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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAC5CACE it is the complementary color #253A35CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAC5CACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAC5CACE shade: #DFC5C5CE, #F0D7D8CE, #FFE9EBCE, #FFFBFECE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAC5CACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAC5CACE shade: #DAC5CACE, #C9B3B7CE, #B8A1A4CE, #A78F91CE and #967D7ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAC5CACE shade: #D9C4C9 and #D9C4C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAC5CACE shade: #D9C4C9, #D9C4CF, #D9C4D4, #D8C4D9 and #D2C4D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAC5CACE shade matches the following richer shades: #D9C4C9, #E1BCC5, #E9B4C1, #F1ACBD and #F9A5B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAC5CACE shade: #D9C4C9, #D1CCCD, #CAD4D1, #C2DBD5 and #BAE3D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAC5CACE shade: #D9C4D5, #D9C4CF, #D9C4C9, #D9C4C4 and #D9CAC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAC5CACE shade: #B9929B, #C9ABB2, #D9C4C9, #E9DDE0 and #F9F6F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAC5CACE shade: #DAC5CA, #D9D8C4 and #C4D2D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAC5CACE shade: #DAC5CA, #C9D9C4 and #C4C9D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAC5CACE shade: #DAC5CA, #D9D8C4, #C4D9D4 and #C4C5D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAC5CACE shade: #DAC5CA, #D4D9C4, #C4D9D4 and #C9C4D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 6 / 12

HEX #DAC5CACE

RGBA 218 197 202 0.81

HSLA 345.71, 0.22%, 0.81%, 0.81

LABA 81.35, 8.22, 0.18, 0.81

 

Complementary color

CMYK 29 / 0 / 7 / 63

HEX #253A35CE

RGBA 37 58 53 0.81

HSLA 165.71, 0.22%, 0.19%, 0.81

LABA 22.57, -9.68, 0.44, 0.81

 

CMYK 0 / 9 / 9 / 10

HEX #DFC5C5CE

RGBA 223 197 197 0.81

HSLA 0, 0.29%, 0.82%, 0.81

LABA 81.65, 9.15, 3.35, 0.81

 

CMYK 0 / 8 / 8 / 5

HEX #F0D7D8CE

RGBA 240 215 216 0.81

HSLA 357.6, 0.45%, 0.89%, 0.81

LABA 88.01, 8.8, 2.66, 0.81

 

CMYK 0 / 7 / 6 / 0

HEX #FFE9EBCE

RGBA 255 233 235 0.81

HSLA 354.55, 1%, 0.96%, 0.81

LABA 94.11, 7.8, 1.73, 0.81

 

CMYK 0 / 1 / 0 / 0

HEX #FFFBFECE

RGBA 255 251 254 0.81

HSLA 315, 1%, 0.99%, 0.81

LABA 98.99, 1.85, -0.97, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 0 / 8 / 6 / 12

HEX #DAC5CACE

RGBA 218 197 202 0.81

HSLA 345.71, 0.22%, 0.81%, 0.81

LABA 81.35, 8.22, 0.18, 0.81

 

CMYK 0 / 9 / 7 / 17

HEX #C9B3B7CE

RGBA 201 179 183 0.81

HSLA 349.09, 0.17%, 0.75%, 0.81

LABA 74.87, 8.55, 0.84, 0.81

 

CMYK 0 / 10 / 9 / 23

HEX #B8A1A4CE

RGBA 184 161 164 0.81

HSLA 352.17, 0.14%, 0.68%, 0.81

LABA 68.29, 8.92, 1.53, 0.81

 

CMYK 0 / 12 / 11 / 28

HEX #A78F91CE

RGBA 167 143 145 0.81

HSLA 355, 0.12%, 0.61%, 0.81

LABA 61.57, 9.33, 2.27, 0.81

 

CMYK 0 / 14 / 13 / 33

HEX #967D7ECE

RGBA 150 125 126 0.81

HSLA 357.6, 0.11%, 0.54%, 0.81

LABA 54.72, 9.79, 3.05, 0.81

 

CMYK 0 / 10 / 7 / 15

HEX #D9C4C9

RGB 217 196 201

HSL 345.71, 0.22%, 0.81%

LAB 80.99, 8.23, 0.18

 

CMYK 0 / 10 / 10 / 15

HEX #D9C4C4

RGB 217 196 196

HSL 0, 0.22%, 0.81%

LAB 80.86, 7.38, 2.68

 

CMYK 0 / 10 / 7 / 15

HEX #D9C4C9

RGB 217 196 201

HSL 345.71, 0.22%, 0.81%

LAB 80.99, 8.23, 0.18

 

CMYK 0 / 10 / 5 / 15

HEX #D9C4CF

RGB 217 196 207

HSL 328.57, 0.22%, 0.81%

LAB 81.15, 9.27, -2.81

 

CMYK 0 / 10 / 2 / 15

HEX #D9C4D4

RGB 217 196 212

HSL 314.29, 0.22%, 0.81%

LAB 81.28, 10.16, -5.29

 

CMYK 0 / 10 / 0 / 15

HEX #D8C4D9

RGB 216 196 217

HSL 297.14, 0.22%, 0.81%

LAB 81.34, 10.73, -7.9

 

CMYK 3 / 10 / 0 / 15

HEX #D2C4D9

RGB 210 196 217

HSL 280, 0.22%, 0.81%

LAB 80.85, 8.71, -8.69

 

CMYK 0 / 10 / 7 / 15

HEX #D9C4C9

RGB 217 196 201

HSL 345.71, 0.22%, 0.81%

LAB 80.99, 8.23, 0.18

 

CMYK 0 / 16 / 12 / 12

HEX #E1BCC5

RGB 225 188 197

HSL 345.41, 0.38%, 0.81%

LAB 79.62, 14.65, 0.42

 

CMYK 0 / 23 / 17 / 9

HEX #E9B4C1

RGB 233 180 193

HSL 345.28, 0.55%, 0.81%

LAB 78.35, 21.15, 0.83

 

CMYK 0 / 29 / 22 / 5

HEX #F1ACBD

RGB 241 172 189

HSL 345.22, 0.71%, 0.81%

LAB 77.21, 27.66, 1.44

 

CMYK 0 / 34 / 26 / 2

HEX #F9A5B9

RGB 249 165 185

HSL 345.71, 0.88%, 0.81%

LAB 76.41, 33.64, 2.57

 

CMYK 0 / 10 / 7 / 15

HEX #D9C4C9

RGB 217 196 201

HSL 345.71, 0.22%, 0.81%

LAB 80.99, 8.23, 0.18

 

CMYK 0 / 2 / 2 / 18

HEX #D1CCCD

RGB 209 204 205

HSL 348, 0.05%, 0.81%

LAB 82.46, 1.91, 0.11

 

CMYK 5 / 0 / 1 / 17

HEX #CAD4D1

RGB 202 212 209

HSL 162, 0.1%, 0.81%

LAB 84.09, -3.93, 0.3

 

CMYK 11 / 0 / 3 / 14

HEX #C2DBD5

RGB 194 219 213

HSL 165.6, 0.26%, 0.81%

LAB 85.47, -9.44, 0.12

 

CMYK 18 / 0 / 4 / 11

HEX #BAE3D9

RGB 186 227 217

HSL 165.37, 0.42%, 0.81%

LAB 87.19, -15.27, 0.45

 

CMYK 0 / 10 / 2 / 15

HEX #D9C4D5

RGB 217 196 213

HSL 311.43, 0.22%, 0.81%

LAB 81.31, 10.34, -5.79

 

CMYK 0 / 10 / 5 / 15

HEX #D9C4CF

RGB 217 196 207

HSL 328.57, 0.22%, 0.81%

LAB 81.15, 9.27, -2.81

 

CMYK 0 / 10 / 7 / 15

HEX #D9C4C9

RGB 217 196 201

HSL 345.71, 0.22%, 0.81%

LAB 80.99, 8.23, 0.18

 

CMYK 0 / 10 / 10 / 15

HEX #D9C4C4

RGB 217 196 196

HSL 0, 0.22%, 0.81%

LAB 80.86, 7.38, 2.68

 

CMYK 0 / 7 / 10 / 15

HEX #D9CAC4

RGB 217 202 196

HSL 17.14, 0.22%, 0.81%

LAB 82.37, 4.21, 4.86

 

CMYK 0 / 21 / 16 / 27

HEX #B9929B

RGB 185 146 155

HSL 346.15, 0.22%, 0.65%

LAB 64.35, 16.09, 0.86

 

CMYK 0 / 15 / 11 / 21

HEX #C9ABB2

RGB 201 171 178

HSL 346, 0.22%, 0.73%

LAB 72.73, 12.04, 0.46

 

CMYK 0 / 10 / 7 / 15

HEX #D9C4C9

RGB 217 196 201

HSL 345.71, 0.22%, 0.81%

LAB 80.99, 8.23, 0.18

 

CMYK 0 / 5 / 4 / 9

HEX #E9DDE0

RGB 233 221 224

HSL 345, 0.21%, 0.89%

LAB 89.12, 4.61, -0.01

 

CMYK 0 / 1 / 1 / 2

HEX #F9F6F7

RGB 249 246 247

HSL 340, 0.2%, 0.97%

LAB 97.13, 1.18, -0.14

 

CMYK 0 / 10 / 7 / 15

HEX #DAC5CA

RGB 218 197 202

HSL 345.71, 0.22%, 0.81%

LAB 81.35, 8.22, 0.18

 

CMYK 0 / 0 / 10 / 15

HEX #D9D8C4

RGB 217 216 196

HSL 57.14, 0.22%, 0.81%

LAB 85.93, -3.1, 9.98

 

CMYK 10 / 3 / 0 / 15

HEX #C4D2D9

RGB 196 210 217

HSL 200, 0.22%, 0.81%

LAB 83.36, -3.35, -5.09

 

CMYK 0 / 10 / 7 / 15

HEX #DAC5CA

RGB 218 197 202

HSL 345.71, 0.22%, 0.81%

LAB 81.35, 8.22, 0.18

 

CMYK 7 / 0 / 10 / 15

HEX #C9D9C4

RGB 201 217 196

HSL 105.71, 0.22%, 0.81%

LAB 85.01, -9.2, 8.51

 

CMYK 10 / 7 / 0 / 15

HEX #C4C9D9

RGB 196 201 217

HSL 225.71, 0.22%, 0.81%

LAB 81.03, 1.39, -8.54

 

CMYK 0 / 10 / 7 / 15

HEX #DAC5CA

RGB 218 197 202

HSL 345.71, 0.22%, 0.81%

LAB 81.35, 8.22, 0.18

 

CMYK 0 / 0 / 10 / 15

HEX #D9D8C4

RGB 217 216 196

HSL 57.14, 0.22%, 0.81%

LAB 85.93, -3.1, 9.98

 

CMYK 10 / 0 / 2 / 15

HEX #C4D9D4

RGB 196 217 212

HSL 165.71, 0.22%, 0.81%

LAB 85.06, -7.95, 0.06

 

CMYK 10 / 9 / 0 / 15

HEX #C4C5D9

RGB 196 197 217

HSL 237.14, 0.22%, 0.81%

LAB 80, 3.52, -10.07

 

CMYK 0 / 10 / 7 / 15

HEX #DAC5CA

RGB 218 197 202

HSL 345.71, 0.22%, 0.81%

LAB 81.35, 8.22, 0.18

 

CMYK 2 / 0 / 10 / 15

HEX #D4D9C4

RGB 212 217 196

HSL 74.29, 0.22%, 0.81%

LAB 85.81, -5.37, 9.76

 

CMYK 10 / 0 / 2 / 15

HEX #C4D9D4

RGB 196 217 212

HSL 165.71, 0.22%, 0.81%

LAB 85.06, -7.95, 0.06

 

CMYK 7 / 10 / 0 / 15

HEX #C9C4D9

RGB 201 196 217

HSL 254.29, 0.22%, 0.81%

LAB 80.13, 5.7, -9.83

 

Description

Color code: HEX #DAC5CACE | qconv.com Color code: HEX #DAC5CACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 197 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 197 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 6 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 6% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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