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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAD1BC it is the complementary color #252E43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAD1BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAD1BC shade: #DFD1B7, #F0E3CA, #FFF5DD, #FFFFF0 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAD1BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAD1BC shade: #DAD1BC, #C9BFA9, #B8AD96, #A79B83 and #968970

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAD1BC shade: #DBD2BD, #DBCABD, #DBC2BD and #DBBDBD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAD1BC shade: #DBD2BD, #DBDABD, #D4DBBD, #CCDBBD and #C4DBBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAD1BC shade matches the following richer shades: #DBD2BD, #E3D5B5, #EBD9AD, #F4DCA4 and #FCDF9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAD1BC shade: #DBD2BD, #D3CFC5, #CACBCE, #C2C8D6 and #BAC5DE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAD1BC shade: #DBC2BD, #DBCABD, #DBD2BD, #DBDABD and #D4DBBD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAD1BC shade: #BDAD88, #CCC0A3, #DBD2BD, #E9E4D8 and #F8F6F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAD1BC shade: #DAD1BC, #C0DBBD and #C6BDDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAD1BC shade: #DAD1BC, #BDDBD2 and #D2BDDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAD1BC shade: #DAD1BC, #C0DBBD, #BDC6DB and #D8BDDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAD1BC shade: #DAD1BC, #BDDBC3, #BDC6DB and #DBBDD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 14 / 15

HEX #DAD1BC

RGB 218 209 188

HSL 42, 0.29%, 0.8%

LAB 84.04, -0.4, 11.52

 

Complementary color

CMYK 45 / 31 / 0 / 74

HEX #252E43

RGB 37 46 67

HSL 222, 0.29%, 0.2%

LAB 19.02, 2.59, -14.41

 

CMYK 0 / 6 / 18 / 13

HEX #DFD1B7

RGB 223 209 183

HSL 39, 0.38%, 0.8%

LAB 84.33, 0.65, 14.65

 

CMYK 0 / 5 / 16 / 6

HEX #F0E3CA

RGB 240 227 202

HSL 39.47, 0.56%, 0.87%

LAB 90.66, 0.39, 13.8

 

CMYK 0 / 4 / 13 / 0

HEX #FFF5DD

RGB 255 245 221

HSL 42.35, 1%, 0.93%

LAB 96.73, -0.55, 12.74

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 4 / 14 / 15

HEX #DAD1BC

RGB 218 209 188

HSL 42, 0.29%, 0.8%

LAB 84.04, -0.4, 11.52

 

CMYK 0 / 5 / 16 / 21

HEX #C9BFA9

RGB 201 191 169

HSL 41.25, 0.23%, 0.73%

LAB 77.6, -0.17, 12.36

 

CMYK 0 / 6 / 18 / 28

HEX #B8AD96

RGB 184 173 150

HSL 40.59, 0.19%, 0.65%

LAB 71.06, 0.09, 13.24

 

CMYK 0 / 7 / 22 / 35

HEX #A79B83

RGB 167 155 131

HSL 40, 0.17%, 0.58%

LAB 64.4, 0.39, 14.18

 

CMYK 0 / 9 / 25 / 41

HEX #968970

RGB 150 137 112

HSL 39.47, 0.15%, 0.51%

LAB 57.6, 0.73, 15.2

 

CMYK 0 / 4 / 14 / 14

HEX #DBD2BD

RGB 219 210 189

HSL 42, 0.29%, 0.8%

LAB 84.39, -0.4, 11.51

 

CMYK 0 / 8 / 14 / 14

HEX #DBCABD

RGB 219 202 189

HSL 26, 0.29%, 0.8%

LAB 82.37, 3.78, 8.62

 

CMYK 0 / 11 / 14 / 14

HEX #DBC2BD

RGB 219 194 189

HSL 10, 0.29%, 0.8%

LAB 80.36, 8.01, 5.73

 

CMYK 0 / 14 / 14 / 14

HEX #DBBDBD

RGB 219 189 189

HSL 0, 0.29%, 0.8%

LAB 79.12, 10.67, 3.94

 

CMYK 0 / 4 / 14 / 14

HEX #DBD2BD

RGB 219 210 189

HSL 42, 0.29%, 0.8%

LAB 84.39, -0.4, 11.51

 

CMYK 0 / 0 / 14 / 14

HEX #DBDABD

RGB 219 218 189

HSL 58, 0.29%, 0.8%

LAB 86.44, -4.53, 14.41

 

CMYK 3 / 0 / 14 / 14

HEX #D4DBBD

RGB 212 219 189

HSL 74, 0.29%, 0.8%

LAB 86.17, -7.55, 13.96

 

CMYK 7 / 0 / 14 / 14

HEX #CCDBBD

RGB 204 219 189

HSL 90, 0.29%, 0.8%

LAB 85.59, -10.37, 13.05

 

CMYK 11 / 0 / 14 / 14

HEX #C4DBBD

RGB 196 219 189

HSL 106, 0.29%, 0.8%

LAB 85.03, -13.15, 12.18

 

CMYK 0 / 4 / 14 / 14

HEX #DBD2BD

RGB 219 210 189

HSL 42, 0.29%, 0.8%

LAB 84.39, -0.4, 11.51

 

CMYK 0 / 6 / 20 / 11

HEX #E3D5B5

RGB 227 213 181

HSL 41.74, 0.45%, 0.8%

LAB 85.63, -0.25, 17.57

 

CMYK 0 / 8 / 26 / 8

HEX #EBD9AD

RGB 235 217 173

HSL 42.58, 0.61%, 0.8%

LAB 87.15, -0.46, 23.96

 

CMYK 0 / 10 / 33 / 4

HEX #F4DCA4

RGB 244 220 164

HSL 42, 0.78%, 0.8%

LAB 88.5, 0.27, 30.57

 

CMYK 0 / 12 / 38 / 1

HEX #FCDF9C

RGB 252 223 156

HSL 41.88, 0.94%, 0.8%

LAB 89.8, 0.88, 36.51

 

CMYK 0 / 4 / 14 / 14

HEX #DBD2BD

RGB 219 210 189

HSL 42, 0.29%, 0.8%

LAB 84.39, -0.4, 11.51

 

CMYK 0 / 2 / 7 / 17

HEX #D3CFC5

RGB 211 207 197

HSL 42.86, 0.14%, 0.8%

LAB 83.18, -0.37, 5.44

 

CMYK 2 / 1 / 0 / 19

HEX #CACBCE

RGB 202 203 206

HSL 225, 0.04%, 0.8%

LAB 81.69, 0.22, -1.62

 

CMYK 9 / 7 / 0 / 16

HEX #C2C8D6

RGB 194 200 214

HSL 222, 0.2%, 0.8%

LAB 80.53, 0.66, -7.68

 

CMYK 16 / 11 / 0 / 13

HEX #BAC5DE

RGB 186 197 222

HSL 221.67, 0.35%, 0.8%

LAB 79.41, 1.32, -13.71

 

CMYK 0 / 11 / 14 / 14

HEX #DBC2BD

RGB 219 194 189

HSL 10, 0.29%, 0.8%

LAB 80.36, 8.01, 5.73

 

CMYK 0 / 8 / 14 / 14

HEX #DBCABD

RGB 219 202 189

HSL 26, 0.29%, 0.8%

LAB 82.37, 3.78, 8.62

 

CMYK 0 / 4 / 14 / 14

HEX #DBD2BD

RGB 219 210 189

HSL 42, 0.29%, 0.8%

LAB 84.39, -0.4, 11.51

 

CMYK 0 / 0 / 14 / 14

HEX #DBDABD

RGB 219 218 189

HSL 58, 0.29%, 0.8%

LAB 86.44, -4.53, 14.41

 

CMYK 3 / 0 / 14 / 14

HEX #D4DBBD

RGB 212 219 189

HSL 74, 0.29%, 0.8%

LAB 86.17, -7.55, 13.96

 

CMYK 0 / 8 / 28 / 26

HEX #BDAD88

RGB 189 173 136

HSL 41.89, 0.29%, 0.64%

LAB 71.2, -0.02, 21.13

 

CMYK 0 / 6 / 20 / 20

HEX #CCC0A3

RGB 204 192 163

HSL 42.44, 0.29%, 0.72%

LAB 77.98, -0.49, 16.15

 

CMYK 0 / 4 / 14 / 14

HEX #DBD2BD

RGB 219 210 189

HSL 42, 0.29%, 0.8%

LAB 84.39, -0.4, 11.51

 

CMYK 0 / 2 / 7 / 9

HEX #E9E4D8

RGB 233 228 216

HSL 42.35, 0.28%, 0.88%

LAB 90.67, -0.36, 6.44

 

CMYK 0 / 1 / 2 / 3

HEX #F8F6F2

RGB 248 246 242

HSL 40, 0.3%, 0.96%

LAB 96.93, -0.03, 2.14

 

CMYK 0 / 4 / 14 / 15

HEX #DAD1BC

RGB 218 209 188

HSL 42, 0.29%, 0.8%

LAB 84.04, -0.4, 11.52

 

CMYK 12 / 0 / 14 / 14

HEX #C0DBBD

RGB 192 219 189

HSL 114, 0.29%, 0.8%

LAB 84.76, -14.52, 11.76

 

CMYK 10 / 14 / 0 / 14

HEX #C6BDDB

RGB 198 189 219

HSL 258, 0.29%, 0.8%

LAB 78.18, 8.87, -13.85

 

CMYK 0 / 4 / 14 / 15

HEX #DAD1BC

RGB 218 209 188

HSL 42, 0.29%, 0.8%

LAB 84.04, -0.4, 11.52

 

CMYK 14 / 0 / 4 / 14

HEX #BDDBD2

RGB 189 219 210

HSL 162, 0.29%, 0.8%

LAB 85.07, -11.65, 1.08

 

CMYK 4 / 14 / 0 / 14

HEX #D2BDDB

RGB 210 189 219

HSL 282, 0.29%, 0.8%

LAB 79.16, 12.84, -12.27

 

CMYK 0 / 4 / 14 / 15

HEX #DAD1BC

RGB 218 209 188

HSL 42, 0.29%, 0.8%

LAB 84.04, -0.4, 11.52

 

CMYK 12 / 0 / 14 / 14

HEX #C0DBBD

RGB 192 219 189

HSL 114, 0.29%, 0.8%

LAB 84.76, -14.52, 11.76

 

CMYK 14 / 10 / 0 / 14

HEX #BDC6DB

RGB 189 198 219

HSL 222, 0.29%, 0.8%

LAB 79.8, 1.11, -11.5

 

CMYK 1 / 14 / 0 / 14

HEX #D8BDDB

RGB 216 189 219

HSL 294, 0.29%, 0.8%

LAB 79.68, 14.86, -11.45

 

CMYK 0 / 4 / 14 / 15

HEX #DAD1BC

RGB 218 209 188

HSL 42, 0.29%, 0.8%

LAB 84.04, -0.4, 11.52

 

CMYK 14 / 0 / 11 / 14

HEX #BDDBC3

RGB 189 219 195

HSL 132, 0.29%, 0.8%

LAB 84.7, -14.47, 8.48

 

CMYK 14 / 10 / 0 / 14

HEX #BDC6DB

RGB 189 198 219

HSL 222, 0.29%, 0.8%

LAB 79.8, 1.11, -11.5

 

CMYK 0 / 14 / 3 / 14

HEX #DBBDD5

RGB 219 189 213

HSL 312, 0.29%, 0.8%

LAB 79.76, 14.77, -8.06

 

Description

Color code: HEX #DAD1BC | qconv.com Color code: HEX #DAD1BC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 209 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 209 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 14 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 14% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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