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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAEF8C it is the complementary color #251073. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAEF8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAEF8C shade: #DFEF87, #F0FF9A, #FFFFAD, #FFFFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAEF8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAEF8C shade: #DAEF8C, #C9DD79, #B8CB66, #A7B953 and #96A740

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAEF8C shade: #DAEF8A, #EFE98A, #EFCE8A, #EFB38A and #EF988A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAEF8C shade: #DAEF8A, #BFEF8A, #A3EF8A, #8AEF8C and #8AEFA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAEF8C shade matches the following richer shades: #DAEF8A and #E0FA80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAEF8C shade: #DAEF8A, #D4E495, #CDDAA0, #C7CFAA and #C1C4B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAEF8C shade: #EFCD8A, #EFE88A, #DBEF8A, #C0EF8A and #A5EF8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAEF8C shade: #C2E542, #CEEA66, #DAEF8A, #E5F4AF and #F1F9D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAEF8C shade: #DAEF8C, #8AEFB3 and #DB8AEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAEF8C shade: #DAEF8C, #8ADBEF and #EF8ADB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAEF8C shade: #DAEF8C, #8AEFB3, #9E8AEF and #EF8AC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAEF8C shade: #DAEF8C, #8AEFD1, #9E8AEF and #EF8AA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 41 / 6

HEX #DAEF8C

RGB 218 239 140

HSL 72.73, 0.76%, 0.74%

LAB 91.02, -21.89, 45.5

 

Complementary color

CMYK 68 / 86 / 0 / 55

HEX #251073

RGB 37 16 115

HSL 252.73, 0.76%, 0.26%

LAB 15.5, 38.78, -52.09

 

CMYK 7 / 0 / 44 / 6

HEX #DFEF87

RGB 223 239 135

HSL 69.23, 0.76%, 0.73%

LAB 91.31, -20.52, 48.35

 

CMYK 6 / 0 / 40 / 0

HEX #F0FF9A

RGB 240 255 154

HSL 68.91, 1%, 0.8%

LAB 96.97, -19.79, 46.57

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 9 / 0 / 41 / 6

HEX #DAEF8C

RGB 218 239 140

HSL 72.73, 0.76%, 0.74%

LAB 91.02, -21.89, 45.5

 

CMYK 9 / 0 / 45 / 13

HEX #C9DD79

RGB 201 221 121

HSL 72, 0.6%, 0.67%

LAB 84.75, -21.69, 46.64

 

CMYK 9 / 0 / 50 / 20

HEX #B8CB66

RGB 184 203 102

HSL 71.29, 0.49%, 0.6%

LAB 78.38, -21.43, 47.78

 

CMYK 10 / 0 / 55 / 27

HEX #A7B953

RGB 167 185 83

HSL 70.59, 0.42%, 0.53%

LAB 71.92, -21.1, 48.87

 

CMYK 10 / 0 / 62 / 35

HEX #96A740

RGB 150 167 64

HSL 69.9, 0.45%, 0.45%

LAB 65.35, -20.67, 49.82

 

CMYK 9 / 0 / 42 / 6

HEX #DAEF8A

RGB 218 239 138

HSL 72.48, 0.76%, 0.74%

LAB 91, -22.11, 46.44

 

CMYK 0 / 3 / 42 / 6

HEX #EFE98A

RGB 239 233 138

HSL 56.44, 0.76%, 0.74%

LAB 90.99, -11.1, 46.77

 

CMYK 0 / 14 / 42 / 6

HEX #EFCE8A

RGB 239 206 138

HSL 40.4, 0.76%, 0.74%

LAB 84.14, 2.6, 38.06

 

CMYK 0 / 25 / 42 / 6

HEX #EFB38A

RGB 239 179 138

HSL 24.36, 0.76%, 0.74%

LAB 77.53, 16.76, 29.42

 

CMYK 0 / 36 / 42 / 6

HEX #EF988A

RGB 239 152 138

HSL 8.32, 0.76%, 0.74%

LAB 71.31, 31.05, 21.03

 

CMYK 9 / 0 / 42 / 6

HEX #DAEF8A

RGB 218 239 138

HSL 72.48, 0.76%, 0.74%

LAB 91, -22.11, 46.44

 

CMYK 20 / 0 / 42 / 6

HEX #BFEF8A

RGB 191 239 138

HSL 88.51, 0.76%, 0.74%

LAB 89.23, -32.06, 43.83

 

CMYK 32 / 0 / 42 / 6

HEX #A3EF8A

RGB 163 239 138

HSL 105.15, 0.76%, 0.74%

LAB 87.66, -41.67, 41.52

 

CMYK 42 / 0 / 41 / 6

HEX #8AEF8C

RGB 138 239 140

HSL 121.19, 0.76%, 0.74%

LAB 86.52, -49.1, 38.84

 

CMYK 42 / 0 / 30 / 6

HEX #8AEFA8

RGB 138 239 168

HSL 137.82, 0.76%, 0.74%

LAB 86.98, -44.56, 25.34

 

CMYK 9 / 0 / 42 / 6

HEX #DAEF8A

RGB 218 239 138

HSL 72.48, 0.76%, 0.74%

LAB 91, -22.11, 46.44

 

CMYK 10 / 0 / 49 / 2

HEX #E0FA80

RGB 224 250 128

HSL 72.79, 0.92%, 0.74%

LAB 94.22, -26.09, 55.21

 

CMYK 9 / 0 / 42 / 6

HEX #DAEF8A

RGB 218 239 138

HSL 72.48, 0.76%, 0.74%

LAB 91, -22.11, 46.44

 

CMYK 7 / 0 / 35 / 11

HEX #D4E495

RGB 212 228 149

HSL 72.15, 0.59%, 0.74%

LAB 87.8, -17.74, 36.83

 

CMYK 6 / 0 / 27 / 15

HEX #CDDAA0

RGB 205 218 160

HSL 73.45, 0.44%, 0.74%

LAB 84.82, -13.94, 27.16

 

CMYK 4 / 0 / 18 / 19

HEX #C7CFAA

RGB 199 207 170

HSL 72.97, 0.28%, 0.74%

LAB 81.66, -9.08, 17.5

 

CMYK 2 / 0 / 8 / 23

HEX #C1C4B5

RGB 193 196 181

HSL 72, 0.11%, 0.74%

LAB 78.55, -3.73, 7.16

 

CMYK 0 / 14 / 42 / 6

HEX #EFCD8A

RGB 239 205 138

HSL 39.8, 0.76%, 0.74%

LAB 83.89, 3.12, 37.74

 

CMYK 0 / 3 / 42 / 6

HEX #EFE88A

RGB 239 232 138

HSL 55.84, 0.76%, 0.74%

LAB 90.73, -10.6, 46.45

 

CMYK 8 / 0 / 42 / 6

HEX #DBEF8A

RGB 219 239 138

HSL 71.88, 0.76%, 0.74%

LAB 91.07, -21.73, 46.54

 

CMYK 20 / 0 / 42 / 6

HEX #C0EF8A

RGB 192 239 138

HSL 87.92, 0.76%, 0.74%

LAB 89.29, -31.7, 43.92

 

CMYK 31 / 0 / 42 / 6

HEX #A5EF8A

RGB 165 239 138

HSL 103.96, 0.76%, 0.74%

LAB 87.76, -41.02, 41.67

 

CMYK 15 / 0 / 71 / 10

HEX #C2E542

RGB 194 229 66

HSL 72.88, 0.76%, 0.58%

LAB 85.96, -32.5, 71.23

 

CMYK 12 / 0 / 56 / 8

HEX #CEEA66

RGB 206 234 102

HSL 72.73, 0.76%, 0.66%

LAB 88.41, -27.73, 59.84

 

CMYK 9 / 0 / 42 / 6

HEX #DAEF8A

RGB 218 239 138

HSL 72.48, 0.76%, 0.74%

LAB 91, -22.11, 46.44

 

CMYK 6 / 0 / 28 / 4

HEX #E5F4AF

RGB 229 244 175

HSL 73.04, 0.76%, 0.82%

LAB 93.65, -15.98, 31.68

 

CMYK 3 / 0 / 15 / 2

HEX #F1F9D3

RGB 241 249 211

HSL 72.63, 0.76%, 0.9%

LAB 96.47, -8.99, 17.36

 

CMYK 9 / 0 / 41 / 6

HEX #DAEF8C

RGB 218 239 140

HSL 72.73, 0.76%, 0.74%

LAB 91.02, -21.89, 45.5

 

CMYK 42 / 0 / 25 / 6

HEX #8AEFB3

RGB 138 239 179

HSL 144.36, 0.76%, 0.74%

LAB 87.19, -42.54, 19.97

 

CMYK 8 / 42 / 0 / 6

HEX #DB8AEF

RGB 219 138 239

HSL 288.12, 0.76%, 0.74%

LAB 69.09, 47.05, -38.48

 

CMYK 9 / 0 / 41 / 6

HEX #DAEF8C

RGB 218 239 140

HSL 72.73, 0.76%, 0.74%

LAB 91.02, -21.89, 45.5

 

CMYK 42 / 8 / 0 / 6

HEX #8ADBEF

RGB 138 219 239

HSL 191.88, 0.76%, 0.74%

LAB 83.07, -19.69, -17.56

 

CMYK 0 / 42 / 8 / 6

HEX #EF8ADB

RGB 239 138 219

HSL 311.88, 0.76%, 0.74%

LAB 70.62, 49.43, -24.91

 

CMYK 9 / 0 / 41 / 6

HEX #DAEF8C

RGB 218 239 140

HSL 72.73, 0.76%, 0.74%

LAB 91.02, -21.89, 45.5

 

CMYK 42 / 0 / 25 / 6

HEX #8AEFB3

RGB 138 239 179

HSL 144.36, 0.76%, 0.74%

LAB 87.19, -42.54, 19.97

 

CMYK 34 / 42 / 0 / 6

HEX #9E8AEF

RGB 158 138 239

HSL 251.88, 0.76%, 0.74%

LAB 63.08, 29.97, -48.34

 

CMYK 0 / 42 / 17 / 6

HEX #EF8AC7

RGB 239 138 199

HSL 323.76, 0.76%, 0.74%

LAB 69.93, 46.25, -14.88

 

CMYK 9 / 0 / 41 / 6

HEX #DAEF8C

RGB 218 239 140

HSL 72.73, 0.76%, 0.74%

LAB 91.02, -21.89, 45.5

 

CMYK 42 / 0 / 13 / 6

HEX #8AEFD1

RGB 138 239 209

HSL 162.18, 0.76%, 0.74%

LAB 87.84, -36.43, 5.3

 

CMYK 34 / 42 / 0 / 6

HEX #9E8AEF

RGB 158 138 239

HSL 251.88, 0.76%, 0.74%

LAB 63.08, 29.97, -48.34

 

CMYK 0 / 42 / 29 / 6

HEX #EF8AA9

RGB 239 138 169

HSL 341.58, 0.76%, 0.74%

LAB 69.03, 42.01, 0.55

 

Description

Color code: HEX #DAEF8C | qconv.com Color code: HEX #DAEF8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 239 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 239 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 41 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 41% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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