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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAED4D it is the complementary color #2512B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAED4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAED4D shade: #DFED48, #F0FF5B, #FFFF6E, #FFFF81 and #FFFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAED4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAED4D shade: #DAED4D, #C9DB3A, #B8C927, #A7B714 and #96A501

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAED4D shade: #DBEE4F, #EED64F, #EEAB4F, #EE804F and #EE554F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAED4D shade: #DBEE4F, #B0EE4F, #85EE4F, #5AEE4F and #4FEE6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAED4D shade matches the following richer shades: #DBEE4F and #E7FD3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAED4D shade: #DBEE4F, #CFDE5E, #C3CE6E, #B7BF7E and #ABAF8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAED4D shade: #EEAB4F, #EED64F, #DBEE4F, #B1EE4F and #86EE4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAED4D shade: #BED515, #D3EA29, #DBEE4F, #E2F174 and #EAF59A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAED4D shade: #DAED4D, #4FEE81 and #C14FEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAED4D shade: #DAED4D, #4FDBEE and #EE4FDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAED4D shade: #DAED4D, #4FEE81, #614FEE and #EE4FBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAED4D shade: #DAED4D, #4FEEB1, #614FEE and #EE4F8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 68 / 7

HEX #DAED4D

RGB 218 237 77

HSL 67.13, 0.82%, 0.62%

LAB 89.86, -26.12, 71.75

 

Complementary color

CMYK 79 / 90 / 0 / 30

HEX #2512B2

RGB 37 18 178

HSL 247.13, 0.82%, 0.38%

LAB 23.8, 56.45, -77.45

 

CMYK 6 / 0 / 70 / 7

HEX #DFED48

RGB 223 237 72

HSL 65.09, 0.82%, 0.61%

LAB 90.19, -24.37, 73.99

 

CMYK 6 / 0 / 64 / 0

HEX #F0FF5B

RGB 240 255 91

HSL 65.49, 1%, 0.68%

LAB 96.33, -25.06, 73.62

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6E

RGB 255 255 110

HSL 60, 1%, 0.72%

LAB 97.59, -17.91, 67.66

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF81

RGB 255 255 129

HSL 60, 1%, 0.75%

LAB 97.78, -16.46, 59.54

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 8 / 0 / 68 / 7

HEX #DAED4D

RGB 218 237 77

HSL 67.13, 0.82%, 0.62%

LAB 89.86, -26.12, 71.75

 

CMYK 8 / 0 / 74 / 14

HEX #C9DB3A

RGB 201 219 58

HSL 66.71, 0.69%, 0.54%

LAB 83.65, -25.39, 71.84

 

CMYK 8 / 0 / 81 / 21

HEX #B8C927

RGB 184 201 39

HSL 66.3, 0.68%, 0.47%

LAB 77.35, -24.5, 71.26

 

CMYK 9 / 0 / 89 / 28

HEX #A7B714

RGB 167 183 20

HSL 65.89, 0.8%, 0.4%

LAB 70.96, -23.43, 69.6

 

CMYK 9 / 0 / 99 / 35

HEX #96A501

RGB 150 165 1

HSL 65.49, 0.99%, 0.33%

LAB 64.48, -22.17, 66.65

 

CMYK 8 / 0 / 67 / 7

HEX #DBEE4F

RGB 219 238 79

HSL 67.17, 0.82%, 0.62%

LAB 90.22, -26.08, 71.39

 

CMYK 0 / 10 / 67 / 7

HEX #EED64F

RGB 238 214 79

HSL 50.94, 0.82%, 0.62%

LAB 85.42, -6.54, 66.96

 

CMYK 0 / 28 / 67 / 7

HEX #EEAB4F

RGB 238 171 79

HSL 34.72, 0.82%, 0.62%

LAB 74.74, 15.79, 55.66

 

CMYK 0 / 46 / 67 / 7

HEX #EE804F

RGB 238 128 79

HSL 18.49, 0.82%, 0.62%

LAB 65.11, 38.34, 44.88

 

CMYK 0 / 64 / 67 / 7

HEX #EE554F

RGB 238 85 79

HSL 2.26, 0.82%, 0.62%

LAB 57.31, 58.46, 35.66

 

CMYK 8 / 0 / 67 / 7

HEX #DBEE4F

RGB 219 238 79

HSL 67.17, 0.82%, 0.62%

LAB 90.22, -26.08, 71.39

 

CMYK 26 / 0 / 67 / 7

HEX #B0EE4F

RGB 176 238 79

HSL 83.4, 0.82%, 0.62%

LAB 87.46, -42.61, 67.68

 

CMYK 44 / 0 / 67 / 7

HEX #85EE4F

RGB 133 238 79

HSL 99.62, 0.82%, 0.62%

LAB 85.35, -57.06, 64.83

 

CMYK 62 / 0 / 67 / 7

HEX #5AEE4F

RGB 90 238 79

HSL 115.85, 0.82%, 0.62%

LAB 83.91, -68.19, 62.85

 

CMYK 67 / 0 / 54 / 7

HEX #4FEE6E

RGB 79 238 110

HSL 131.7, 0.82%, 0.62%

LAB 83.93, -66.94, 49.56

 

CMYK 8 / 0 / 67 / 7

HEX #DBEE4F

RGB 219 238 79

HSL 67.17, 0.82%, 0.62%

LAB 90.22, -26.08, 71.39

 

CMYK 9 / 0 / 75 / 1

HEX #E7FD3F

RGB 231 253 63

HSL 66.95, 0.98%, 0.62%

LAB 94.99, -29.09, 81.65

 

CMYK 8 / 0 / 67 / 7

HEX #DBEE4F

RGB 219 238 79

HSL 67.17, 0.82%, 0.62%

LAB 90.22, -26.08, 71.39

 

CMYK 7 / 0 / 58 / 13

HEX #CFDE5E

RGB 207 222 94

HSL 67.03, 0.66%, 0.62%

LAB 85.16, -22.23, 59.69

 

CMYK 5 / 0 / 47 / 19

HEX #C3CE6E

RGB 195 206 110

HSL 66.88, 0.49%, 0.62%

LAB 80.11, -17.77, 46.19

 

CMYK 4 / 0 / 34 / 25

HEX #B7BF7E

RGB 183 191 126

HSL 67.38, 0.34%, 0.62%

LAB 75.35, -13.13, 31.92

 

CMYK 2 / 0 / 19 / 31

HEX #ABAF8D

RGB 171 175 141

HSL 67.06, 0.18%, 0.62%

LAB 70.34, -7.31, 17

 

CMYK 0 / 28 / 67 / 7

HEX #EEAB4F

RGB 238 171 79

HSL 34.72, 0.82%, 0.62%

LAB 74.74, 15.79, 55.66

 

CMYK 0 / 10 / 67 / 7

HEX #EED64F

RGB 238 214 79

HSL 50.94, 0.82%, 0.62%

LAB 85.42, -6.54, 66.96

 

CMYK 8 / 0 / 67 / 7

HEX #DBEE4F

RGB 219 238 79

HSL 67.17, 0.82%, 0.62%

LAB 90.22, -26.08, 71.39

 

CMYK 26 / 0 / 67 / 7

HEX #B1EE4F

RGB 177 238 79

HSL 83.02, 0.82%, 0.62%

LAB 87.51, -42.24, 67.76

 

CMYK 44 / 0 / 67 / 7

HEX #86EE4F

RGB 134 238 79

HSL 99.25, 0.82%, 0.62%

LAB 85.39, -56.76, 64.88

 

CMYK 11 / 0 / 90 / 16

HEX #BED515

RGB 190 213 21

HSL 67.19, 0.82%, 0.46%

LAB 81.07, -28.21, 78.22

 

CMYK 10 / 0 / 82 / 8

HEX #D3EA29

RGB 211 234 41

HSL 67.15, 0.82%, 0.54%

LAB 88.38, -29.03, 81.05

 

CMYK 8 / 0 / 67 / 7

HEX #DBEE4F

RGB 219 238 79

HSL 67.17, 0.82%, 0.62%

LAB 90.22, -26.08, 71.39

 

CMYK 6 / 0 / 52 / 5

HEX #E2F174

RGB 226 241 116

HSL 67.2, 0.82%, 0.7%

LAB 91.84, -22.12, 57.91

 

CMYK 4 / 0 / 37 / 4

HEX #EAF59A

RGB 234 245 154

HSL 67.25, 0.82%, 0.78%

LAB 93.94, -17.2, 42.6

 

CMYK 8 / 0 / 68 / 7

HEX #DAED4D

RGB 218 237 77

HSL 67.13, 0.82%, 0.62%

LAB 89.86, -26.12, 71.75

 

CMYK 67 / 0 / 46 / 7

HEX #4FEE81

RGB 79 238 129

HSL 138.87, 0.82%, 0.62%

LAB 84.17, -64.2, 40.84

 

CMYK 19 / 67 / 0 / 7

HEX #C14FEE

RGB 193 79 238

HSL 283.02, 0.82%, 0.62%

LAB 55.18, 68.58, -60.15

 

CMYK 8 / 0 / 68 / 7

HEX #DAED4D

RGB 218 237 77

HSL 67.13, 0.82%, 0.62%

LAB 89.86, -26.12, 71.75

 

CMYK 67 / 8 / 0 / 7

HEX #4FDBEE

RGB 79 219 238

HSL 187.17, 0.82%, 0.62%

LAB 81.02, -31.41, -20.33

 

CMYK 0 / 67 / 8 / 7

HEX #EE4FDB

RGB 238 79 219

HSL 307.17, 0.82%, 0.62%

LAB 60.68, 75.37, -40.34

 

CMYK 8 / 0 / 68 / 7

HEX #DAED4D

RGB 218 237 77

HSL 67.13, 0.82%, 0.62%

LAB 89.86, -26.12, 71.75

 

CMYK 67 / 0 / 46 / 7

HEX #4FEE81

RGB 79 238 129

HSL 138.87, 0.82%, 0.62%

LAB 84.17, -64.2, 40.84

 

CMYK 59 / 67 / 0 / 7

HEX #614FEE

RGB 97 79 238

HSL 246.79, 0.82%, 0.62%

LAB 44.67, 50.79, -77.68

 

CMYK 0 / 67 / 21 / 7

HEX #EE4FBB

RGB 238 79 187

HSL 319.25, 0.82%, 0.62%

LAB 59.3, 70.88, -24.28

 

CMYK 8 / 0 / 68 / 7

HEX #DAED4D

RGB 218 237 77

HSL 67.13, 0.82%, 0.62%

LAB 89.86, -26.12, 71.75

 

CMYK 67 / 0 / 26 / 7

HEX #4FEEB1

RGB 79 238 177

HSL 156.98, 0.82%, 0.62%

LAB 84.99, -55.26, 17.66

 

CMYK 59 / 67 / 0 / 7

HEX #614FEE

RGB 97 79 238

HSL 246.79, 0.82%, 0.62%

LAB 44.67, 50.79, -77.68

 

CMYK 0 / 67 / 41 / 7

HEX #EE4F8C

RGB 238 79 140

HSL 336.98, 0.82%, 0.62%

LAB 57.72, 65.47, 0.66

 

Description

Color code: HEX #DAED4D | qconv.com Color code: HEX #DAED4D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 237 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 237 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 68 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 68% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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