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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAF968 it is the complementary color #250697. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAF968. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAF968 shade: #DFF963, #F0FF76, #FFFF89, #FFFF9C and #FFFFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAF968. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAF968 shade: #DAF968, #C9E755, #B8D542, #A7C32F and #96B11C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAF968 shade: #DAF967, #F9F167, #F9C967, #F9A267 and #F97B67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAF968 shade: #DAF967, #B2F967, #8BF967, #67F96B and #67F992

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAF968 shade matches the following richer shades: #DAF967

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAF968 shade: #DAF967, #D2EC74, #CBDF81, #C4D28E and #BCC69A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAF968 shade: #F9C867, #F9EF67, #DCF967, #B5F967 and #8EF967

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAF968 shade: #C6F518, #D0F740, #DAF967, #E3FA8F and #EDFCB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAF968 shade: #DAF968, #67F9A1 and #DC67F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAF968 shade: #DAF968, #67DCF9 and #F967DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAF968 shade: #DAF968, #67F9A1, #8467F9 and #F967BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAF968 shade: #DAF968, #67F9CD, #8467F9 and #F96793

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 58 / 2

HEX #DAF968

RGB 218 249 104

HSL 72.83, 0.92%, 0.69%

LAB 93.3, -29.96, 64.68

 

Complementary color

CMYK 75 / 96 / 0 / 41

HEX #250697

RGB 37 6 151

HSL 252.83, 0.92%, 0.31%

LAB 19.05, 52.5, -68.95

 

CMYK 10 / 0 / 60 / 2

HEX #DFF963

RGB 223 249 99

HSL 70.4, 0.93%, 0.68%

LAB 93.6, -28.39, 67.19

 

CMYK 6 / 0 / 54 / 0

HEX #F0FF76

RGB 240 255 118

HSL 66.57, 1%, 0.73%

LAB 96.56, -23.19, 62.74

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF89

RGB 255 255 137

HSL 60, 1%, 0.77%

LAB 97.87, -15.76, 55.97

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFAF

RGB 255 255 175

HSL 60, 1%, 0.84%

LAB 98.38, -11.8, 38.32

 

CMYK 12 / 0 / 58 / 2

HEX #DAF968

RGB 218 249 104

HSL 72.83, 0.92%, 0.69%

LAB 93.3, -29.96, 64.68

 

CMYK 13 / 0 / 63 / 9

HEX #C9E755

RGB 201 231 85

HSL 72.33, 0.75%, 0.62%

LAB 87.11, -29.54, 65.45

 

CMYK 14 / 0 / 69 / 16

HEX #B8D542

RGB 184 213 66

HSL 71.84, 0.64%, 0.55%

LAB 80.83, -29.01, 65.93

 

CMYK 14 / 0 / 76 / 24

HEX #A7C32F

RGB 167 195 47

HSL 71.35, 0.61%, 0.47%

LAB 74.48, -28.34, 65.9

 

CMYK 15 / 0 / 84 / 31

HEX #96B11C

RGB 150 177 28

HSL 70.87, 0.73%, 0.4%

LAB 68.03, -27.5, 65.01

 

CMYK 12 / 0 / 59 / 2

HEX #DAF967

RGB 218 249 103

HSL 72.74, 0.92%, 0.69%

LAB 93.29, -30.04, 65.1

 

CMYK 0 / 3 / 59 / 2

HEX #F9F167

RGB 249 241 103

HSL 56.71, 0.92%, 0.69%

LAB 93.46, -13.99, 65.93

 

CMYK 0 / 19 / 59 / 2

HEX #F9C967

RGB 249 201 103

HSL 40.27, 0.92%, 0.69%

LAB 83.39, 6.18, 54.56

 

CMYK 0 / 35 / 59 / 2

HEX #F9A267

RGB 249 162 103

HSL 24.25, 0.92%, 0.69%

LAB 74.16, 26.59, 43.64

 

CMYK 0 / 51 / 59 / 2

HEX #F97B67

RGB 249 123 103

HSL 8.22, 0.92%, 0.69%

LAB 65.97, 46.5, 33.46

 

CMYK 12 / 0 / 59 / 2

HEX #DAF967

RGB 218 249 103

HSL 72.74, 0.92%, 0.69%

LAB 93.29, -30.04, 65.1

 

CMYK 29 / 0 / 59 / 2

HEX #B2F967

RGB 178 249 103

HSL 89.18, 0.92%, 0.69%

LAB 90.87, -44.79, 61.72

 

CMYK 44 / 0 / 59 / 2

HEX #8BF967

RGB 139 249 103

HSL 105.21, 0.92%, 0.69%

LAB 89.03, -57.39, 59.13

 

CMYK 59 / 0 / 57 / 2

HEX #67F96B

RGB 103 249 107

HSL 121.64, 0.92%, 0.69%

LAB 87.82, -66.3, 55.68

 

CMYK 59 / 0 / 41 / 2

HEX #67F992

RGB 103 249 146

HSL 137.67, 0.92%, 0.69%

LAB 88.31, -60.9, 37.96

 

CMYK 12 / 0 / 59 / 2

HEX #DAF967

RGB 218 249 103

HSL 72.74, 0.92%, 0.69%

LAB 93.29, -30.04, 65.1

 

CMYK 12 / 0 / 59 / 2

HEX #DAF967

RGB 218 249 103

HSL 72.74, 0.92%, 0.69%

LAB 93.29, -30.04, 65.1

 

CMYK 11 / 0 / 51 / 7

HEX #D2EC74

RGB 210 236 116

HSL 73, 0.76%, 0.69%

LAB 89.37, -25.92, 54.73

 

CMYK 9 / 0 / 42 / 13

HEX #CBDF81

RGB 203 223 129

HSL 72.77, 0.59%, 0.69%

LAB 85.53, -21.04, 43.75

 

CMYK 7 / 0 / 32 / 18

HEX #C4D28E

RGB 196 210 142

HSL 72.35, 0.43%, 0.69%

LAB 81.72, -15.72, 32.19

 

CMYK 5 / 0 / 22 / 22

HEX #BCC69A

RGB 188 198 154

HSL 73.64, 0.28%, 0.69%

LAB 78.12, -10.95, 20.95

 

CMYK 0 / 20 / 59 / 2

HEX #F9C867

RGB 249 200 103

HSL 39.86, 0.92%, 0.69%

LAB 83.14, 6.7, 54.28

 

CMYK 0 / 4 / 59 / 2

HEX #F9EF67

RGB 249 239 103

HSL 55.89, 0.92%, 0.69%

LAB 92.95, -13.01, 65.36

 

CMYK 12 / 0 / 59 / 2

HEX #DCF967

RGB 220 249 103

HSL 71.92, 0.92%, 0.69%

LAB 93.43, -29.27, 65.28

 

CMYK 27 / 0 / 59 / 2

HEX #B5F967

RGB 181 249 103

HSL 87.95, 0.92%, 0.69%

LAB 91.03, -43.73, 61.95

 

CMYK 43 / 0 / 59 / 2

HEX #8EF967

RGB 142 249 103

HSL 103.97, 0.92%, 0.69%

LAB 89.15, -56.5, 59.31

 

CMYK 19 / 0 / 90 / 4

HEX #C6F518

RGB 198 245 24

HSL 72.76, 0.92%, 0.53%

LAB 90.49, -39.6, 85.53

 

CMYK 16 / 0 / 74 / 3

HEX #D0F740

RGB 208 247 64

HSL 72.79, 0.92%, 0.61%

LAB 91.82, -35.35, 77.83

 

CMYK 12 / 0 / 59 / 2

HEX #DAF967

RGB 218 249 103

HSL 72.74, 0.92%, 0.69%

LAB 93.29, -30.04, 65.1

 

CMYK 9 / 0 / 43 / 2

HEX #E3FA8F

RGB 227 250 143

HSL 72.9, 0.91%, 0.77%

LAB 94.6, -23.45, 48.68

 

CMYK 6 / 0 / 28 / 1

HEX #EDFCB6

RGB 237 252 182

HSL 72.86, 0.92%, 0.85%

LAB 96.41, -16.06, 31.97

 

CMYK 12 / 0 / 58 / 2

HEX #DAF968

RGB 218 249 104

HSL 72.83, 0.92%, 0.69%

LAB 93.3, -29.96, 64.68

 

CMYK 59 / 0 / 35 / 2

HEX #67F9A1

RGB 103 249 161

HSL 143.84, 0.92%, 0.69%

LAB 88.55, -58.35, 30.81

 

CMYK 12 / 59 / 0 / 2

HEX #DC67F9

RGB 220 103 249

HSL 288.08, 0.92%, 0.69%

LAB 63.14, 66.41, -53.34

 

CMYK 12 / 0 / 58 / 2

HEX #DAF968

RGB 218 249 104

HSL 72.83, 0.92%, 0.69%

LAB 93.3, -29.96, 64.68

 

CMYK 59 / 12 / 0 / 2

HEX #67DCF9

RGB 103 220 249

HSL 191.92, 0.92%, 0.69%

LAB 82.33, -24.88, -24.11

 

CMYK 0 / 59 / 12 / 2

HEX #F967DC

RGB 249 103 220

HSL 311.92, 0.92%, 0.69%

LAB 65.75, 68.85, -32.86

 

CMYK 12 / 0 / 58 / 2

HEX #DAF968

RGB 218 249 104

HSL 72.83, 0.92%, 0.69%

LAB 93.3, -29.96, 64.68

 

CMYK 59 / 0 / 35 / 2

HEX #67F9A1

RGB 103 249 161

HSL 143.84, 0.92%, 0.69%

LAB 88.55, -58.35, 30.81

 

CMYK 47 / 59 / 0 / 2

HEX #8467F9

RGB 132 103 249

HSL 251.92, 0.92%, 0.69%

LAB 53.43, 46.6, -69.43

 

CMYK 0 / 59 / 24 / 2

HEX #F967BE

RGB 249 103 190

HSL 324.25, 0.92%, 0.69%

LAB 64.61, 64.63, -17.74

 

CMYK 12 / 0 / 58 / 2

HEX #DAF968

RGB 218 249 104

HSL 72.83, 0.92%, 0.69%

LAB 93.3, -29.96, 64.68

 

CMYK 59 / 0 / 18 / 2

HEX #67F9CD

RGB 103 249 205

HSL 161.92, 0.92%, 0.69%

LAB 89.41, -49.43, 9.48

 

CMYK 47 / 59 / 0 / 2

HEX #8467F9

RGB 132 103 249

HSL 251.92, 0.92%, 0.69%

LAB 53.43, 46.6, -69.43

 

CMYK 0 / 59 / 41 / 2

HEX #F96793

RGB 249 103 147

HSL 341.92, 0.92%, 0.69%

LAB 63.3, 59.61, 4.9

 

Description

Color code: HEX #DAF968 | qconv.com Color code: HEX #DAF968 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 249 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 249 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 58 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 58% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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