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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAEF4D it is the complementary color #2510B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAEF4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAEF4D shade: #DFEF48, #F0FF5B, #FFFF6E, #FFFF81 and #FFFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAEF4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAEF4D shade: #DAEF4D, #C9DD3A, #B8CB27, #A7B914 and #96A701

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAEF4D shade: #DAEF4D, #EFD94D, #EFAD4D, #EF814D and #EF554D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAEF4D shade: #DAEF4D, #AEEF4D, #83EF4D, #57EF4D and #4DEF6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAEF4D shade matches the following richer shades: #DAEF4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAEF4D shade: #DAEF4D, #CFE05C, #C3D06C, #B8C07C and #ACB18B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAEF4D shade: #EFAC4D, #EFD74D, #DDEF4D, #B1EF4D and #86EF4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAEF4D shade: #BED713, #D3EC27, #DAEF4D, #E2F373 and #EAF699

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAEF4D shade: #DAEF4D, #4DEF80 and #C14DEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAEF4D shade: #DAEF4D, #4DDDEF and #EF4DDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAEF4D shade: #DAEF4D, #4DEF80, #604DEF and #EF4DBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAEF4D shade: #DAEF4D, #4DEFB1, #604DEF and #EF4D8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 68 / 6

HEX #DAEF4D

RGB 218 239 77

HSL 67.78, 0.84%, 0.62%

LAB 90.4, -27.06, 72.29

 

Complementary color

CMYK 79 / 91 / 0 / 30

HEX #2510B2

RGB 37 16 178

HSL 247.78, 0.84%, 0.38%

LAB 23.6, 57.08, -77.79

 

CMYK 7 / 0 / 70 / 6

HEX #DFEF48

RGB 223 239 72

HSL 65.75, 0.84%, 0.61%

LAB 90.73, -25.32, 74.51

 

CMYK 6 / 0 / 64 / 0

HEX #F0FF5B

RGB 240 255 91

HSL 65.49, 1%, 0.68%

LAB 96.33, -25.06, 73.62

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6E

RGB 255 255 110

HSL 60, 1%, 0.72%

LAB 97.59, -17.91, 67.66

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF81

RGB 255 255 129

HSL 60, 1%, 0.75%

LAB 97.78, -16.46, 59.54

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 9 / 0 / 68 / 6

HEX #DAEF4D

RGB 218 239 77

HSL 67.78, 0.84%, 0.62%

LAB 90.4, -27.06, 72.29

 

CMYK 9 / 0 / 74 / 13

HEX #C9DD3A

RGB 201 221 58

HSL 67.36, 0.71%, 0.55%

LAB 84.19, -26.34, 72.36

 

CMYK 9 / 0 / 81 / 20

HEX #B8CB27

RGB 184 203 39

HSL 66.95, 0.68%, 0.47%

LAB 77.9, -25.47, 71.75

 

CMYK 10 / 0 / 89 / 27

HEX #A7B914

RGB 167 185 20

HSL 66.55, 0.8%, 0.4%

LAB 71.53, -24.41, 70.06

 

CMYK 10 / 0 / 99 / 35

HEX #96A701

RGB 150 167 1

HSL 66.14, 0.99%, 0.33%

LAB 65.06, -23.16, 67.09

 

CMYK 9 / 0 / 68 / 6

HEX #DAEF4D

RGB 218 239 77

HSL 67.78, 0.84%, 0.62%

LAB 90.4, -27.06, 72.29

 

CMYK 0 / 9 / 68 / 6

HEX #EFD94D

RGB 239 217 77

HSL 51.85, 0.84%, 0.62%

LAB 86.26, -7.74, 68.64

 

CMYK 0 / 28 / 68 / 6

HEX #EFAD4D

RGB 239 173 77

HSL 35.56, 0.84%, 0.62%

LAB 75.31, 15.04, 57.21

 

CMYK 0 / 46 / 68 / 6

HEX #EF814D

RGB 239 129 77

HSL 19.26, 0.84%, 0.62%

LAB 65.43, 38.11, 46.3

 

CMYK 0 / 64 / 68 / 6

HEX #EF554D

RGB 239 85 77

HSL 2.96, 0.84%, 0.62%

LAB 57.45, 58.69, 37

 

CMYK 9 / 0 / 68 / 6

HEX #DAEF4D

RGB 218 239 77

HSL 67.78, 0.84%, 0.62%

LAB 90.4, -27.06, 72.29

 

CMYK 27 / 0 / 68 / 6

HEX #AEEF4D

RGB 174 239 77

HSL 84.07, 0.84%, 0.62%

LAB 87.61, -43.9, 68.56

 

CMYK 45 / 0 / 68 / 6

HEX #83EF4D

RGB 131 239 77

HSL 100, 0.84%, 0.62%

LAB 85.55, -58.2, 65.77

 

CMYK 64 / 0 / 68 / 6

HEX #57EF4D

RGB 87 239 77

HSL 116.3, 0.84%, 0.62%

LAB 84.12, -69.33, 63.82

 

CMYK 68 / 0 / 54 / 6

HEX #4DEF6F

RGB 77 239 111

HSL 132.59, 0.84%, 0.62%

LAB 84.2, -67.5, 49.42

 

CMYK 9 / 0 / 68 / 6

HEX #DAEF4D

RGB 218 239 77

HSL 67.78, 0.84%, 0.62%

LAB 90.4, -27.06, 72.29

 

CMYK 9 / 0 / 68 / 6

HEX #DAEF4D

RGB 218 239 77

HSL 67.78, 0.84%, 0.62%

LAB 90.4, -27.06, 72.29

 

CMYK 8 / 0 / 59 / 12

HEX #CFE05C

RGB 207 224 92

HSL 67.73, 0.68%, 0.62%

LAB 85.68, -23.35, 61.13

 

CMYK 6 / 0 / 48 / 18

HEX #C3D06C

RGB 195 208 108

HSL 67.8, 0.52%, 0.62%

LAB 80.63, -18.96, 47.79

 

CMYK 4 / 0 / 35 / 25

HEX #B8C07C

RGB 184 192 124

HSL 67.06, 0.35%, 0.62%

LAB 75.67, -13.5, 33.38

 

CMYK 3 / 0 / 21 / 31

HEX #ACB18B

RGB 172 177 139

HSL 67.89, 0.2%, 0.62%

LAB 70.93, -8.3, 18.9

 

CMYK 0 / 28 / 68 / 6

HEX #EFAC4D

RGB 239 172 77

HSL 35.19, 0.84%, 0.62%

LAB 75.07, 15.57, 56.95

 

CMYK 0 / 10 / 68 / 6

HEX #EFD74D

RGB 239 215 77

HSL 51.11, 0.84%, 0.62%

LAB 85.75, -6.73, 68.12

 

CMYK 8 / 0 / 68 / 6

HEX #DDEF4D

RGB 221 239 77

HSL 66.67, 0.84%, 0.62%

LAB 90.62, -25.86, 72.57

 

CMYK 26 / 0 / 68 / 6

HEX #B1EF4D

RGB 177 239 77

HSL 82.96, 0.84%, 0.62%

LAB 87.78, -42.81, 68.78

 

CMYK 44 / 0 / 68 / 6

HEX #86EF4D

RGB 134 239 77

HSL 98.89, 0.84%, 0.62%

LAB 85.67, -57.3, 65.94

 

CMYK 12 / 0 / 91 / 16

HEX #BED713

RGB 190 215 19

HSL 67.65, 0.84%, 0.46%

LAB 81.62, -29.19, 78.94

 

CMYK 11 / 0 / 83 / 7

HEX #D3EC27

RGB 211 236 39

HSL 67.61, 0.84%, 0.54%

LAB 88.92, -30.02, 81.94

 

CMYK 9 / 0 / 68 / 6

HEX #DAEF4D

RGB 218 239 77

HSL 67.78, 0.84%, 0.62%

LAB 90.4, -27.06, 72.29

 

CMYK 7 / 0 / 53 / 5

HEX #E2F373

RGB 226 243 115

HSL 67.97, 0.84%, 0.7%

LAB 92.36, -23.16, 58.97

 

CMYK 5 / 0 / 38 / 4

HEX #EAF699

RGB 234 246 153

HSL 67.74, 0.84%, 0.78%

LAB 94.19, -17.8, 43.41

 

CMYK 9 / 0 / 68 / 6

HEX #DAEF4D

RGB 218 239 77

HSL 67.78, 0.84%, 0.62%

LAB 90.4, -27.06, 72.29

 

CMYK 68 / 0 / 46 / 6

HEX #4DEF80

RGB 77 239 128

HSL 138.89, 0.84%, 0.62%

LAB 84.42, -65.06, 41.63

 

CMYK 19 / 68 / 0 / 6

HEX #C14DEF

RGB 193 77 239

HSL 282.96, 0.84%, 0.62%

LAB 54.95, 69.6, -61.08

 

CMYK 9 / 0 / 68 / 6

HEX #DAEF4D

RGB 218 239 77

HSL 67.78, 0.84%, 0.62%

LAB 90.4, -27.06, 72.29

 

CMYK 68 / 8 / 0 / 6

HEX #4DDDEF

RGB 77 221 239

HSL 186.67, 0.84%, 0.62%

LAB 81.58, -32.35, -20.02

 

CMYK 0 / 68 / 8 / 6

HEX #EF4DDD

RGB 239 77 221

HSL 306.67, 0.84%, 0.62%

LAB 60.67, 76.61, -41.46

 

CMYK 9 / 0 / 68 / 6

HEX #DAEF4D

RGB 218 239 77

HSL 67.78, 0.84%, 0.62%

LAB 90.4, -27.06, 72.29

 

CMYK 68 / 0 / 46 / 6

HEX #4DEF80

RGB 77 239 128

HSL 138.89, 0.84%, 0.62%

LAB 84.42, -65.06, 41.63

 

CMYK 60 / 68 / 0 / 6

HEX #604DEF

RGB 96 77 239

HSL 247.04, 0.84%, 0.62%

LAB 44.27, 52.05, -78.9

 

CMYK 0 / 68 / 21 / 6

HEX #EF4DBC

RGB 239 77 188

HSL 318.89, 0.84%, 0.62%

LAB 59.24, 71.99, -24.93

 

CMYK 9 / 0 / 68 / 6

HEX #DAEF4D

RGB 218 239 77

HSL 67.78, 0.84%, 0.62%

LAB 90.4, -27.06, 72.29

 

CMYK 68 / 0 / 26 / 6

HEX #4DEFB1

RGB 77 239 177

HSL 157.04, 0.84%, 0.62%

LAB 85.24, -55.97, 18

 

CMYK 60 / 68 / 0 / 6

HEX #604DEF

RGB 96 77 239

HSL 247.04, 0.84%, 0.62%

LAB 44.27, 52.05, -78.9

 

CMYK 0 / 68 / 42 / 6

HEX #EF4D8B

RGB 239 77 139

HSL 337.04, 0.84%, 0.62%

LAB 57.58, 66.41, 1.07

 

Description

Color code: HEX #DAEF4D | qconv.com Color code: HEX #DAEF4D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 239 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 239 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 68 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 68% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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