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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DADE9D it is the complementary color #252162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DADE9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DADE9D shade: #DFDE98, #F0F0AB, #FFFFBE, #FFFFD1 and #FFFFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DADE9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DADE9D shade: #DADE9D, #C9CC8A, #B8BA77, #A7A864 and #969651

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DADE9D shade: #D9DD9B, #DDD09B, #DDBE9B, #DDAC9B and #DD9B9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DADE9D shade: #D9DD9B, #C7DD9B, #B6DD9B, #A4DD9B and #9BDDA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DADE9D shade matches the following richer shades: #D9DD9B, #E3E890, #ECF386 and #F5FE7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DADE9D shade: #D9DD9B, #D0D3A6, #C6C8B1, #BDBDBB and #B4B2C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DADE9D shade: #DDBD9B, #DDCF9B, #DADD9B, #C8DD9B and #B7DD9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DADE9D shade: #C2C95D, #CED37C, #D9DD9B, #E5E8BA and #F0F2D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DADE9D shade: #DADE9D, #9BDDAC and #C69BDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DADE9D shade: #DADE9D, #9BDADD and #DD9BDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DADE9D shade: #DADE9D, #9BDDAC, #9E9BDD and #DD9BCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DADE9D shade: #DADE9D, #9BDDC0, #9E9BDD and #DD9BB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 29 / 13

HEX #DADE9D

RGB 218 222 157

HSL 63.69, 0.5%, 0.74%

LAB 86.79, -11.5, 31.51

 

Complementary color

CMYK 62 / 66 / 0 / 62

HEX #252162

RGB 37 33 98

HSL 243.69, 0.5%, 0.26%

LAB 17.29, 23.05, -38.03

 

CMYK 0 / 0 / 32 / 13

HEX #DFDE98

RGB 223 222 152

HSL 59.15, 0.53%, 0.74%

LAB 87.09, -10.22, 34.54

 

CMYK 0 / 0 / 29 / 6

HEX #F0F0AB

RGB 240 240 171

HSL 60, 0.7%, 0.81%

LAB 93.36, -10.47, 33.45

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 2 / 0 / 29 / 13

HEX #DADE9D

RGB 218 222 157

HSL 63.69, 0.5%, 0.74%

LAB 86.79, -11.5, 31.51

 

CMYK 1 / 0 / 32 / 20

HEX #C9CC8A

RGB 201 204 138

HSL 62.73, 0.39%, 0.67%

LAB 80.43, -11.28, 32.61

 

CMYK 1 / 0 / 36 / 27

HEX #B8BA77

RGB 184 186 119

HSL 61.79, 0.33%, 0.6%

LAB 73.96, -11.02, 33.77

 

CMYK 1 / 0 / 40 / 34

HEX #A7A864

RGB 167 168 100

HSL 60.88, 0.28%, 0.53%

LAB 67.38, -10.71, 34.97

 

CMYK 0 / 0 / 46 / 41

HEX #969651

RGB 150 150 81

HSL 60, 0.3%, 0.45%

LAB 60.69, -10.31, 36.21

 

CMYK 2 / 0 / 30 / 13

HEX #D9DD9B

RGB 217 221 155

HSL 63.64, 0.49%, 0.74%

LAB 86.42, -11.63, 32.03

 

CMYK 0 / 6 / 30 / 13

HEX #DDD09B

RGB 221 208 155

HSL 48.18, 0.49%, 0.74%

LAB 83.36, -3.48, 27.99

 

CMYK 0 / 14 / 30 / 13

HEX #DDBE9B

RGB 221 190 155

HSL 31.82, 0.49%, 0.74%

LAB 78.79, 5.92, 21.77

 

CMYK 0 / 22 / 30 / 13

HEX #DDAC9B

RGB 221 172 155

HSL 15.45, 0.49%, 0.74%

LAB 74.35, 15.52, 15.62

 

CMYK 0 / 30 / 30 / 13

HEX #DD9B9B

RGB 221 155 155

HSL 0, 0.49%, 0.74%

LAB 70.3, 24.67, 9.92

 

CMYK 2 / 0 / 30 / 13

HEX #D9DD9B

RGB 217 221 155

HSL 63.64, 0.49%, 0.74%

LAB 86.42, -11.63, 32.03

 

CMYK 10 / 0 / 30 / 13

HEX #C7DD9B

RGB 199 221 155

HSL 80, 0.49%, 0.74%

LAB 85.11, -18.34, 30.05

 

CMYK 18 / 0 / 30 / 13

HEX #B6DD9B

RGB 182 221 155

HSL 95.45, 0.49%, 0.74%

LAB 83.98, -24.47, 28.33

 

CMYK 26 / 0 / 30 / 13

HEX #A4DD9B

RGB 164 221 155

HSL 111.82, 0.49%, 0.74%

LAB 82.9, -30.67, 26.69

 

CMYK 30 / 0 / 26 / 13

HEX #9BDDA4

RGB 155 221 164

HSL 128.18, 0.49%, 0.74%

LAB 82.57, -32.11, 21.49

 

CMYK 2 / 0 / 30 / 13

HEX #D9DD9B

RGB 217 221 155

HSL 63.64, 0.49%, 0.74%

LAB 86.42, -11.63, 32.03

 

CMYK 2 / 0 / 38 / 9

HEX #E3E890

RGB 227 232 144

HSL 63.41, 0.66%, 0.74%

LAB 89.89, -14.61, 42.23

 

CMYK 3 / 0 / 45 / 5

HEX #ECF386

RGB 236 243 134

HSL 63.85, 0.82%, 0.74%

LAB 93.3, -17.57, 51.49

 

CMYK 4 / 0 / 52 / 0

HEX #F5FE7B

RGB 245 254 123

HSL 64.12, 0.98%, 0.74%

LAB 96.71, -20.36, 60.8

 

CMYK 2 / 0 / 30 / 13

HEX #D9DD9B

RGB 217 221 155

HSL 63.64, 0.49%, 0.74%

LAB 86.42, -11.63, 32.03

 

CMYK 1 / 0 / 21 / 17

HEX #D0D3A6

RGB 208 211 166

HSL 64, 0.34%, 0.74%

LAB 83.31, -8.43, 22

 

CMYK 1 / 0 / 12 / 22

HEX #C6C8B1

RGB 198 200 177

HSL 65.22, 0.17%, 0.74%

LAB 79.89, -4.7, 11.27

 

CMYK 0 / 0 / 1 / 26

HEX #BDBDBB

RGB 189 189 187

HSL 60, 0.01%, 0.74%

LAB 76.56, -0.36, 1

 

CMYK 9 / 10 / 0 / 22

HEX #B4B2C6

RGB 180 178 198

HSL 246, 0.15%, 0.74%

LAB 73.3, 4.6, -9.88

 

CMYK 0 / 14 / 30 / 13

HEX #DDBD9B

RGB 221 189 155

HSL 30.91, 0.49%, 0.74%

LAB 78.54, 6.44, 21.43

 

CMYK 0 / 6 / 30 / 13

HEX #DDCF9B

RGB 221 207 155

HSL 47.27, 0.49%, 0.74%

LAB 83.11, -2.97, 27.65

 

CMYK 1 / 0 / 30 / 13

HEX #DADD9B

RGB 218 221 155

HSL 62.73, 0.49%, 0.74%

LAB 86.5, -11.25, 32.15

 

CMYK 10 / 0 / 30 / 13

HEX #C8DD9B

RGB 200 221 155

HSL 79.09, 0.49%, 0.74%

LAB 85.18, -17.97, 30.15

 

CMYK 17 / 0 / 30 / 13

HEX #B7DD9B

RGB 183 221 155

HSL 94.55, 0.49%, 0.74%

LAB 84.04, -24.12, 28.43

 

CMYK 3 / 0 / 54 / 21

HEX #C2C95D

RGB 194 201 93

HSL 63.89, 0.5%, 0.58%

LAB 78.48, -17.23, 52.31

 

CMYK 2 / 0 / 41 / 17

HEX #CED37C

RGB 206 211 124

HSL 63.45, 0.5%, 0.66%

LAB 82.47, -14.48, 42.42

 

CMYK 2 / 0 / 30 / 13

HEX #D9DD9B

RGB 217 221 155

HSL 63.64, 0.49%, 0.74%

LAB 86.42, -11.63, 32.03

 

CMYK 1 / 0 / 20 / 9

HEX #E5E8BA

RGB 229 232 186

HSL 63.91, 0.5%, 0.82%

LAB 90.74, -8.49, 22.1

 

CMYK 1 / 0 / 10 / 5

HEX #F0F2D9

RGB 240 242 217

HSL 64.8, 0.49%, 0.9%

LAB 94.75, -4.89, 11.84

 

CMYK 2 / 0 / 29 / 13

HEX #DADE9D

RGB 218 222 157

HSL 63.69, 0.5%, 0.74%

LAB 86.79, -11.5, 31.51

 

CMYK 30 / 0 / 22 / 13

HEX #9BDDAC

RGB 155 221 172

HSL 135.45, 0.49%, 0.74%

LAB 82.73, -30.69, 17.52

 

CMYK 10 / 30 / 0 / 13

HEX #C69BDD

RGB 198 155 221

HSL 279.09, 0.49%, 0.74%

LAB 69.94, 27.9, -27.44

 

CMYK 2 / 0 / 29 / 13

HEX #DADE9D

RGB 218 222 157

HSL 63.69, 0.5%, 0.74%

LAB 86.79, -11.5, 31.51

 

CMYK 30 / 1 / 0 / 13

HEX #9BDADD

RGB 155 218 221

HSL 182.73, 0.49%, 0.74%

LAB 83.09, -19.12, -7.89

 

CMYK 0 / 30 / 1 / 13

HEX #DD9BDA

RGB 221 155 218

HSL 302.73, 0.49%, 0.74%

LAB 72.15, 34.67, -22.22

 

CMYK 2 / 0 / 29 / 13

HEX #DADE9D

RGB 218 222 157

HSL 63.69, 0.5%, 0.74%

LAB 86.79, -11.5, 31.51

 

CMYK 30 / 0 / 22 / 13

HEX #9BDDAC

RGB 155 221 172

HSL 135.45, 0.49%, 0.74%

LAB 82.73, -30.69, 17.52

 

CMYK 29 / 30 / 0 / 13

HEX #9E9BDD

RGB 158 155 221

HSL 242.73, 0.49%, 0.74%

LAB 66.47, 15.68, -33.09

 

CMYK 0 / 30 / 7 / 13

HEX #DD9BCD

RGB 221 155 205

HSL 314.55, 0.49%, 0.74%

LAB 71.71, 32.36, -15.73

 

CMYK 2 / 0 / 29 / 13

HEX #DADE9D

RGB 218 222 157

HSL 63.69, 0.5%, 0.74%

LAB 86.79, -11.5, 31.51

 

CMYK 30 / 0 / 13 / 13

HEX #9BDDC0

RGB 155 221 192

HSL 153.64, 0.49%, 0.74%

LAB 83.17, -26.85, 7.61

 

CMYK 29 / 30 / 0 / 13

HEX #9E9BDD

RGB 158 155 221

HSL 242.73, 0.49%, 0.74%

LAB 66.47, 15.68, -33.09

 

CMYK 0 / 30 / 16 / 13

HEX #DD9BB9

RGB 221 155 185

HSL 332.73, 0.49%, 0.74%

LAB 71.09, 29.04, -5.59

 

Description

Color code: HEX #DADE9D | qconv.com Color code: HEX #DADE9D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 222 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 222 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 29 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 29% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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