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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DACE49 it is the complementary color #2531B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DACE49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DACE49 shade: #DFCE44, #F0E057, #FFF26A, #FFFF7D and #FFFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DACE49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DACE49 shade: #DACE49, #C9BC36, #B8AA23, #A79810 and #968600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DACE49 shade: #DACE49, #DAA749, #DA8049, #DA5949 and #DA4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DACE49 shade: #DACE49, #BFDA49, #98DA49, #71DA49 and #4ADA49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DACE49 shade matches the following richer shades: #DACE49, #EBDD37 and #FDEB25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DACE49 shade: #DACE49, #C8BF5B, #B6B06C, #A4A17E and #939390

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DACE49 shade: #DA8049, #DAA749, #DACE49, #BFDA49 and #99DA49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DACE49 shade: #ADA123, #CFC12A, #DACE49, #E1D76B and #E8E08D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DACE49 shade: #DACE49, #49DA5A and #9449DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DACE49 shade: #DACE49, #49DACE and #CE49DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DACE49 shade: #DACE49, #49DA5A, #4955DA and #DA49C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DACE49 shade: #DACE49, #49DA85, #4955DA and #DA499D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 67 / 15

HEX #DACE49

RGB 218 206 73

HSL 55.03, 0.66%, 0.57%

LAB 81.58, -11.18, 64.85

 

Complementary color

CMYK 80 / 73 / 0 / 29

HEX #2531B6

RGB 37 49 182

HSL 235.03, 0.66%, 0.43%

LAB 29.33, 43.03, -70.67

 

CMYK 0 / 8 / 70 / 13

HEX #DFCE44

RGB 223 206 68

HSL 53.42, 0.71%, 0.57%

LAB 81.97, -9.34, 67.32

 

CMYK 0 / 7 / 64 / 6

HEX #F0E057

RGB 240 224 87

HSL 53.73, 0.84%, 0.64%

LAB 88.22, -10.27, 66.71

 

CMYK 0 / 5 / 58 / 0

HEX #FFF26A

RGB 255 242 106

HSL 54.77, 1%, 0.71%

LAB 94.23, -11.87, 65.63

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 6 / 67 / 15

HEX #DACE49

RGB 218 206 73

HSL 55.03, 0.66%, 0.57%

LAB 81.58, -11.18, 64.85

 

CMYK 0 / 6 / 73 / 21

HEX #C9BC36

RGB 201 188 54

HSL 54.69, 0.58%, 0.5%

LAB 75.23, -10.2, 65.21

 

CMYK 0 / 8 / 81 / 28

HEX #B8AA23

RGB 184 170 35

HSL 54.36, 0.68%, 0.43%

LAB 68.8, -9.02, 64.9

 

CMYK 0 / 9 / 90 / 35

HEX #A79810

RGB 167 152 16

HSL 54.04, 0.83%, 0.36%

LAB 62.26, -7.61, 63.4

 

CMYK 0 / 11 / 100 / 41

HEX #968600

RGB 150 134 0

HSL 53.6, 1%, 0.29%

LAB 55.62, -5.94, 60.31

 

CMYK 0 / 6 / 67 / 15

HEX #DACE49

RGB 218 206 73

HSL 55.03, 0.66%, 0.57%

LAB 81.58, -11.18, 64.85

 

CMYK 0 / 23 / 67 / 15

HEX #DAA749

RGB 218 167 73

HSL 38.9, 0.66%, 0.57%

LAB 71.57, 9.14, 54.32

 

CMYK 0 / 41 / 67 / 15

HEX #DA8049

RGB 218 128 73

HSL 22.76, 0.66%, 0.57%

LAB 62.36, 30.05, 44.09

 

CMYK 0 / 59 / 67 / 15

HEX #DA5949

RGB 218 89 73

HSL 6.62, 0.66%, 0.57%

LAB 54.59, 49.6, 34.98

 

CMYK 0 / 67 / 67 / 15

HEX #DA4949

RGB 218 73 73

HSL 0, 0.66%, 0.57%

LAB 52.01, 56.49, 31.85

 

CMYK 0 / 6 / 67 / 15

HEX #DACE49

RGB 218 206 73

HSL 55.03, 0.66%, 0.57%

LAB 81.58, -11.18, 64.85

 

CMYK 12 / 0 / 67 / 15

HEX #BFDA49

RGB 191 218 73

HSL 71.17, 0.66%, 0.57%

LAB 82.75, -28.16, 65.4

 

CMYK 30 / 0 / 67 / 15

HEX #98DA49

RGB 152 218 73

HSL 87.31, 0.66%, 0.57%

LAB 80.35, -43.04, 62.15

 

CMYK 48 / 0 / 67 / 15

HEX #71DA49

RGB 113 218 73

HSL 103.45, 0.66%, 0.57%

LAB 78.54, -55.78, 59.69

 

CMYK 66 / 0 / 67 / 15

HEX #4ADA49

RGB 74 218 73

HSL 119.59, 0.66%, 0.57%

LAB 77.33, -65.29, 58.03

 

CMYK 0 / 6 / 67 / 15

HEX #DACE49

RGB 218 206 73

HSL 55.03, 0.66%, 0.57%

LAB 81.58, -11.18, 64.85

 

CMYK 0 / 6 / 77 / 8

HEX #EBDD37

RGB 235 221 55

HSL 55.33, 0.82%, 0.57%

LAB 86.83, -12.38, 76.69

 

CMYK 0 / 7 / 85 / 1

HEX #FDEB25

RGB 253 235 37

HSL 55, 0.98%, 0.57%

LAB 91.88, -12.28, 86.13

 

CMYK 0 / 6 / 67 / 15

HEX #DACE49

RGB 218 206 73

HSL 55.03, 0.66%, 0.57%

LAB 81.58, -11.18, 64.85

 

CMYK 0 / 5 / 55 / 22

HEX #C8BF5B

RGB 200 191 91

HSL 55.05, 0.5%, 0.57%

LAB 76.25, -9.85, 50.79

 

CMYK 0 / 3 / 41 / 29

HEX #B6B06C

RGB 182 176 108

HSL 55.14, 0.34%, 0.57%

LAB 70.92, -7.88, 35.56

 

CMYK 0 / 2 / 23 / 36

HEX #A4A17E

RGB 164 161 126

HSL 55.26, 0.17%, 0.57%

LAB 65.66, -4.81, 18.66

 

CMYK 0 / 0 / 2 / 42

HEX #939390

RGB 147 147 144

HSL 60, 0.01%, 0.57%

LAB 60.86, -0.57, 1.58

 

CMYK 0 / 41 / 67 / 15

HEX #DA8049

RGB 218 128 73

HSL 22.76, 0.66%, 0.57%

LAB 62.36, 30.05, 44.09

 

CMYK 0 / 23 / 67 / 15

HEX #DAA749

RGB 218 167 73

HSL 38.9, 0.66%, 0.57%

LAB 71.57, 9.14, 54.32

 

CMYK 0 / 6 / 67 / 15

HEX #DACE49

RGB 218 206 73

HSL 55.03, 0.66%, 0.57%

LAB 81.58, -11.18, 64.85

 

CMYK 12 / 0 / 67 / 15

HEX #BFDA49

RGB 191 218 73

HSL 71.17, 0.66%, 0.57%

LAB 82.75, -28.16, 65.4

 

CMYK 30 / 0 / 67 / 15

HEX #99DA49

RGB 153 218 73

HSL 86.9, 0.66%, 0.57%

LAB 80.4, -42.68, 62.22

 

CMYK 0 / 7 / 80 / 32

HEX #ADA123

RGB 173 161 35

HSL 54.78, 0.66%, 0.41%

LAB 65.35, -9.17, 61.49

 

CMYK 0 / 7 / 80 / 19

HEX #CFC12A

RGB 207 193 42

HSL 54.91, 0.66%, 0.49%

LAB 77.02, -10.64, 70.87

 

CMYK 0 / 6 / 67 / 15

HEX #DACE49

RGB 218 206 73

HSL 55.03, 0.66%, 0.57%

LAB 81.58, -11.18, 64.85

 

CMYK 0 / 4 / 52 / 12

HEX #E1D76B

RGB 225 215 107

HSL 54.92, 0.66%, 0.65%

LAB 84.83, -10.49, 53.82

 

CMYK 0 / 3 / 39 / 9

HEX #E8E08D

RGB 232 224 141

HSL 54.73, 0.66%, 0.73%

LAB 88.16, -9.02, 41.59

 

CMYK 0 / 6 / 67 / 15

HEX #DACE49

RGB 218 206 73

HSL 55.03, 0.66%, 0.57%

LAB 81.58, -11.18, 64.85

 

CMYK 67 / 0 / 59 / 15

HEX #49DA5A

RGB 73 218 90

HSL 127.03, 0.66%, 0.57%

LAB 77.46, -63.68, 50.96

 

CMYK 32 / 67 / 0 / 15

HEX #9449DA

RGB 148 73 218

HSL 271.03, 0.66%, 0.57%

LAB 47.14, 57.56, -62.1

 

CMYK 0 / 6 / 67 / 15

HEX #DACE49

RGB 218 206 73

HSL 55.03, 0.66%, 0.57%

LAB 81.58, -11.18, 64.85

 

CMYK 67 / 0 / 6 / 15

HEX #49DACE

RGB 73 218 206

HSL 175.03, 0.66%, 0.57%

LAB 79.62, -40.75, -5.37

 

CMYK 6 / 67 / 0 / 15

HEX #CE49DA

RGB 206 73 218

HSL 295.03, 0.66%, 0.57%

LAB 55.02, 70.1, -49.03

 

CMYK 0 / 6 / 67 / 15

HEX #DACE49

RGB 218 206 73

HSL 55.03, 0.66%, 0.57%

LAB 81.58, -11.18, 64.85

 

CMYK 67 / 0 / 59 / 15

HEX #49DA5A

RGB 73 218 90

HSL 127.03, 0.66%, 0.57%

LAB 77.46, -63.68, 50.96

 

CMYK 67 / 61 / 0 / 15

HEX #4955DA

RGB 73 85 218

HSL 235.03, 0.66%, 0.57%

LAB 42.73, 37.42, -69.58

 

CMYK 0 / 67 / 8 / 15

HEX #DA49C9

RGB 218 73 201

HSL 307.03, 0.66%, 0.57%

LAB 55.98, 70.11, -37.72

 

CMYK 0 / 6 / 67 / 15

HEX #DACE49

RGB 218 206 73

HSL 55.03, 0.66%, 0.57%

LAB 81.58, -11.18, 64.85

 

CMYK 67 / 0 / 39 / 15

HEX #49DA85

RGB 73 218 133

HSL 144.83, 0.66%, 0.57%

LAB 78.02, -57.25, 30.85

 

CMYK 67 / 61 / 0 / 15

HEX #4955DA

RGB 73 85 218

HSL 235.03, 0.66%, 0.57%

LAB 42.73, 37.42, -69.58

 

CMYK 0 / 67 / 28 / 15

HEX #DA499D

RGB 218 73 157

HSL 325.24, 0.66%, 0.57%

LAB 54.14, 64.01, -15.02

 

Description

Color code: HEX #DACE49 | qconv.com Color code: HEX #DACE49 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 206 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 206 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 67 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 67% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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