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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAED2B it is the complementary color #2512D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAED2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAED2B shade: #DFED26, #F0FF39, #FFFF4C, #FFFF5F and #FFFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAED2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAED2B shade: #DAED2B, #C9DB18, #B8C905, #A7B700 and #96A500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAED2B shade: #DAED2C, #EDCC2C, #ED982C, #ED642C and #ED302C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAED2B shade: #DAED2C, #A6ED2C, #72ED2C, #3EED2C and #2CED4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAED2B shade matches the following richer shades: #DAED2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAED2B shade: #DAED2C, #CBDA3E, #BCC851, #ADB564 and #9EA276

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAED2B shade: #ED962C, #EDC92C, #DDED2C, #A9ED2C and #76ED2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAED2B shade: #A6B610, #C8DC13, #DAED2C, #E0F052 and #E7F378

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAED2B shade: #DAED2B, #2CED62 and #B02CED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAED2B shade: #DAED2B, #2CDDED and #ED2CDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAED2B shade: #DAED2B, #2CED62, #3C2CED and #ED2CB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAED2B shade: #DAED2B, #2CED9C, #3C2CED and #ED2C7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 82 / 7

HEX #DAED2B

RGB 218 237 43

HSL 65.88, 0.84%, 0.55%

LAB 89.7, -27.54, 81.91

 

Complementary color

CMYK 83 / 92 / 0 / 17

HEX #2512D4

RGB 37 18 212

HSL 245.88, 0.84%, 0.45%

LAB 28.33, 65.65, -89.96

 

CMYK 6 / 0 / 84 / 7

HEX #DFED26

RGB 223 237 38

HSL 64.22, 0.85%, 0.54%

LAB 90.04, -25.64, 83.45

 

CMYK 6 / 0 / 78 / 0

HEX #F0FF39

RGB 240 255 57

HSL 64.55, 1%, 0.61%

LAB 96.14, -26.65, 84.62

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4C

RGB 255 255 76

HSL 60, 1%, 0.65%

LAB 97.35, -19.85, 80.39

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 8 / 0 / 82 / 7

HEX #DAED2B

RGB 218 237 43

HSL 65.88, 0.84%, 0.55%

LAB 89.7, -27.54, 81.91

 

CMYK 8 / 0 / 89 / 14

HEX #C9DB18

RGB 201 219 24

HSL 65.54, 0.8%, 0.48%

LAB 83.52, -26.46, 80.05

 

CMYK 8 / 0 / 98 / 21

HEX #B8C905

RGB 184 201 5

HSL 65.2, 0.95%, 0.4%

LAB 77.27, -25.2, 76.93

 

CMYK 9 / 0 / 100 / 28

HEX #A7B700

RGB 167 183 0

HSL 65.25, 1%, 0.36%

LAB 70.93, -23.73, 72.15

 

CMYK 9 / 0 / 100 / 35

HEX #96A500

RGB 150 165 0

HSL 65.45, 1%, 0.32%

LAB 64.48, -22.18, 66.79

 

CMYK 8 / 0 / 81 / 7

HEX #DAED2C

RGB 218 237 44

HSL 65.91, 0.84%, 0.55%

LAB 89.7, -27.51, 81.68

 

CMYK 0 / 14 / 81 / 7

HEX #EDCC2C

RGB 237 204 44

HSL 49.74, 0.84%, 0.55%

LAB 82.58, -3.33, 76.18

 

CMYK 0 / 36 / 81 / 7

HEX #ED982C

RGB 237 152 44

HSL 33.58, 0.84%, 0.55%

LAB 69.92, 23.92, 65.19

 

CMYK 0 / 58 / 81 / 7

HEX #ED642C

RGB 237 100 44

HSL 17.41, 0.84%, 0.55%

LAB 59.25, 50.14, 55.6

 

CMYK 0 / 80 / 81 / 7

HEX #ED302C

RGB 237 48 44

HSL 1.24, 0.84%, 0.55%

LAB 52.18, 69.36, 49.01

 

CMYK 8 / 0 / 81 / 7

HEX #DAED2C

RGB 218 237 44

HSL 65.91, 0.84%, 0.55%

LAB 89.7, -27.51, 81.68

 

CMYK 30 / 0 / 81 / 7

HEX #A6ED2C

RGB 166 237 44

HSL 82.07, 0.84%, 0.55%

LAB 86.43, -47.64, 77.56

 

CMYK 52 / 0 / 81 / 7

HEX #72ED2C

RGB 114 237 44

HSL 98.24, 0.84%, 0.55%

LAB 84.14, -64.32, 74.64

 

CMYK 74 / 0 / 81 / 7

HEX #3EED2C

RGB 62 237 44

HSL 114.4, 0.84%, 0.55%

LAB 82.79, -75.39, 72.92

 

CMYK 81 / 0 / 67 / 7

HEX #2CED4E

RGB 44 237 78

HSL 130.57, 0.84%, 0.55%

LAB 82.73, -75.21, 61.72

 

CMYK 8 / 0 / 81 / 7

HEX #DAED2C

RGB 218 237 44

HSL 65.91, 0.84%, 0.55%

LAB 89.7, -27.51, 81.68

 

CMYK 8 / 0 / 81 / 7

HEX #DAED2C

RGB 218 237 44

HSL 65.91, 0.84%, 0.55%

LAB 89.7, -27.51, 81.68

 

CMYK 7 / 0 / 72 / 15

HEX #CBDA3E

RGB 203 218 62

HSL 65.77, 0.68%, 0.55%

LAB 83.54, -23.9, 70.46

 

CMYK 6 / 0 / 60 / 22

HEX #BCC851

RGB 188 200 81

HSL 66.05, 0.52%, 0.55%

LAB 77.63, -20.12, 56.62

 

CMYK 4 / 0 / 45 / 29

HEX #ADB564

RGB 173 181 100

HSL 65.93, 0.35%, 0.55%

LAB 71.45, -15, 40.16

 

CMYK 2 / 0 / 27 / 36

HEX #9EA276

RGB 158 162 118

HSL 65.45, 0.19%, 0.55%

LAB 65.29, -8.87, 22.47

 

CMYK 0 / 37 / 81 / 7

HEX #ED962C

RGB 237 150 44

HSL 32.95, 0.84%, 0.55%

LAB 69.47, 24.98, 64.78

 

CMYK 0 / 15 / 81 / 7

HEX #EDC92C

RGB 237 201 44

HSL 48.81, 0.84%, 0.55%

LAB 81.82, -1.79, 75.53

 

CMYK 7 / 0 / 81 / 7

HEX #DDED2C

RGB 221 237 44

HSL 64.97, 0.84%, 0.55%

LAB 89.92, -26.29, 81.95

 

CMYK 29 / 0 / 81 / 7

HEX #A9ED2C

RGB 169 237 44

HSL 81.14, 0.84%, 0.55%

LAB 86.6, -46.55, 77.77

 

CMYK 50 / 0 / 81 / 7

HEX #76ED2C

RGB 118 237 44

HSL 96.99, 0.84%, 0.55%

LAB 84.28, -63.21, 74.82

 

CMYK 9 / 0 / 91 / 29

HEX #A6B610

RGB 166 182 16

HSL 65.78, 0.84%, 0.39%

LAB 70.59, -23.44, 69.93

 

CMYK 9 / 0 / 91 / 14

HEX #C8DC13

RGB 200 220 19

HSL 65.97, 0.84%, 0.47%

LAB 83.71, -27.43, 80.89

 

CMYK 8 / 0 / 81 / 7

HEX #DAED2C

RGB 218 237 44

HSL 65.91, 0.84%, 0.55%

LAB 89.7, -27.51, 81.68

 

CMYK 7 / 0 / 66 / 6

HEX #E0F052

RGB 224 240 82

HSL 66.08, 0.84%, 0.63%

LAB 91.13, -24.86, 71.32

 

CMYK 5 / 0 / 51 / 5

HEX #E7F378

RGB 231 243 120

HSL 65.85, 0.84%, 0.71%

LAB 92.77, -20.79, 57.28

 

CMYK 8 / 0 / 82 / 7

HEX #DAED2B

RGB 218 237 43

HSL 65.88, 0.84%, 0.55%

LAB 89.7, -27.54, 81.91

 

CMYK 81 / 0 / 59 / 7

HEX #2CED62

RGB 44 237 98

HSL 136.79, 0.84%, 0.55%

LAB 82.91, -73.03, 53.61

 

CMYK 26 / 81 / 0 / 7

HEX #B02CED

RGB 176 44 237

HSL 281.04, 0.84%, 0.55%

LAB 48.44, 77.48, -70.58

 

CMYK 8 / 0 / 82 / 7

HEX #DAED2B

RGB 218 237 43

HSL 65.88, 0.84%, 0.55%

LAB 89.7, -27.54, 81.91

 

CMYK 81 / 7 / 0 / 7

HEX #2CDDED

RGB 44 221 237

HSL 184.97, 0.84%, 0.55%

LAB 80.94, -36.46, -19.98

 

CMYK 0 / 81 / 7 / 7

HEX #ED2CDD

RGB 237 44 221

HSL 304.97, 0.84%, 0.55%

LAB 57.1, 85.49, -47.12

 

CMYK 8 / 0 / 82 / 7

HEX #DAED2B

RGB 218 237 43

HSL 65.88, 0.84%, 0.55%

LAB 89.7, -27.54, 81.91

 

CMYK 81 / 0 / 59 / 7

HEX #2CED62

RGB 44 237 98

HSL 136.79, 0.84%, 0.55%

LAB 82.91, -73.03, 53.61

 

CMYK 75 / 81 / 0 / 7

HEX #3C2CED

RGB 60 44 237

HSL 244.97, 0.84%, 0.55%

LAB 35.75, 64.36, -91.92

 

CMYK 0 / 81 / 23 / 7

HEX #ED2CB6

RGB 237 44 182

HSL 317.1, 0.84%, 0.55%

LAB 55.26, 80.42, -27.64

 

CMYK 8 / 0 / 82 / 7

HEX #DAED2B

RGB 218 237 43

HSL 65.88, 0.84%, 0.55%

LAB 89.7, -27.54, 81.91

 

CMYK 81 / 0 / 34 / 7

HEX #2CED9C

RGB 44 237 156

HSL 154.82, 0.84%, 0.55%

LAB 83.71, -63.63, 26.62

 

CMYK 75 / 81 / 0 / 7

HEX #3C2CED

RGB 60 44 237

HSL 244.97, 0.84%, 0.55%

LAB 35.75, 64.36, -91.92

 

CMYK 0 / 81 / 48 / 7

HEX #ED2C7C

RGB 237 44 124

HSL 335.13, 0.84%, 0.55%

LAB 53.23, 74.59, 3.65

 

Description

Color code: HEX #DAED2B | qconv.com Color code: HEX #DAED2B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 237 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 237 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 82 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 82% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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