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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAEE1B it is the complementary color #2511E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAEE1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAEE1B shade: #DFEE16, #F0FF29, #FFFF3C, #FFFF4F and #FFFF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAEE1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAEE1B shade: #DAEE1B, #C9DC08, #B8CA00, #A7B800 and #96A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAEE1B shade: #D9ED1B, #EDC91B, #ED901B, #ED571B and #ED1E1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAEE1B shade: #D9ED1B, #A1ED1B, #68ED1B, #2FED1B and #1BED3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAEE1B shade matches the following richer shades: #D9ED1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAEE1B shade: #D9ED1B, #C9DA2F, #B9C642, #A9B256 and #999E6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAEE1B shade: #ED8F1B, #EDC71B, #DCED1B, #A4ED1B and #6CED1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAEE1B shade: #9AA90C, #BED00F, #D9ED1B, #E0F041 and #E6F368

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAEE1B shade: #DAEE1B, #1BED56 and #AB1BED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAEE1B shade: #DAEE1B, #1BDCED and #ED1BDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAEE1B shade: #DAEE1B, #1BED56, #2C1BED and #ED1BB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAEE1B shade: #DAEE1B, #1BED96, #2C1BED and #ED1B73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 89 / 7

HEX #DAEE1B

RGB 218 238 27

HSL 65.69, 0.86%, 0.52%

LAB 89.92, -28.39, 85.2

 

Complementary color

CMYK 84 / 93 / 0 / 11

HEX #2511E4

RGB 37 17 228

HSL 245.69, 0.86%, 0.48%

LAB 30.39, 70.05, -95.74

 

CMYK 6 / 0 / 91 / 7

HEX #DFEE16

RGB 223 238 22

HSL 64.17, 0.86%, 0.51%

LAB 90.27, -26.43, 86.34

 

CMYK 6 / 0 / 84 / 0

HEX #F0FF29

RGB 240 255 41

HSL 64.21, 1%, 0.58%

LAB 96.08, -27.12, 88.35

 

CMYK 0 / 0 / 76 / 0

HEX #FFFF3C

RGB 255 255 60

HSL 60, 1%, 0.62%

LAB 97.27, -20.49, 85.23

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4F

RGB 255 255 79

HSL 60, 1%, 0.65%

LAB 97.37, -19.71, 79.39

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 8 / 0 / 89 / 7

HEX #DAEE1B

RGB 218 238 27

HSL 65.69, 0.86%, 0.52%

LAB 89.92, -28.39, 85.2

 

CMYK 9 / 0 / 96 / 14

HEX #C9DC08

RGB 201 220 8

HSL 65.38, 0.93%, 0.45%

LAB 83.77, -27.15, 82.11

 

CMYK 9 / 0 / 100 / 21

HEX #B8CA00

RGB 184 202 0

HSL 65.35, 1%, 0.4%

LAB 77.54, -25.74, 77.63

 

CMYK 9 / 0 / 100 / 28

HEX #A7B800

RGB 167 184 0

HSL 65.54, 1%, 0.36%

LAB 71.21, -24.22, 72.36

 

CMYK 10 / 0 / 100 / 35

HEX #96A600

RGB 150 166 0

HSL 65.78, 1%, 0.33%

LAB 64.77, -22.68, 67

 

CMYK 8 / 0 / 89 / 7

HEX #D9ED1B

RGB 217 237 27

HSL 65.71, 0.85%, 0.52%

LAB 89.58, -28.33, 84.89

 

CMYK 0 / 15 / 89 / 7

HEX #EDC91B

RGB 237 201 27

HSL 49.71, 0.85%, 0.52%

LAB 81.76, -2.19, 79.42

 

CMYK 0 / 39 / 89 / 7

HEX #ED901B

RGB 237 144 27

HSL 33.43, 0.85%, 0.52%

LAB 68.04, 27.72, 68.79

 

CMYK 0 / 63 / 89 / 7

HEX #ED571B

RGB 237 87 27

HSL 17.14, 0.85%, 0.52%

LAB 56.98, 55.49, 60.39

 

CMYK 0 / 87 / 89 / 7

HEX #ED1E1B

RGB 237 30 27

HSL 0.86, 0.85%, 0.52%

LAB 50.7, 72.87, 55.75

 

CMYK 8 / 0 / 89 / 7

HEX #D9ED1B

RGB 217 237 27

HSL 65.71, 0.85%, 0.52%

LAB 89.58, -28.33, 84.89

 

CMYK 32 / 0 / 89 / 7

HEX #A1ED1B

RGB 161 237 27

HSL 81.71, 0.85%, 0.52%

LAB 86.12, -49.95, 80.65

 

CMYK 56 / 0 / 89 / 7

HEX #68ED1B

RGB 104 237 27

HSL 98, 0.85%, 0.52%

LAB 83.75, -67.56, 77.71

 

CMYK 80 / 0 / 89 / 7

HEX #2FED1B

RGB 47 237 27

HSL 114.29, 0.85%, 0.52%

LAB 82.51, -78.05, 76.17

 

CMYK 89 / 0 / 73 / 7

HEX #1BED3F

RGB 27 237 63

HSL 130.29, 0.85%, 0.52%

LAB 82.46, -77.92, 66.84

 

CMYK 8 / 0 / 89 / 7

HEX #D9ED1B

RGB 217 237 27

HSL 65.71, 0.85%, 0.52%

LAB 89.58, -28.33, 84.89

 

CMYK 8 / 0 / 89 / 7

HEX #D9ED1B

RGB 217 237 27

HSL 65.71, 0.85%, 0.52%

LAB 89.58, -28.33, 84.89

 

CMYK 8 / 0 / 78 / 15

HEX #C9DA2F

RGB 201 218 47

HSL 65.96, 0.7%, 0.52%

LAB 83.32, -25.36, 74.86

 

CMYK 7 / 0 / 67 / 22

HEX #B9C642

RGB 185 198 66

HSL 65.91, 0.54%, 0.52%

LAB 76.74, -21.37, 61.8

 

CMYK 5 / 0 / 52 / 30

HEX #A9B256

RGB 169 178 86

HSL 65.87, 0.37%, 0.52%

LAB 70.14, -16.49, 45.41

 

CMYK 3 / 0 / 33 / 38

HEX #999E6A

RGB 153 158 106

HSL 65.77, 0.21%, 0.52%

LAB 63.56, -10.39, 26.62

 

CMYK 0 / 40 / 89 / 7

HEX #ED8F1B

RGB 237 143 27

HSL 33.14, 0.85%, 0.52%

LAB 67.82, 28.25, 68.62

 

CMYK 0 / 16 / 89 / 7

HEX #EDC71B

RGB 237 199 27

HSL 49.14, 0.85%, 0.52%

LAB 81.25, -1.16, 79.02

 

CMYK 7 / 0 / 89 / 7

HEX #DCED1B

RGB 220 237 27

HSL 64.86, 0.85%, 0.52%

LAB 89.8, -27.1, 85.16

 

CMYK 31 / 0 / 89 / 7

HEX #A4ED1B

RGB 164 237 27

HSL 80.86, 0.85%, 0.52%

LAB 86.28, -48.87, 80.84

 

CMYK 54 / 0 / 89 / 7

HEX #6CED1B

RGB 108 237 27

HSL 96.86, 0.85%, 0.52%

LAB 83.88, -66.54, 77.87

 

CMYK 9 / 0 / 93 / 34

HEX #9AA90C

RGB 154 169 12

HSL 65.73, 0.87%, 0.35%

LAB 65.96, -22.25, 66.48

 

CMYK 9 / 0 / 93 / 18

HEX #BED00F

RGB 190 208 15

HSL 65.6, 0.87%, 0.44%

LAB 79.67, -25.93, 77.93

 

CMYK 8 / 0 / 89 / 7

HEX #D9ED1B

RGB 217 237 27

HSL 65.71, 0.85%, 0.52%

LAB 89.58, -28.33, 84.89

 

CMYK 7 / 0 / 73 / 6

HEX #E0F041

RGB 224 240 65

HSL 65.49, 0.85%, 0.6%

LAB 91.03, -25.72, 77.16

 

CMYK 5 / 0 / 57 / 5

HEX #E6F368

RGB 230 243 104

HSL 65.61, 0.85%, 0.68%

LAB 92.54, -22.46, 64.07

 

CMYK 8 / 0 / 89 / 7

HEX #DAEE1B

RGB 218 238 27

HSL 65.69, 0.86%, 0.52%

LAB 89.92, -28.39, 85.2

 

CMYK 89 / 0 / 64 / 7

HEX #1BED56

RGB 27 237 86

HSL 136.86, 0.85%, 0.52%

LAB 82.63, -75.8, 58.37

 

CMYK 28 / 89 / 0 / 7

HEX #AB1BED

RGB 171 27 237

HSL 281.14, 0.85%, 0.52%

LAB 46.39, 80.63, -73.96

 

CMYK 8 / 0 / 89 / 7

HEX #DAEE1B

RGB 218 238 27

HSL 65.69, 0.86%, 0.52%

LAB 89.92, -28.39, 85.2

 

CMYK 89 / 7 / 0 / 7

HEX #1BDCED

RGB 27 220 237

HSL 184.86, 0.85%, 0.52%

LAB 80.48, -37.05, -20.69

 

CMYK 0 / 89 / 7 / 7

HEX #ED1BDC

RGB 237 27 220

HSL 304.86, 0.85%, 0.52%

LAB 56.04, 88.29, -48.23

 

CMYK 8 / 0 / 89 / 7

HEX #DAEE1B

RGB 218 238 27

HSL 65.69, 0.86%, 0.52%

LAB 89.92, -28.39, 85.2

 

CMYK 89 / 0 / 64 / 7

HEX #1BED56

RGB 27 237 86

HSL 136.86, 0.85%, 0.52%

LAB 82.63, -75.8, 58.37

 

CMYK 81 / 89 / 0 / 7

HEX #2C1BED

RGB 44 27 237

HSL 244.86, 0.85%, 0.52%

LAB 32.77, 69.9, -96.88

 

CMYK 0 / 89 / 25 / 7

HEX #ED1BB2

RGB 237 27 178

HSL 316.86, 0.85%, 0.52%

LAB 54.03, 83.03, -27.21

 

CMYK 8 / 0 / 89 / 7

HEX #DAEE1B

RGB 218 238 27

HSL 65.69, 0.86%, 0.52%

LAB 89.92, -28.39, 85.2

 

CMYK 89 / 0 / 37 / 7

HEX #1BED96

RGB 27 237 150

HSL 155.14, 0.85%, 0.52%

LAB 83.44, -66.07, 29.29

 

CMYK 81 / 89 / 0 / 7

HEX #2C1BED

RGB 44 27 237

HSL 244.86, 0.85%, 0.52%

LAB 32.77, 69.9, -96.88

 

CMYK 0 / 89 / 51 / 7

HEX #ED1B73

RGB 237 27 115

HSL 334.86, 0.85%, 0.52%

LAB 51.87, 77.14, 7.12

 

Description

Color code: HEX #DAEE1B | qconv.com Color code: HEX #DAEE1B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 238 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 238 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 89 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 89% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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