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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAE7DF it is the complementary color #251820. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAE7DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAE7DF shade: #DFE7DA and #F0F9ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAE7DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAE7DF shade: #DAE7DF, #C9D5CC, #B8C3B9, #A7B1A6 and #969F93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAE7DF shade: #D9E6DE, #D9E6DB, #DBE6D9, #DFE6D9 and #E2E6D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAE7DF shade: #D9E6DE, #D9E6E2, #D9E6E5, #D9E4E6 and #D9E0E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAE7DF shade matches the following richer shades: #D9E6DE, #D5EBDD, #D0F0DC, #CBF5DB and #C6FADA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAE7DF shade: #D9E6DE, #DEE1E0, #E3DCE1, #E8D7E2 and #EDD3E3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAE7DF shade: #DBE6D9, #D9E6DB, #D9E6DE, #D9E6E2 and #D9E6E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAE7DF shade: #A8C6B3, #C1D6C9, #D9E6DE and #F2F7F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAE7DF shade: #DAE7DF, #D9DFE6 and #E6D9DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAE7DF shade: #DAE7DF, #DED9E6 and #E6DED9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAE7DF shade: #DAE7DF, #D9DFE6, #E6D9E1 and #E6E1D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAE7DF shade: #DAE7DF, #D9DBE6, #E6D9E1 and #E6E5D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 3 / 9

HEX #DAE7DF

RGB 218 231 223

HSL 143.08, 0.21%, 0.88%

LAB 90.5, -5.78, 2.39

 

Complementary color

CMYK 0 / 35 / 14 / 85

HEX #251820

RGB 37 24 32

HSL 323.08, 0.21%, 0.12%

LAB 10.19, 8.21, -2.98

 

CMYK 3 / 0 / 6 / 9

HEX #DFE7DA

RGB 223 231 218

HSL 96.92, 0.21%, 0.88%

LAB 90.74, -4.99, 5.39

 

CMYK 4 / 0 / 5 / 2

HEX #F0F9ED

RGB 240 249 237

HSL 105, 0.5%, 0.95%

LAB 96.98, -5.08, 4.71

 

CMYK 6 / 0 / 3 / 9

HEX #DAE7DF

RGB 218 231 223

HSL 143.08, 0.21%, 0.88%

LAB 90.5, -5.78, 2.39

 

CMYK 6 / 0 / 4 / 16

HEX #C9D5CC

RGB 201 213 204

HSL 135, 0.13%, 0.81%

LAB 84.16, -5.71, 3.04

 

CMYK 6 / 0 / 5 / 24

HEX #B8C3B9

RGB 184 195 185

HSL 125.45, 0.08%, 0.74%

LAB 77.71, -5.65, 3.71

 

CMYK 6 / 0 / 6 / 31

HEX #A7B1A6

RGB 167 177 166

HSL 114.55, 0.07%, 0.67%

LAB 71.15, -5.58, 4.41

 

CMYK 6 / 0 / 8 / 38

HEX #969F93

RGB 150 159 147

HSL 105, 0.06%, 0.6%

LAB 64.47, -5.52, 5.15

 

CMYK 6 / 0 / 3 / 10

HEX #D9E6DE

RGB 217 230 222

HSL 143.08, 0.21%, 0.88%

LAB 90.15, -5.78, 2.39

 

CMYK 6 / 0 / 5 / 10

HEX #D9E6DB

RGB 217 230 219

HSL 129.23, 0.21%, 0.88%

LAB 90.07, -6.32, 3.85

 

CMYK 5 / 0 / 6 / 10

HEX #DBE6D9

RGB 219 230 217

HSL 110.77, 0.21%, 0.88%

LAB 90.17, -6.01, 5.05

 

CMYK 3 / 0 / 6 / 10

HEX #DFE6D9

RGB 223 230 217

HSL 92.31, 0.21%, 0.88%

LAB 90.46, -4.65, 5.51

 

CMYK 2 / 0 / 6 / 10

HEX #E2E6D9

RGB 226 230 217

HSL 78.46, 0.21%, 0.88%

LAB 90.68, -3.63, 5.85

 

CMYK 6 / 0 / 3 / 10

HEX #D9E6DE

RGB 217 230 222

HSL 143.08, 0.21%, 0.88%

LAB 90.15, -5.78, 2.39

 

CMYK 6 / 0 / 2 / 10

HEX #D9E6E2

RGB 217 230 226

HSL 161.54, 0.21%, 0.88%

LAB 90.25, -5.05, 0.44

 

CMYK 6 / 0 / 0 / 10

HEX #D9E6E5

RGB 217 230 229

HSL 175.38, 0.21%, 0.88%

LAB 90.32, -4.5, -1.02

 

CMYK 6 / 1 / 0 / 10

HEX #D9E4E6

RGB 217 228 230

HSL 189.23, 0.21%, 0.88%

LAB 89.84, -3.28, -2.25

 

CMYK 6 / 3 / 0 / 10

HEX #D9E0E6

RGB 217 224 230

HSL 207.69, 0.21%, 0.88%

LAB 88.82, -1.22, -3.75

 

CMYK 6 / 0 / 3 / 10

HEX #D9E6DE

RGB 217 230 222

HSL 143.08, 0.21%, 0.88%

LAB 90.15, -5.78, 2.39

 

CMYK 9 / 0 / 6 / 8

HEX #D5EBDD

RGB 213 235 221

HSL 141.82, 0.35%, 0.88%

LAB 91.14, -9.83, 4.31

 

CMYK 13 / 0 / 8 / 6

HEX #D0F0DC

RGB 208 240 220

HSL 142.5, 0.52%, 0.88%

LAB 92.09, -14.16, 6.16

 

CMYK 17 / 0 / 11 / 4

HEX #CBF5DB

RGB 203 245 219

HSL 142.86, 0.68%, 0.88%

LAB 93.07, -18.43, 8.05

 

CMYK 21 / 0 / 13 / 2

HEX #C6FADA

RGB 198 250 218

HSL 143.08, 0.84%, 0.88%

LAB 94.07, -22.64, 9.97

 

CMYK 6 / 0 / 3 / 10

HEX #D9E6DE

RGB 217 230 222

HSL 143.08, 0.21%, 0.88%

LAB 90.15, -5.78, 2.39

 

CMYK 1 / 0 / 0 / 12

HEX #DEE1E0

RGB 222 225 224

HSL 160, 0.05%, 0.88%

LAB 89.28, -1.18, 0.12

 

CMYK 0 / 3 / 1 / 11

HEX #E3DCE1

RGB 227 220 225

HSL 317.14, 0.11%, 0.88%

LAB 88.43, 3.27, -1.61

 

CMYK 0 / 7 / 3 / 9

HEX #E8D7E2

RGB 232 215 226

HSL 321.18, 0.27%, 0.88%

LAB 87.61, 7.75, -3.29

 

CMYK 0 / 11 / 4 / 7

HEX #EDD3E3

RGB 237 211 227

HSL 323.08, 0.42%, 0.88%

LAB 87.07, 11.73, -4.57

 

CMYK 5 / 0 / 6 / 10

HEX #DBE6D9

RGB 219 230 217

HSL 110.77, 0.21%, 0.88%

LAB 90.17, -6.01, 5.05

 

CMYK 6 / 0 / 5 / 10

HEX #D9E6DB

RGB 217 230 219

HSL 129.23, 0.21%, 0.88%

LAB 90.07, -6.32, 3.85

 

CMYK 6 / 0 / 3 / 10

HEX #D9E6DE

RGB 217 230 222

HSL 143.08, 0.21%, 0.88%

LAB 90.15, -5.78, 2.39

 

CMYK 6 / 0 / 2 / 10

HEX #D9E6E2

RGB 217 230 226

HSL 161.54, 0.21%, 0.88%

LAB 90.25, -5.05, 0.44

 

CMYK 6 / 0 / 0 / 10

HEX #D9E6E5

RGB 217 230 229

HSL 175.38, 0.21%, 0.88%

LAB 90.32, -4.5, -1.02

 

CMYK 15 / 0 / 10 / 22

HEX #A8C6B3

RGB 168 198 179

HSL 142, 0.21%, 0.72%

LAB 77.26, -13.8, 6.15

 

CMYK 10 / 0 / 6 / 16

HEX #C1D6C9

RGB 193 214 201

HSL 142.86, 0.2%, 0.8%

LAB 83.78, -9.48, 4.02

 

CMYK 6 / 0 / 3 / 10

HEX #D9E6DE

RGB 217 230 222

HSL 143.08, 0.21%, 0.88%

LAB 90.15, -5.78, 2.39

 

CMYK 2 / 0 / 1 / 3

HEX #F2F7F4

RGB 242 247 244

HSL 144, 0.24%, 0.96%

LAB 96.79, -2.18, 0.85

 

CMYK 6 / 0 / 3 / 9

HEX #DAE7DF

RGB 218 231 223

HSL 143.08, 0.21%, 0.88%

LAB 90.5, -5.78, 2.39

 

CMYK 6 / 3 / 0 / 10

HEX #D9DFE6

RGB 217 223 230

HSL 212.31, 0.21%, 0.88%

LAB 88.56, -0.71, -4.13

 

CMYK 0 / 6 / 5 / 10

HEX #E6D9DA

RGB 230 217 218

HSL 355.38, 0.21%, 0.88%

LAB 87.73, 4.63, 1.1

 

CMYK 6 / 0 / 3 / 9

HEX #DAE7DF

RGB 218 231 223

HSL 143.08, 0.21%, 0.88%

LAB 90.5, -5.78, 2.39

 

CMYK 3 / 6 / 0 / 10

HEX #DED9E6

RGB 222 217 230

HSL 263.08, 0.21%, 0.88%

LAB 87.42, 4.07, -5.77

 

CMYK 0 / 3 / 6 / 10

HEX #E6DED9

RGB 230 222 217

HSL 23.08, 0.21%, 0.88%

LAB 88.96, 1.86, 3.41

 

CMYK 6 / 0 / 3 / 9

HEX #DAE7DF

RGB 218 231 223

HSL 143.08, 0.21%, 0.88%

LAB 90.5, -5.78, 2.39

 

CMYK 6 / 3 / 0 / 10

HEX #D9DFE6

RGB 217 223 230

HSL 212.31, 0.21%, 0.88%

LAB 88.56, -0.71, -4.13

 

CMYK 0 / 6 / 2 / 10

HEX #E6D9E1

RGB 230 217 225

HSL 323.08, 0.21%, 0.88%

LAB 87.91, 5.85, -2.33

 

CMYK 0 / 2 / 6 / 10

HEX #E6E1D9

RGB 230 225 217

HSL 36.92, 0.21%, 0.88%

LAB 89.71, 0.31, 4.5

HEX #E6E1D9

CMYK 6 / 0 / 3 / 9

HEX #DAE7DF

RGB 218 231 223

HSL 143.08, 0.21%, 0.88%

LAB 90.5, -5.78, 2.39

 

CMYK 6 / 5 / 0 / 10

HEX #D9DBE6

RGB 217 219 230

HSL 230.77, 0.21%, 0.88%

LAB 87.55, 1.37, -5.62

 

CMYK 0 / 6 / 2 / 10

HEX #E6D9E1

RGB 230 217 225

HSL 323.08, 0.21%, 0.88%

LAB 87.91, 5.85, -2.33

 

CMYK 0 / 0 / 6 / 10

HEX #E6E5D9

RGB 230 229 217

HSL 55.38, 0.21%, 0.88%

LAB 90.72, -1.74, 5.96

 

Description

Color code: HEX #DAE7DF | qconv.com Color code: HEX #DAE7DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 231 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 231 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 3 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 3% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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