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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAFC4A it is the complementary color #2503B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAFC4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAFC4A shade: #DFFC45, #F0FF58, #FFFF6B, #FFFF7E and #FFFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAFC4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAFC4A shade: #DAFC4A, #C9EA37, #B8D824, #A7C611 and #96B400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAFC4A shade: #DAFC4A, #FCEE4A, #FCBE4A, #FC8E4A and #FC5E4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAFC4A shade: #DAFC4A, #AAFC4A, #7AFC4A, #4AFC4A and #4AFC7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAFC4A shade matches the following richer shades: #DAFC4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAFC4A shade: #DAFC4A, #D1ED59, #C7DE67, #BECF76 and #B5C085

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAFC4A shade: #FCBD4A, #FCED4A, #DBFC4A, #ACFC4A and #7CFC4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAFC4A shade: #C3F003, #D1FB21, #DAFC4A, #E2FC72 and #EAFD9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAFC4A shade: #DAFC4A, #4AFC8E and #D54AFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAFC4A shade: #DAFC4A, #4ADBFC and #FC4ADB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAFC4A shade: #DAFC4A, #4AFC8E, #6A4AFC and #FC4AB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAFC4A shade: #DAFC4A, #4AFCC3, #6A4AFC and #FC4A82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 71 / 1

HEX #DAFC4A

RGB 218 252 74

HSL 71.46, 0.97%, 0.64%

LAB 93.89, -33.25, 76.8

 

Complementary color

CMYK 80 / 98 / 0 / 29

HEX #2503B5

RGB 37 3 181

HSL 251.46, 0.97%, 0.36%

LAB 22.98, 61.02, -80.62

 

CMYK 12 / 0 / 73 / 1

HEX #DFFC45

RGB 223 252 69

HSL 69.51, 0.97%, 0.63%

LAB 94.2, -31.53, 78.86

 

CMYK 6 / 0 / 65 / 0

HEX #F0FF58

RGB 240 255 88

HSL 65.39, 1%, 0.67%

LAB 96.31, -25.24, 74.73

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 13 / 0 / 71 / 1

HEX #DAFC4A

RGB 218 252 74

HSL 71.46, 0.97%, 0.64%

LAB 93.89, -33.25, 76.8

 

CMYK 14 / 0 / 76 / 8

HEX #C9EA37

RGB 201 234 55

HSL 71.06, 0.81%, 0.57%

LAB 87.75, -32.56, 76.58

 

CMYK 15 / 0 / 83 / 15

HEX #B8D824

RGB 184 216 36

HSL 70.67, 0.71%, 0.49%

LAB 81.53, -31.72, 75.61

 

CMYK 16 / 0 / 91 / 22

HEX #A7C611

RGB 167 198 17

HSL 70.28, 0.84%, 0.42%

LAB 75.23, -30.69, 73.49

 

CMYK 17 / 0 / 100 / 29

HEX #96B400

RGB 150 180 0

HSL 70, 1%, 0.35%

LAB 68.84, -29.49, 70.05

 

CMYK 13 / 0 / 71 / 1

HEX #DAFC4A

RGB 218 252 74

HSL 71.46, 0.97%, 0.64%

LAB 93.89, -33.25, 76.8

 

CMYK 0 / 6 / 71 / 1

HEX #FCEE4A

RGB 252 238 74

HSL 55.28, 0.97%, 0.64%

LAB 92.72, -12.94, 76.52

 

CMYK 0 / 25 / 71 / 1

HEX #FCBE4A

RGB 252 190 74

HSL 39.1, 0.97%, 0.64%

LAB 80.75, 11.41, 64.61

 

CMYK 0 / 44 / 71 / 1

HEX #FC8E4A

RGB 252 142 74

HSL 22.92, 0.97%, 0.64%

LAB 69.85, 36.4, 53.17

 

CMYK 0 / 63 / 71 / 1

HEX #FC5E4A

RGB 252 94 74

HSL 6.74, 0.97%, 0.64%

LAB 60.95, 59.11, 43.29

 

CMYK 13 / 0 / 71 / 1

HEX #DAFC4A

RGB 218 252 74

HSL 71.46, 0.97%, 0.64%

LAB 93.89, -33.25, 76.8

 

CMYK 33 / 0 / 71 / 1

HEX #AAFC4A

RGB 170 252 74

HSL 87.64, 0.97%, 0.64%

LAB 91.08, -50.99, 73.08

 

CMYK 52 / 0 / 71 / 1

HEX #7AFC4A

RGB 122 252 74

HSL 103.82, 0.97%, 0.64%

LAB 89.04, -65.76, 70.36

 

CMYK 71 / 0 / 71 / 1

HEX #4AFC4A

RGB 74 252 74

HSL 120, 0.97%, 0.64%

LAB 87.76, -76.12, 68.64

 

CMYK 71 / 0 / 52 / 1

HEX #4AFC7A

RGB 74 252 122

HSL 136.18, 0.97%, 0.64%

LAB 88.2, -70.89, 49.18

 

CMYK 13 / 0 / 71 / 1

HEX #DAFC4A

RGB 218 252 74

HSL 71.46, 0.97%, 0.64%

LAB 93.89, -33.25, 76.8

 

CMYK 13 / 0 / 71 / 1

HEX #DAFC4A

RGB 218 252 74

HSL 71.46, 0.97%, 0.64%

LAB 93.89, -33.25, 76.8

 

CMYK 12 / 0 / 62 / 7

HEX #D1ED59

RGB 209 237 89

HSL 71.35, 0.8%, 0.64%

LAB 89.32, -28.94, 66.36

 

CMYK 10 / 0 / 54 / 13

HEX #C7DE67

RGB 199 222 103

HSL 71.6, 0.64%, 0.64%

LAB 84.67, -24.67, 54.98

 

CMYK 8 / 0 / 43 / 19

HEX #BECF76

RGB 190 207 118

HSL 71.46, 0.48%, 0.64%

LAB 80.11, -19.4, 42.19

 

CMYK 6 / 0 / 31 / 25

HEX #B5C085

RGB 181 192 133

HSL 71.19, 0.32%, 0.64%

LAB 75.59, -13.51, 28.54

 

CMYK 0 / 25 / 71 / 1

HEX #FCBD4A

RGB 252 189 74

HSL 38.76, 0.97%, 0.64%

LAB 80.51, 11.93, 64.37

 

CMYK 0 / 6 / 71 / 1

HEX #FCED4A

RGB 252 237 74

HSL 54.94, 0.97%, 0.64%

LAB 92.47, -12.45, 76.28

 

CMYK 13 / 0 / 71 / 1

HEX #DBFC4A

RGB 219 252 74

HSL 71.12, 0.97%, 0.64%

LAB 93.96, -32.86, 76.89

 

CMYK 32 / 0 / 71 / 1

HEX #ACFC4A

RGB 172 252 74

HSL 86.97, 0.97%, 0.64%

LAB 91.18, -50.3, 73.22

 

CMYK 51 / 0 / 71 / 1

HEX #7CFC4A

RGB 124 252 74

HSL 103.15, 0.97%, 0.64%

LAB 89.11, -65.23, 70.45

 

CMYK 19 / 0 / 99 / 6

HEX #C3F003

RGB 195 240 3

HSL 71.39, 0.98%, 0.48%

LAB 88.89, -38.81, 86.23

 

CMYK 17 / 0 / 87 / 2

HEX #D1FB21

RGB 209 251 33

HSL 71.56, 0.96%, 0.56%

LAB 92.87, -37.8, 86.33

 

CMYK 13 / 0 / 71 / 1

HEX #DAFC4A

RGB 218 252 74

HSL 71.46, 0.97%, 0.64%

LAB 93.89, -33.25, 76.8

 

CMYK 10 / 0 / 55 / 1

HEX #E2FC72

RGB 226 252 114

HSL 71.3, 0.96%, 0.72%

LAB 94.74, -27.5, 62.16

 

CMYK 8 / 0 / 39 / 1

HEX #EAFD9B

RGB 234 253 155

HSL 71.63, 0.96%, 0.8%

LAB 96.04, -20.96, 44.81

 

CMYK 13 / 0 / 71 / 1

HEX #DAFC4A

RGB 218 252 74

HSL 71.46, 0.97%, 0.64%

LAB 93.89, -33.25, 76.8

 

CMYK 71 / 0 / 44 / 1

HEX #4AFC8E

RGB 74 252 142

HSL 142.92, 0.97%, 0.64%

LAB 88.46, -67.87, 39.98

 

CMYK 15 / 71 / 0 / 1

HEX #D54AFC

RGB 213 74 252

HSL 286.85, 0.97%, 0.64%

LAB 58.11, 77.25, -63.09

 

CMYK 13 / 0 / 71 / 1

HEX #DAFC4A

RGB 218 252 74

HSL 71.46, 0.97%, 0.64%

LAB 93.89, -33.25, 76.8

 

CMYK 71 / 13 / 0 / 1

HEX #4ADBFC

RGB 74 219 252

HSL 191.12, 0.97%, 0.64%

LAB 81.37, -27.93, -27.23

 

CMYK 0 / 71 / 13 / 1

HEX #FC4ADB

RGB 252 74 219

HSL 311.12, 0.97%, 0.64%

LAB 62.26, 80.29, -37.7

 

CMYK 13 / 0 / 71 / 1

HEX #DAFC4A

RGB 218 252 74

HSL 71.46, 0.97%, 0.64%

LAB 93.89, -33.25, 76.8

 

CMYK 71 / 0 / 44 / 1

HEX #4AFC8E

RGB 74 252 142

HSL 142.92, 0.97%, 0.64%

LAB 88.46, -67.87, 39.98

 

CMYK 58 / 71 / 0 / 1

HEX #6A4AFC

RGB 106 74 252

HSL 250.79, 0.97%, 0.64%

LAB 45.62, 58.82, -83.94

 

CMYK 0 / 71 / 27 / 1

HEX #FC4AB7

RGB 252 74 183

HSL 323.26, 0.97%, 0.64%

LAB 60.79, 75.67, -19.5

 

CMYK 13 / 0 / 71 / 1

HEX #DAFC4A

RGB 218 252 74

HSL 71.46, 0.97%, 0.64%

LAB 93.89, -33.25, 76.8

 

CMYK 71 / 0 / 23 / 1

HEX #4AFCC3

RGB 74 252 195

HSL 160.79, 0.97%, 0.64%

LAB 89.4, -57.57, 14.54

 

CMYK 58 / 71 / 0 / 1

HEX #6A4AFC

RGB 106 74 252

HSL 250.79, 0.97%, 0.64%

LAB 45.62, 58.82, -83.94

 

CMYK 0 / 71 / 48 / 1

HEX #FC4A82

RGB 252 74 130

HSL 341.12, 0.97%, 0.64%

LAB 59.16, 70.35, 8.93

 

Description

Color code: HEX #DAFC4A | qconv.com Color code: HEX #DAFC4A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 252 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 252 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 71 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 71% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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