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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAED494C it is the complementary color #2512B64C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAED494C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAED494C shade: #DFED444C, #F0FF574C, #FFFF6A4C, #FFFF7D4C and #FFFF904C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAED494C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAED494C shade: #DAED494C, #C9DB364C, #B8C9234C, #A7B7104C and #96A5004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAED494C shade: #DAED4A, #EDD44A, #EDA84A, #ED7C4A and #ED504A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAED494C shade: #DAED4A, #AEED4A, #82ED4A, #56ED4A and #4AED6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAED494C shade matches the following richer shades: #DAED4A and #E7FD3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAED494C shade: #DAED4A, #CEDD5A, #C1CD6A, #B5BD7A and #A9AD8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAED494C shade: #EDA64A, #EDD24A, #DDED4A, #B1ED4A and #86ED4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAED494C shade: #BAD015, #D3E924, #DAED4A, #E2F170 and #E9F595

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAED494C shade: #DAED49, #4AED7B and #BC4AED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAED494C shade: #DAED49, #4ADDED and #ED4ADD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAED494C shade: #DAED49, #4AED7B, #5A4AED and #ED4ABC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAED494C shade: #DAED49, #4AEDAC, #5A4AED and #ED4A8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 21 / 2

HEX #DAED494C

RGBA 218 237 73 0.3

HSLA 66.95, 0.82%, 0.61%, 0.3

LABA 89.84, -26.33, 73.16, 0.3

 

Complementary color

CMYK 24 / 27 / 0 / 9

HEX #2512B64C

RGBA 37 18 182 0.3

HSLA 246.95, 0.82%, 0.39%, 0.3

LABA 24.33, 57.56, -78.96, 0.3

 

CMYK 2 / 0 / 21 / 2

HEX #DFED444C

RGBA 223 237 68 0.3

HSLA 64.97, 0.82%, 0.6%, 0.3

LABA 90.17, -24.57, 75.33, 0.3

 

CMYK 2 / 0 / 20 / 0

HEX #F0FF574C

RGBA 240 255 87 0.3

HSLA 65.36, 1%, 0.67%, 0.3

LABA 96.3, -25.29, 75.1, 0.3

 

CMYK 0 / 0 / 18 / 0

HEX #FFFF6A4C

RGBA 255 255 106 0.3

HSLA 60, 1%, 0.71%, 0.3

LABA 97.56, -18.18, 69.3, 0.3

 

CMYK 0 / 0 / 15 / 0

HEX #FFFF7D4C

RGBA 255 255 125 0.3

HSLA 60, 1%, 0.75%, 0.3

LABA 97.74, -16.78, 61.29, 0.3

 

CMYK 0 / 0 / 13 / 0

HEX #FFFF904C

RGBA 255 255 144 0.3

HSLA 60, 1%, 0.78%, 0.3

LABA 97.95, -15.11, 52.8, 0.3

 

CMYK 2 / 0 / 21 / 2

HEX #DAED494C

RGBA 218 237 73 0.3

HSLA 66.95, 0.82%, 0.61%, 0.3

LABA 89.84, -26.33, 73.16, 0.3

 

CMYK 2 / 0 / 23 / 4

HEX #C9DB364C

RGBA 201 219 54 0.3

HSLA 66.55, 0.7%, 0.54%, 0.3

LABA 83.62, -25.56, 73.09, 0.3

 

CMYK 3 / 0 / 25 / 6

HEX #B8C9234C

RGBA 184 201 35 0.3

HSLA 66.14, 0.7%, 0.46%, 0.3

LABA 77.33, -24.63, 72.26, 0.3

 

CMYK 3 / 0 / 27 / 8

HEX #A7B7104C

RGBA 167 183 16 0.3

HSLA 65.75, 0.84%, 0.39%, 0.3

LABA 70.95, -23.51, 70.25, 0.3

 

CMYK 3 / 0 / 30 / 11

HEX #96A5004C

RGBA 150 165 0 0.3

HSLA 65.45, 1%, 0.32%, 0.3

LABA 64.48, -22.18, 66.79, 0.3

 

CMYK 8 / 0 / 69 / 7

HEX #DAED4A

RGB 218 237 74

HSL 66.99, 0.82%, 0.61%

LAB 89.84, -26.28, 72.81

 

CMYK 0 / 11 / 69 / 7

HEX #EDD44A

RGB 237 212 74

HSL 50.8, 0.82%, 0.61%

LAB 84.78, -6.2, 68.25

 

CMYK 0 / 29 / 69 / 7

HEX #EDA84A

RGB 237 168 74

HSL 34.6, 0.82%, 0.61%

LAB 73.87, 16.69, 56.95

 

CMYK 0 / 48 / 69 / 7

HEX #ED7C4A

RGB 237 124 74

HSL 18.4, 0.82%, 0.61%

LAB 64.09, 39.71, 46.24

 

CMYK 0 / 66 / 69 / 7

HEX #ED504A

RGB 237 80 74

HSL 2.21, 0.82%, 0.61%

LAB 56.32, 59.9, 37.25

 

CMYK 8 / 0 / 69 / 7

HEX #DAED4A

RGB 218 237 74

HSL 66.99, 0.82%, 0.61%

LAB 89.84, -26.28, 72.81

 

CMYK 27 / 0 / 69 / 7

HEX #AEED4A

RGB 174 237 74

HSL 83.19, 0.82%, 0.61%

LAB 87.03, -43.23, 69.06

 

CMYK 45 / 0 / 69 / 7

HEX #82ED4A

RGB 130 237 74

HSL 99.39, 0.82%, 0.61%

LAB 84.9, -57.96, 66.2

 

CMYK 64 / 0 / 69 / 7

HEX #56ED4A

RGB 86 237 74

HSL 115.58, 0.82%, 0.61%

LAB 83.46, -69.12, 64.26

 

CMYK 69 / 0 / 55 / 7

HEX #4AED6A

RGB 74 237 106

HSL 131.78, 0.82%, 0.61%

LAB 83.48, -67.99, 50.82

 

CMYK 8 / 0 / 69 / 7

HEX #DAED4A

RGB 218 237 74

HSL 66.99, 0.82%, 0.61%

LAB 89.84, -26.28, 72.81

 

CMYK 9 / 0 / 77 / 1

HEX #E7FD3A

RGB 231 253 58

HSL 66.77, 0.98%, 0.61%

LAB 94.97, -29.28, 83.06

 

CMYK 8 / 0 / 69 / 7

HEX #DAED4A

RGB 218 237 74

HSL 66.99, 0.82%, 0.61%

LAB 89.84, -26.28, 72.81

 

CMYK 7 / 0 / 59 / 13

HEX #CEDD5A

RGB 206 221 90

HSL 66.87, 0.66%, 0.61%

LAB 84.78, -22.44, 60.97

 

CMYK 6 / 0 / 48 / 20

HEX #C1CD6A

RGB 193 205 106

HSL 67.27, 0.5%, 0.61%

LAB 79.64, -18.46, 47.52

 

CMYK 4 / 0 / 35 / 26

HEX #B5BD7A

RGB 181 189 122

HSL 67.16, 0.34%, 0.61%

LAB 74.59, -13.39, 32.98

 

CMYK 2 / 0 / 20 / 32

HEX #A9AD8A

RGB 169 173 138

HSL 66.86, 0.18%, 0.61%

LAB 69.58, -7.48, 17.55

 

CMYK 0 / 30 / 69 / 7

HEX #EDA64A

RGB 237 166 74

HSL 33.87, 0.82%, 0.61%

LAB 73.4, 17.75, 56.44

 

CMYK 0 / 11 / 69 / 7

HEX #EDD24A

RGB 237 210 74

HSL 50.06, 0.82%, 0.61%

LAB 84.27, -5.19, 67.73

 

CMYK 7 / 0 / 69 / 7

HEX #DDED4A

RGB 221 237 74

HSL 65.89, 0.82%, 0.61%

LAB 90.06, -25.07, 73.1

 

CMYK 25 / 0 / 69 / 7

HEX #B1ED4A

RGB 177 237 74

HSL 82.09, 0.82%, 0.61%

LAB 87.2, -42.13, 69.29

 

CMYK 43 / 0 / 69 / 7

HEX #86ED4A

RGB 134 237 74

HSL 97.91, 0.82%, 0.61%

LAB 85.06, -56.75, 66.42

 

CMYK 11 / 0 / 90 / 18

HEX #BAD015

RGB 186 208 21

HSL 67.06, 0.82%, 0.45%

LAB 79.39, -27.5, 76.77

 

CMYK 9 / 0 / 85 / 9

HEX #D3E924

RGB 211 233 36

HSL 66.7, 0.82%, 0.53%

LAB 88.09, -28.7, 81.88

 

CMYK 8 / 0 / 69 / 7

HEX #DAED4A

RGB 218 237 74

HSL 66.99, 0.82%, 0.61%

LAB 89.84, -26.28, 72.81

 

CMYK 6 / 0 / 54 / 5

HEX #E2F170

RGB 226 241 112

HSL 66.98, 0.82%, 0.69%

LAB 91.8, -22.45, 59.66

 

CMYK 5 / 0 / 39 / 4

HEX #E9F595

RGB 233 245 149

HSL 67.5, 0.83%, 0.77%

LAB 93.8, -18.14, 44.85

 

CMYK 8 / 0 / 69 / 7

HEX #DAED49

RGB 218 237 73

HSL 66.95, 0.82%, 0.61%

LAB 89.84, -26.33, 73.16

 

CMYK 69 / 0 / 48 / 7

HEX #4AED7B

RGB 74 237 123

HSL 138.04, 0.82%, 0.61%

LAB 83.68, -65.62, 43.11

 

CMYK 21 / 69 / 0 / 7

HEX #BC4AED

RGB 188 74 237

HSL 281.96, 0.82%, 0.61%

LAB 53.71, 69.39, -61.98

 

CMYK 8 / 0 / 69 / 7

HEX #DAED49

RGB 218 237 73

HSL 66.95, 0.82%, 0.61%

LAB 89.84, -26.33, 73.16

 

CMYK 69 / 7 / 0 / 7

HEX #4ADDED

RGB 74 221 237

HSL 185.89, 0.82%, 0.61%

LAB 81.45, -33.34, -19.16

 

CMYK 0 / 69 / 7 / 7

HEX #ED4ADD

RGB 237 74 221

HSL 305.89, 0.82%, 0.61%

LAB 60, 77.18, -42.54

 

CMYK 8 / 0 / 69 / 7

HEX #DAED49

RGB 218 237 73

HSL 66.95, 0.82%, 0.61%

LAB 89.84, -26.33, 73.16

 

CMYK 69 / 0 / 48 / 7

HEX #4AED7B

RGB 74 237 123

HSL 138.04, 0.82%, 0.61%

LAB 83.68, -65.62, 43.11

 

CMYK 62 / 69 / 0 / 7

HEX #5A4AED

RGB 90 74 237

HSL 245.89, 0.82%, 0.61%

LAB 43.04, 52.28, -79.8

 

CMYK 0 / 69 / 21 / 7

HEX #ED4ABC

RGB 237 74 188

HSL 318.04, 0.82%, 0.61%

LAB 58.54, 72.55, -26.04

 

CMYK 8 / 0 / 69 / 7

HEX #DAED49

RGB 218 237 73

HSL 66.95, 0.82%, 0.61%

LAB 89.84, -26.33, 73.16

 

CMYK 69 / 0 / 27 / 7

HEX #4AEDAC

RGB 74 237 172

HSL 156.07, 0.82%, 0.61%

LAB 84.49, -56.71, 19.53

 

CMYK 62 / 69 / 0 / 7

HEX #5A4AED

RGB 90 74 237

HSL 245.89, 0.82%, 0.61%

LAB 43.04, 52.28, -79.8

 

CMYK 0 / 69 / 41 / 7

HEX #ED4A8B

RGB 237 74 139

HSL 336.07, 0.82%, 0.61%

LAB 56.85, 66.95, -0.04

 

Description

Color code: HEX #DAED494C | qconv.com Color code: HEX #DAED494C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 237 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 237 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 21 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 21% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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