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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAF276 it is the complementary color #250D89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAF276. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAF276 shade: #DFF271, #F0FF84, #FFFF97, #FFFFAA and #FFFFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAF276. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAF276 shade: #DAF276, #C9E063, #B8CE50, #A7BC3D and #96AA2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAF276 shade: #DBF278, #F2E978, #F2C878, #F2A778 and #F28678

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAF276 shade: #DBF278, #BAF278, #98F278, #78F278 and #78F299

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAF276 shade matches the following richer shades: #DBF278 and #E2FE6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAF276 shade: #DBF278, #D3E684, #CCDA90, #C5CF9C and #BDC3A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAF276 shade: #F2C778, #F2E878, #DCF278, #BBF278 and #9AF278

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAF276 shade: #C6EB2C, #D1EF52, #DBF278, #E5F69D and #EFF9C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAF276 shade: #DAF276, #78F2A7 and #D878F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAF276 shade: #DAF276, #78DCF2 and #F278DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAF276 shade: #DAF276, #78F2A7, #8E78F2 and #F278C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAF276 shade: #DAF276, #78F2CC, #8E78F2 and #F2789F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 51 / 5

HEX #DAF276

RGB 218 242 118

HSL 71.61, 0.83%, 0.71%

LAB 91.56, -25.51, 56.53

 

Complementary color

CMYK 73 / 91 / 0 / 46

HEX #250D89

RGB 37 13 137

HSL 251.61, 0.83%, 0.29%

LAB 17.86, 46.53, -62.2

 

CMYK 8 / 0 / 53 / 5

HEX #DFF271

RGB 223 242 113

HSL 68.84, 0.83%, 0.7%

LAB 91.86, -24.01, 59.23

 

CMYK 6 / 0 / 48 / 0

HEX #F0FF84

RGB 240 255 132

HSL 67.32, 1%, 0.76%

LAB 96.7, -21.99, 56.62

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 10 / 0 / 51 / 5

HEX #DAF276

RGB 218 242 118

HSL 71.61, 0.83%, 0.71%

LAB 91.56, -25.51, 56.53

 

CMYK 10 / 0 / 56 / 12

HEX #C9E063

RGB 201 224 99

HSL 71.04, 0.67%, 0.63%

LAB 85.32, -25.18, 57.55

 

CMYK 11 / 0 / 61 / 19

HEX #B8CE50

RGB 184 206 80

HSL 70.48, 0.56%, 0.56%

LAB 78.99, -24.76, 58.44

 

CMYK 11 / 0 / 68 / 26

HEX #A7BC3D

RGB 167 188 61

HSL 69.92, 0.51%, 0.49%

LAB 72.57, -24.22, 59.07

 

CMYK 12 / 0 / 75 / 33

HEX #96AA2A

RGB 150 170 42

HSL 69.38, 0.6%, 0.42%

LAB 66.06, -23.52, 59.2

 

CMYK 10 / 0 / 50 / 5

HEX #DBF278

RGB 219 242 120

HSL 71.31, 0.82%, 0.71%

LAB 91.65, -24.95, 55.74

 

CMYK 0 / 4 / 50 / 5

HEX #F2E978

RGB 242 233 120

HSL 55.57, 0.82%, 0.71%

LAB 91.01, -11.57, 55.41

 

CMYK 0 / 17 / 50 / 5

HEX #F2C878

RGB 242 200 120

HSL 39.34, 0.82%, 0.71%

LAB 82.67, 5.19, 45.33

 

CMYK 0 / 31 / 50 / 5

HEX #F2A778

RGB 242 167 120

HSL 23.11, 0.82%, 0.71%

LAB 74.74, 22.54, 35.35

 

CMYK 0 / 45 / 50 / 5

HEX #F28678

RGB 242 134 120

HSL 6.89, 0.82%, 0.71%

LAB 67.49, 39.77, 25.87

 

CMYK 10 / 0 / 50 / 5

HEX #DBF278

RGB 219 242 120

HSL 71.31, 0.82%, 0.71%

LAB 91.65, -24.95, 55.74

 

CMYK 23 / 0 / 50 / 5

HEX #BAF278

RGB 186 242 120

HSL 87.54, 0.82%, 0.71%

LAB 89.53, -37.24, 52.71

 

CMYK 37 / 0 / 50 / 5

HEX #98F278

RGB 152 242 120

HSL 104.26, 0.82%, 0.71%

LAB 87.74, -48.75, 50.13

 

CMYK 50 / 0 / 50 / 5

HEX #78F278

RGB 120 242 120

HSL 120, 0.82%, 0.71%

LAB 86.43, -58.01, 48.22

 

CMYK 50 / 0 / 37 / 5

HEX #78F299

RGB 120 242 153

HSL 136.23, 0.82%, 0.71%

LAB 86.9, -53.11, 32.72

 

CMYK 10 / 0 / 50 / 5

HEX #DBF278

RGB 219 242 120

HSL 71.31, 0.82%, 0.71%

LAB 91.65, -24.95, 55.74

 

CMYK 11 / 0 / 57 / 0

HEX #E2FE6C

RGB 226 254 108

HSL 71.51, 0.99%, 0.71%

LAB 95.22, -28.9, 65.28

 

CMYK 10 / 0 / 50 / 5

HEX #DBF278

RGB 219 242 120

HSL 71.31, 0.82%, 0.71%

LAB 91.65, -24.95, 55.74

 

CMYK 8 / 0 / 43 / 10

HEX #D3E684

RGB 211 230 132

HSL 71.63, 0.66%, 0.71%

LAB 88.02, -21.06, 45.52

 

CMYK 6 / 0 / 34 / 15

HEX #CCDA90

RGB 204 218 144

HSL 71.35, 0.5%, 0.71%

LAB 84.48, -16.43, 34.91

 

CMYK 5 / 0 / 25 / 19

HEX #C5CF9C

RGB 197 207 156

HSL 71.76, 0.35%, 0.71%

LAB 81.23, -11.91, 24.27

 

CMYK 3 / 0 / 14 / 24

HEX #BDC3A8

RGB 189 195 168

HSL 73.33, 0.18%, 0.71%

LAB 77.68, -6.83, 12.87

 

CMYK 0 / 18 / 50 / 5

HEX #F2C778

RGB 242 199 120

HSL 38.85, 0.82%, 0.71%

LAB 82.42, 5.71, 45.02

 

CMYK 0 / 4 / 50 / 5

HEX #F2E878

RGB 242 232 120

HSL 55.08, 0.82%, 0.71%

LAB 90.76, -11.07, 55.11

 

CMYK 9 / 0 / 50 / 5

HEX #DCF278

RGB 220 242 120

HSL 70.82, 0.82%, 0.71%

LAB 91.72, -24.56, 55.84

 

CMYK 23 / 0 / 50 / 5

HEX #BBF278

RGB 187 242 120

HSL 87.05, 0.82%, 0.71%

LAB 89.59, -36.88, 52.79

 

CMYK 36 / 0 / 50 / 5

HEX #9AF278

RGB 154 242 120

HSL 103.28, 0.82%, 0.71%

LAB 87.84, -48.12, 50.26

 

CMYK 16 / 0 / 81 / 8

HEX #C6EB2C

RGB 198 235 44

HSL 71.62, 0.83%, 0.55%

LAB 87.78, -34.61, 79.48

 

CMYK 13 / 0 / 66 / 6

HEX #D1EF52

RGB 209 239 82

HSL 71.46, 0.83%, 0.63%

LAB 89.81, -30.33, 69.62

 

CMYK 10 / 0 / 50 / 5

HEX #DBF278

RGB 219 242 120

HSL 71.31, 0.82%, 0.71%

LAB 91.65, -24.95, 55.74

 

CMYK 7 / 0 / 36 / 4

HEX #E5F69D

RGB 229 246 157

HSL 71.46, 0.83%, 0.79%

LAB 93.88, -19.21, 40.99

 

CMYK 4 / 0 / 22 / 2

HEX #EFF9C3

RGB 239 249 195

HSL 71.11, 0.82%, 0.87%

LAB 96.01, -12.07, 24.87

 

CMYK 10 / 0 / 51 / 5

HEX #DAF276

RGB 218 242 118

HSL 71.61, 0.83%, 0.71%

LAB 91.56, -25.51, 56.53

 

CMYK 50 / 0 / 31 / 5

HEX #78F2A7

RGB 120 242 167

HSL 143.11, 0.82%, 0.71%

LAB 87.14, -50.65, 25.95

 

CMYK 11 / 50 / 0 / 5

HEX #D878F2

RGB 216 120 242

HSL 287.21, 0.82%, 0.71%

LAB 65.31, 55.98, -46.08

 

CMYK 10 / 0 / 51 / 5

HEX #DAF276

RGB 218 242 118

HSL 71.61, 0.83%, 0.71%

LAB 91.56, -25.51, 56.53

 

CMYK 50 / 9 / 0 / 5

HEX #78DCF2

RGB 120 220 242

HSL 190.82, 0.82%, 0.71%

LAB 82.7, -23.5, -19.79

 

CMYK 0 / 50 / 9 / 5

HEX #F278DC

RGB 242 120 220

HSL 310.82, 0.82%, 0.71%

LAB 67.63, 59.31, -30.03

 

CMYK 10 / 0 / 51 / 5

HEX #DAF276

RGB 218 242 118

HSL 71.61, 0.83%, 0.71%

LAB 91.56, -25.51, 56.53

 

CMYK 50 / 0 / 31 / 5

HEX #78F2A7

RGB 120 242 167

HSL 143.11, 0.82%, 0.71%

LAB 87.14, -50.65, 25.95

 

CMYK 41 / 50 / 0 / 5

HEX #8E78F2

RGB 142 120 242

HSL 250.82, 0.82%, 0.71%

LAB 57.65, 37.13, -58.72

 

CMYK 0 / 50 / 19 / 5

HEX #F278C3

RGB 242 120 195

HSL 323.11, 0.82%, 0.71%

LAB 66.71, 55.51, -17.47

 

CMYK 10 / 0 / 51 / 5

HEX #DAF276

RGB 218 242 118

HSL 71.61, 0.83%, 0.71%

LAB 91.56, -25.51, 56.53

 

CMYK 50 / 0 / 16 / 5

HEX #78F2CC

RGB 120 242 204

HSL 161.31, 0.82%, 0.71%

LAB 87.9, -43.15, 7.9

 

CMYK 41 / 50 / 0 / 5

HEX #8E78F2

RGB 142 120 242

HSL 250.82, 0.82%, 0.71%

LAB 57.65, 37.13, -58.72

 

CMYK 0 / 50 / 34 / 5

HEX #F2789F

RGB 242 120 159

HSL 340.82, 0.82%, 0.71%

LAB 65.6, 50.79, 1.25

 

Description

Color code: HEX #DAF276 | qconv.com Color code: HEX #DAF276 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 242 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 242 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 51 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 51% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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