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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DABF8D it is the complementary color #254072. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DABF8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DABF8D shade: #DFBF88, #F0D19B, #FFE3AE, #FFF5C1 and #FFFFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DABF8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DABF8D shade: #DABF8D, #C9AD7A, #B89B67, #A78954 and #967741

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DABF8D shade: #D9BE8B, #D9A98B, #D9948B and #D98B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DABF8D shade: #D9BE8B, #D9D38B, #CAD98B, #B5D98B and #A0D98B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DABF8D shade matches the following richer shades: #D9BE8B, #E5C17F, #F2C572 and #FEC966

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DABF8D shade: #D9BE8B, #CDBA97, #C0B6A4, #B4B3B0 and #A8AFBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DABF8D shade: #D9938B, #D9A88B, #D9BC8B, #D9D18B and #CCD98B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DABF8D shade: #C59B4D, #CFAC6C, #D9BE8B, #E3CFAA and #EDE1C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DABF8D shade: #DABF8D, #98D98B and #9D8BD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DABF8D shade: #DABF8D, #8BD9BC and #BC8BD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DABF8D shade: #DABF8D, #98D98B, #8BA8D9 and #CC8BD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DABF8D shade: #DABF8D, #8BD995, #8BA8D9 and #D98BCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 35 / 15

HEX #DABF8D

RGB 218 191 141

HSL 38.96, 0.51%, 0.7%

LAB 78.51, 2.47, 28.78

 

Complementary color

CMYK 68 / 44 / 0 / 55

HEX #254072

RGB 37 64 114

HSL 218.96, 0.51%, 0.3%

LAB 27.5, 7.43, -31.92

 

CMYK 0 / 14 / 39 / 13

HEX #DFBF88

RGB 223 191 136

HSL 37.93, 0.58%, 0.7%

LAB 78.88, 3.87, 31.97

 

CMYK 0 / 13 / 35 / 6

HEX #F0D19B

RGB 240 209 155

HSL 38.12, 0.74%, 0.77%

LAB 85.25, 3.32, 30.8

 

CMYK 0 / 11 / 32 / 0

HEX #FFE3AE

RGB 255 227 174

HSL 39.26, 1%, 0.84%

LAB 91.35, 2.08, 29.44

 

CMYK 0 / 4 / 24 / 0

HEX #FFF5C1

RGB 255 245 193

HSL 50.32, 1%, 0.88%

LAB 96.17, -4.58, 26.3

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 0 / 12 / 35 / 15

HEX #DABF8D

RGB 218 191 141

HSL 38.96, 0.51%, 0.7%

LAB 78.51, 2.47, 28.78

 

CMYK 0 / 14 / 39 / 21

HEX #C9AD7A

RGB 201 173 122

HSL 38.73, 0.42%, 0.63%

LAB 72.03, 3.02, 29.96

 

CMYK 0 / 16 / 44 / 28

HEX #B89B67

RGB 184 155 103

HSL 38.52, 0.36%, 0.56%

LAB 65.45, 3.66, 31.22

 

CMYK 0 / 18 / 50 / 35

HEX #A78954

RGB 167 137 84

HSL 38.31, 0.33%, 0.49%

LAB 58.74, 4.42, 32.56

 

CMYK 0 / 21 / 57 / 41

HEX #967741

RGB 150 119 65

HSL 38.12, 0.4%, 0.42%

LAB 51.9, 5.34, 33.97

 

CMYK 0 / 12 / 36 / 15

HEX #D9BE8B

RGB 217 190 139

HSL 39.23, 0.51%, 0.7%

LAB 78.14, 2.36, 29.31

 

CMYK 0 / 22 / 36 / 15

HEX #D9A98B

RGB 217 169 139

HSL 23.08, 0.51%, 0.7%

LAB 72.89, 13.55, 22.24

 

CMYK 0 / 32 / 36 / 15

HEX #D9948B

RGB 217 148 139

HSL 6.92, 0.51%, 0.7%

LAB 67.87, 24.89, 15.32

 

CMYK 0 / 36 / 36 / 15

HEX #D98B8B

RGB 217 139 139

HSL 0, 0.51%, 0.7%

LAB 65.81, 29.73, 12.44

 

CMYK 0 / 12 / 36 / 15

HEX #D9BE8B

RGB 217 190 139

HSL 39.23, 0.51%, 0.7%

LAB 78.14, 2.36, 29.31

 

CMYK 0 / 3 / 36 / 15

HEX #D9D38B

RGB 217 211 139

HSL 55.38, 0.51%, 0.7%

LAB 83.55, -8.51, 36.43

 

CMYK 7 / 0 / 36 / 15

HEX #CAD98B

RGB 202 217 139

HSL 71.54, 0.51%, 0.7%

LAB 83.99, -17.31, 36.78

 

CMYK 17 / 0 / 36 / 15

HEX #B5D98B

RGB 181 217 139

HSL 87.69, 0.51%, 0.7%

LAB 82.55, -25.14, 34.62

 

CMYK 26 / 0 / 36 / 15

HEX #A0D98B

RGB 160 217 139

HSL 103.85, 0.51%, 0.7%

LAB 81.27, -32.57, 32.71

 

CMYK 0 / 12 / 36 / 15

HEX #D9BE8B

RGB 217 190 139

HSL 39.23, 0.51%, 0.7%

LAB 78.14, 2.36, 29.31

 

CMYK 0 / 16 / 45 / 10

HEX #E5C17F

RGB 229 193 127

HSL 38.82, 0.66%, 0.7%

LAB 79.8, 4.26, 37.93

 

CMYK 0 / 19 / 53 / 5

HEX #F2C572

RGB 242 197 114

HSL 38.91, 0.83%, 0.7%

LAB 81.85, 6.24, 47.29

 

CMYK 0 / 21 / 60 / 0

HEX #FEC966

RGB 254 201 102

HSL 39.08, 0.99%, 0.7%

LAB 83.86, 8.16, 55.71

 

CMYK 0 / 12 / 36 / 15

HEX #D9BE8B

RGB 217 190 139

HSL 39.23, 0.51%, 0.7%

LAB 78.14, 2.36, 29.31

 

CMYK 0 / 9 / 26 / 20

HEX #CDBA97

RGB 205 186 151

HSL 38.89, 0.35%, 0.7%

LAB 76.27, 1.33, 20.22

 

CMYK 0 / 5 / 15 / 25

HEX #C0B6A4

RGB 192 182 164

HSL 38.57, 0.18%, 0.7%

LAB 74.41, 0.49, 10.43

 

CMYK 0 / 1 / 2 / 29

HEX #B4B3B0

RGB 180 179 176

HSL 45, 0.03%, 0.7%

LAB 72.94, -0.2, 1.64

 

CMYK 11 / 7 / 0 / 26

HEX #A8AFBC

RGB 168 175 188

HSL 219, 0.13%, 0.7%

LAB 71.29, 0.16, -7.48

 

CMYK 0 / 32 / 36 / 15

HEX #D9938B

RGB 217 147 139

HSL 6.15, 0.51%, 0.7%

LAB 67.64, 25.43, 15

 

CMYK 0 / 23 / 36 / 15

HEX #D9A88B

RGB 217 168 139

HSL 22.31, 0.51%, 0.7%

LAB 72.64, 14.09, 21.9

 

CMYK 0 / 13 / 36 / 15

HEX #D9BC8B

RGB 217 188 139

HSL 37.69, 0.51%, 0.7%

LAB 77.63, 3.42, 28.63

 

CMYK 0 / 4 / 36 / 15

HEX #D9D18B

RGB 217 209 139

HSL 53.85, 0.51%, 0.7%

LAB 83.03, -7.49, 35.75

 

CMYK 6 / 0 / 36 / 15

HEX #CCD98B

RGB 204 217 139

HSL 70, 0.51%, 0.7%

LAB 84.14, -16.55, 36.99

 

CMYK 0 / 21 / 61 / 23

HEX #C59B4D

RGB 197 155 77

HSL 39, 0.51%, 0.54%

LAB 66.4, 6.86, 46.08

 

CMYK 0 / 17 / 48 / 19

HEX #CFAC6C

RGB 207 172 108

HSL 38.79, 0.51%, 0.62%

LAB 72.13, 4.53, 37.55

 

CMYK 0 / 12 / 36 / 15

HEX #D9BE8B

RGB 217 190 139

HSL 39.23, 0.51%, 0.7%

LAB 78.14, 2.36, 29.31

 

CMYK 0 / 9 / 25 / 11

HEX #E3CFAA

RGB 227 207 170

HSL 38.95, 0.5%, 0.78%

LAB 83.89, 1.3, 20.94

 

CMYK 0 / 5 / 15 / 7

HEX #EDE1C9

RGB 237 225 201

HSL 40, 0.5%, 0.86%

LAB 89.89, 0.19, 13.2

 

CMYK 0 / 12 / 35 / 15

HEX #DABF8D

RGB 218 191 141

HSL 38.96, 0.51%, 0.7%

LAB 78.51, 2.47, 28.78

 

CMYK 30 / 0 / 36 / 15

HEX #98D98B

RGB 152 217 139

HSL 110, 0.51%, 0.7%

LAB 80.83, -35.26, 32.04

 

CMYK 28 / 36 / 0 / 15

HEX #9D8BD9

RGB 157 139 217

HSL 253.85, 0.51%, 0.7%

LAB 62.21, 23.54, -37.51

 

CMYK 0 / 12 / 35 / 15

HEX #DABF8D

RGB 218 191 141

HSL 38.96, 0.51%, 0.7%

LAB 78.51, 2.47, 28.78

 

CMYK 36 / 0 / 13 / 15

HEX #8BD9BC

RGB 139 217 188

HSL 157.69, 0.51%, 0.7%

LAB 81.15, -30.4, 6.72

 

CMYK 13 / 36 / 0 / 15

HEX #BC8BD9

RGB 188 139 217

HSL 277.69, 0.51%, 0.7%

LAB 65.09, 32.79, -32.8

 

CMYK 0 / 12 / 35 / 15

HEX #DABF8D

RGB 218 191 141

HSL 38.96, 0.51%, 0.7%

LAB 78.51, 2.47, 28.78

 

CMYK 30 / 0 / 36 / 15

HEX #98D98B

RGB 152 217 139

HSL 110, 0.51%, 0.7%

LAB 80.83, -35.26, 32.04

 

CMYK 36 / 23 / 0 / 15

HEX #8BA8D9

RGB 139 168 217

HSL 217.69, 0.51%, 0.7%

LAB 68.39, 1.9, -28.03

 

CMYK 6 / 36 / 0 / 15

HEX #CC8BD9

RGB 204 139 217

HSL 290, 0.51%, 0.7%

LAB 66.76, 37.71, -30.09

 

CMYK 0 / 12 / 35 / 15

HEX #DABF8D

RGB 218 191 141

HSL 38.96, 0.51%, 0.7%

LAB 78.51, 2.47, 28.78

 

CMYK 36 / 0 / 31 / 15

HEX #8BD995

RGB 139 217 149

HSL 127.69, 0.51%, 0.7%

LAB 80.34, -37.82, 26.12

 

CMYK 36 / 23 / 0 / 15

HEX #8BA8D9

RGB 139 168 217

HSL 217.69, 0.51%, 0.7%

LAB 68.39, 1.9, -28.03

 

CMYK 0 / 36 / 5 / 15

HEX #D98BCF

RGB 217 139 207

HSL 307.69, 0.51%, 0.7%

LAB 67.82, 39.95, -22.78

 

Description

Color code: HEX #DABF8D | qconv.com Color code: HEX #DABF8D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 191 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 191 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 35 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 35% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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