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Color name
HEX #DAC514CE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAC514CE it is the complementary color #253AEBCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAC514CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAC514CE shade: #DFC50FCE, #F0D722CE, #FFE935CE, #FFFB48CE and #FFFF5BCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAC514CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAC514CE shade: #DAC514CE, #C9B301CE, #B8A100CE, #A78F00CE and #967D00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAC514CE shade: #DBC614, #DB9114, #DB5B14, #DB2514 and #DB1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAC514CE shade: #DBC614, #BBDB14, #85DB14, #4FDB14 and #1ADB14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAC514CE shade matches the following richer shades: #DBC614 and #EFD601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAC514CE shade: #DBC614, #C8B728, #B5A83B, #A1984F and #8E8962

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAC514CE shade: #DB5A14, #DB8F14, #DBC414, #BDDB14 and #88DB14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAC514CE shade: #90820D, #B6A411, #DBC614, #ECD72D and #EFDF53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAC514CE shade: #DAC514, #14DB25 and #7514DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAC514CE shade: #DAC514, #14DBC4 and #C414DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAC514CE shade: #DAC514, #14DB25, #142CDB and #DB14CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAC514CE shade: #DAC514, #14DB61, #142CDB and #DB148F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 74 / 12

HEX #DAC514CE

RGBA 218 197 20 0.81

HSLA 53.64, 0.83%, 0.47%, 0.81

LABA 78.98, -8.45, 77.7, 0.81

 

Complementary color

CMYK 68 / 61 / 0 / 6

HEX #253AEBCE

RGBA 37 58 235 0.81

HSLA 233.64, 0.83%, 0.53%, 0.81

LABA 36.78, 55.72, -89.1, 0.81

 

CMYK 0 / 9 / 76 / 10

HEX #DFC50FCE

RGBA 223 197 15 0.81

HSLA 52.5, 0.87%, 0.47%, 0.81

LABA 79.42, -6.36, 78.92, 0.81

 

CMYK 0 / 8 / 70 / 5

HEX #F0D722CE

RGBA 240 215 34 0.81

HSLA 52.72, 0.87%, 0.54%, 0.81

LABA 85.63, -7.88, 81.22, 0.81

 

CMYK 0 / 7 / 64 / 0

HEX #FFE935CE

RGBA 255 233 53 0.81

HSLA 53.47, 1%, 0.6%, 0.81

LABA 91.59, -10.04, 82.15, 0.81

 

CMYK 0 / 1 / 58 / 0

HEX #FFFB48CE

RGBA 255 251 72 0.81

HSLA 58.69, 1%, 0.64%, 0.81

LABA 96.3, -18.11, 80.71, 0.81

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF5BCE

RGBA 255 255 91 0.81

HSLA 60, 1%, 0.68%, 0.81

LABA 97.44, -19.1, 75.13, 0.81

 

CMYK 0 / 8 / 74 / 12

HEX #DAC514CE

RGBA 218 197 20 0.81

HSLA 53.64, 0.83%, 0.47%, 0.81

LABA 78.98, -8.45, 77.7, 0.81

 

CMYK 0 / 9 / 81 / 17

HEX #C9B301CE

RGBA 201 179 1 0.81

HSLA 53.4, 0.99%, 0.4%, 0.81

LABA 72.67, -6.83, 74.59, 0.81

 

CMYK 0 / 10 / 81 / 23

HEX #B8A100CE

RGBA 184 161 0 0.81

HSLA 52.5, 1%, 0.36%, 0.81

LABA 66.27, -4.95, 69.41, 0.81

 

CMYK 0 / 12 / 81 / 28

HEX #A78F00CE

RGBA 167 143 0 0.81

HSLA 51.38, 1%, 0.33%, 0.81

LABA 59.76, -2.99, 64.03, 0.81

 

CMYK 0 / 14 / 81 / 33

HEX #967D00CE

RGBA 150 125 0 0.81

HSLA 50, 1%, 0.29%, 0.81

LABA 53.11, -0.95, 58.53, 0.81

 

CMYK 0 / 10 / 91 / 14

HEX #DBC614

RGB 219 198 20

HSL 53.67, 0.83%, 0.47%

LAB 79.33, -8.53, 78.01

 

CMYK 0 / 34 / 91 / 14

HEX #DB9114

RGB 219 145 20

HSL 37.69, 0.83%, 0.47%

LAB 66.03, 19.44, 67.92

 

CMYK 0 / 58 / 91 / 14

HEX #DB5B14

RGB 219 91 20

HSL 21.41, 0.83%, 0.47%

LAB 54.65, 47.18, 59.59

 

CMYK 0 / 83 / 91 / 14

HEX #DB2514

RGB 219 37 20

HSL 5.13, 0.83%, 0.47%

LAB 47.54, 66.56, 54.64

 

CMYK 0 / 91 / 91 / 14

HEX #DB1414

RGB 219 20 20

HSL 0, 0.83%, 0.47%

LAB 46.46, 69.65, 53.92

 

CMYK 0 / 10 / 91 / 14

HEX #DBC614

RGB 219 198 20

HSL 53.67, 0.83%, 0.47%

LAB 79.33, -8.53, 78.01

 

CMYK 15 / 0 / 91 / 14

HEX #BBDB14

RGB 187 219 20

HSL 69.65, 0.83%, 0.47%

LAB 82.53, -32.27, 79.44

 

CMYK 39 / 0 / 91 / 14

HEX #85DB14

RGB 133 219 20

HSL 85.93, 0.83%, 0.47%

LAB 79.44, -52.56, 75.66

 

CMYK 64 / 0 / 91 / 14

HEX #4FDB14

RGB 79 219 20

HSL 102.21, 0.83%, 0.47%

LAB 77.51, -67.67, 73.26

 

CMYK 88 / 0 / 91 / 14

HEX #1ADB14

RGB 26 219 20

HSL 118.19, 0.83%, 0.47%

LAB 76.64, -75.21, 72.19

 

CMYK 0 / 10 / 91 / 14

HEX #DBC614

RGB 219 198 20

HSL 53.67, 0.83%, 0.47%

LAB 79.33, -8.53, 78.01

 

CMYK 0 / 10 / 100 / 6

HEX #EFD601

RGB 239 214 1

HSL 53.7, 0.99%, 0.47%

LAB 85.22, -8.23, 85.17

 

CMYK 0 / 10 / 91 / 14

HEX #DBC614

RGB 219 198 20

HSL 53.67, 0.83%, 0.47%

LAB 79.33, -8.53, 78.01

 

CMYK 0 / 9 / 80 / 22

HEX #C8B728

RGB 200 183 40

HSL 53.63, 0.67%, 0.47%

LAB 73.74, -8.6, 68.33

 

CMYK 0 / 7 / 67 / 29

HEX #B5A83B

RGB 181 168 59

HSL 53.61, 0.51%, 0.47%

LAB 68.13, -8.21, 55.67

 

CMYK 0 / 6 / 51 / 37

HEX #A1984F

RGB 161 152 79

HSL 53.41, 0.34%, 0.47%

LAB 62.17, -6.88, 39.25

 

CMYK 0 / 4 / 31 / 44

HEX #8E8962

RGB 142 137 98

HSL 53.18, 0.18%, 0.47%

LAB 56.61, -4.56, 21.63

 

CMYK 0 / 59 / 91 / 14

HEX #DB5A14

RGB 219 90 20

HSL 21.11, 0.83%, 0.47%

LAB 54.47, 47.64, 59.46

 

CMYK 0 / 35 / 91 / 14

HEX #DB8F14

RGB 219 143 20

HSL 37.09, 0.83%, 0.47%

LAB 65.56, 20.52, 67.56

 

CMYK 0 / 11 / 91 / 14

HEX #DBC414

RGB 219 196 20

HSL 53.07, 0.83%, 0.47%

LAB 78.8, -7.51, 77.61

 

CMYK 14 / 0 / 91 / 14

HEX #BDDB14

RGB 189 219 20

HSL 69.05, 0.83%, 0.47%

LAB 82.66, -31.45, 79.6

 

CMYK 38 / 0 / 91 / 14

HEX #88DB14

RGB 136 219 20

HSL 85.03, 0.83%, 0.47%

LAB 79.58, -51.54, 75.83

 

CMYK 0 / 10 / 91 / 44

HEX #90820D

RGB 144 130 13

HSL 53.59, 0.83%, 0.31%

LAB 53.95, -6.31, 56.51

 

CMYK 0 / 10 / 91 / 29

HEX #B6A411

RGB 182 164 17

HSL 53.45, 0.83%, 0.39%

LAB 66.93, -7.21, 67.46

 

CMYK 0 / 10 / 91 / 14

HEX #DBC614

RGB 219 198 20

HSL 53.67, 0.83%, 0.47%

LAB 79.33, -8.53, 78.01

 

CMYK 0 / 9 / 81 / 7

HEX #ECD72D

RGB 236 215 45

HSL 53.4, 0.83%, 0.55%

LAB 85.31, -9.29, 78.22

 

CMYK 0 / 7 / 65 / 6

HEX #EFDF53

RGB 239 223 83

HSL 53.85, 0.83%, 0.63%

LAB 87.85, -10.42, 67.91

 

CMYK 0 / 10 / 91 / 15

HEX #DAC514

RGB 218 197 20

HSL 53.64, 0.83%, 0.47%

LAB 78.98, -8.45, 77.7

 

CMYK 91 / 0 / 83 / 14

HEX #14DB25

RGB 20 219 37

HSL 125.13, 0.83%, 0.47%

LAB 76.65, -74.95, 68.85

 

CMYK 47 / 91 / 0 / 14

HEX #7514DB

RGB 117 20 219

HSL 269.25, 0.83%, 0.47%

LAB 36.74, 71.91, -79.82

 

CMYK 0 / 10 / 91 / 15

HEX #DAC514

RGB 218 197 20

HSL 53.64, 0.83%, 0.47%

LAB 78.98, -8.45, 77.7

 

CMYK 91 / 0 / 11 / 14

HEX #14DBC4

RGB 20 219 196

HSL 173.07, 0.83%, 0.47%

LAB 78.92, -48.79, -1.15

 

CMYK 11 / 91 / 0 / 14

HEX #C414DB

RGB 196 20 219

HSL 293.07, 0.83%, 0.47%

LAB 48.7, 82.22, -59.81

 

CMYK 0 / 10 / 91 / 15

HEX #DAC514

RGB 218 197 20

HSL 53.64, 0.83%, 0.47%

LAB 78.98, -8.45, 77.7

 

CMYK 91 / 0 / 83 / 14

HEX #14DB25

RGB 20 219 37

HSL 125.13, 0.83%, 0.47%

LAB 76.65, -74.95, 68.85

 

CMYK 91 / 80 / 0 / 14

HEX #142CDB

RGB 20 44 219

HSL 232.76, 0.83%, 0.47%

LAB 31.95, 57.21, -87.98

 

CMYK 0 / 91 / 7 / 14

HEX #DB14CB

RGB 219 20 203

HSL 304.82, 0.83%, 0.47%

LAB 51.69, 83.67, -45.61

 

CMYK 0 / 10 / 91 / 15

HEX #DAC514

RGB 218 197 20

HSL 53.64, 0.83%, 0.47%

LAB 78.98, -8.45, 77.7

 

CMYK 91 / 0 / 56 / 14

HEX #14DB61

RGB 20 219 97

HSL 143.22, 0.83%, 0.47%

LAB 77.09, -69.42, 47.15

 

CMYK 91 / 80 / 0 / 14

HEX #142CDB

RGB 20 44 219

HSL 232.76, 0.83%, 0.47%

LAB 31.95, 57.21, -87.98

 

CMYK 0 / 91 / 35 / 14

HEX #DB148F

RGB 219 20 143

HSL 322.91, 0.83%, 0.47%

LAB 48.94, 76.49, -14.55

 

Description

Color code: HEX #DAC514CE | qconv.com Color code: HEX #DAC514CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 197 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 197 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 74 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 74% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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