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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DADE53 it is the complementary color #2521AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DADE53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DADE53 shade: #DFDE4E, #F0F061, #FFFF74, #FFFF87 and #FFFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DADE53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DADE53 shade: #DADE53, #C9CC40, #B8BA2D, #A7A81A and #969607

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DADE53 shade: #DADE53, #DEBC53, #DE9753, #DE7253 and #DE5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DADE53 shade: #DADE53, #B4DE53, #8FDE53, #6ADE53 and #53DE62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DADE53 shade matches the following richer shades: #DADE53 and #E9EE43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DADE53 shade: #DADE53, #CACD64, #BBBD74, #ABAC85 and #9C9C95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DADE53 shade: #DE9653, #DEBB53, #DCDE53, #B7DE53 and #92DE53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DADE53 shade: #B7BB23, #D2D730, #DADE53, #E1E476 and #E9EB98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DADE53 shade: #DADE53, #53DE71 and #A953DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DADE53 shade: #DADE53, #53DCDE and #DE53DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DADE53 shade: #DADE53, #53DE71, #5553DE and #DE53C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DADE53 shade: #DADE53, #53DE9B, #5553DE and #DE5396

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 63 / 13

HEX #DADE53

RGB 218 222 83

HSL 61.73, 0.68%, 0.6%

LAB 85.89, -18.54, 65.34

 

Complementary color

CMYK 78 / 81 / 0 / 33

HEX #2521AC

RGB 37 33 172

HSL 241.73, 0.68%, 0.4%

LAB 25.14, 48.48, -71.63

 

CMYK 0 / 0 / 65 / 13

HEX #DFDE4E

RGB 223 222 78

HSL 59.59, 0.69%, 0.59%

LAB 86.25, -16.79, 67.81

 

CMYK 0 / 0 / 60 / 6

HEX #F0F061

RGB 240 240 97

HSL 60, 0.83%, 0.66%

LAB 92.45, -17.52, 67.13

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 2 / 0 / 63 / 13

HEX #DADE53

RGB 218 222 83

HSL 61.73, 0.68%, 0.6%

LAB 85.89, -18.54, 65.34

 

CMYK 1 / 0 / 69 / 20

HEX #C9CC40

RGB 201 204 64

HSL 61.29, 0.58%, 0.53%

LAB 79.6, -17.78, 65.85

 

CMYK 1 / 0 / 76 / 27

HEX #B8BA2D

RGB 184 186 45

HSL 60.85, 0.61%, 0.45%

LAB 73.22, -16.87, 65.83

 

CMYK 1 / 0 / 85 / 34

HEX #A7A81A

RGB 167 168 26

HSL 60.42, 0.73%, 0.38%

LAB 66.74, -15.75, 64.92

 

CMYK 0 / 0 / 95 / 41

HEX #969607

RGB 150 150 7

HSL 60, 0.91%, 0.31%

LAB 60.17, -14.4, 62.56

 

CMYK 2 / 0 / 63 / 13

HEX #DADE53

RGB 218 222 83

HSL 61.73, 0.68%, 0.6%

LAB 85.89, -18.54, 65.34

 

CMYK 0 / 15 / 63 / 13

HEX #DEBC53

RGB 222 188 83

HSL 45.32, 0.68%, 0.6%

LAB 77.35, 0.35, 56.24

 

CMYK 0 / 32 / 63 / 13

HEX #DE9753

RGB 222 151 83

HSL 29.35, 0.68%, 0.6%

LAB 68.23, 20.03, 45.94

 

CMYK 0 / 49 / 63 / 13

HEX #DE7253

RGB 222 114 83

HSL 13.38, 0.68%, 0.6%

LAB 60.06, 39.54, 36.22

 

CMYK 0 / 63 / 63 / 13

HEX #DE5353

RGB 222 83 83

HSL 0, 0.68%, 0.6%

LAB 54.39, 54.24, 29.17

 

CMYK 2 / 0 / 63 / 13

HEX #DADE53

RGB 218 222 83

HSL 61.73, 0.68%, 0.6%

LAB 85.89, -18.54, 65.34

 

CMYK 19 / 0 / 63 / 13

HEX #B4DE53

RGB 180 222 83

HSL 78.13, 0.68%, 0.6%

LAB 83.22, -33.66, 61.68

 

CMYK 36 / 0 / 63 / 13

HEX #8FDE53

RGB 143 222 83

HSL 94.1, 0.68%, 0.6%

LAB 81.13, -47.09, 58.81

 

CMYK 52 / 0 / 63 / 13

HEX #6ADE53

RGB 106 222 83

HSL 110.07, 0.68%, 0.6%

LAB 79.57, -58.33, 56.65

 

CMYK 63 / 0 / 56 / 13

HEX #53DE62

RGB 83 222 98

HSL 126.47, 0.68%, 0.6%

LAB 79.02, -62.12, 49.23

 

CMYK 2 / 0 / 63 / 13

HEX #DADE53

RGB 218 222 83

HSL 61.73, 0.68%, 0.6%

LAB 85.89, -18.54, 65.34

 

CMYK 2 / 0 / 72 / 7

HEX #E9EE43

RGB 233 238 67

HSL 61.75, 0.83%, 0.6%

LAB 91.18, -21.03, 76.89

 

CMYK 2 / 0 / 63 / 13

HEX #DADE53

RGB 218 222 83

HSL 61.73, 0.68%, 0.6%

LAB 85.89, -18.54, 65.34

 

CMYK 1 / 0 / 51 / 20

HEX #CACD64

RGB 202 205 100

HSL 61.71, 0.51%, 0.6%

LAB 80.26, -15.39, 51.28

 

CMYK 1 / 0 / 39 / 26

HEX #BBBD74

RGB 187 189 116

HSL 61.64, 0.36%, 0.6%

LAB 74.96, -11.72, 36.65

 

CMYK 1 / 0 / 23 / 33

HEX #ABAC85

RGB 171 172 133

HSL 61.54, 0.19%, 0.6%

LAB 69.37, -6.93, 20.01

 

CMYK 0 / 0 / 4 / 39

HEX #9C9C95

RGB 156 156 149

HSL 60, 0.03%, 0.6%

LAB 64.17, -1.31, 3.65

 

CMYK 0 / 32 / 63 / 13

HEX #DE9653

RGB 222 150 83

HSL 28.92, 0.68%, 0.6%

LAB 68, 20.57, 45.67

 

CMYK 0 / 16 / 63 / 13

HEX #DEBB53

RGB 222 187 83

HSL 44.89, 0.68%, 0.6%

LAB 77.1, 0.87, 55.96

 

CMYK 1 / 0 / 63 / 13

HEX #DCDE53

RGB 220 222 83

HSL 60.86, 0.68%, 0.6%

LAB 86.05, -17.73, 65.55

 

CMYK 18 / 0 / 63 / 13

HEX #B7DE53

RGB 183 222 83

HSL 76.83, 0.68%, 0.6%

LAB 83.41, -32.5, 61.95

 

CMYK 34 / 0 / 63 / 13

HEX #92DE53

RGB 146 222 83

HSL 92.81, 0.68%, 0.6%

LAB 81.28, -46.07, 59.02

 

CMYK 2 / 0 / 81 / 27

HEX #B7BB23

RGB 183 187 35

HSL 61.58, 0.68%, 0.44%

LAB 73.37, -18.16, 68.83

 

CMYK 2 / 0 / 78 / 16

HEX #D2D730

RGB 210 215 48

HSL 61.8, 0.68%, 0.52%

LAB 83.19, -20.14, 74.72

 

CMYK 2 / 0 / 63 / 13

HEX #DADE53

RGB 218 222 83

HSL 61.73, 0.68%, 0.6%

LAB 85.89, -18.54, 65.34

 

CMYK 1 / 0 / 48 / 11

HEX #E1E476

RGB 225 228 118

HSL 61.64, 0.67%, 0.68%

LAB 88.35, -16.02, 52.86

 

CMYK 1 / 0 / 35 / 8

HEX #E9EB98

RGB 233 235 152

HSL 61.45, 0.67%, 0.76%

LAB 91.24, -12.9, 40.09

 

CMYK 2 / 0 / 63 / 13

HEX #DADE53

RGB 218 222 83

HSL 61.73, 0.68%, 0.6%

LAB 85.89, -18.54, 65.34

 

CMYK 63 / 0 / 49 / 13

HEX #53DE71

RGB 83 222 113

HSL 132.95, 0.68%, 0.6%

LAB 79.2, -60.1, 42.37

 

CMYK 24 / 63 / 0 / 13

HEX #A953DE

RGB 169 83 222

HSL 277.12, 0.68%, 0.6%

LAB 51.72, 58.25, -56.86

 

CMYK 2 / 0 / 63 / 13

HEX #DADE53

RGB 218 222 83

HSL 61.73, 0.68%, 0.6%

LAB 85.89, -18.54, 65.34

 

CMYK 63 / 1 / 0 / 13

HEX #53DCDE

RGB 83 220 222

HSL 180.86, 0.68%, 0.6%

LAB 80.9, -35.81, -11.97

 

CMYK 0 / 63 / 1 / 13

HEX #DE53DC

RGB 222 83 220

HSL 300.86, 0.68%, 0.6%

LAB 58.87, 70.25, -43.92

 

CMYK 2 / 0 / 63 / 13

HEX #DADE53

RGB 218 222 83

HSL 61.73, 0.68%, 0.6%

LAB 85.89, -18.54, 65.34

 

CMYK 63 / 0 / 49 / 13

HEX #53DE71

RGB 83 222 113

HSL 132.95, 0.68%, 0.6%

LAB 79.2, -60.1, 42.37

 

CMYK 62 / 63 / 0 / 13

HEX #5553DE

RGB 85 83 222

HSL 240.86, 0.68%, 0.6%

LAB 43.35, 41.71, -70.81

 

CMYK 0 / 63 / 14 / 13

HEX #DE53C0

RGB 222 83 192

HSL 312.95, 0.68%, 0.6%

LAB 57.58, 65.88, -30.01

 

CMYK 2 / 0 / 63 / 13

HEX #DADE53

RGB 218 222 83

HSL 61.73, 0.68%, 0.6%

LAB 85.89, -18.54, 65.34

 

CMYK 63 / 0 / 30 / 13

HEX #53DE9B

RGB 83 222 155

HSL 151.08, 0.68%, 0.6%

LAB 79.87, -52.79, 22.02

 

CMYK 62 / 63 / 0 / 13

HEX #5553DE

RGB 85 83 222

HSL 240.86, 0.68%, 0.6%

LAB 43.35, 41.71, -70.81

 

CMYK 0 / 63 / 32 / 13

HEX #DE5396

RGB 222 83 150

HSL 331.08, 0.68%, 0.6%

LAB 56.01, 60.29, -8.03

 

Description

Color code: HEX #DADE53 | qconv.com Color code: HEX #DADE53 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 222 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 222 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 63 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 63% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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