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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAF7B5 it is the complementary color #25084A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAF7B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAF7B5 shade: #DFF7B0, #F0FFC3, #FFFFD6, #FFFFE9 and #FFFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAF7B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAF7B5 shade: #DAF7B5, #C9E5A2, #B8D38F, #A7C17C and #96AF69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAF7B5 shade: #DAF7B6, #ECF7B6, #F7F0B6, #F7DFB6 and #F7CDB6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAF7B5 shade: #DAF7B6, #C9F7B6, #B7F7B6, #B6F7C6 and #B6F7D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAF7B5 shade matches the following richer shades: #DAF7B6 and #DBFDAF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAF7B5 shade: #DAF7B6, #D9F0BC, #D9EAC3, #D8E3C9 and #D7DCD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAF7B5 shade: #F7F0B6, #ECF7B6, #DBF7B6, #C9F7B6 and #B8F7B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAF7B5 shade: #B5EF6B, #C8F390, #DAF7B6, #EDFBDB and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAF7B5 shade: #DAF7B5, #B6F7DF and #F7B6F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAF7B5 shade: #DAF7B5, #B6DBF7 and #F7B6DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAF7B5 shade: #DAF7B5, #B6F7DF, #D2B6F7 and #F7B6CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAF7B5 shade: #DAF7B5, #B6F7F2, #D2B6F7 and #F7B6BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 27 / 3

HEX #DAF7B5

RGB 218 247 181

HSL 86.36, 0.8%, 0.84%

LAB 93.78, -20.56, 28.69

 

Complementary color

CMYK 50 / 89 / 0 / 71

HEX #25084A

RGB 37 8 74

HSL 266.36, 0.8%, 0.16%

LAB 9.49, 30.1, -34.51

 

CMYK 10 / 0 / 29 / 3

HEX #DFF7B0

RGB 223 247 176

HSL 80.28, 0.82%, 0.83%

LAB 94.03, -19.48, 31.62

 

CMYK 6 / 0 / 24 / 0

HEX #F0FFC3

RGB 240 255 195

HSL 75, 1%, 0.88%

LAB 97.63, -14.66, 27.1

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

HEX #FFFFFC

CMYK 12 / 0 / 27 / 3

HEX #DAF7B5

RGB 218 247 181

HSL 86.36, 0.8%, 0.84%

LAB 93.78, -20.56, 28.69

 

CMYK 12 / 0 / 29 / 10

HEX #C9E5A2

RGB 201 229 162

HSL 85.07, 0.56%, 0.77%

LAB 87.52, -20.57, 29.71

 

CMYK 13 / 0 / 32 / 17

HEX #B8D38F

RGB 184 211 143

HSL 83.82, 0.44%, 0.69%

LAB 81.16, -20.57, 30.78

 

CMYK 13 / 0 / 36 / 24

HEX #A7C17C

RGB 167 193 124

HSL 82.61, 0.36%, 0.62%

LAB 74.71, -20.56, 31.9

 

CMYK 14 / 0 / 40 / 31

HEX #96AF69

RGB 150 175 105

HSL 81.43, 0.3%, 0.55%

LAB 68.14, -20.52, 33.06

 

CMYK 12 / 0 / 26 / 3

HEX #DAF7B6

RGB 218 247 182

HSL 86.77, 0.8%, 0.84%

LAB 93.8, -20.41, 28.21

 

CMYK 4 / 0 / 26 / 3

HEX #ECF7B6

RGB 236 247 182

HSL 70.15, 0.8%, 0.84%

LAB 95.05, -13.97, 30.11

 

CMYK 0 / 3 / 26 / 3

HEX #F7F0B6

RGB 247 240 182

HSL 53.54, 0.8%, 0.84%

LAB 94.09, -6.47, 28.95

 

CMYK 0 / 10 / 26 / 3

HEX #F7DFB6

RGB 247 223 182

HSL 37.85, 0.8%, 0.84%

LAB 89.83, 2.14, 23.12

 

CMYK 0 / 17 / 26 / 3

HEX #F7CDB6

RGB 247 205 182

HSL 21.23, 0.8%, 0.84%

LAB 85.41, 11.46, 16.99

 

CMYK 12 / 0 / 26 / 3

HEX #DAF7B6

RGB 218 247 182

HSL 86.77, 0.8%, 0.84%

LAB 93.8, -20.41, 28.21

 

CMYK 19 / 0 / 26 / 3

HEX #C9F7B6

RGB 201 247 182

HSL 102.46, 0.8%, 0.84%

LAB 92.71, -26.3, 26.55

 

CMYK 26 / 0 / 26 / 3

HEX #B7F7B6

RGB 183 247 182

HSL 119.08, 0.8%, 0.84%

LAB 91.67, -32.26, 24.96

 

CMYK 26 / 0 / 20 / 3

HEX #B6F7C6

RGB 182 247 198

HSL 134.77, 0.8%, 0.84%

LAB 91.93, -29.85, 17.11

 

CMYK 26 / 0 / 13 / 3

HEX #B6F7D7

RGB 182 247 215

HSL 150.46, 0.8%, 0.84%

LAB 92.3, -26.69, 8.86

 

CMYK 12 / 0 / 26 / 3

HEX #DAF7B6

RGB 218 247 182

HSL 86.77, 0.8%, 0.84%

LAB 93.8, -20.41, 28.21

 

CMYK 13 / 0 / 31 / 1

HEX #DBFDAF

RGB 219 253 175

HSL 86.15, 0.95%, 0.84%

LAB 95.33, -23.92, 33.81

 

CMYK 12 / 0 / 26 / 3

HEX #DAF7B6

RGB 218 247 182

HSL 86.77, 0.8%, 0.84%

LAB 93.8, -20.41, 28.21

 

CMYK 10 / 0 / 22 / 6

HEX #D9F0BC

RGB 217 240 188

HSL 86.54, 0.63%, 0.84%

LAB 92, -16.46, 22.67

 

CMYK 7 / 0 / 17 / 8

HEX #D9EAC3

RGB 217 234 195

HSL 86.15, 0.48%, 0.84%

LAB 90.57, -12.4, 17.07

 

CMYK 5 / 0 / 11 / 11

HEX #D8E3C9

RGB 216 227 201

HSL 85.38, 0.32%, 0.84%

LAB 88.81, -8.25, 11.44

 

CMYK 2 / 0 / 5 / 14

HEX #D7DCD0

RGB 215 220 208

HSL 85, 0.15%, 0.84%

LAB 87.09, -3.83, 5.29

 

CMYK 0 / 3 / 26 / 3

HEX #F7F0B6

RGB 247 240 182

HSL 53.54, 0.8%, 0.84%

LAB 94.09, -6.47, 28.95

 

CMYK 4 / 0 / 26 / 3

HEX #ECF7B6

RGB 236 247 182

HSL 70.15, 0.8%, 0.84%

LAB 95.05, -13.97, 30.11

 

CMYK 11 / 0 / 26 / 3

HEX #DBF7B6

RGB 219 247 182

HSL 85.85, 0.8%, 0.84%

LAB 93.87, -20.06, 28.31

 

CMYK 19 / 0 / 26 / 3

HEX #C9F7B6

RGB 201 247 182

HSL 102.46, 0.8%, 0.84%

LAB 92.71, -26.3, 26.55

 

CMYK 26 / 0 / 26 / 3

HEX #B8F7B6

RGB 184 247 182

HSL 118.15, 0.8%, 0.84%

LAB 91.72, -31.94, 25.04

 

CMYK 24 / 0 / 55 / 6

HEX #B5EF6B

RGB 181 239 107

HSL 86.36, 0.8%, 0.68%

LAB 88.27, -38.98, 57.05

 

CMYK 18 / 0 / 41 / 5

HEX #C8F390

RGB 200 243 144

HSL 86.06, 0.8%, 0.76%

LAB 90.96, -29.97, 43.22

 

CMYK 12 / 0 / 26 / 3

HEX #DAF7B6

RGB 218 247 182

HSL 86.77, 0.8%, 0.84%

LAB 93.8, -20.41, 28.21

 

CMYK 6 / 0 / 13 / 2

HEX #EDFBDB

RGB 237 251 219

HSL 86.25, 0.8%, 0.92%

LAB 96.87, -10.1, 13.78

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 12 / 0 / 27 / 3

HEX #DAF7B5

RGB 218 247 181

HSL 86.36, 0.8%, 0.84%

LAB 93.78, -20.56, 28.69

 

CMYK 26 / 0 / 10 / 3

HEX #B6F7DF

RGB 182 247 223

HSL 157.85, 0.8%, 0.84%

LAB 92.48, -25.13, 4.98

 

CMYK 0 / 26 / 1 / 3

HEX #F7B6F5

RGB 247 182 245

HSL 301.85, 0.8%, 0.84%

LAB 81.74, 33.58, -22.03

 

CMYK 12 / 0 / 27 / 3

HEX #DAF7B5

RGB 218 247 181

HSL 86.36, 0.8%, 0.84%

LAB 93.78, -20.56, 28.69

 

CMYK 26 / 11 / 0 / 3

HEX #B6DBF7

RGB 182 219 247

HSL 205.85, 0.8%, 0.84%

LAB 85.67, -5.96, -17.65

 

CMYK 0 / 26 / 11 / 3

HEX #F7B6DB

RGB 247 182 219

HSL 325.85, 0.8%, 0.84%

LAB 80.93, 29.11, -9.27

 

CMYK 12 / 0 / 27 / 3

HEX #DAF7B5

RGB 218 247 181

HSL 86.36, 0.8%, 0.84%

LAB 93.78, -20.56, 28.69

 

CMYK 26 / 0 / 10 / 3

HEX #B6F7DF

RGB 182 247 223

HSL 157.85, 0.8%, 0.84%

LAB 92.48, -25.13, 4.98

 

CMYK 15 / 26 / 0 / 3

HEX #D2B6F7

RGB 210 182 247

HSL 265.85, 0.8%, 0.84%

LAB 78.39, 22.3, -28.53

 

CMYK 0 / 26 / 17 / 3

HEX #F7B6CD

RGB 247 182 205

HSL 338.77, 0.8%, 0.84%

LAB 80.54, 26.89, -2.3

 

CMYK 12 / 0 / 27 / 3

HEX #DAF7B5

RGB 218 247 181

HSL 86.36, 0.8%, 0.84%

LAB 93.78, -20.56, 28.69

 

CMYK 26 / 0 / 2 / 3

HEX #B6F7F2

RGB 182 247 242

HSL 175.38, 0.8%, 0.84%

LAB 92.96, -21.2, -4.17

 

CMYK 15 / 26 / 0 / 3

HEX #D2B6F7

RGB 210 182 247

HSL 265.85, 0.8%, 0.84%

LAB 78.39, 22.3, -28.53

 

CMYK 0 / 26 / 25 / 3

HEX #F7B6BA

RGB 247 182 186

HSL 356.31, 0.8%, 0.84%

LAB 80.05, 24.11, 7.26

 

Description

Color code: HEX #DAF7B5 | qconv.com Color code: HEX #DAF7B5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 247 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 247 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 27 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 27% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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