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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAF46F it is the complementary color #250B90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAF46F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAF46F shade: #DFF46A, #F0FF7D, #FFFF90, #FFFFA3 and #FFFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAF46F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAF46F shade: #DAF46F, #C9E25C, #B8D049, #A7BE36 and #96AC23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAF46F shade: #DBF471, #F4EB71, #F4C771, #F4A471 and #F48071

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAF46F shade: #DBF471, #B7F471, #94F471, #71F471 and #71F495

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAF46F shade matches the following richer shades: #DBF471

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAF46F shade: #DBF471, #D3E87D, #CBDC89, #C4CF96 and #BCC3A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAF46F shade: #F4C671, #F4E971, #DCF471, #B9F471 and #96F471

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAF46F shade: #C7EF24, #D1F14A, #DBF471, #E4F797 and #EEFABD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAF46F shade: #DAF46F, #71F4A3 and #D871F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAF46F shade: #DAF46F, #71DCF4 and #F471DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAF46F shade: #DAF46F, #71F4A3, #8971F4 and #F471C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAF46F shade: #DAF46F, #71F4CB, #8971F4 and #F4719A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 55 / 4

HEX #DAF46F

RGB 218 244 111

HSL 71.73, 0.86%, 0.7%

LAB 92.02, -27.06, 60.21

 

Complementary color

CMYK 74 / 92 / 0 / 44

HEX #250B90

RGB 37 11 144

HSL 251.73, 0.86%, 0.3%

LAB 18.57, 49.16, -65.4

 

CMYK 9 / 0 / 57 / 4

HEX #DFF46A

RGB 223 244 106

HSL 69.13, 0.86%, 0.69%

LAB 92.32, -25.53, 62.83

 

CMYK 6 / 0 / 51 / 0

HEX #F0FF7D

RGB 240 255 125

HSL 66.92, 1%, 0.75%

LAB 96.63, -22.61, 59.71

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 11 / 0 / 55 / 4

HEX #DAF46F

RGB 218 244 111

HSL 71.73, 0.86%, 0.7%

LAB 92.02, -27.06, 60.21

 

CMYK 11 / 0 / 59 / 11

HEX #C9E25C

RGB 201 226 92

HSL 71.19, 0.7%, 0.62%

LAB 85.8, -26.68, 61.14

 

CMYK 12 / 0 / 65 / 18

HEX #B8D049

RGB 184 208 73

HSL 70.67, 0.59%, 0.55%

LAB 79.49, -26.2, 61.86

 

CMYK 12 / 0 / 72 / 25

HEX #A7BE36

RGB 167 190 54

HSL 70.15, 0.56%, 0.48%

LAB 73.09, -25.59, 62.22

 

CMYK 13 / 0 / 80 / 33

HEX #96AC23

RGB 150 172 35

HSL 69.64, 0.66%, 0.41%

LAB 66.6, -24.82, 61.91

 

CMYK 10 / 0 / 54 / 4

HEX #DBF471

RGB 219 244 113

HSL 71.45, 0.86%, 0.7%

LAB 92.11, -26.51, 59.45

 

CMYK 0 / 4 / 54 / 4

HEX #F4EB71

RGB 244 235 113

HSL 55.88, 0.86%, 0.7%

LAB 91.61, -12.33, 59.36

 

CMYK 0 / 18 / 54 / 4

HEX #F4C771

RGB 244 199 113

HSL 39.39, 0.86%, 0.7%

LAB 82.52, 5.93, 48.64

 

CMYK 0 / 33 / 54 / 4

HEX #F4A471

RGB 244 164 113

HSL 23.36, 0.86%, 0.7%

LAB 74.17, 24.32, 38.35

 

CMYK 0 / 48 / 54 / 4

HEX #F48071

RGB 244 128 113

HSL 6.87, 0.86%, 0.7%

LAB 66.42, 42.95, 28.38

 

CMYK 10 / 0 / 54 / 4

HEX #DBF471

RGB 219 244 113

HSL 71.45, 0.86%, 0.7%

LAB 92.11, -26.51, 59.45

 

CMYK 25 / 0 / 54 / 4

HEX #B7F471

RGB 183 244 113

HSL 87.94, 0.86%, 0.7%

LAB 89.84, -39.91, 56.23

 

CMYK 39 / 0 / 54 / 4

HEX #94F471

RGB 148 244 113

HSL 103.97, 0.86%, 0.7%

LAB 88.06, -51.63, 53.68

 

CMYK 54 / 0 / 54 / 4

HEX #71F471

RGB 113 244 113

HSL 120, 0.86%, 0.7%

LAB 86.7, -61.42, 51.74

 

CMYK 54 / 0 / 39 / 4

HEX #71F495

RGB 113 244 149

HSL 136.49, 0.86%, 0.7%

LAB 87.18, -56.26, 35.06

 

CMYK 10 / 0 / 54 / 4

HEX #DBF471

RGB 219 244 113

HSL 71.45, 0.86%, 0.7%

LAB 92.11, -26.51, 59.45

 

CMYK 10 / 0 / 54 / 4

HEX #DBF471

RGB 219 244 113

HSL 71.45, 0.86%, 0.7%

LAB 92.11, -26.51, 59.45

 

CMYK 9 / 0 / 46 / 9

HEX #D3E87D

RGB 211 232 125

HSL 71.78, 0.7%, 0.7%

LAB 88.47, -22.76, 49.44

 

CMYK 8 / 0 / 38 / 14

HEX #CBDC89

RGB 203 220 137

HSL 72.29, 0.54%, 0.7%

LAB 84.84, -18.65, 38.89

 

CMYK 5 / 0 / 28 / 19

HEX #C4CF96

RGB 196 207 150

HSL 71.58, 0.37%, 0.7%

LAB 81.05, -13.13, 27.15

 

CMYK 4 / 0 / 17 / 24

HEX #BCC3A2

RGB 188 195 162

HSL 72.73, 0.22%, 0.7%

LAB 77.48, -8.16, 15.79

 

CMYK 0 / 19 / 54 / 4

HEX #F4C671

RGB 244 198 113

HSL 38.93, 0.86%, 0.7%

LAB 82.28, 6.45, 48.34

 

CMYK 0 / 5 / 54 / 4

HEX #F4E971

RGB 244 233 113

HSL 54.96, 0.86%, 0.7%

LAB 91.1, -11.34, 58.76

 

CMYK 10 / 0 / 54 / 4

HEX #DCF471

RGB 220 244 113

HSL 70.99, 0.86%, 0.7%

LAB 92.18, -26.13, 59.55

 

CMYK 24 / 0 / 54 / 4

HEX #B9F471

RGB 185 244 113

HSL 87.02, 0.86%, 0.7%

LAB 89.96, -39.2, 56.39

 

CMYK 39 / 0 / 54 / 4

HEX #96F471

RGB 150 244 113

HSL 103.05, 0.86%, 0.7%

LAB 88.15, -51, 53.81

 

CMYK 17 / 0 / 85 / 6

HEX #C7EF24

RGB 199 239 36

HSL 71.82, 0.86%, 0.54%

LAB 88.92, -36.26, 82.25

 

CMYK 13 / 0 / 69 / 5

HEX #D1F14A

RGB 209 241 74

HSL 71.5, 0.86%, 0.62%

LAB 90.3, -31.72, 73.06

 

CMYK 10 / 0 / 54 / 4

HEX #DBF471

RGB 219 244 113

HSL 71.45, 0.86%, 0.7%

LAB 92.11, -26.51, 59.45

 

CMYK 8 / 0 / 39 / 3

HEX #E4F797

RGB 228 247 151

HSL 71.88, 0.86%, 0.78%

LAB 93.99, -20.76, 44.05

 

CMYK 5 / 0 / 24 / 2

HEX #EEFABD

RGB 238 250 189

HSL 71.8, 0.86%, 0.86%

LAB 96.09, -13.77, 28.01

 

CMYK 11 / 0 / 55 / 4

HEX #DAF46F

RGB 218 244 111

HSL 71.73, 0.86%, 0.7%

LAB 92.02, -27.06, 60.21

 

CMYK 54 / 0 / 33 / 4

HEX #71F4A3

RGB 113 244 163

HSL 142.9, 0.86%, 0.7%

LAB 87.42, -53.84, 28.32

 

CMYK 11 / 54 / 0 / 4

HEX #D871F4

RGB 216 113 244

HSL 287.18, 0.86%, 0.7%

LAB 64.11, 59.8, -49.07

 

CMYK 11 / 0 / 55 / 4

HEX #DAF46F

RGB 218 244 111

HSL 71.73, 0.86%, 0.7%

LAB 92.02, -27.06, 60.21

 

CMYK 54 / 10 / 0 / 4

HEX #71DCF4

RGB 113 220 244

HSL 190.99, 0.86%, 0.7%

LAB 82.5, -24.39, -21.17

 

CMYK 0 / 54 / 10 / 4

HEX #F471DC

RGB 244 113 220

HSL 310.99, 0.86%, 0.7%

LAB 66.68, 63.11, -31.48

 

CMYK 11 / 0 / 55 / 4

HEX #DAF46F

RGB 218 244 111

HSL 71.73, 0.86%, 0.7%

LAB 92.02, -27.06, 60.21

 

CMYK 54 / 0 / 33 / 4

HEX #71F4A3

RGB 113 244 163

HSL 142.9, 0.86%, 0.7%

LAB 87.42, -53.84, 28.32

 

CMYK 44 / 54 / 0 / 4

HEX #8971F4

RGB 137 113 244

HSL 250.99, 0.86%, 0.7%

LAB 55.75, 40.57, -62.91

 

CMYK 0 / 54 / 20 / 4

HEX #F471C2

RGB 244 113 194

HSL 322.9, 0.86%, 0.7%

LAB 65.7, 59.26, -18.41

 

CMYK 11 / 0 / 55 / 4

HEX #DAF46F

RGB 218 244 111

HSL 71.73, 0.86%, 0.7%

LAB 92.02, -27.06, 60.21

 

CMYK 54 / 0 / 17 / 4

HEX #71F4CB

RGB 113 244 203

HSL 161.22, 0.86%, 0.7%

LAB 88.22, -45.76, 8.85

 

CMYK 44 / 54 / 0 / 4

HEX #8971F4

RGB 137 113 244

HSL 250.99, 0.86%, 0.7%

LAB 55.75, 40.57, -62.91

 

CMYK 0 / 54 / 37 / 4

HEX #F4719A

RGB 244 113 154

HSL 341.22, 0.86%, 0.7%

LAB 64.46, 54.21, 2.48

 

Description

Color code: HEX #DAF46F | qconv.com Color code: HEX #DAF46F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 244 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 244 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 55 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 55% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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