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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAEE5C it is the complementary color #2511A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAEE5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAEE5C shade: #DFEE57, #F0FF6A, #FFFF7D, #FFFF90 and #FFFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAEE5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAEE5C shade: #DAEE5C, #C9DC49, #B8CA36, #A7B823 and #96A610

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAEE5C shade: #DAEE5D, #EEDA5D, #EEB35D, #EE8C5D and #EE655D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAEE5C shade: #DAEE5D, #B3EE5D, #8CEE5D, #65EE5D and #5DEE7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAEE5C shade matches the following richer shades: #DAEE5D and #E4FC4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAEE5C shade: #DAEE5D, #CFDF6B, #C5D17A, #BAC288 and #B0B497

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAEE5C shade: #EEB45D, #EEDA5D, #DAEE5D, #B4EE5D and #8DEE5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAEE5C shade: #C5E117, #D1EA38, #DAEE5D, #E2F182 and #EBF5A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAEE5C shade: #DAEE5C, #5DEE8D and #C75DEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAEE5C shade: #DAEE5C, #5DDAEE and #EE5DDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAEE5C shade: #DAEE5C, #5DEE8D, #705DEE and #EE5DBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAEE5C shade: #DAEE5C, #5DEEB9, #705DEE and #EE5D92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 61 / 7

HEX #DAEE5C

RGB 218 238 92

HSL 68.22, 0.81%, 0.65%

LAB 90.24, -25.67, 66.32

 

Complementary color

CMYK 77 / 90 / 0 / 36

HEX #2511A3

RGB 37 17 163

HSL 248.22, 0.81%, 0.35%

LAB 21.72, 52.57, -71.86

 

CMYK 6 / 0 / 63 / 7

HEX #DFEE57

RGB 223 238 87

HSL 65.96, 0.82%, 0.64%

LAB 90.56, -24, 68.78

 

CMYK 6 / 0 / 58 / 0

HEX #F0FF6A

RGB 240 255 106

HSL 66.04, 1%, 0.71%

LAB 96.45, -24.09, 67.76

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 8 / 0 / 61 / 7

HEX #DAEE5C

RGB 218 238 92

HSL 68.22, 0.81%, 0.65%

LAB 90.24, -25.67, 66.32

 

CMYK 9 / 0 / 67 / 14

HEX #C9DC49

RGB 201 220 73

HSL 67.76, 0.68%, 0.57%

LAB 84.01, -25.09, 66.91

 

CMYK 9 / 0 / 73 / 21

HEX #B8CA36

RGB 184 202 54

HSL 67.3, 0.58%, 0.5%

LAB 77.7, -24.38, 67.08

 

CMYK 9 / 0 / 81 / 28

HEX #A7B823

RGB 167 184 35

HSL 66.85, 0.68%, 0.43%

LAB 71.29, -23.5, 66.54

 

CMYK 10 / 0 / 90 / 35

HEX #96A610

RGB 150 166 16

HSL 66.4, 0.82%, 0.36%

LAB 64.8, -22.42, 64.81

 

CMYK 8 / 0 / 61 / 7

HEX #DAEE5D

RGB 218 238 93

HSL 68.28, 0.81%, 0.65%

LAB 90.25, -25.6, 65.92

 

CMYK 0 / 8 / 61 / 7

HEX #EEDA5D

RGB 238 218 93

HSL 51.72, 0.81%, 0.65%

LAB 86.56, -7.72, 62.36

 

CMYK 0 / 25 / 61 / 7

HEX #EEB35D

RGB 238 179 93

HSL 35.59, 0.81%, 0.65%

LAB 76.8, 12.44, 51.42

 

CMYK 0 / 41 / 61 / 7

HEX #EE8C5D

RGB 238 140 93

HSL 19.45, 0.81%, 0.65%

LAB 67.82, 33.02, 40.8

 

CMYK 0 / 58 / 61 / 7

HEX #EE655D

RGB 238 101 93

HSL 3.31, 0.81%, 0.65%

LAB 60.14, 52.33, 31.28

 

CMYK 8 / 0 / 61 / 7

HEX #DAEE5D

RGB 218 238 93

HSL 68.28, 0.81%, 0.65%

LAB 90.25, -25.6, 65.92

 

CMYK 25 / 0 / 61 / 7

HEX #B3EE5D

RGB 179 238 93

HSL 84.41, 0.81%, 0.65%

LAB 87.74, -40.48, 62.46

 

CMYK 41 / 0 / 61 / 7

HEX #8CEE5D

RGB 140 238 93

HSL 100.55, 0.81%, 0.65%

LAB 85.76, -53.71, 59.71

 

CMYK 58 / 0 / 61 / 7

HEX #65EE5D

RGB 101 238 93

HSL 116.69, 0.81%, 0.65%

LAB 84.33, -64.39, 57.71

 

CMYK 61 / 0 / 48 / 7

HEX #5DEE7C

RGB 93 238 124

HSL 132.83, 0.81%, 0.65%

LAB 84.45, -62.29, 43.68

 

CMYK 8 / 0 / 61 / 7

HEX #DAEE5D

RGB 218 238 93

HSL 68.28, 0.81%, 0.65%

LAB 90.25, -25.6, 65.92

 

CMYK 10 / 0 / 69 / 1

HEX #E4FC4F

RGB 228 252 79

HSL 68.32, 0.97%, 0.65%

LAB 94.6, -29.07, 76

 

CMYK 8 / 0 / 61 / 7

HEX #DAEE5D

RGB 218 238 93

HSL 68.28, 0.81%, 0.65%

LAB 90.25, -25.6, 65.92

 

CMYK 7 / 0 / 52 / 13

HEX #CFDF6B

RGB 207 223 107

HSL 68.28, 0.64%, 0.65%

LAB 85.56, -21.66, 54.32

 

CMYK 6 / 0 / 42 / 18

HEX #C5D17A

RGB 197 209 122

HSL 68.28, 0.49%, 0.65%

LAB 81.22, -17.23, 41.7

 

CMYK 4 / 0 / 30 / 24

HEX #BAC288

RGB 186 194 136

HSL 68.28, 0.32%, 0.65%

LAB 76.56, -12.21, 28.32

 

CMYK 2 / 0 / 16 / 29

HEX #B0B497

RGB 176 180 151

HSL 68.28, 0.16%, 0.65%

LAB 72.3, -6.5, 14.34

 

CMYK 0 / 24 / 61 / 7

HEX #EEB45D

RGB 238 180 93

HSL 36, 0.81%, 0.65%

LAB 77.05, 11.92, 51.7

 

CMYK 0 / 8 / 61 / 7

HEX #EEDA5D

RGB 238 218 93

HSL 51.72, 0.81%, 0.65%

LAB 86.56, -7.72, 62.36

 

CMYK 8 / 0 / 61 / 7

HEX #DAEE5D

RGB 218 238 93

HSL 68.28, 0.81%, 0.65%

LAB 90.25, -25.6, 65.92

 

CMYK 24 / 0 / 61 / 7

HEX #B4EE5D

RGB 180 238 93

HSL 84, 0.81%, 0.65%

LAB 87.8, -40.11, 62.54

 

CMYK 41 / 0 / 61 / 7

HEX #8DEE5D

RGB 141 238 93

HSL 100.14, 0.81%, 0.65%

LAB 85.81, -53.4, 59.77

 

CMYK 12 / 0 / 90 / 12

HEX #C5E117

RGB 197 225 23

HSL 68.32, 0.81%, 0.49%

LAB 84.89, -30.94, 81.17

 

CMYK 11 / 0 / 76 / 8

HEX #D1EA38

RGB 209 234 56

HSL 68.43, 0.81%, 0.57%

LAB 88.3, -29.32, 77

 

CMYK 8 / 0 / 61 / 7

HEX #DAEE5D

RGB 218 238 93

HSL 68.28, 0.81%, 0.65%

LAB 90.25, -25.6, 65.92

 

CMYK 6 / 0 / 46 / 5

HEX #E2F182

RGB 226 241 130

HSL 68.11, 0.8%, 0.73%

LAB 91.99, -20.84, 51.62

 

CMYK 4 / 0 / 31 / 4

HEX #EBF5A8

RGB 235 245 168

HSL 67.79, 0.79%, 0.81%

LAB 94.22, -15.17, 36.04

 

CMYK 8 / 0 / 61 / 7

HEX #DAEE5C

RGB 218 238 92

HSL 68.22, 0.81%, 0.65%

LAB 90.24, -25.67, 66.32

 

CMYK 61 / 0 / 41 / 7

HEX #5DEE8D

RGB 93 238 141

HSL 139.86, 0.81%, 0.65%

LAB 84.69, -59.63, 35.67

 

CMYK 16 / 61 / 0 / 7

HEX #C75DEE

RGB 199 93 238

HSL 283.86, 0.81%, 0.65%

LAB 58.17, 63.83, -55.31

 

CMYK 8 / 0 / 61 / 7

HEX #DAEE5C

RGB 218 238 92

HSL 68.22, 0.81%, 0.65%

LAB 90.24, -25.67, 66.32

 

CMYK 61 / 8 / 0 / 7

HEX #5DDAEE

RGB 93 218 238

HSL 188.28, 0.81%, 0.65%

LAB 81.09, -28.76, -20.18

 

CMYK 0 / 61 / 8 / 7

HEX #EE5DDA

RGB 238 93 218

HSL 308.28, 0.81%, 0.65%

LAB 62.56, 69.85, -36.82

 

CMYK 8 / 0 / 61 / 7

HEX #DAEE5C

RGB 218 238 92

HSL 68.22, 0.81%, 0.65%

LAB 90.24, -25.67, 66.32

 

CMYK 61 / 0 / 41 / 7

HEX #5DEE8D

RGB 93 238 141

HSL 139.86, 0.81%, 0.65%

LAB 84.69, -59.63, 35.67

 

CMYK 53 / 61 / 0 / 7

HEX #705DEE

RGB 112 93 238

HSL 247.86, 0.81%, 0.65%

LAB 48.82, 45.31, -70.86

 

CMYK 0 / 61 / 21 / 7

HEX #EE5DBD

RGB 238 93 189

HSL 320.28, 0.81%, 0.65%

LAB 61.38, 65.64, -22.24

 

CMYK 8 / 0 / 61 / 7

HEX #DAEE5C

RGB 218 238 92

HSL 68.22, 0.81%, 0.65%

LAB 90.24, -25.67, 66.32

 

CMYK 61 / 0 / 22 / 7

HEX #5DEEB9

RGB 93 238 185

HSL 158.07, 0.81%, 0.65%

LAB 85.49, -51.13, 14.26

 

CMYK 53 / 61 / 0 / 7

HEX #705DEE

RGB 112 93 238

HSL 247.86, 0.81%, 0.65%

LAB 48.82, 45.31, -70.86

 

CMYK 0 / 61 / 39 / 7

HEX #EE5D92

RGB 238 93 146

HSL 338.07, 0.81%, 0.65%

LAB 59.96, 60.43, 0.43

 

Description

Color code: HEX #DAEE5C | qconv.com Color code: HEX #DAEE5C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 238 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 238 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 61 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 61% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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