.71, -27.98, 73.28

 

CMYK 10 / 0 / 67 / 25

HEX #ADC03F

RGB 173 192 63

HSL 68.84, 0.51%, 0.5%

LAB 74.15, -23.57, 60.04

 

CMYK 7 / 0 / 51 / 33

HEX #9FAB54

RGB 159 171 84

HSL 68.28, 0.34%, 0.5%

LAB 67.38, -17.23, 42.93

 

CMYK 0 / 40 / 100 / 0

HEX #FE9901

RGB 254 153 1

HSL 36.05, 0.99%, 0.5%

LAB 72.13, 29.77, 76.96

 

CMYK 0 / 13 / 100 / 0

HEX #FEDC01

RGB 254 220 1

HSL 51.94, 0.99%, 0.5%

LAB 88.09, -4.86, 87.84

 

CMYK 13 / 0 / 100 / 0

HEX #DCFE01

RGB 220 254 1

HSL 68.06, 0.99%, 0.5%

LAB 94.36, -35.24, 91.22

 

CMYK 40 / 0 / 100 / 0

HEX #99FE01

RGB 153 254 1

HSL 83.95, 0.99%, 0.5%

LAB 90.62, -59.8, 86.74

 

CMYK 67 / 0 / 100 / 0

HEX #55FE01

RGB 85 254 1

HSL 100.08, 0.99%, 0.5%

LAB 88.36, -77.67, 83.99

 

CMYK 15 / 0 / 99 / 33

HEX #93AC01

RGB 147 172 1

HSL 68.77, 0.99%, 0.34%

LAB 66.3, -26.9, 67.92

 

CMYK 15 / 0 / 100 / 16

HEX #B6D501

RGB 182 213 1

HSL 68.77, 0.99%, 0.42%

LAB 80.48, -31.75, 79.67

 

CMYK 14 / 0 / 100 / 0

HEX #DAFE01

RGB 218 254 1

HSL 68.54, 0.99%, 0.5%

LAB 94.22, -36.03, 91.07

 

CMYK 12 / 0 / 83 / 0

HEX #E0FE2A

RGB 224 254 42

HSL 68.49, 0.99%, 0.58%

LAB 94.7, -33.03, 86.53

 

CMYK 9 / 0 / 67 / 0

HEX #E6FE53

RGB 230 254 83

HSL 68.42, 0.99%, 0.66%

LAB 95.3, -28.99, 75.32

 

CMYK 14 / 0 / 99 / 0

HEX #DAFE02

RGB 218 254 2

HSL 68.57, 0.99%, 0.5%

LAB 94.22, -36.02, 90.99

 

CMYK 100 / 0 / 67 / 0

HEX #01FE55

RGB 1 254 85

HSL 139.92, 0.99%, 0.5%

LAB 87.75, -81.8, 64.34

 

CMYK 27 / 100 / 0 / 0

HEX #BA01FE

RGB 186 1 254

HSL 283.87, 0.99%, 0.5%

LAB 49.03, 88.53, -79.1

 

CMYK 14 / 0 / 99 / 0

HEX #DAFE02

RGB 218 254 2

HSL 68.57, 0.99%, 0.5%

LAB 94.22, -36.02, 90.99

 

CMYK 100 / 13 / 0 / 0

HEX #01DCFE

RGB 1 220 254

HSL 188.06, 0.99%, 0.5%

LAB 80.93, -32.51, -29.04

 

CMYK 0 / 100 / 13 / 0

HEX #FE01DC

RGB 254 1 220

HSL 308.06, 0.99%, 0.5%

LAB 58.28, 93.42, -44.49

 

CMYK 14 / 0 / 99 / 0

HEX #DAFE02

RGB 218 254 2

HSL 68.57, 0.99%, 0.5%

LAB 94.22, -36.02, 90.99

 

CMYK 100 / 0 / 67 / 0

HEX #01FE55

RGB 1 254 85

HSL 139.92, 0.99%, 0.5%

LAB 87.75, -81.8, 64.34

 

CMYK 86 / 100 / 0 / 0

HEX #2301FE

RGB 35 1 254

HSL 248.06, 0.99%, 0.5%

LAB 32.99, 79.07, -106.13

 

CMYK 0 / 100 / 33 / 0

HEX #FE01AA

RGB 254 1 170

HSL 319.92, 0.99%, 0.5%

LAB 56.08, 87.86, -19.11

 

CMYK 14 / 0 / 99 / 0

HEX #DAFE02

RGB 218 254 2

HSL 68.57, 0.99%, 0.5%

LAB 94.22, -36.02, 90.99

 

CMYK 100 / 0 / 37 / 0

HEX #01FEA1

RGB 1 254 161

HSL 157.94, 0.99%, 0.5%

LAB 88.67, -70.66, 30.73

 

CMYK 86 / 100 / 0 / 0

HEX #2301FE

RGB 35 1 254

HSL 248.06, 0.99%, 0.5%

LAB 32.99, 79.07, -106.13

 

CMYK 0 / 100 / 63 / 0

HEX #FE015E

RGB 254 1 94

HSL 337.94, 0.99%, 0.5%

LAB 53.92, 82.17, 23.21

 

Description

Color code: HEX #DAFE02 | qconv.com Color code: HEX #DAFE02 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 254 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 254 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 99 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 99% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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