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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAEC6C it is the complementary color #251393. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAEC6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAEC6C shade: #DFEC67, #F0FE7A, #FFFF8D, #FFFFA0 and #FFFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAEC6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAEC6C shade: #DAEC6C, #C9DA59, #B8C846, #A7B633 and #96A420

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAEC6C shade: #D9EB6A, #EBDA6A, #EBB76A, #EB956A and #EB726A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAEC6C shade: #D9EB6A, #B6EB6A, #93EB6A, #70EB6A and #6AEB86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAEC6C shade matches the following richer shades: #D9EB6A and #E3F95C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAEC6C shade: #D9EB6A, #CFDE77, #C5D085, #BCC292 and #B2B5A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAEC6C shade: #EBB76A, #EBDA6A, #DAEB6A, #B7EB6A and #95EB6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAEC6C shade: #C6E221, #D0E645, #D9EB6A, #E2F08E and #EBF5B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAEC6C shade: #DAEC6C, #6AEB95 and #C96AEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAEC6C shade: #DAEC6C, #6ADAEB and #EB6ADA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAEC6C shade: #DAEC6C, #6AEB95, #7B6AEB and #EB6AC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAEC6C shade: #DAEC6C, #6AEBBC, #7B6AEB and #EB6A99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 54 / 7

HEX #DAEC6C

RGB 218 236 108

HSL 68.44, 0.77%, 0.67%

LAB 89.85, -23.51, 59.05

 

Complementary color

CMYK 75 / 87 / 0 / 42

HEX #251393

RGB 37 19 147

HSL 248.44, 0.77%, 0.33%

LAB 19.91, 47.18, -65.04

 

CMYK 6 / 0 / 56 / 7

HEX #DFEC67

RGB 223 236 103

HSL 65.86, 0.78%, 0.66%

LAB 90.16, -21.94, 61.7

 

CMYK 6 / 0 / 52 / 0

HEX #F0FE7A

RGB 240 254 122

HSL 66.36, 0.99%, 0.74%

LAB 96.33, -22.38, 60.71

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 8 / 0 / 54 / 7

HEX #DAEC6C

RGB 218 236 108

HSL 68.44, 0.77%, 0.67%

LAB 89.85, -23.51, 59.05

 

CMYK 8 / 0 / 59 / 15

HEX #C9DA59

RGB 201 218 89

HSL 67.91, 0.64%, 0.6%

LAB 83.59, -23.07, 59.99

 

CMYK 8 / 0 / 65 / 22

HEX #B8C846

RGB 184 200 70

HSL 67.38, 0.54%, 0.53%

LAB 77.25, -22.52, 60.72

 

CMYK 8 / 0 / 72 / 29

HEX #A7B633

RGB 167 182 51

HSL 66.87, 0.56%, 0.46%

LAB 70.81, -21.83, 61.06

 

CMYK 9 / 0 / 80 / 36

HEX #96A420

RGB 150 164 32

HSL 66.36, 0.67%, 0.38%

LAB 64.27, -20.96, 60.69

 

CMYK 8 / 0 / 55 / 8

HEX #D9EB6A

RGB 217 235 106

HSL 68.37, 0.76%, 0.67%

LAB 89.49, -23.59, 59.51

 

CMYK 0 / 7 / 55 / 8

HEX #EBDA6A

RGB 235 218 106

HSL 52.09, 0.76%, 0.67%

LAB 86.43, -8.02, 56.36

 

CMYK 0 / 22 / 55 / 8

HEX #EBB76A

RGB 235 183 106

HSL 35.81, 0.76%, 0.67%

LAB 77.62, 10.06, 45.96

 

CMYK 0 / 37 / 55 / 8

HEX #EB956A

RGB 235 149 106

HSL 20, 0.76%, 0.67%

LAB 69.61, 28.08, 36.07

 

CMYK 0 / 51 / 55 / 8

HEX #EB726A

RGB 235 114 106

HSL 3.72, 0.76%, 0.67%

LAB 62.29, 46.04, 26.63

 

CMYK 8 / 0 / 55 / 8

HEX #D9EB6A

RGB 217 235 106

HSL 68.37, 0.76%, 0.67%

LAB 89.49, -23.59, 59.51

 

CMYK 23 / 0 / 55 / 8

HEX #B6EB6A

RGB 182 235 106

HSL 84.65, 0.76%, 0.67%

LAB 87.19, -36.91, 56.27

 

CMYK 37 / 0 / 55 / 8

HEX #93EB6A

RGB 147 235 106

HSL 100.93, 0.76%, 0.67%

LAB 85.33, -48.99, 53.62

 

CMYK 52 / 0 / 55 / 8

HEX #70EB6A

RGB 112 235 106

HSL 117.21, 0.76%, 0.67%

LAB 83.91, -59.15, 51.6

 

CMYK 55 / 0 / 43 / 8

HEX #6AEB86

RGB 106 235 134

HSL 133.02, 0.76%, 0.67%

LAB 84.07, -56.79, 38.41

 

CMYK 8 / 0 / 55 / 8

HEX #D9EB6A

RGB 217 235 106

HSL 68.37, 0.76%, 0.67%

LAB 89.49, -23.59, 59.51

 

CMYK 9 / 0 / 63 / 2

HEX #E3F95C

RGB 227 249 92

HSL 68.41, 0.93%, 0.67%

LAB 93.82, -27.3, 70.33

 

CMYK 8 / 0 / 55 / 8

HEX #D9EB6A

RGB 217 235 106

HSL 68.37, 0.76%, 0.67%

LAB 89.49, -23.59, 59.51

 

CMYK 7 / 0 / 46 / 13

HEX #CFDE77

RGB 207 222 119

HSL 68.74, 0.61%, 0.67%

LAB 85.42, -20.05, 48.53

 

CMYK 5 / 0 / 36 / 18

HEX #C5D085

RGB 197 208 133

HSL 68.8, 0.44%, 0.67%

LAB 81.11, -15.46, 36.02

 

CMYK 3 / 0 / 25 / 24

HEX #BCC292

RGB 188 194 146

HSL 67.5, 0.28%, 0.67%

LAB 76.89, -10.06, 23.52

 

CMYK 2 / 0 / 12 / 29

HEX #B2B5A0

RGB 178 181 160

HSL 68.57, 0.12%, 0.67%

LAB 72.93, -4.81, 10.34

 

CMYK 0 / 22 / 55 / 8

HEX #EBB76A

RGB 235 183 106

HSL 35.81, 0.76%, 0.67%

LAB 77.62, 10.06, 45.96

 

CMYK 0 / 7 / 55 / 8

HEX #EBDA6A

RGB 235 218 106

HSL 52.09, 0.76%, 0.67%

LAB 86.43, -8.02, 56.36

 

CMYK 7 / 0 / 55 / 8

HEX #DAEB6A

RGB 218 235 106

HSL 67.91, 0.76%, 0.67%

LAB 89.56, -23.2, 59.61

 

CMYK 22 / 0 / 55 / 8

HEX #B7EB6A

RGB 183 235 106

HSL 84.19, 0.76%, 0.67%

LAB 87.25, -36.54, 56.35

 

CMYK 37 / 0 / 55 / 8

HEX #95EB6A

RGB 149 235 106

HSL 100, 0.76%, 0.67%

LAB 85.43, -48.34, 53.76

 

CMYK 12 / 0 / 85 / 11

HEX #C6E221

RGB 198 226 33

HSL 68.7, 0.77%, 0.51%

LAB 85.26, -30.78, 79.76

 

CMYK 10 / 0 / 70 / 10

HEX #D0E645

RGB 208 230 69

HSL 68.2, 0.76%, 0.59%

LAB 87.21, -27.24, 71.74

 

CMYK 8 / 0 / 55 / 8

HEX #D9EB6A

RGB 217 235 106

HSL 68.37, 0.76%, 0.67%

LAB 89.49, -23.59, 59.51

 

CMYK 6 / 0 / 41 / 6

HEX #E2F08E

RGB 226 240 142

HSL 68.57, 0.77%, 0.75%

LAB 91.88, -19.13, 45.73

 

CMYK 4 / 0 / 27 / 4

HEX #EBF5B3

RGB 235 245 179

HSL 69.09, 0.77%, 0.83%

LAB 94.41, -13.75, 30.75

 

CMYK 8 / 0 / 54 / 7

HEX #DAEC6C

RGB 218 236 108

HSL 68.44, 0.77%, 0.67%

LAB 89.85, -23.51, 59.05

 

CMYK 55 / 0 / 37 / 8

HEX #6AEB95

RGB 106 235 149

HSL 140, 0.76%, 0.67%

LAB 84.3, -54.31, 31.21

 

CMYK 14 / 55 / 0 / 8

HEX #C96AEB

RGB 201 106 235

HSL 284.19, 0.76%, 0.67%

LAB 60.54, 57.58, -49.86

 

CMYK 8 / 0 / 54 / 7

HEX #DAEC6C

RGB 218 236 108

HSL 68.44, 0.77%, 0.67%

LAB 89.85, -23.51, 59.05

 

CMYK 55 / 7 / 0 / 8

HEX #6ADAEB

RGB 106 218 235

HSL 187.91, 0.76%, 0.67%

LAB 81.4, -27.25, -18.08

 

CMYK 0 / 55 / 7 / 8

HEX #EB6ADA

RGB 235 106 218

HSL 307.91, 0.76%, 0.67%

LAB 64.19, 63.49, -34.33

 

CMYK 8 / 0 / 54 / 7

HEX #DAEC6C

RGB 218 236 108

HSL 68.44, 0.77%, 0.67%

LAB 89.85, -23.51, 59.05

 

CMYK 55 / 0 / 37 / 8

HEX #6AEB95

RGB 106 235 149

HSL 140, 0.76%, 0.67%

LAB 84.3, -54.31, 31.21

 

CMYK 48 / 55 / 0 / 8

HEX #7B6AEB

RGB 123 106 235

HSL 247.91, 0.76%, 0.67%

LAB 52.42, 39.05, -63.31

 

CMYK 0 / 55 / 18 / 8

HEX #EB6AC0

RGB 235 106 192

HSL 320, 0.76%, 0.67%

LAB 63.16, 59.53, -21.27

 

CMYK 8 / 0 / 54 / 7

HEX #DAEC6C

RGB 218 236 108

HSL 68.44, 0.77%, 0.67%

LAB 89.85, -23.51, 59.05

 

CMYK 55 / 0 / 20 / 8

HEX #6AEBBC

RGB 106 235 188

HSL 158.14, 0.76%, 0.67%

LAB 85.05, -46.66, 12.12

 

CMYK 48 / 55 / 0 / 8

HEX #7B6AEB

RGB 123 106 235

HSL 247.91, 0.76%, 0.67%

LAB 52.42, 39.05, -63.31

 

CMYK 0 / 55 / 35 / 8

HEX #EB6A99

RGB 235 106 153

HSL 338.14, 0.76%, 0.67%

LAB 61.89, 54.45, -0.86

 

Description

Color code: HEX #DAEC6C | qconv.com Color code: HEX #DAEC6C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 236 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 236 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 54 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 54% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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