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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAC8B9 it is the complementary color #253746. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAC8B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAC8B9 shade: #DFC8B4, #F0DAC7, #FFECDA and #FFFEED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAC8B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAC8B9 shade: #DAC8B9, #C9B6A6, #B8A493, #A79280 and #96806D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAC8B9 shade: #DAC7B8, #DABEB8 and #DAB8B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAC8B9 shade: #DAC7B8, #DAD0B8, #DAD9B8, #D1DAB8 and #C8DAB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAC8B9 shade matches the following richer shades: #DAC7B8, #E2C7B0, #EBC6A7, #F4C59E and #FCC496

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAC8B9 shade: #DAC7B8, #D1C8C1, #C8C9CA, #C0CAD2 and #B7CBDB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAC8B9 shade: #DAB8BB, #DABEB8, #DAC7B8, #DAD0B8 and #DAD9B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAC8B9 shade: #BD9D82, #CBB29D, #DAC7B8, #E8DDD3 and #F6F2EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAC8B9 shade: #DAC8B9, #C4DAB8 and #BAB8DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAC8B9 shade: #DAC8B9, #B8DAC7 and #C7B8DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAC8B9 shade: #DAC8B9, #C4DAB8, #B8CBDA and #CEB8DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAC8B9 shade: #DAC8B9, #BADAB8, #B8CBDA and #D8B8DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 15 / 15

HEX #DAC8B9

RGB 218 200 185

HSL 27.27, 0.31%, 0.79%

LAB 81.68, 3.84, 9.77

 

Complementary color

CMYK 47 / 21 / 0 / 73

HEX #253746

RGB 37 55 70

HSL 207.27, 0.31%, 0.21%

LAB 22.19, -2.57, -11.56

Pantone® 7546 C

CMYK 0 / 10 / 19 / 13

HEX #DFC8B4

RGB 223 200 180

HSL 27.91, 0.4%, 0.79%

LAB 82, 4.9, 12.94

 

CMYK 0 / 9 / 17 / 6

HEX #F0DAC7

RGB 240 218 199

HSL 27.8, 0.58%, 0.86%

LAB 88.35, 4.57, 12.09

 

CMYK 0 / 7 / 15 / 0

HEX #FFECDA

RGB 255 236 218

HSL 29.19, 1%, 0.93%

LAB 94.45, 3.56, 11.04

 

CMYK 0 / 0 / 7 / 0

HEX #FFFEED

RGB 255 254 237

HSL 56.67, 1%, 0.96%

LAB 99.32, -2.54, 8.23

 

CMYK 0 / 8 / 15 / 15

HEX #DAC8B9

RGB 218 200 185

HSL 27.27, 0.31%, 0.79%

LAB 81.68, 3.84, 9.77

 

CMYK 0 / 9 / 17 / 21

HEX #C9B6A6

RGB 201 182 166

HSL 27.43, 0.24%, 0.72%

LAB 75.22, 4.15, 10.6

 

CMYK 0 / 11 / 20 / 28

HEX #B8A493

RGB 184 164 147

HSL 27.57, 0.21%, 0.65%

LAB 68.64, 4.51, 11.48

 

CMYK 0 / 13 / 23 / 35

HEX #A79280

RGB 167 146 128

HSL 27.69, 0.18%, 0.58%

LAB 61.94, 4.91, 12.42

 

CMYK 0 / 15 / 27 / 41

HEX #96806D

RGB 150 128 109

HSL 27.8, 0.16%, 0.51%

LAB 55.1, 5.37, 13.44

 

CMYK 0 / 9 / 16 / 15

HEX #DAC7B8

RGB 218 199 184

HSL 26.47, 0.31%, 0.79%

LAB 81.41, 4.21, 9.91

 

CMYK 0 / 13 / 16 / 15

HEX #DABEB8

RGB 218 190 184

HSL 10.59, 0.31%, 0.79%

LAB 79.15, 8.97, 6.68

 

CMYK 0 / 16 / 16 / 15

HEX #DAB8B8

RGB 218 184 184

HSL 0, 0.31%, 0.79%

LAB 77.67, 12.18, 4.54

 

CMYK 0 / 9 / 16 / 15

HEX #DAC7B8

RGB 218 199 184

HSL 26.47, 0.31%, 0.79%

LAB 81.41, 4.21, 9.91

 

CMYK 0 / 5 / 16 / 15

HEX #DAD0B8

RGB 218 208 184

HSL 42.35, 0.31%, 0.79%

LAB 83.69, -0.51, 13.15

 

CMYK 0 / 0 / 16 / 15

HEX #DAD9B8

RGB 218 217 184

HSL 58.24, 0.31%, 0.79%

LAB 86, -5.15, 16.41

 

CMYK 4 / 0 / 16 / 15

HEX #D1DAB8

RGB 209 218 184

HSL 75.88, 0.31%, 0.79%

LAB 85.58, -8.9, 15.72

 

CMYK 8 / 0 / 16 / 15

HEX #C8DAB8

RGB 200 218 184

HSL 91.76, 0.31%, 0.79%

LAB 84.94, -12.09, 14.72

 

CMYK 0 / 9 / 16 / 15

HEX #DAC7B8

RGB 218 199 184

HSL 26.47, 0.31%, 0.79%

LAB 81.41, 4.21, 9.91

 

CMYK 0 / 12 / 22 / 11

HEX #E2C7B0

RGB 226 199 176

HSL 27.6, 0.46%, 0.79%

LAB 81.92, 5.95, 15

 

CMYK 0 / 16 / 29 / 8

HEX #EBC6A7

RGB 235 198 167

HSL 27.35, 0.63%, 0.79%

LAB 82.29, 8.62, 20.42

 

CMYK 0 / 19 / 35 / 4

HEX #F4C59E

RGB 244 197 158

HSL 27.21, 0.8%, 0.79%

LAB 82.72, 11.47, 25.9

 

CMYK 0 / 22 / 40 / 1

HEX #FCC496

RGB 252 196 150

HSL 27.06, 0.94%, 0.79%

LAB 83.11, 14.18, 30.76

 

CMYK 0 / 9 / 16 / 15

HEX #DAC7B8

RGB 218 199 184

HSL 26.47, 0.31%, 0.79%

LAB 81.41, 4.21, 9.91

 

CMYK 0 / 4 / 8 / 18

HEX #D1C8C1

RGB 209 200 193

HSL 26.25, 0.15%, 0.79%

LAB 81.13, 1.91, 4.6

 

CMYK 1 / 0 / 0 / 21

HEX #C8C9CA

RGB 200 201 202

HSL 210, 0.02%, 0.79%

LAB 80.91, -0.16, -0.63

 

CMYK 9 / 4 / 0 / 18

HEX #C0CAD2

RGB 192 202 210

HSL 206.67, 0.17%, 0.79%

LAB 80.79, -1.85, -5.16

 

CMYK 16 / 7 / 0 / 14

HEX #B7CBDB

RGB 183 203 219

HSL 206.67, 0.33%, 0.79%

LAB 80.68, -3.45, -10.23

 

CMYK 0 / 16 / 14 / 15

HEX #DAB8BB

RGB 218 184 187

HSL 354.71, 0.31%, 0.79%

LAB 77.74, 12.66, 3.02

 

CMYK 0 / 13 / 16 / 15

HEX #DABEB8

RGB 218 190 184

HSL 10.59, 0.31%, 0.79%

LAB 79.15, 8.97, 6.68

 

CMYK 0 / 9 / 16 / 15

HEX #DAC7B8

RGB 218 199 184

HSL 26.47, 0.31%, 0.79%

LAB 81.41, 4.21, 9.91

 

CMYK 0 / 5 / 16 / 15

HEX #DAD0B8

RGB 218 208 184

HSL 42.35, 0.31%, 0.79%

LAB 83.69, -0.51, 13.15

 

CMYK 0 / 0 / 16 / 15

HEX #DAD9B8

RGB 218 217 184

HSL 58.24, 0.31%, 0.79%

LAB 86, -5.15, 16.41

 

CMYK 0 / 17 / 31 / 26

HEX #BD9D82

RGB 189 157 130

HSL 27.46, 0.31%, 0.63%

LAB 66.93, 7.85, 18.56

 

CMYK 0 / 12 / 23 / 20

HEX #CBB29D

RGB 203 178 157

HSL 27.39, 0.31%, 0.71%

LAB 74.17, 5.69, 14.03

 

CMYK 0 / 9 / 16 / 15

HEX #DAC7B8

RGB 218 199 184

HSL 26.47, 0.31%, 0.79%

LAB 81.41, 4.21, 9.91

 

CMYK 0 / 5 / 9 / 9

HEX #E8DDD3

RGB 232 221 211

HSL 28.57, 0.31%, 0.87%

LAB 88.72, 2.07, 6.23

 

CMYK 0 / 2 / 3 / 4

HEX #F6F2EE

RGB 246 242 238

HSL 30, 0.31%, 0.95%

LAB 95.69, 0.65, 2.39

 

CMYK 0 / 8 / 15 / 15

HEX #DAC8B9

RGB 218 200 185

HSL 27.27, 0.31%, 0.79%

LAB 81.68, 3.84, 9.77

 

CMYK 10 / 0 / 16 / 15

HEX #C4DAB8

RGB 196 218 184

HSL 98.82, 0.31%, 0.79%

LAB 84.66, -13.49, 14.29

 

CMYK 15 / 16 / 0 / 15

HEX #BAB8DA

RGB 186 184 218

HSL 243.53, 0.31%, 0.79%

LAB 75.94, 7.48, -16.78

 

CMYK 0 / 8 / 15 / 15

HEX #DAC8B9

RGB 218 200 185

HSL 27.27, 0.31%, 0.79%

LAB 81.68, 3.84, 9.77

 

CMYK 16 / 0 / 9 / 15

HEX #B8DAC7

RGB 184 218 199

HSL 146.47, 0.31%, 0.79%

LAB 84.2, -14.88, 5.61

 

CMYK 9 / 16 / 0 / 15

HEX #C7B8DA

RGB 199 184 218

HSL 266.47, 0.31%, 0.79%

LAB 76.97, 11.7, -15.11

 

CMYK 0 / 8 / 15 / 15

HEX #DAC8B9

RGB 218 200 185

HSL 27.27, 0.31%, 0.79%

LAB 81.68, 3.84, 9.77

 

CMYK 10 / 0 / 16 / 15

HEX #C4DAB8

RGB 196 218 184

HSL 98.82, 0.31%, 0.79%

LAB 84.66, -13.49, 14.29

 

CMYK 16 / 7 / 0 / 15

HEX #B8CBDA

RGB 184 203 218

HSL 206.47, 0.31%, 0.79%

LAB 80.72, -3.34, -9.62

 

CMYK 6 / 16 / 0 / 15

HEX #CEB8DA

RGB 206 184 218

HSL 278.82, 0.31%, 0.79%

LAB 77.56, 14.02, -14.17

 

CMYK 0 / 8 / 15 / 15

HEX #DAC8B9

RGB 218 200 185

HSL 27.27, 0.31%, 0.79%

LAB 81.68, 3.84, 9.77

 

CMYK 15 / 0 / 16 / 15

HEX #BADAB8

RGB 186 218 184

HSL 116.47, 0.31%, 0.79%

LAB 83.99, -16.94, 13.24

 

CMYK 16 / 7 / 0 / 15

HEX #B8CBDA

RGB 184 203 218

HSL 206.47, 0.31%, 0.79%

LAB 80.72, -3.34, -9.62

 

CMYK 1 / 16 / 0 / 15

HEX #D8B8DA

RGB 216 184 218

HSL 296.47, 0.31%, 0.79%

LAB 78.43, 17.36, -12.78

 

Description

Color code: HEX #DAC8B9 | qconv.com Color code: HEX #DAC8B9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 200 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 200 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 15 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 15% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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