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Color name
HEX #DAC454

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAC454 it is the complementary color #253BAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAC454. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAC454 shade: #DFC44F, #F0D662, #FFE875, #FFFA88 and #FFFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAC454. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAC454 shade: #DAC454, #C9B241, #B8A02E, #A78E1B and #967C08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAC454 shade: #D9C354, #D99F54, #D97B54, #D95754 and #D95454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAC454 shade: #D9C354, #CBD954, #A7D954, #83D954 and #5FD954

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAC454 shade matches the following richer shades: #D9C354, #EACF43 and #FBDA32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAC454 shade: #D9C354, #C8B864, #B8AD75, #A7A186 and #969697

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAC454 shade: #D97C54, #D99F54, #D9C354, #CCD954 and #A8D954

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAC454 shade: #B39C27, #D2B832, #D9C354, #E1CF75 and #E8DB97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAC454 shade: #DAC454, #54D958 and #8E54D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAC454 shade: #DAC454, #54D9C3 and #C354D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAC454 shade: #DAC454, #54D958, #546AD9 and #D954D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAC454 shade: #DAC454, #54D980, #546AD9 and #D954AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 61 / 15

HEX #DAC454

RGB 218 196 84

HSL 50.15, 0.64%, 0.59%

LAB 79.06, -5.42, 57.56

 

Complementary color

CMYK 78 / 65 / 0 / 33

HEX #253BAB

RGB 37 59 171

HSL 230.15, 0.64%, 0.41%

LAB 30.55, 32.84, -62.1

 

CMYK 0 / 12 / 65 / 13

HEX #DFC44F

RGB 223 196 79

HSL 48.75, 0.69%, 0.59%

LAB 79.46, -3.63, 60.3

 

CMYK 0 / 11 / 59 / 6

HEX #F0D662

RGB 240 214 98

HSL 49.01, 0.83%, 0.66%

LAB 85.76, -4.54, 59.33

 

CMYK 0 / 9 / 54 / 0

HEX #FFE875

RGB 255 232 117

HSL 50, 1%, 0.73%

LAB 91.8, -6.12, 57.99

 

CMYK 0 / 2 / 47 / 0

HEX #FFFA88

RGB 255 250 136

HSL 57.48, 1%, 0.77%

LAB 96.58, -13.42, 54.88

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9B

RGB 255 255 155

HSL 60, 1%, 0.8%

LAB 98.09, -14.02, 47.73

 

CMYK 0 / 10 / 61 / 15

HEX #DAC454

RGB 218 196 84

HSL 50.15, 0.64%, 0.59%

LAB 79.06, -5.42, 57.56

 

CMYK 0 / 11 / 68 / 21

HEX #C9B241

RGB 201 178 65

HSL 49.85, 0.56%, 0.52%

LAB 72.65, -4.46, 58.43

 

CMYK 0 / 13 / 75 / 28

HEX #B8A02E

RGB 184 160 46

HSL 49.57, 0.6%, 0.45%

LAB 66.16, -3.31, 58.9

 

CMYK 0 / 15 / 84 / 35

HEX #A78E1B

RGB 167 142 27

HSL 49.29, 0.72%, 0.38%

LAB 59.56, -1.93, 58.6

 

CMYK 0 / 17 / 95 / 41

HEX #967C08

RGB 150 124 8

HSL 49.01, 0.9%, 0.31%

LAB 52.86, -0.26, 56.86

 

CMYK 0 / 10 / 61 / 15

HEX #D9C354

RGB 217 195 84

HSL 50.08, 0.64%, 0.59%

LAB 78.71, -5.32, 57.16

 

CMYK 0 / 27 / 61 / 15

HEX #D99F54

RGB 217 159 84

HSL 33.83, 0.64%, 0.59%

LAB 69.6, 13.7, 46.89

 

CMYK 0 / 43 / 61 / 15

HEX #D97B54

RGB 217 123 84

HSL 17.59, 0.64%, 0.59%

LAB 61.27, 33, 37

 

CMYK 0 / 60 / 61 / 15

HEX #D95754

RGB 217 87 84

HSL 1.35, 0.64%, 0.59%

LAB 54.25, 50.83, 28.25

 

CMYK 0 / 61 / 61 / 15

HEX #D95454

RGB 217 84 84

HSL 0, 0.64%, 0.59%

LAB 53.74, 52.17, 27.6

 

CMYK 0 / 10 / 61 / 15

HEX #D9C354

RGB 217 195 84

HSL 50.08, 0.64%, 0.59%

LAB 78.71, -5.32, 57.16

 

CMYK 6 / 0 / 61 / 15

HEX #CBD954

RGB 203 217 84

HSL 66.32, 0.64%, 0.59%

LAB 83.42, -22.13, 61.96

 

CMYK 23 / 0 / 61 / 15

HEX #A7D954

RGB 167 217 84

HSL 82.56, 0.64%, 0.59%

LAB 81.01, -36.24, 58.63

 

CMYK 40 / 0 / 61 / 15

HEX #83D954

RGB 131 217 84

HSL 98.8, 0.64%, 0.59%

LAB 79.09, -48.88, 55.97

 

CMYK 56 / 0 / 61 / 15

HEX #5FD954

RGB 95 217 84

HSL 115.04, 0.64%, 0.59%

LAB 77.7, -59.2, 54.02

 

CMYK 0 / 10 / 61 / 15

HEX #D9C354

RGB 217 195 84

HSL 50.08, 0.64%, 0.59%

LAB 78.71, -5.32, 57.16

 

CMYK 0 / 12 / 71 / 8

HEX #EACF43

RGB 234 207 67

HSL 50.3, 0.8%, 0.59%

LAB 83.19, -5.27, 69.21

 

CMYK 0 / 13 / 80 / 2

HEX #FBDA32

RGB 251 218 50

HSL 50.15, 0.96%, 0.59%

LAB 87.43, -4.32, 79.21

 

CMYK 0 / 10 / 61 / 15

HEX #D9C354

RGB 217 195 84

HSL 50.08, 0.64%, 0.59%

LAB 78.71, -5.32, 57.16

 

CMYK 0 / 8 / 50 / 22

HEX #C8B864

RGB 200 184 100

HSL 50.4, 0.48%, 0.59%

LAB 74.5, -5.46, 44.38

 

CMYK 0 / 6 / 36 / 28

HEX #B8AD75

RGB 184 173 117

HSL 50.15, 0.32%, 0.59%

LAB 70.43, -4.45, 30.22

 

CMYK 0 / 4 / 20 / 35

HEX #A7A186

RGB 167 161 134

HSL 49.09, 0.16%, 0.59%

LAB 66.08, -2.42, 14.86

 

CMYK 1 / 1 / 0 / 41

HEX #969697

RGB 150 150 151

HSL 240, 0%, 0.59%

LAB 62.11, 0.2, -0.53

 

CMYK 0 / 43 / 61 / 15

HEX #D97C54

RGB 217 124 84

HSL 18.05, 0.64%, 0.59%

LAB 61.49, 32.47, 37.26

 

CMYK 0 / 27 / 61 / 15

HEX #D99F54

RGB 217 159 84

HSL 33.83, 0.64%, 0.59%

LAB 69.6, 13.7, 46.89

 

CMYK 0 / 10 / 61 / 15

HEX #D9C354

RGB 217 195 84

HSL 50.08, 0.64%, 0.59%

LAB 78.71, -5.32, 57.16

 

CMYK 6 / 0 / 61 / 15

HEX #CCD954

RGB 204 217 84

HSL 65.86, 0.64%, 0.59%

LAB 83.5, -21.73, 62.06

 

CMYK 23 / 0 / 61 / 15

HEX #A8D954

RGB 168 217 84

HSL 82.11, 0.64%, 0.59%

LAB 81.07, -35.86, 58.71

 

CMYK 0 / 13 / 78 / 30

HEX #B39C27

RGB 179 156 39

HSL 50.14, 0.64%, 0.43%

LAB 64.57, -3.68, 59.71

 

CMYK 0 / 12 / 76 / 18

HEX #D2B832

RGB 210 184 50

HSL 50.25, 0.64%, 0.51%

LAB 74.96, -4.41, 66.62

 

CMYK 0 / 10 / 61 / 15

HEX #D9C354

RGB 217 195 84

HSL 50.08, 0.64%, 0.59%

LAB 78.71, -5.32, 57.16

 

CMYK 0 / 8 / 48 / 12

HEX #E1CF75

RGB 225 207 117

HSL 50, 0.64%, 0.67%

LAB 82.87, -5.57, 46.71

 

CMYK 0 / 6 / 35 / 9

HEX #E8DB97

RGB 232 219 151

HSL 50.37, 0.64%, 0.75%

LAB 87.02, -5.37, 35.09

 

CMYK 0 / 10 / 61 / 15

HEX #DAC454

RGB 218 196 84

HSL 50.15, 0.64%, 0.59%

LAB 79.06, -5.42, 57.56

 

CMYK 61 / 0 / 59 / 15

HEX #54D958

RGB 84 217 88

HSL 121.8, 0.64%, 0.59%

LAB 77.41, -61.32, 51.86

 

CMYK 35 / 61 / 0 / 15

HEX #8E54D9

RGB 142 84 217

HSL 266.17, 0.64%, 0.59%

LAB 48.39, 50.54, -59.55

 

CMYK 0 / 10 / 61 / 15

HEX #DAC454

RGB 218 196 84

HSL 50.15, 0.64%, 0.59%

LAB 79.06, -5.42, 57.56

 

CMYK 61 / 0 / 10 / 15

HEX #54D9C3

RGB 84 217 195

HSL 170.08, 0.64%, 0.59%

LAB 79.3, -41.41, 0.06

 

CMYK 10 / 61 / 0 / 15

HEX #C354D9

RGB 195 84 217

HSL 290.08, 0.64%, 0.59%

LAB 55.02, 62.85, -48.55

 

CMYK 0 / 10 / 61 / 15

HEX #DAC454

RGB 218 196 84

HSL 50.15, 0.64%, 0.59%

LAB 79.06, -5.42, 57.56

 

CMYK 61 / 0 / 59 / 15

HEX #54D958

RGB 84 217 88

HSL 121.8, 0.64%, 0.59%

LAB 77.41, -61.32, 51.86

 

CMYK 61 / 51 / 0 / 15

HEX #546AD9

RGB 84 106 217

HSL 230.08, 0.64%, 0.59%

LAB 48.51, 25.79, -59.59

 

CMYK 0 / 61 / 2 / 15

HEX #D954D5

RGB 217 84 213

HSL 301.8, 0.64%, 0.59%

LAB 57.94, 67.49, -41.47

 

CMYK 0 / 10 / 61 / 15

HEX #DAC454

RGB 218 196 84

HSL 50.15, 0.64%, 0.59%

LAB 79.06, -5.42, 57.56

 

CMYK 61 / 0 / 41 / 15

HEX #54D980

RGB 84 217 128

HSL 139.85, 0.64%, 0.59%

LAB 77.92, -55.66, 33.3

 

CMYK 61 / 51 / 0 / 15

HEX #546AD9

RGB 84 106 217

HSL 230.08, 0.64%, 0.59%

LAB 48.51, 25.79, -59.59

 

CMYK 0 / 61 / 20 / 15

HEX #D954AD

RGB 217 84 173

HSL 319.85, 0.64%, 0.59%

LAB 56.2, 61.39, -21.24

 

Description

Color code: HEX #DAC454 | qconv.com Color code: HEX #DAC454 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 196 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 196 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 61 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 61% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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