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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAEB10 it is the complementary color #2514EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAEB10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAEB10 shade: #DFEB0B, #F0FD1E, #FFFF31, #FFFF44 and #FFFF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAEB10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAEB10 shade: #DAEB10, #C9D900, #B8C700, #A7B500 and #96A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAEB10 shade: #D8E910, #E9BF10, #E98510, #E94A10 and #E91010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAEB10 shade: #D8E910, #9EE910, #63E910, #28E910 and #10E932

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAEB10 shade matches the following richer shades: #D8E910

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAEB10 shade: #D8E910, #C7D524, #B6C138, #A5AD4C and #949861

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAEB10 shade: #E98410, #E9BE10, #DBE910, #A1E910 and #67E910

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAEB10 shade: #919C0A, #B4C30D, #D8E910, #E1F032 and #E7F358

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAEB10 shade: #DAEB10, #10E94A and #A110E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAEB10 shade: #DAEB10, #10DBE9 and #E910DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAEB10 shade: #DAEB10, #10E94A, #1E10E9 and #E910AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAEB10 shade: #DAEB10, #10E98B, #1E10E9 and #E9106E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 93 / 8

HEX #DAEB10

RGB 218 235 16

HSL 64.66, 0.87%, 0.49%

LAB 89.09, -27.15, 85.98

 

Complementary color

CMYK 85 / 92 / 0 / 6

HEX #2514EF

RGB 37 20 239

HSL 244.66, 0.87%, 0.51%

LAB 32.09, 72.16, -99.17

 

CMYK 5 / 0 / 95 / 8

HEX #DFEB0B

RGB 223 235 11

HSL 63.21, 0.91%, 0.48%

LAB 89.45, -25.15, 86.88

 

CMYK 5 / 0 / 88 / 1

HEX #F0FD1E

RGB 240 253 30

HSL 63.5, 0.98%, 0.55%

LAB 95.53, -26.41, 89.86

 

CMYK 0 / 0 / 81 / 0

HEX #FFFF31

RGB 255 255 49

HSL 60, 1%, 0.6%

LAB 97.23, -20.83, 88.02

 

CMYK 0 / 0 / 73 / 0

HEX #FFFF44

RGB 255 255 68

HSL 60, 1%, 0.63%

LAB 97.31, -20.19, 82.92

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 7 / 0 / 93 / 8

HEX #DAEB10

RGB 218 235 16

HSL 64.66, 0.87%, 0.49%

LAB 89.09, -27.15, 85.98

 

CMYK 7 / 0 / 100 / 15

HEX #C9D900

RGB 201 217 0

HSL 64.42, 1%, 0.43%

LAB 82.94, -25.8, 82.19

 

CMYK 8 / 0 / 100 / 22

HEX #B8C700

RGB 184 199 0

HSL 64.52, 1%, 0.39%

LAB 76.7, -24.29, 77.01

 

CMYK 8 / 0 / 100 / 29

HEX #A7B500

RGB 167 181 0

HSL 64.64, 1%, 0.35%

LAB 70.36, -22.75, 71.73

 

CMYK 8 / 0 / 100 / 36

HEX #96A300

RGB 150 163 0

HSL 64.79, 1%, 0.32%

LAB 63.9, -21.18, 66.36

 

CMYK 7 / 0 / 93 / 9

HEX #D8E910

RGB 216 233 16

HSL 64.7, 0.87%, 0.49%

LAB 88.41, -27.03, 85.39

 

CMYK 0 / 18 / 93 / 9

HEX #E9BF10

RGB 233 191 16

HSL 48.39, 0.87%, 0.49%

LAB 78.82, 1.08, 78.77

 

CMYK 0 / 43 / 93 / 9

HEX #E98510

RGB 233 133 16

HSL 32.35, 0.87%, 0.49%

LAB 65.07, 31.65, 68.83

 

CMYK 0 / 68 / 93 / 9

HEX #E94A10

RGB 233 74 16

HSL 16.04, 0.87%, 0.49%

LAB 54.3, 59.24, 61.61

 

CMYK 0 / 93 / 93 / 9

HEX #E91010

RGB 233 16 16

HSL 0, 0.87%, 0.49%

LAB 49.17, 73.63, 58.5

 

CMYK 7 / 0 / 93 / 9

HEX #D8E910

RGB 216 233 16

HSL 64.7, 0.87%, 0.49%

LAB 88.41, -27.03, 85.39

 

CMYK 32 / 0 / 93 / 9

HEX #9EE910

RGB 158 233 16

HSL 80.74, 0.87%, 0.49%

LAB 84.78, -49.59, 81

 

CMYK 58 / 0 / 93 / 9

HEX #63E910

RGB 99 233 16

HSL 97.05, 0.87%, 0.49%

LAB 82.36, -67.73, 78.03

 

CMYK 83 / 0 / 93 / 9

HEX #28E910

RGB 40 233 16

HSL 113.36, 0.87%, 0.49%

LAB 81.16, -77.97, 76.55

 

CMYK 93 / 0 / 79 / 9

HEX #10E932

RGB 16 233 50

HSL 129.4, 0.87%, 0.49%

LAB 81.08, -78.29, 69.52

 

CMYK 7 / 0 / 93 / 9

HEX #D8E910

RGB 216 233 16

HSL 64.7, 0.87%, 0.49%

LAB 88.41, -27.03, 85.39

 

CMYK 7 / 0 / 93 / 9

HEX #D8E910

RGB 216 233 16

HSL 64.7, 0.87%, 0.49%

LAB 88.41, -27.03, 85.39

 

CMYK 7 / 0 / 83 / 16

HEX #C7D524

RGB 199 213 36

HSL 64.75, 0.71%, 0.49%

LAB 81.76, -24.14, 76.23

 

CMYK 6 / 0 / 71 / 24

HEX #B6C138

RGB 182 193 56

HSL 64.82, 0.55%, 0.49%

LAB 75.06, -20.71, 63.8

 

CMYK 5 / 0 / 56 / 32

HEX #A5AD4C

RGB 165 173 76

HSL 64.95, 0.39%, 0.49%

LAB 68.32, -16.47, 47.98

 

CMYK 3 / 0 / 36 / 40

HEX #949861

RGB 148 152 97

HSL 64.36, 0.22%, 0.49%

LAB 61.32, -10.38, 28.49

 

CMYK 0 / 43 / 93 / 9

HEX #E98410

RGB 233 132 16

HSL 32.07, 0.87%, 0.49%

LAB 64.85, 32.17, 68.68

 

CMYK 0 / 18 / 93 / 9

HEX #E9BE10

RGB 233 190 16

HSL 48.11, 0.87%, 0.49%

LAB 78.57, 1.6, 78.58

 

CMYK 6 / 0 / 93 / 9

HEX #DBE910

RGB 219 233 16

HSL 63.87, 0.87%, 0.49%

LAB 88.63, -25.79, 85.65

 

CMYK 31 / 0 / 93 / 9

HEX #A1E910

RGB 161 233 16

HSL 79.91, 0.87%, 0.49%

LAB 84.94, -48.51, 81.19

 

CMYK 56 / 0 / 93 / 9

HEX #67E910

RGB 103 233 16

HSL 95.94, 0.87%, 0.49%

LAB 82.49, -66.72, 78.18

 

CMYK 7 / 0 / 94 / 39

HEX #919C0A

RGB 145 156 10

HSL 64.52, 0.88%, 0.33%

LAB 61.5, -19.69, 62.98

 

CMYK 8 / 0 / 93 / 24

HEX #B4C30D

RGB 180 195 13

HSL 64.95, 0.88%, 0.41%

LAB 75.3, -23.89, 74.47

 

CMYK 7 / 0 / 93 / 9

HEX #D8E910

RGB 216 233 16

HSL 64.7, 0.87%, 0.49%

LAB 88.41, -27.03, 85.39

 

CMYK 6 / 0 / 79 / 6

HEX #E1F032

RGB 225 240 50

HSL 64.74, 0.86%, 0.57%

LAB 91.03, -25.89, 81.54

 

CMYK 5 / 0 / 64 / 5

HEX #E7F358

RGB 231 243 88

HSL 64.65, 0.87%, 0.65%

LAB 92.48, -23.13, 70.58

 

CMYK 7 / 0 / 93 / 8

HEX #DAEB10

RGB 218 235 16

HSL 64.66, 0.87%, 0.49%

LAB 89.09, -27.15, 85.98

 

CMYK 93 / 0 / 68 / 9

HEX #10E94A

RGB 16 233 74

HSL 136.04, 0.87%, 0.49%

LAB 81.23, -76.44, 61.59

 

CMYK 31 / 93 / 0 / 9

HEX #A110E9

RGB 161 16 233

HSL 280.09, 0.87%, 0.49%

LAB 43.99, 80.3, -75.68

 

CMYK 7 / 0 / 93 / 8

HEX #DAEB10

RGB 218 235 16

HSL 64.66, 0.87%, 0.49%

LAB 89.09, -27.15, 85.98

 

CMYK 93 / 6 / 0 / 9

HEX #10DBE9

RGB 16 219 233

HSL 183.87, 0.87%, 0.49%

LAB 79.99, -38.25, -19.31

 

CMYK 0 / 93 / 6 / 9

HEX #E910DB

RGB 233 16 219

HSL 303.87, 0.87%, 0.49%

LAB 54.87, 88.7, -49.56

 

CMYK 7 / 0 / 93 / 8

HEX #DAEB10

RGB 218 235 16

HSL 64.66, 0.87%, 0.49%

LAB 89.09, -27.15, 85.98

 

CMYK 93 / 0 / 68 / 9

HEX #10E94A

RGB 16 233 74

HSL 136.04, 0.87%, 0.49%

LAB 81.23, -76.44, 61.59

 

CMYK 87 / 93 / 0 / 9

HEX #1E10E9

RGB 30 16 233

HSL 243.87, 0.87%, 0.49%

LAB 30.71, 71.41, -98.06

 

CMYK 0 / 93 / 25 / 9

HEX #E910AF

RGB 233 16 175

HSL 316.04, 0.87%, 0.49%

LAB 52.72, 83.21, -27.55

 

CMYK 7 / 0 / 93 / 8

HEX #DAEB10

RGB 218 235 16

HSL 64.66, 0.87%, 0.49%

LAB 89.09, -27.15, 85.98

 

CMYK 93 / 0 / 40 / 9

HEX #10E98B

RGB 16 233 139

HSL 154.01, 0.87%, 0.49%

LAB 81.98, -67.33, 32.89

 

CMYK 87 / 93 / 0 / 9

HEX #1E10E9

RGB 30 16 233

HSL 243.87, 0.87%, 0.49%

LAB 30.71, 71.41, -98.06

 

CMYK 0 / 93 / 53 / 9

HEX #E9106E

RGB 233 16 110

HSL 334.01, 0.87%, 0.49%

LAB 50.48, 77.24, 8.08

 

Description

Color code: HEX #DAEB10 | qconv.com Color code: HEX #DAEB10 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 235 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 235 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 93 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 93% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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