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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAE484 it is the complementary color #251B7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAE484. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAE484 shade: #DFE47F, #F0F692, #FFFFA5, #FFFFB8 and #FFFFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAE484. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAE484 shade: #DAE484, #C9D271, #B8C05E, #A7AE4B and #969C38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAE484 shade: #DBE486, #E4D586, #E4BB86, #E4A286 and #E48886

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAE484 shade: #DBE486, #C1E486, #A7E486, #8EE486 and #86E497

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAE484 shade matches the following richer shades: #DBE486, #E4F07A and #EDFC6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAE484 shade: #DBE486, #D1D892, #C8CC9E, #BEC0AA and #B5B5B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAE484 shade: #E4BB86, #E4D586, #DBE486, #C2E486 and #A8E486

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAE484 shade: #C6D642, #D0DD64, #DBE486, #E5ECA8 and #EFF3C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAE484 shade: #DAE484, #86E4A2 and #C886E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAE484 shade: #DAE484, #86DBE4 and #E486DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAE484 shade: #DAE484, #86E4A2, #8F86E4 and #E486C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAE484 shade: #DAE484, #86E4BF, #8F86E4 and #E486AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 42 / 11

HEX #DAE484

RGB 218 228 132

HSL 66.25, 0.64%, 0.71%

LAB 88, -17.39, 45.6

 

Complementary color

CMYK 70 / 78 / 0 / 52

HEX #251B7B

RGB 37 27 123

HSL 246.25, 0.64%, 0.29%

LAB 18.4, 35.65, -52.44

 

CMYK 2 / 0 / 44 / 11

HEX #DFE47F

RGB 223 228 127

HSL 62.97, 0.65%, 0.7%

LAB 88.31, -15.96, 48.49

 

CMYK 2 / 0 / 41 / 4

HEX #F0F692

RGB 240 246 146

HSL 63.6, 0.85%, 0.77%

LAB 94.53, -16.29, 47.34

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCB

RGB 255 255 203

HSL 60, 1%, 0.9%

LAB 98.86, -8.19, 24.92

 

CMYK 4 / 0 / 42 / 11

HEX #DAE484

RGB 218 228 132

HSL 66.25, 0.64%, 0.71%

LAB 88, -17.39, 45.6

 

CMYK 4 / 0 / 46 / 18

HEX #C9D271

RGB 201 210 113

HSL 65.57, 0.52%, 0.63%

LAB 81.68, -17.08, 46.75

 

CMYK 4 / 0 / 51 / 25

HEX #B8C05E

RGB 184 192 94

HSL 64.9, 0.44%, 0.56%

LAB 75.26, -16.7, 47.89

 

CMYK 4 / 0 / 57 / 32

HEX #A7AE4B

RGB 167 174 75

HSL 64.24, 0.4%, 0.49%

LAB 68.75, -16.22, 48.97

 

CMYK 4 / 0 / 64 / 39

HEX #969C38

RGB 150 156 56

HSL 63.6, 0.47%, 0.42%

LAB 62.12, -15.61, 49.86

 

CMYK 4 / 0 / 41 / 11

HEX #DBE486

RGB 219 228 134

HSL 65.74, 0.64%, 0.71%

LAB 88.1, -16.8, 44.76

 

CMYK 0 / 7 / 41 / 11

HEX #E4D586

RGB 228 213 134

HSL 50.43, 0.64%, 0.71%

LAB 84.9, -5.76, 40.86

 

CMYK 0 / 18 / 41 / 11

HEX #E4BB86

RGB 228 187 134

HSL 33.83, 0.64%, 0.71%

LAB 78.32, 7.74, 32.36

 

CMYK 0 / 29 / 41 / 11

HEX #E4A286

RGB 228 162 134

HSL 17.87, 0.64%, 0.71%

LAB 72.27, 21.06, 24.3

 

CMYK 0 / 40 / 41 / 11

HEX #E48886

RGB 228 136 134

HSL 1.28, 0.64%, 0.71%

LAB 66.38, 34.89, 16.25

 

CMYK 4 / 0 / 41 / 11

HEX #DBE486

RGB 219 228 134

HSL 65.74, 0.64%, 0.71%

LAB 88.1, -16.8, 44.76

 

CMYK 15 / 0 / 41 / 11

HEX #C1E486

RGB 193 228 134

HSL 82.34, 0.64%, 0.71%

LAB 86.28, -26.64, 42.09

 

CMYK 27 / 0 / 41 / 11

HEX #A7E486

RGB 167 228 134

HSL 98.94, 0.64%, 0.71%

LAB 84.7, -35.93, 39.75

 

CMYK 38 / 0 / 41 / 11

HEX #8EE486

RGB 142 228 134

HSL 114.89, 0.64%, 0.71%

LAB 83.42, -44.1, 37.85

 

CMYK 41 / 0 / 34 / 11

HEX #86E497

RGB 134 228 151

HSL 130.85, 0.64%, 0.71%

LAB 83.33, -43.84, 29.08

 

CMYK 4 / 0 / 41 / 11

HEX #DBE486

RGB 219 228 134

HSL 65.74, 0.64%, 0.71%

LAB 88.1, -16.8, 44.76

 

CMYK 5 / 0 / 49 / 6

HEX #E4F07A

RGB 228 240 122

HSL 66.1, 0.8%, 0.71%

LAB 91.78, -20.33, 55.14

 

CMYK 6 / 0 / 56 / 1

HEX #EDFC6E

RGB 237 252 110

HSL 66.34, 0.96%, 0.71%

LAB 95.48, -23.55, 64.93

 

CMYK 4 / 0 / 41 / 11

HEX #DBE486

RGB 219 228 134

HSL 65.74, 0.64%, 0.71%

LAB 88.1, -16.8, 44.76

 

CMYK 3 / 0 / 32 / 15

HEX #D1D892

RGB 209 216 146

HSL 66, 0.47%, 0.71%

LAB 84.35, -13.28, 33.78

 

CMYK 2 / 0 / 23 / 20

HEX #C8CC9E

RGB 200 204 158

HSL 65.22, 0.31%, 0.71%

LAB 80.7, -8.97, 22.53

 

CMYK 1 / 0 / 11 / 25

HEX #BEC0AA

RGB 190 192 170

HSL 65.45, 0.15%, 0.71%

LAB 77.01, -4.57, 10.85

 

CMYK 1 / 1 / 0 / 29

HEX #B5B5B6

RGB 181 181 182

HSL 240, 0.01%, 0.71%

LAB 73.71, 0.19, -0.52

 

CMYK 0 / 18 / 41 / 11

HEX #E4BB86

RGB 228 187 134

HSL 33.83, 0.64%, 0.71%

LAB 78.32, 7.74, 32.36

 

CMYK 0 / 7 / 41 / 11

HEX #E4D586

RGB 228 213 134

HSL 50.43, 0.64%, 0.71%

LAB 84.9, -5.76, 40.86

 

CMYK 4 / 0 / 41 / 11

HEX #DBE486

RGB 219 228 134

HSL 65.74, 0.64%, 0.71%

LAB 88.1, -16.8, 44.76

 

CMYK 15 / 0 / 41 / 11

HEX #C2E486

RGB 194 228 134

HSL 81.7, 0.64%, 0.71%

LAB 86.34, -26.27, 42.18

 

CMYK 26 / 0 / 41 / 11

HEX #A8E486

RGB 168 228 134

HSL 98.3, 0.64%, 0.71%

LAB 84.76, -35.59, 39.84

 

CMYK 7 / 0 / 69 / 16

HEX #C6D642

RGB 198 214 66

HSL 66.49, 0.64%, 0.55%

LAB 82.11, -23.82, 67.52

 

CMYK 6 / 0 / 55 / 13

HEX #D0DD64

RGB 208 221 100

HSL 66.45, 0.64%, 0.63%

LAB 85.02, -20.88, 56.9

 

CMYK 4 / 0 / 41 / 11

HEX #DBE486

RGB 219 228 134

HSL 65.74, 0.64%, 0.71%

LAB 88.1, -16.8, 44.76

 

CMYK 3 / 0 / 29 / 7

HEX #E5ECA8

RGB 229 236 168

HSL 66.18, 0.64%, 0.79%

LAB 91.45, -12.95, 32.28

 

CMYK 2 / 0 / 17 / 5

HEX #EFF3C9

RGB 239 243 201

HSL 65.71, 0.64%, 0.87%

LAB 94.6, -8.22, 19.84

 

CMYK 4 / 0 / 42 / 11

HEX #DAE484

RGB 218 228 132

HSL 66.25, 0.64%, 0.71%

LAB 88, -17.39, 45.6

 

CMYK 41 / 0 / 29 / 11

HEX #86E4A2

RGB 134 228 162

HSL 137.87, 0.64%, 0.71%

LAB 83.53, -41.93, 23.68

 

CMYK 12 / 41 / 0 / 11

HEX #C886E4

RGB 200 134 228

HSL 282.13, 0.64%, 0.71%

LAB 65.69, 41.42, -37.87

 

CMYK 4 / 0 / 42 / 11

HEX #DAE484

RGB 218 228 132

HSL 66.25, 0.64%, 0.71%

LAB 88, -17.39, 45.6

 

CMYK 41 / 4 / 0 / 11

HEX #86DBE4

RGB 134 219 228

HSL 185.74, 0.64%, 0.71%

LAB 82.56, -23.44, -12.51

 

CMYK 0 / 41 / 4 / 11

HEX #E486DB

RGB 228 134 219

HSL 305.74, 0.64%, 0.71%

LAB 68.5, 48.1, -28.28

 

CMYK 4 / 0 / 42 / 11

HEX #DAE484

RGB 218 228 132

HSL 66.25, 0.64%, 0.71%

LAB 88, -17.39, 45.6

 

CMYK 41 / 0 / 29 / 11

HEX #86E4A2

RGB 134 228 162

HSL 137.87, 0.64%, 0.71%

LAB 83.53, -41.93, 23.68

 

CMYK 37 / 41 / 0 / 11

HEX #8F86E4

RGB 143 134 228

HSL 245.74, 0.64%, 0.71%

LAB 60.33, 25.43, -46.67

 

CMYK 0 / 41 / 12 / 11

HEX #E486C8

RGB 228 134 200

HSL 317.87, 0.64%, 0.71%

LAB 67.81, 44.91, -18.77

 

CMYK 4 / 0 / 42 / 11

HEX #DAE484

RGB 218 228 132

HSL 66.25, 0.64%, 0.71%

LAB 88, -17.39, 45.6

 

CMYK 41 / 0 / 16 / 11

HEX #86E4BF

RGB 134 228 191

HSL 156.38, 0.64%, 0.71%

LAB 84.13, -36.27, 9.38

 

CMYK 37 / 41 / 0 / 11

HEX #8F86E4

RGB 143 134 228

HSL 245.74, 0.64%, 0.71%

LAB 60.33, 25.43, -46.67

 

CMYK 0 / 41 / 25 / 11

HEX #E486AC

RGB 228 134 172

HSL 335.74, 0.64%, 0.71%

LAB 66.92, 40.68, -4.4

 

Description

Color code: HEX #DAE484 | qconv.com Color code: HEX #DAE484 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 228 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 228 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 42 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 42% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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