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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAF99E it is the complementary color #250661. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAF99E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAF99E shade: #DFF999, #F0FFAC, #FFFFBF, #FFFFD2 and #FFFFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAF99E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAF99E shade: #DAF99E, #C9E78B, #B8D578, #A7C365 and #96B152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAF99E shade: #DAF89F, #F2F89F, #F8E79F, #F8CE9F and #F8B69F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAF99E shade: #DAF89F, #C2F89F, #A9F89F, #9FF8AC and #9FF8C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAF99E shade matches the following richer shades: #DAF89F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAF99E shade: #DAF89F, #D7F0A7, #D5E8AF, #D2E0B7 and #CFD7C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAF99E shade: #F8E69F, #F2F89F, #DAF89F, #C3F89F and #ABF89F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAF99E shade: #BCF351, #CBF678, #DAF89F, #E9FBC5 and #F7FDEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAF99E shade: #DAF99E, #9FF8CE and #F29FF8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAF99E shade: #DAF99E, #9FDAF8 and #F89FDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAF99E shade: #DAF99E, #9FF8CE, #BD9FF8 and #F89FC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAF99E shade: #DAF99E, #9FF8E9, #BD9FF8 and #F89FAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 37 / 2

HEX #DAF99E

RGB 218 249 158

HSL 80.44, 0.88%, 0.8%

LAB 93.94, -24.58, 40.41

 

Complementary color

CMYK 62 / 94 / 0 / 62

HEX #250661

RGB 37 6 97

HSL 260.44, 0.88%, 0.2%

LAB 11.87, 37.64, -46.27

 

CMYK 10 / 0 / 39 / 2

HEX #DFF999

RGB 223 249 153

HSL 76.25, 0.89%, 0.79%

LAB 94.2, -23.35, 43.27

 

CMYK 6 / 0 / 33 / 0

HEX #F0FFAC

RGB 240 255 172

HSL 70.84, 1%, 0.84%

LAB 97.24, -17.7, 38.09

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE5

RGB 255 255 229

HSL 60, 1%, 0.95%

LAB 99.39, -4.32, 12.43

 

CMYK 12 / 0 / 37 / 2

HEX #DAF99E

RGB 218 249 158

HSL 80.44, 0.88%, 0.8%

LAB 93.94, -24.58, 40.41

 

CMYK 13 / 0 / 40 / 9

HEX #C9E78B

RGB 201 231 139

HSL 79.57, 0.66%, 0.73%

LAB 87.7, -24.52, 41.53

 

CMYK 14 / 0 / 44 / 16

HEX #B8D578

RGB 184 213 120

HSL 78.71, 0.53%, 0.65%

LAB 81.37, -24.43, 42.67

 

CMYK 14 / 0 / 48 / 24

HEX #A7C365

RGB 167 195 101

HSL 77.87, 0.44%, 0.58%

LAB 74.94, -24.29, 43.83

 

CMYK 15 / 0 / 54 / 31

HEX #96B152

RGB 150 177 82

HSL 77.05, 0.38%, 0.51%

LAB 68.41, -24.1, 44.96

 

CMYK 12 / 0 / 36 / 3

HEX #DAF89F

RGB 218 248 159

HSL 80.22, 0.86%, 0.8%

LAB 93.69, -23.98, 39.59

 

CMYK 2 / 0 / 36 / 3

HEX #F2F89F

RGB 242 248 159

HSL 64.04, 0.86%, 0.8%

LAB 95.38, -15.09, 42.12

 

CMYK 0 / 7 / 36 / 3

HEX #F8E79F

RGB 248 231 159

HSL 48.54, 0.86%, 0.8%

LAB 91.51, -4.38, 37.17

 

CMYK 0 / 17 / 36 / 3

HEX #F8CE9F

RGB 248 206 159

HSL 31.69, 0.86%, 0.8%

LAB 85.3, 8.43, 28.93

 

CMYK 0 / 27 / 36 / 3

HEX #F8B69F

RGB 248 182 159

HSL 15.51, 0.86%, 0.8%

LAB 79.57, 21, 21.12

 

CMYK 12 / 0 / 36 / 3

HEX #DAF89F

RGB 218 248 159

HSL 80.22, 0.86%, 0.8%

LAB 93.69, -23.98, 39.59

 

CMYK 22 / 0 / 36 / 3

HEX #C2F89F

RGB 194 248 159

HSL 96.4, 0.86%, 0.8%

LAB 92.18, -32.49, 37.34

 

CMYK 32 / 0 / 36 / 3

HEX #A9F89F

RGB 169 248 159

HSL 113.26, 0.86%, 0.8%

LAB 90.81, -40.77, 35.29

 

CMYK 36 / 0 / 31 / 3

HEX #9FF8AC

RGB 159 248 172

HSL 128.76, 0.86%, 0.8%

LAB 90.54, -41.8, 28.3

 

CMYK 36 / 0 / 21 / 3

HEX #9FF8C4

RGB 159 248 196

HSL 144.94, 0.86%, 0.8%

LAB 91, -37.54, 16.67

 

CMYK 12 / 0 / 36 / 3

HEX #DAF89F

RGB 218 248 159

HSL 80.22, 0.86%, 0.8%

LAB 93.69, -23.98, 39.59

 

CMYK 12 / 0 / 36 / 3

HEX #DAF89F

RGB 218 248 159

HSL 80.22, 0.86%, 0.8%

LAB 93.69, -23.98, 39.59

 

CMYK 10 / 0 / 30 / 6

HEX #D7F0A7

RGB 215 240 167

HSL 80.55, 0.71%, 0.8%

LAB 91.49, -20.18, 32.65

 

CMYK 8 / 0 / 25 / 9

HEX #D5E8AF

RGB 213 232 175

HSL 80, 0.55%, 0.8%

LAB 89.37, -15.86, 25.7

 

CMYK 6 / 0 / 18 / 12

HEX #D2E0B7

RGB 210 224 183

HSL 80.49, 0.4%, 0.8%

LAB 87.21, -11.74, 18.53

 

CMYK 4 / 0 / 11 / 16

HEX #CFD7C0

RGB 207 215 192

HSL 80.87, 0.22%, 0.8%

LAB 84.83, -6.77, 10.42

 

CMYK 0 / 7 / 36 / 3

HEX #F8E69F

RGB 248 230 159

HSL 47.87, 0.86%, 0.8%

LAB 91.26, -3.87, 36.84

 

CMYK 2 / 0 / 36 / 3

HEX #F2F89F

RGB 242 248 159

HSL 64.04, 0.86%, 0.8%

LAB 95.38, -15.09, 42.12

 

CMYK 12 / 0 / 36 / 3

HEX #DAF89F

RGB 218 248 159

HSL 80.22, 0.86%, 0.8%

LAB 93.69, -23.98, 39.59

 

CMYK 21 / 0 / 36 / 3

HEX #C3F89F

RGB 195 248 159

HSL 95.73, 0.86%, 0.8%

LAB 92.24, -32.14, 37.43

 

CMYK 31 / 0 / 36 / 3

HEX #ABF89F

RGB 171 248 159

HSL 111.91, 0.86%, 0.8%

LAB 90.91, -40.13, 35.44

 

CMYK 23 / 0 / 67 / 5

HEX #BCF351

RGB 188 243 81

HSL 80.37, 0.87%, 0.64%

LAB 89.57, -40.24, 69.34

 

CMYK 17 / 0 / 51 / 4

HEX #CBF678

RGB 203 246 120

HSL 80.48, 0.88%, 0.72%

LAB 91.67, -32.86, 55.51

 

CMYK 12 / 0 / 36 / 3

HEX #DAF89F

RGB 218 248 159

HSL 80.22, 0.86%, 0.8%

LAB 93.69, -23.98, 39.59

 

CMYK 7 / 0 / 22 / 2

HEX #E9FBC5

RGB 233 251 197

HSL 80, 0.87%, 0.88%

LAB 96.14, -14.89, 23.96

 

CMYK 2 / 0 / 7 / 1

HEX #F7FDEC

RGB 247 253 236

HSL 81.18, 0.81%, 0.96%

LAB 98.46, -4.91, 7.44

 

CMYK 12 / 0 / 37 / 2

HEX #DAF99E

RGB 218 249 158

HSL 80.44, 0.88%, 0.8%

LAB 93.94, -24.58, 40.41

 

CMYK 36 / 0 / 17 / 3

HEX #9FF8CE

RGB 159 248 206

HSL 151.69, 0.86%, 0.8%

LAB 91.22, -35.61, 11.81

 

CMYK 2 / 36 / 0 / 3

HEX #F29FF8

RGB 242 159 248

HSL 295.96, 0.86%, 0.8%

LAB 76.35, 44.63, -31.94

 

CMYK 12 / 0 / 37 / 2

HEX #DAF99E

RGB 218 249 158

HSL 80.44, 0.88%, 0.8%

LAB 93.94, -24.58, 40.41

 

CMYK 36 / 12 / 0 / 3

HEX #9FDAF8

RGB 159 218 248

HSL 200.22, 0.86%, 0.8%

LAB 84.12, -11.59, -20.65

 

CMYK 0 / 36 / 12 / 3

HEX #F89FDA

RGB 248 159 218

HSL 320.22, 0.86%, 0.8%

LAB 75.96, 41.35, -16.17

 

CMYK 12 / 0 / 37 / 2

HEX #DAF99E

RGB 218 249 158

HSL 80.44, 0.88%, 0.8%

LAB 93.94, -24.58, 40.41

 

CMYK 36 / 0 / 17 / 3

HEX #9FF8CE

RGB 159 248 206

HSL 151.69, 0.86%, 0.8%

LAB 91.22, -35.61, 11.81

 

CMYK 24 / 36 / 0 / 3

HEX #BD9FF8

RGB 189 159 248

HSL 260.22, 0.86%, 0.8%

LAB 71.14, 28.9, -40.42

 

CMYK 0 / 36 / 19 / 3

HEX #F89FC9

RGB 248 159 201

HSL 331.69, 0.86%, 0.8%

LAB 75.43, 38.71, -7.65

 

CMYK 12 / 0 / 37 / 2

HEX #DAF99E

RGB 218 249 158

HSL 80.44, 0.88%, 0.8%

LAB 93.94, -24.58, 40.41

 

CMYK 36 / 0 / 6 / 3

HEX #9FF8E9

RGB 159 248 233

HSL 169.89, 0.86%, 0.8%

LAB 91.86, -29.95, -1.25

 

CMYK 24 / 36 / 0 / 3

HEX #BD9FF8

RGB 189 159 248

HSL 260.22, 0.86%, 0.8%

LAB 71.14, 28.9, -40.42

 

CMYK 0 / 36 / 30 / 3

HEX #F89FAE

RGB 248 159 174

HSL 349.89, 0.86%, 0.8%

LAB 74.7, 34.95, 6.12

 

Description

Color code: HEX #DAF99E | qconv.com Color code: HEX #DAF99E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 249 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 249 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 37 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 37% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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