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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAEDA4 it is the complementary color #25125B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAEDA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAEDA4 shade: #DFED9F, #F0FFB2, #FFFFC5, #FFFFD8 and #FFFFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAEDA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAEDA4 shade: #DAEDA4, #C9DB91, #B8C97E, #A7B76B and #96A558

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAEDA4 shade: #DAEDA5, #EDECA5, #EDD9A5, #EDC5A5 and #EDB2A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAEDA4 shade: #DAEDA5, #C7EDA5, #B3EDA5, #A5EDAA and #A5EDBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAEDA4 shade matches the following richer shades: #DAEDA5, #DEF59C and #E2FE94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAEDA4 shade: #DAEDA5, #D6E4AE, #D2DBB6, #CED3BF and #CACAC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAEDA4 shade: #EDD8A5, #EDECA5, #DBEDA5, #C8EDA5 and #B5EDA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAEDA4 shade: #BEDF60, #CCE683, #DAEDA5, #E8F4C8 and #F6FAEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAEDA4 shade: #DAEDA4, #A5EDC5 and #E2A5ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAEDA4 shade: #DAEDA4, #A5DBED and #EDA5DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAEDA4 shade: #DAEDA4, #A5EDC5, #B7A5ED and #EDA5CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAEDA4 shade: #DAEDA4, #A5EDDB, #B7A5ED and #EDA5B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 31 / 7

HEX #DAEDA4

RGB 218 237 164

HSL 75.62, 0.67%, 0.79%

LAB 90.85, -18.02, 33.36

 

Complementary color

CMYK 59 / 80 / 0 / 64

HEX #25125B

RGB 37 18 91

HSL 255.62, 0.67%, 0.21%

LAB 13.12, 30.16, -40.19

 

CMYK 6 / 0 / 33 / 7

HEX #DFED9F

RGB 223 237 159

HSL 70.77, 0.68%, 0.78%

LAB 91.13, -16.82, 36.31

 

CMYK 6 / 0 / 30 / 0

HEX #F0FFB2

RGB 240 255 178

HSL 71.69, 1%, 0.85%

LAB 97.33, -16.95, 35.24

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 8 / 0 / 31 / 7

HEX #DAEDA4

RGB 218 237 164

HSL 75.62, 0.67%, 0.79%

LAB 90.85, -18.02, 33.36

 

CMYK 8 / 0 / 34 / 14

HEX #C9DB91

RGB 201 219 145

HSL 74.59, 0.51%, 0.71%

LAB 84.55, -17.93, 34.44

 

CMYK 8 / 0 / 37 / 21

HEX #B8C97E

RGB 184 201 126

HSL 73.6, 0.41%, 0.64%

LAB 78.15, -17.81, 35.58

 

CMYK 9 / 0 / 42 / 28

HEX #A7B76B

RGB 167 183 107

HSL 72.63, 0.35%, 0.57%

LAB 71.65, -17.65, 36.75

 

CMYK 9 / 0 / 47 / 35

HEX #96A558

RGB 150 165 88

HSL 71.69, 0.3%, 0.5%

LAB 65.04, -17.44, 37.95

 

CMYK 8 / 0 / 30 / 7

HEX #DAEDA5

RGB 218 237 165

HSL 75.83, 0.67%, 0.79%

LAB 90.87, -17.89, 32.88

 

CMYK 0 / 0 / 30 / 7

HEX #EDECA5

RGB 237 236 165

HSL 59.17, 0.67%, 0.79%

LAB 92, -10.35, 34.64

 

CMYK 0 / 8 / 30 / 7

HEX #EDD9A5

RGB 237 217 165

HSL 43.33, 0.67%, 0.79%

LAB 87.17, -0.74, 28.16

 

CMYK 0 / 17 / 30 / 7

HEX #EDC5A5

RGB 237 197 165

HSL 26.67, 0.67%, 0.79%

LAB 82.19, 9.65, 21.37

 

CMYK 0 / 25 / 30 / 7

HEX #EDB2A5

RGB 237 178 165

HSL 10.83, 0.67%, 0.79%

LAB 77.62, 19.7, 15.01

 

CMYK 8 / 0 / 30 / 7

HEX #DAEDA5

RGB 218 237 165

HSL 75.83, 0.67%, 0.79%

LAB 90.87, -17.89, 32.88

 

CMYK 16 / 0 / 30 / 7

HEX #C7EDA5

RGB 199 237 165

HSL 91.67, 0.67%, 0.79%

LAB 89.59, -24.73, 30.95

 

CMYK 24 / 0 / 30 / 7

HEX #B3EDA5

RGB 179 237 165

HSL 108.33, 0.67%, 0.79%

LAB 88.39, -31.6, 29.12

 

CMYK 30 / 0 / 28 / 7

HEX #A5EDAA

RGB 165 237 170

HSL 124.17, 0.67%, 0.79%

LAB 87.71, -35.35, 25.52

 

CMYK 30 / 0 / 20 / 7

HEX #A5EDBD

RGB 165 237 189

HSL 140, 0.67%, 0.79%

LAB 88.08, -32.02, 16.23

 

CMYK 8 / 0 / 30 / 7

HEX #DAEDA5

RGB 218 237 165

HSL 75.83, 0.67%, 0.79%

LAB 90.87, -17.89, 32.88

 

CMYK 9 / 0 / 36 / 4

HEX #DEF59C

RGB 222 245 156

HSL 75.51, 0.82%, 0.79%

LAB 93.12, -21.44, 40.39

 

CMYK 11 / 0 / 42 / 0

HEX #E2FE94

RGB 226 254 148

HSL 75.85, 0.98%, 0.79%

LAB 95.66, -25.18, 47.59

 

CMYK 8 / 0 / 30 / 7

HEX #DAEDA5

RGB 218 237 165

HSL 75.83, 0.67%, 0.79%

LAB 90.87, -17.89, 32.88

 

CMYK 6 / 0 / 24 / 11

HEX #D6E4AE

RGB 214 228 174

HSL 75.56, 0.5%, 0.79%

LAB 88.37, -13.66, 24.85

 

CMYK 4 / 0 / 17 / 14

HEX #D2DBB6

RGB 210 219 182

HSL 74.59, 0.34%, 0.79%

LAB 85.88, -9.37, 17.19

 

CMYK 2 / 0 / 9 / 17

HEX #CED3BF

RGB 206 211 191

HSL 75, 0.19%, 0.79%

LAB 83.69, -5.23, 9.31

 

CMYK 0 / 0 / 1 / 21

HEX #CACAC8

RGB 202 202 200

HSL 60, 0.02%, 0.79%

LAB 81.27, -0.36, 0.99

 

CMYK 0 / 9 / 30 / 7

HEX #EDD8A5

RGB 237 216 165

HSL 42.5, 0.67%, 0.79%

LAB 86.91, -0.23, 27.82

 

CMYK 0 / 0 / 30 / 7

HEX #EDECA5

RGB 237 236 165

HSL 59.17, 0.67%, 0.79%

LAB 92, -10.35, 34.64

 

CMYK 8 / 0 / 30 / 7

HEX #DBEDA5

RGB 219 237 165

HSL 75, 0.67%, 0.79%

LAB 90.94, -17.53, 32.98

 

CMYK 16 / 0 / 30 / 7

HEX #C8EDA5

RGB 200 237 165

HSL 90.83, 0.67%, 0.79%

LAB 89.66, -24.38, 31.05

 

CMYK 24 / 0 / 30 / 7

HEX #B5EDA5

RGB 181 237 165

HSL 106.67, 0.67%, 0.79%

LAB 88.5, -30.93, 29.29

 

CMYK 15 / 0 / 57 / 13

HEX #BEDF60

RGB 190 223 96

HSL 75.59, 0.66%, 0.63%

LAB 84.26, -29.24, 57.48

 

CMYK 11 / 0 / 43 / 10

HEX #CCE683

RGB 204 230 131

HSL 75.76, 0.66%, 0.71%

LAB 87.52, -23.83, 45.27

 

CMYK 8 / 0 / 30 / 7

HEX #DAEDA5

RGB 218 237 165

HSL 75.83, 0.67%, 0.79%

LAB 90.87, -17.89, 32.88

 

CMYK 5 / 0 / 18 / 4

HEX #E8F4C8

RGB 232 244 200

HSL 76.36, 0.67%, 0.87%

LAB 94.32, -11.34, 19.9

 

CMYK 2 / 0 / 6 / 2

HEX #F6FAEA

RGB 246 250 234

HSL 75, 0.62%, 0.95%

LAB 97.59, -4.08, 7.2

 

CMYK 8 / 0 / 31 / 7

HEX #DAEDA4

RGB 218 237 164

HSL 75.62, 0.67%, 0.79%

LAB 90.85, -18.02, 33.36

 

CMYK 30 / 0 / 17 / 7

HEX #A5EDC5

RGB 165 237 197

HSL 146.67, 0.67%, 0.79%

LAB 88.26, -30.51, 12.31

 

CMYK 5 / 30 / 0 / 7

HEX #E2A5ED

RGB 226 165 237

HSL 290.83, 0.67%, 0.79%

LAB 75.57, 34.46, -27.31

 

CMYK 8 / 0 / 31 / 7

HEX #DAEDA4

RGB 218 237 164

HSL 75.62, 0.67%, 0.79%

LAB 90.85, -18.02, 33.36

 

CMYK 30 / 8 / 0 / 7

HEX #A5DBED

RGB 165 219 237

HSL 195, 0.67%, 0.79%

LAB 84.37, -13.12, -14.41

 

CMYK 0 / 30 / 8 / 7

HEX #EDA5DB

RGB 237 165 219

HSL 315, 0.67%, 0.79%

LAB 76.09, 34.75, -16.63

 

CMYK 8 / 0 / 31 / 7

HEX #DAEDA4

RGB 218 237 164

HSL 75.62, 0.67%, 0.79%

LAB 90.85, -18.02, 33.36

 

CMYK 30 / 0 / 17 / 7

HEX #A5EDC5

RGB 165 237 197

HSL 146.67, 0.67%, 0.79%

LAB 88.26, -30.51, 12.31

 

CMYK 23 / 30 / 0 / 7

HEX #B7A5ED

RGB 183 165 237

HSL 255, 0.67%, 0.79%

LAB 71.62, 21.26, -33.73

 

CMYK 0 / 30 / 14 / 7

HEX #EDA5CD

RGB 237 165 205

HSL 326.67, 0.67%, 0.79%

LAB 75.65, 32.43, -9.64

 

CMYK 8 / 0 / 31 / 7

HEX #DAEDA4

RGB 218 237 164

HSL 75.62, 0.67%, 0.79%

LAB 90.85, -18.02, 33.36

 

CMYK 30 / 0 / 8 / 7

HEX #A5EDDB

RGB 165 237 219

HSL 165, 0.67%, 0.79%

LAB 88.77, -26.08, 1.57

 

CMYK 23 / 30 / 0 / 7

HEX #B7A5ED

RGB 183 165 237

HSL 255, 0.67%, 0.79%

LAB 71.62, 21.26, -33.73

 

CMYK 0 / 30 / 23 / 7

HEX #EDA5B7

RGB 237 165 183

HSL 345, 0.67%, 0.79%

LAB 75.03, 29.08, 1.5

 

Description

Color code: HEX #DAEDA4 | qconv.com Color code: HEX #DAEDA4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 237 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 237 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 31 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 31% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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