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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAC45E it is the complementary color #253BA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAC45E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAC45E shade: #DFC459, #F0D66C, #FFE87F, #FFFA92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAC45E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAC45E shade: #DAC45E, #C9B24B, #B8A038, #A78E25 and #967C12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAC45E shade: #DAC35C, #DAA25C, #DA805C, #DA5E5C and #DA5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAC45E shade: #DAC35C, #CEDA5C, #ACDA5C, #8BDA5C and #69DA5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAC45E shade matches the following richer shades: #DAC35C, #EACE4C and #FAD83C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAC45E shade: #DAC35C, #CAB96C, #BAAF7D, #A9A48D and #999A9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAC45E shade: #DA805C, #DAA15C, #DAC35C, #CFDA5C and #AEDA5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAC45E shade: #BAA02A, #D2B73B, #DAC35C, #E1D07E and #E9DCA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAC45E shade: #DAC45E, #5CDA5E and #915CDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAC45E shade: #DAC45E, #5CDAC3 and #C35CDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAC45E shade: #DAC45E, #5CDA5E, #5C73DA and #DA5CD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAC45E shade: #DAC45E, #5CDA84, #5C73DA and #DA5CB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 57 / 15

HEX #DAC45E

RGB 218 196 94

HSL 49.35, 0.63%, 0.61%

LAB 79.15, -4.71, 53.14

 

Complementary color

CMYK 77 / 63 / 0 / 37

HEX #253BA1

RGB 37 59 161

HSL 229.35, 0.63%, 0.39%

LAB 29.65, 29.09, -57.55

 

CMYK 0 / 12 / 60 / 13

HEX #DFC459

RGB 223 196 89

HSL 47.91, 0.68%, 0.61%

LAB 79.55, -2.98, 56

 

CMYK 0 / 11 / 55 / 6

HEX #F0D66C

RGB 240 214 108

HSL 48.18, 0.81%, 0.68%

LAB 85.86, -3.81, 54.88

 

CMYK 0 / 9 / 50 / 0

HEX #FFE87F

RGB 255 232 127

HSL 49.22, 1%, 0.75%

LAB 91.91, -5.31, 53.47

 

CMYK 0 / 2 / 43 / 0

HEX #FFFA92

RGB 255 250 146

HSL 57.25, 1%, 0.79%

LAB 96.7, -12.49, 50.3

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 10 / 57 / 15

HEX #DAC45E

RGB 218 196 94

HSL 49.35, 0.63%, 0.61%

LAB 79.15, -4.71, 53.14

 

CMYK 0 / 11 / 63 / 21

HEX #C9B24B

RGB 201 178 75

HSL 49.05, 0.54%, 0.54%

LAB 72.74, -3.85, 54.21

 

CMYK 0 / 13 / 70 / 28

HEX #B8A038

RGB 184 160 56

HSL 48.75, 0.53%, 0.47%

LAB 66.23, -2.82, 55.06

 

CMYK 0 / 15 / 78 / 35

HEX #A78E25

RGB 167 142 37

HSL 48.46, 0.64%, 0.4%

LAB 59.61, -1.58, 55.42

 

CMYK 0 / 17 / 88 / 41

HEX #967C12

RGB 150 124 18

HSL 48.18, 0.79%, 0.33%

LAB 52.89, -0.06, 54.78

 

CMYK 0 / 11 / 58 / 15

HEX #DAC35C

RGB 218 195 92

HSL 49.05, 0.63%, 0.61%

LAB 78.87, -4.34, 53.75

 

CMYK 0 / 26 / 58 / 15

HEX #DAA25C

RGB 218 162 92

HSL 33.33, 0.63%, 0.61%

LAB 70.54, 13.09, 44.03

 

CMYK 0 / 41 / 58 / 15

HEX #DA805C

RGB 218 128 92

HSL 17.14, 0.63%, 0.61%

LAB 62.61, 31.34, 34.35

 

CMYK 0 / 57 / 58 / 15

HEX #DA5E5C

RGB 218 94 92

HSL 0.95, 0.63%, 0.61%

LAB 55.77, 48.51, 25.61

 

CMYK 0 / 58 / 58 / 15

HEX #DA5C5C

RGB 218 92 92

HSL 0, 0.63%, 0.61%

LAB 55.41, 49.45, 25.15

 

CMYK 0 / 11 / 58 / 15

HEX #DAC35C

RGB 218 195 92

HSL 49.05, 0.63%, 0.61%

LAB 78.87, -4.34, 53.75

 

CMYK 6 / 0 / 58 / 15

HEX #CEDA5C

RGB 206 218 92

HSL 65.71, 0.63%, 0.61%

LAB 83.99, -20.84, 59.23

 

CMYK 21 / 0 / 58 / 15

HEX #ACDA5C

RGB 172 218 92

HSL 81.9, 0.63%, 0.61%

LAB 81.67, -34.14, 55.99

 

CMYK 36 / 0 / 58 / 15

HEX #8BDA5C

RGB 139 218 92

HSL 97.62, 0.63%, 0.61%

LAB 79.84, -45.91, 53.43

 

CMYK 52 / 0 / 58 / 15

HEX #69DA5C

RGB 105 218 92

HSL 113.81, 0.63%, 0.61%

LAB 78.41, -56.15, 51.41

 

CMYK 0 / 11 / 58 / 15

HEX #DAC35C

RGB 218 195 92

HSL 49.05, 0.63%, 0.61%

LAB 78.87, -4.34, 53.75

 

CMYK 0 / 12 / 68 / 8

HEX #EACE4C

RGB 234 206 76

HSL 49.37, 0.79%, 0.61%

LAB 83, -4.31, 65.55

 

CMYK 0 / 14 / 76 / 2

HEX #FAD83C

RGB 250 216 60

HSL 49.26, 0.95%, 0.61%

LAB 86.88, -3.39, 75.66

 

CMYK 0 / 11 / 58 / 15

HEX #DAC35C

RGB 218 195 92

HSL 49.05, 0.63%, 0.61%

LAB 78.87, -4.34, 53.75

 

CMYK 0 / 8 / 47 / 21

HEX #CAB96C

RGB 202 185 108

HSL 49.15, 0.47%, 0.61%

LAB 75.04, -4.41, 41.08

 

CMYK 0 / 6 / 33 / 27

HEX #BAAF7D

RGB 186 175 125

HSL 49.18, 0.31%, 0.61%

LAB 71.27, -3.72, 27.1

 

CMYK 0 / 3 / 17 / 34

HEX #A9A48D

RGB 169 164 141

HSL 49.29, 0.14%, 0.61%

LAB 67.21, -2.18, 12.59

 

CMYK 3 / 2 / 0 / 38

HEX #999A9D

RGB 153 154 157

HSL 225, 0.02%, 0.61%

LAB 63.6, 0.23, -1.7

 

CMYK 0 / 41 / 58 / 15

HEX #DA805C

RGB 218 128 92

HSL 17.14, 0.63%, 0.61%

LAB 62.61, 31.34, 34.35

 

CMYK 0 / 26 / 58 / 15

HEX #DAA15C

RGB 218 161 92

HSL 32.86, 0.63%, 0.61%

LAB 70.29, 13.63, 43.74

 

CMYK 0 / 11 / 58 / 15

HEX #DAC35C

RGB 218 195 92

HSL 49.05, 0.63%, 0.61%

LAB 78.87, -4.34, 53.75

 

CMYK 5 / 0 / 58 / 15

HEX #CFDA5C

RGB 207 218 92

HSL 65.24, 0.63%, 0.61%

LAB 84.06, -20.44, 59.33

 

CMYK 20 / 0 / 58 / 15

HEX #AEDA5C

RGB 174 218 92

HSL 80.95, 0.63%, 0.61%

LAB 81.79, -33.39, 56.17

 

CMYK 0 / 14 / 77 / 27

HEX #BAA02A

RGB 186 160 42

HSL 49.17, 0.63%, 0.45%

LAB 66.33, -2.59, 60.55

 

CMYK 0 / 13 / 72 / 18

HEX #D2B73B

RGB 210 183 59

HSL 49.27, 0.63%, 0.53%

LAB 74.75, -3.5, 63.19

 

CMYK 0 / 11 / 58 / 15

HEX #DAC35C

RGB 218 195 92

HSL 49.05, 0.63%, 0.61%

LAB 78.87, -4.34, 53.75

 

CMYK 0 / 8 / 44 / 12

HEX #E1D07E

RGB 225 208 126

HSL 49.7, 0.62%, 0.69%

LAB 83.25, -5.22, 42.73

 

CMYK 0 / 6 / 31 / 9

HEX #E9DCA0

RGB 233 220 160

HSL 49.32, 0.62%, 0.77%

LAB 87.51, -4.42, 31.14

 

CMYK 0 / 10 / 57 / 15

HEX #DAC45E

RGB 218 196 94

HSL 49.35, 0.63%, 0.61%

LAB 79.15, -4.71, 53.14

 

CMYK 58 / 0 / 57 / 15

HEX #5CDA5E

RGB 92 218 94

HSL 120.95, 0.63%, 0.61%

LAB 78.01, -59.17, 49.93

 

CMYK 33 / 58 / 0 / 15

HEX #915CDA

RGB 145 92 218

HSL 265.24, 0.63%, 0.61%

LAB 50.38, 47.21, -56.9

 

CMYK 0 / 10 / 57 / 15

HEX #DAC45E

RGB 218 196 94

HSL 49.35, 0.63%, 0.61%

LAB 79.15, -4.71, 53.14

 

CMYK 58 / 0 / 11 / 15

HEX #5CDAC3

RGB 92 218 195

HSL 169.05, 0.63%, 0.61%

LAB 79.82, -40.4, 0.84

 

CMYK 11 / 58 / 0 / 15

HEX #C35CDA

RGB 195 92 218

HSL 289.05, 0.63%, 0.61%

LAB 56.41, 59.42, -46.93

 

CMYK 0 / 10 / 57 / 15

HEX #DAC45E

RGB 218 196 94

HSL 49.35, 0.63%, 0.61%

LAB 79.15, -4.71, 53.14

 

CMYK 58 / 0 / 57 / 15

HEX #5CDA5E

RGB 92 218 94

HSL 120.95, 0.63%, 0.61%

LAB 78.01, -59.17, 49.93

 

CMYK 58 / 47 / 0 / 15

HEX #5C73DA

RGB 92 115 218

HSL 229.05, 0.63%, 0.61%

LAB 51.38, 22.04, -55.52

 

CMYK 0 / 58 / 1 / 15

HEX #DA5CD8

RGB 218 92 216

HSL 300.95, 0.63%, 0.61%

LAB 59.45, 64.87, -40.78

 

CMYK 0 / 10 / 57 / 15

HEX #DAC45E

RGB 218 196 94

HSL 49.35, 0.63%, 0.61%

LAB 79.15, -4.71, 53.14

 

CMYK 58 / 0 / 39 / 15

HEX #5CDA84

RGB 92 218 132

HSL 139.05, 0.63%, 0.61%

LAB 78.51, -53.66, 32.1

 

CMYK 58 / 47 / 0 / 15

HEX #5C73DA

RGB 92 115 218

HSL 229.05, 0.63%, 0.61%

LAB 51.38, 22.04, -55.52

 

CMYK 0 / 58 / 18 / 15

HEX #DA5CB2

RGB 218 92 178

HSL 319.05, 0.63%, 0.61%

LAB 57.82, 58.91, -21.64

 

Description

Color code: HEX #DAC45E | qconv.com Color code: HEX #DAC45E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 196 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 196 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 57 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 57% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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