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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAF63B it is the complementary color #2509C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAF63B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAF63B shade: #DFF636, #F0FF49, #FFFF5C, #FFFF6F and #FFFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAF63B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAF63B shade: #DAF63B, #C9E428, #B8D215, #A7C002 and #96AE00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAF63B shade: #DAF53C, #F5DF3C, #F5AD3C, #F57B3C and #F5493C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAF63B shade: #DAF53C, #A7F53C, #75F53C, #43F53C and #3CF566

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAF63B shade matches the following richer shades: #DAF53C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAF63B shade: #DAF53C, #CEE54C, #C2D45D, #B7C46D and #ABB37E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAF63B shade: #F5AB3C, #F5DD3C, #DDF53C, #ABF53C and #7AF53C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAF63B shade: #B6D50A, #D2F314, #DAF53C, #E1F763 and #E8F98A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAF63B shade: #DAF63B, #3CF57A and #C43CF5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAF63B shade: #DAF63B, #3CDDF5 and #F53CDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAF63B shade: #DAF63B, #3CF57A, #543CF5 and #F53CB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAF63B shade: #DAF63B, #3CF5B1, #543CF5 and #F53C80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 76 / 4

HEX #DAF63B

RGB 218 246 59

HSL 68.98, 0.91%, 0.6%

LAB 92.19, -31.18, 79.92

 

Complementary color

CMYK 81 / 95 / 0 / 23

HEX #2509C4

RGB 37 9 196

HSL 248.98, 0.91%, 0.4%

LAB 25.49, 63.54, -85.34

 

CMYK 9 / 0 / 78 / 4

HEX #DFF636

RGB 223 246 54

HSL 67.19, 0.91%, 0.59%

LAB 92.52, -29.37, 81.74

 

CMYK 6 / 0 / 71 / 0

HEX #F0FF49

RGB 240 255 73

HSL 64.95, 1%, 0.64%

LAB 96.21, -26, 79.91

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5C

RGB 255 255 92

HSL 60, 1%, 0.68%

LAB 97.45, -19.04, 74.76

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF6F

RGB 255 255 111

HSL 60, 1%, 0.72%

LAB 97.6, -17.84, 67.25

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 11 / 0 / 76 / 4

HEX #DAF63B

RGB 218 246 59

HSL 68.98, 0.91%, 0.6%

LAB 92.19, -31.18, 79.92

 

CMYK 12 / 0 / 82 / 11

HEX #C9E428

RGB 201 228 40

HSL 68.62, 0.78%, 0.53%

LAB 86.04, -30.31, 79

 

CMYK 12 / 0 / 90 / 18

HEX #B8D215

RGB 184 210 21

HSL 68.25, 0.82%, 0.45%

LAB 79.81, -29.27, 77.04

 

CMYK 13 / 0 / 99 / 25

HEX #A7C002

RGB 167 192 2

HSL 67.89, 0.98%, 0.38%

LAB 73.49, -28.06, 73.85

 

CMYK 14 / 0 / 100 / 32

HEX #96AE00

RGB 150 174 0

HSL 68.28, 1%, 0.34%

LAB 67.09, -26.61, 68.74

 

CMYK 11 / 0 / 76 / 4

HEX #DAF53C

RGB 218 245 60

HSL 68.76, 0.9%, 0.6%

LAB 91.93, -30.67, 79.38

 

CMYK 0 / 9 / 76 / 4

HEX #F5DF3C

RGB 245 223 60

HSL 52.86, 0.9%, 0.6%

LAB 88.22, -9.01, 76.73

 

CMYK 0 / 29 / 76 / 4

HEX #F5AD3C

RGB 245 173 60

HSL 36.65, 0.9%, 0.6%

LAB 75.84, 16.76, 65.09

 

CMYK 0 / 50 / 76 / 4

HEX #F57B3C

RGB 245 123 60

HSL 20.43, 0.9%, 0.6%

LAB 64.89, 42.64, 54.26

 

CMYK 0 / 70 / 76 / 4

HEX #F5493C

RGB 245 73 60

HSL 4.22, 0.9%, 0.6%

LAB 56.59, 64.46, 45.6

 

CMYK 11 / 0 / 76 / 4

HEX #DAF53C

RGB 218 245 60

HSL 68.76, 0.9%, 0.6%

LAB 91.93, -30.67, 79.38

 

CMYK 32 / 0 / 76 / 4

HEX #A7F53C

RGB 167 245 60

HSL 85.3, 0.9%, 0.6%

LAB 88.85, -49.92, 75.4

 

CMYK 52 / 0 / 76 / 4

HEX #75F53C

RGB 117 245 60

HSL 101.51, 0.9%, 0.6%

LAB 86.71, -65.52, 72.6

 

CMYK 73 / 0 / 76 / 4

HEX #43F53C

RGB 67 245 60

HSL 117.73, 0.9%, 0.6%

LAB 85.42, -76.1, 70.9

 

CMYK 76 / 0 / 58 / 4

HEX #3CF566

RGB 60 245 102

HSL 133.62, 0.9%, 0.6%

LAB 85.62, -73.21, 55.06

 

CMYK 11 / 0 / 76 / 4

HEX #DAF53C

RGB 218 245 60

HSL 68.76, 0.9%, 0.6%

LAB 91.93, -30.67, 79.38

 

CMYK 11 / 0 / 76 / 4

HEX #DAF53C

RGB 218 245 60

HSL 68.76, 0.9%, 0.6%

LAB 91.93, -30.67, 79.38

 

CMYK 10 / 0 / 67 / 10

HEX #CEE54C

RGB 206 229 76

HSL 69.02, 0.75%, 0.6%

LAB 86.84, -27.19, 68.78

 

CMYK 8 / 0 / 56 / 17

HEX #C2D45D

RGB 194 212 93

HSL 69.08, 0.58%, 0.6%

LAB 81.48, -22.65, 55.74

 

CMYK 7 / 0 / 44 / 23

HEX #B7C46D

RGB 183 196 109

HSL 68.97, 0.42%, 0.6%

LAB 76.47, -17.64, 42.01

 

CMYK 4 / 0 / 30 / 30

HEX #ABB37E

RGB 171 179 126

HSL 69.06, 0.26%, 0.6%

LAB 71.15, -11.61, 26.19

 

CMYK 0 / 30 / 76 / 4

HEX #F5AB3C

RGB 245 171 60

HSL 36, 0.9%, 0.6%

LAB 75.37, 17.81, 64.63

 

CMYK 0 / 10 / 76 / 4

HEX #F5DD3C

RGB 245 221 60

HSL 52.22, 0.9%, 0.6%

LAB 87.7, -8.01, 76.26

 

CMYK 10 / 0 / 76 / 4

HEX #DDF53C

RGB 221 245 60

HSL 67.78, 0.9%, 0.6%

LAB 92.13, -29.48, 79.65

 

CMYK 30 / 0 / 76 / 4

HEX #ABF53C

RGB 171 245 60

HSL 84, 0.9%, 0.6%

LAB 89.06, -48.51, 75.67

 

CMYK 50 / 0 / 76 / 4

HEX #7AF53C

RGB 122 245 60

HSL 99.89, 0.9%, 0.6%

LAB 86.88, -64.16, 72.83

 

CMYK 15 / 0 / 95 / 16

HEX #B6D50A

RGB 182 213 10

HSL 69.16, 0.91%, 0.44%

LAB 80.49, -31.66, 78.85

 

CMYK 14 / 0 / 92 / 5

HEX #D2F314

RGB 210 243 20

HSL 68.88, 0.9%, 0.52%

LAB 90.71, -34.04, 86.55

 

CMYK 11 / 0 / 76 / 4

HEX #DAF53C

RGB 218 245 60

HSL 68.76, 0.9%, 0.6%

LAB 91.93, -30.67, 79.38

 

CMYK 9 / 0 / 60 / 3

HEX #E1F763

RGB 225 247 99

HSL 68.92, 0.9%, 0.68%

LAB 93.2, -26.68, 66.8

 

CMYK 7 / 0 / 45 / 2

HEX #E8F98A

RGB 232 249 138

HSL 69.19, 0.9%, 0.76%

LAB 94.63, -21.6, 51.17

 

CMYK 11 / 0 / 76 / 4

HEX #DAF63B

RGB 218 246 59

HSL 68.98, 0.91%, 0.6%

LAB 92.19, -31.18, 79.92

 

CMYK 76 / 0 / 50 / 4

HEX #3CF57A

RGB 60 245 122

HSL 140.11, 0.9%, 0.6%

LAB 85.84, -70.54, 46.22

 

CMYK 20 / 76 / 0 / 4

HEX #C43CF5

RGB 196 60 245

HSL 284.11, 0.9%, 0.6%

LAB 53.56, 77.55, -66.65

 

CMYK 11 / 0 / 76 / 4

HEX #DAF63B

RGB 218 246 59

HSL 68.98, 0.91%, 0.6%

LAB 92.19, -31.18, 79.92

 

CMYK 76 / 10 / 0 / 4

HEX #3CDDF5

RGB 60 221 245

HSL 187.78, 0.9%, 0.6%

LAB 81.44, -32.61, -23.45

 

CMYK 0 / 76 / 10 / 4

HEX #F53CDD

RGB 245 60 221

HSL 307.78, 0.9%, 0.6%

LAB 59.77, 83.21, -42.82

 

CMYK 11 / 0 / 76 / 4

HEX #DAF63B

RGB 218 246 59

HSL 68.98, 0.91%, 0.6%

LAB 92.19, -31.18, 79.92

 

CMYK 76 / 0 / 50 / 4

HEX #3CF57A

RGB 60 245 122

HSL 140.11, 0.9%, 0.6%

LAB 85.84, -70.54, 46.22

 

CMYK 66 / 76 / 0 / 4

HEX #543CF5

RGB 84 60 245

HSL 247.78, 0.9%, 0.6%

LAB 40.75, 61.23, -88.1

 

CMYK 0 / 76 / 25 / 4

HEX #F53CB7

RGB 245 60 183

HSL 320.11, 0.9%, 0.6%

LAB 58.1, 78.29, -23.73

 

CMYK 11 / 0 / 76 / 4

HEX #DAF63B

RGB 218 246 59

HSL 68.98, 0.91%, 0.6%

LAB 92.19, -31.18, 79.92

 

CMYK 76 / 0 / 28 / 4

HEX #3CF5B1

RGB 60 245 177

HSL 157.95, 0.9%, 0.6%

LAB 86.72, -60.57, 20.02

 

CMYK 66 / 76 / 0 / 4

HEX #543CF5

RGB 84 60 245

HSL 247.78, 0.9%, 0.6%

LAB 40.75, 61.23, -88.1

 

CMYK 0 / 76 / 48 / 4

HEX #F53C80

RGB 245 60 128

HSL 337.95, 0.9%, 0.6%

LAB 56.29, 72.74, 5.84

 

Description

Color code: HEX #DAF63B | qconv.com Color code: HEX #DAF63B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 246 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 246 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 76 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 76% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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